tag:blogger.com,1999:blog-2287872877235185402024-03-14T06:07:24.214+01:00molino de damaniu / (la) cabaña
Rehabilitar habilitar una esperanza posibilitar un lugar un encuentro habitar un espacio un tiempo abrir los ojos a media caña respirar oler cada mañana caminar por las nubes regar los cipreses coger un puñado de arena sembrar la tierra con el viento oler oler la vida quedarse inmóvil viendo pasar las nubes... MOLER LA VIDA.Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.comBlogger757125tag:blogger.com,1999:blog-228787287723518540.post-58951468868987100162023-03-10T22:22:00.005+01:002023-07-13T12:20:46.709+02:00Residencia escritores Molino de Damaniu <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZWo4x_kjBmiQbaC_xLQynoWj_ZeJfFluVgKfwMvxr1jC1H4pHawE79vcLT1_oH_iX8fRQz6-fn-9kguN47zeKXu5t7I7q0oJQnMF-eC5ntBmtbKE8z5lXQ8ppd_s9ocNSa8O7WLGG1PAVj8043dpyquHA1fJwOeeyulesVzBUvlNjsEX5gt_xcZsM/s1350/IMG_20230310_214239_336.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1350" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZWo4x_kjBmiQbaC_xLQynoWj_ZeJfFluVgKfwMvxr1jC1H4pHawE79vcLT1_oH_iX8fRQz6-fn-9kguN47zeKXu5t7I7q0oJQnMF-eC5ntBmtbKE8z5lXQ8ppd_s9ocNSa8O7WLGG1PAVj8043dpyquHA1fJwOeeyulesVzBUvlNjsEX5gt_xcZsM/s320/IMG_20230310_214239_336.jpg" width="256" /></a></div><br /><div class="separator" style="clear: both; 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margin-right: 1em;"><img border="0" data-original-height="827" data-original-width="1102" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC00ELvC2U8VsajqPdsnF2SGg-TxhohgjOJd7-2OC0YGw-PS_jQdMtr2Shlg-rNyvuzXoG3_hdHx3We1AmFeSla-Lzj40hS9H1E4CAKKwlEMnQJ5PJDGIPfN0_dnQzLOxLPxqYeYVvBT42niaeeIOW7UtR8nd8lZwGQpvxD16hvOYwiY6UAw4uzCpT/s320/IMG_20230221_160843_412.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwUu7Jt7Ej0fEFGGh6_boR1DmVhyAsFzbDQDJnR3NGmt1LCRgTwA2l6y3ZJclpMSrPgUamDgxAWsXMz5LFQwoD1McOx6_A90ljX03nkIGmkE6zKXkKPT4rEaqczC9NMzbNER24y6YEoppHiOSj-5OseuY0vmd-t0js3LzPnjqSkNX5jTStPZBoZxyN/s1350/IMG_20230221_155059_729.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1350" data-original-width="1080" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwUu7Jt7Ej0fEFGGh6_boR1DmVhyAsFzbDQDJnR3NGmt1LCRgTwA2l6y3ZJclpMSrPgUamDgxAWsXMz5LFQwoD1McOx6_A90ljX03nkIGmkE6zKXkKPT4rEaqczC9NMzbNER24y6YEoppHiOSj-5OseuY0vmd-t0js3LzPnjqSkNX5jTStPZBoZxyN/w320-h400/IMG_20230221_155059_729.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://paginaenblancoynegro.wordpress.com/">https://paginaenblancoynegro.wordpress.com/</a></div><p><br /></p><p><a href="http://www.sergibellver.com/p/biografia.html">http://www.sergibellver.com/p/biografia.html</a></p><p><a href="https://paginaenblancoynegro.wordpress.com/">https://paginaenblancoynegro.wordpress.com/</a></p><p><br /></p>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-83886664523674232582022-03-25T20:25:00.010+01:002022-03-25T20:33:37.015+01:00La cabaña desde todos sus ángulos<div style="text-align: center;"><figure class="featured-image" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px 0px 15px; padding: 0px; position: relative; vertical-align: baseline;"><figcaption style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><div style="text-align: justify;"><header class="post-info" style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px 0px 20px; overflow: hidden; padding: 0px; vertical-align: baseline;"><div class="heading col-sm-42 col-md-44 col-lg-42" style="border: 0px; box-sizing: border-box; float: left; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; min-height: 1px; padding: 0px 15px; position: relative; vertical-align: baseline; width: 483px;"><span style="font-size: x-large;"><u>La cabane sous tous les angles</u></span></div><div class="heading col-sm-42 col-md-44 col-lg-42" style="border: 0px; box-sizing: border-box; float: left; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; min-height: 1px; padding: 0px 15px; position: relative; vertical-align: baseline; width: 483px;"><span style="font-size: x-small;"><br /></span></div><div class="heading col-sm-42 col-md-44 col-lg-42" style="border: 0px; box-sizing: border-box; float: left; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; min-height: 1px; padding: 0px 15px; position: relative; vertical-align: baseline; width: 483px;"><span style="font-size: x-small;">12 juillet 2016<br />Christine Bini</span><br /><br /><div class="lead" style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: 1.4; margin: 0px 0px 20px; padding: 0px; vertical-align: baseline;"><div style="text-align: justify;"><span style="font-family: Open Sans; font-size: large;">La Revue 303 consacre sa dernière livraison à la cabane, cette architecture invisible ou revendiquée, et décline le thème sous les angles sociologiques et intimes, artistiques et historiques.</span></div><span style="font-family: inherit;"></span><p></p></div></div><span style="border-color: initial; border-image: initial; border-style: initial; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; height: auto; line-height: inherit; margin-left: auto; margin-right: auto;"><span style="font-family: inherit;"><span style="background-color: white; border-color: initial; border-image: initial; border-style: initial; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; height: auto; line-height: inherit; margin-left: auto; margin-right: auto;"><img alt="" class="img-responsive wp-post-image" height="339" loading="lazy" sizes="(max-width: 840px) 100vw, 840px" src="https://laregledujeu.org/files/2016/07/cabane-le-corbusier.jpg" srcset="https://laregledujeu.org/files/2016/07/cabane-le-corbusier.jpg 1600w, https://laregledujeu.org/files/2016/07/cabane-le-corbusier-150x60.jpg 150w, https://laregledujeu.org/files/2016/07/cabane-le-corbusier-300x121.jpg 300w, https://laregledujeu.org/files/2016/07/cabane-le-corbusier-768x310.jpg 768w, https://laregledujeu.org/files/2016/07/cabane-le-corbusier-620x250.jpg 620w, https://laregledujeu.org/files/2016/07/cabane-le-corbusier-840x339.jpg 840w" style="border: 0px; box-sizing: border-box; color: #282828; display: block; font: inherit; height: auto; margin: 0px auto; max-width: 100%; padding: 0px; text-align: center; vertical-align: baseline;" width="840" /></span></span><div style="text-align: center;">Le cabanon de Le Corbusier, à Roquebrune.</div></span></header></div><div style="text-align: center;"><br /></div><div style="text-align: justify;">La cabane est une construction mi-ouverte mi-fermée. Habitat précaire, édifice de l’enfance, et même lieu de séjour à la mode, elle est un refuge à la fois tangible et mental. La remarquable Revue 303 consacre sa dernière livraison à cette architecture invisible ou revendiquée, et décline le thème sous les angles sociologiques et intimes, artistiques et historiques.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Thomas Renard ouvre son article sur une citation de Vitruve et explique que « l’histoire de l’architecture débute au moment où les hommes préhistoriques eurent pour la première fois l’idée de construire des cabanes. » La cabane primitive est ensuite détournée de son utilité – s’abriter – pour se transformer en lieu de fêtes et d’initiations, sous l’Antiquité. L’abbé Laugier, théoricien de l’architecture au XVIIIe siècle, revient sur la cabane préhistorique et pense qu’elle est un modèle que les architectes devraient toujours avoir à l’esprit. Nous sommes au siècle des Lumières, Rousseau et son bon sauvage ne sont pas loin. La cabane « devient un contre-modèle aux exubérances de l’art rocaille et offre l’horizon d’une pureté à atteindre. » Elle semble être une obsession d’architecte : que l’on songe à Le Corbusier dans son cabanon de Roquebrune… Gilles A. Tiberghien va dans le même sens que Thomas Renard : les cabanes sont à l’origine de l’architecture. Il ajoute qu’elles « ne sont pas des maisons, dans la mesure où l’on n’y demeure pas », qu’elles sont « des réserves de rêves et de réflexions pour quiconque y séjourne. »</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Réserves de rêves et de réflexions, sans doute, mais aussi niche de développement économique. L’article qu’Olivier Sirost consacre au « glamping » en Pays de Loire met en avant les nouvelles formes d’hôtellerie de plein air. Glamping ? Contraction de « glamour » et de « camping ». Passer une nuit, ou plusieurs, sur une cabane flottant sur un lac, ou perchée dans un arbre, ou dormir presque à la belle étoile sous une bulle transparente. Ces lieux d’hébergement sont implantés sur des territoires à forte valeur légendaire, permettant au touriste un retour à la fois à la nature et au paganisme. Julien Zerbone, quant à lui, s’intéresse aux cabanes en tant que symboles de résistance et emblèmes de luttes environnementales, autour des zadistes de Notre-Dame des Landes. L’article de Ghislain His, intitulé « La cabane, l’architecte et l’hétérotopie », est illustré de photographies montrant les constructions précaires de la jungle de Calais – cabane école, cabane hammam, cabane théâtre, cabane église… Joël Anneix et Daniel Sauvaget reviennent sur les « baraques », les logements précaires de Saint-Nazaire dans l’immédiat après-guerre.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">La cabane est aussi une extension de la caravane, une tentative bricolée, et insalubre, de sédentarisation. C’est ce que montre Camille Rouaud dans l’article qu’il consacre aux campements de Roms. L’écrivain Eric Pessan raconte que son oncle, de retour d’Australie où il était parti gagner sa vie pendant vingt ans, s’était installé dans une caravane, au grand dam de sa famille qui voyait en lui un « gitan » alors que lui considère que cet oncle lui a ouvert les clés de l’imaginaire. Pessan nous offre le portrait de deux femmes lumineuses pour qui l’habitat est ou a été mobile, libre et serein. Il rencontre Myriam, dont le père était issu de la communauté du cirque et, devenu soudeur, proposait ses services là où le travail se trouvait. Enfance itinérante, scolarité sporadique, mais souvenirs éclatants. Myriam raconte la caravane, l’espace étroit où tout devait être rangé, où rien ne devait traîner. Elle est aujourd’hui accompagnatrice socio éducative à la mission jeunesse de Saint-Nazaire. Une semaine plus tard, Eric Pessan rencontre Sandrine, qui vit dans une yourte. Elle s’est installée dans la périphérie nantaise, est éducatrice de jeunes enfants dans une crèche municipale. Le choix de cet habitat décalé s’explique par l’envie – le besoin – d’être en contact avec la nature, de préférer la simplicité, et de savoir se délester du matériel. « Vivre en accord avec ses convictions personnelles. »</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">La critique d’art Eva Prouteau offre un choix d’œuvres contemporaines qui tournent autour de l’idée de cabane, et « mettent le corps au centre de la recherche. » La journaliste Frédérique Letourneux s’intéresse aux cabanes à outils et aux abris de jardin : quand le potager devient lieu d’évasion. Mais c’est bien Claude Ponti – à qui l’on doit la couverture de ce numéro – qui donne à la notion de cabane toute sa magie. Adèle de Boucherville, critique de littérature jeunesse, analyse les différentes cabanes des livres de Ponti, notamment celles qui sont nichées dans les arbres. « Les arbres, dans les albums de Ponti, sont des personnages de premier ordre. Son trait, délié et maîtrisé, proche de la ligne claire, lui permet de concevoir des cabanes accueillantes et drôles, qui se plient docilement aux souhaits de l’enfant, en être vivants et magiques. » La cabane d’enfance, magnifiée par le trait de Claude Ponti, voilà sans doute la forme première, si ce n’est primitive, de cet habitat éphémère, fragile, revendicatif et signifiant.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Le « mythe » de la cabane n’a que peu à voir avec celui de la caverne. Dans la cabane, on est déjà dessillé, on n’a pas peur des ombres, on les connaît, on les a décryptées, on s’ingénie à les dompter. Abri de fortune ou d’évasion, la cabane, telle qu’elle apparaît ici, a une histoire et un sens. La diversité des contributions de cette livraison permet la réflexion politique, économique, sociale et intime. L’iconographie, magnifiée par la mise en page, répond aux textes ou les devance.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">La Revue 303 tire son titre de l’addition des numéros des cinq départements qui composent la Région Pays de Loire – Loire Atlantique, Maine et Loire, Mayenne, Sarthe, Vendée : 44 + 49 + 53 + 72 + 85 = 303. Il s’agit d’une revue culturelle éditée avec le concours de la Région des Pays de la Loire, ancrée dans son terroir mais en aucun cas régionaliste. Une remarquable revue trimestrielle d’art, de recherche et de création. Outre cette très belle livraison sur les Cabanes, on conseillera la lecture, entre autres, du merveilleux numéro « Utopies » et du magnifique hors-série « Images de Jules Verne ».</div><div style="text-align: justify;"><br /></div><span style="border-color: initial; border-image: initial; border-style: initial; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; height: auto; line-height: inherit;"><img alt="" class="img-responsive wp-post-image" height="200" loading="lazy" sizes="(max-width: 300px) 100vw, 300px" src="https://laregledujeu.org/files/2016/07/revue-303-cabanes.jpg" srcset="https://laregledujeu.org/files/2016/07/revue-303-cabanes.jpg 304w, https://laregledujeu.org/files/2016/07/revue-303-cabanes-112x150.jpg 112w, https://laregledujeu.org/files/2016/07/revue-303-cabanes-225x300.jpg 225w" style="background-color: transparent; border: 0px; box-sizing: border-box; display: block; font: inherit; height: auto; margin: 0px; max-width: 100%; padding: 0px; text-align: justify; vertical-align: baseline; width: 177px;" width="150" /></span></figcaption><figcaption style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; text-align: left; vertical-align: baseline;">Revue 303 n°141 – Cabanes</figcaption><figcaption style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></figcaption><figcaption style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></figcaption><figcaption style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><i>https://laregledujeu.org/livre/revue-303-n141/</i></figcaption><figcaption style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></figcaption></figure><div class="entry" style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><div class="clear" style="background-color: white; border: 0px; box-sizing: border-box; clear: both; color: #282828; font-family: "PT Serif", sans-serif; font-size: 17px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; text-align: start; vertical-align: baseline;"><div class="taglist" style="border: 0px; box-sizing: border-box; color: #969696; float: left; font-family: Lato, sans-serif; font-size: 14px; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 11px 0px 5px; padding: 0px; vertical-align: baseline;"></div></div></div></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-14609835166960290662022-03-22T18:14:00.006+01:002022-03-22T18:34:15.811+01:00Aisladas por pura rebeldía<p><span style="color: #bf9000; font-size: x-large;">Página /12</span></p><div style="text-align: justify;"><b><span style="color: #ff00fe; font-size: x-large;">Aisladas por pura rebeldía</span></b></div><div style="text-align: justify;"><span style="font-size: medium;">A lo largo de la historia, ha habido mujeres que eligieron el encierro para desembarazarse del deber-ser que imponía la sociedad y ser genuinamente libres, sacándole provecho a una reclusión que les permitió dar rienda suelta a notables obras, desde poesías y novelas hasta canciones y pinturas. A continuación, algunas historias de confinamiento de ilustres como Mina, Patricia Highsmith, sor Juana Inés de la Cruz…</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><a href="https://www.pagina12.com.ar/autores/840-guadalupe-treibel"><span style="font-size: x-small;">Por Guadalupe Treibel</span></a></div><div style="text-align: justify;"><span style="font-size: x-small;">17 de abril de 2020 </span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><span style="font-size: medium;"><img height="267" src="https://images.pagina12.com.ar/styles/focal_3_2_960x640/public/media/articles/66073/mina-0.png?itok=jCaVeHdm" width="400" /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-size: medium;">“Hace unos días, la cantante italiana Mina cumplió 80 años. En estricto confinamiento. Y no solo por las circunstancias globales. La reclusión, a Mina, le viene de lejos. De tan lejos que estas últimas semanas ha corrido un meme por toda Italia en el que se podía leer: ‘Mina no sale de casa desde el 23 de agosto de 1978. Mina es inteligente ¡Sé como Mina!’”. Así recuerda un reciente artículo del diario El País a una de las mujeres más célebremente recluidas de la historia, superdiva de la canción italiana que hizo bomba de humo al confinarse en su casa de Suiza a fines de los 70, tras padecer años y años de persecución mediática. “Uno de sus primeros éxitos, Il cielo in una stanza, ya marcaría lo que sería una constante en su carrera: el escándalo. La interpretación del tema que, claramente, alude a una relación sexual, y encima interpretada, y de qué manera, por una mujer, levanta tal polvareda que la canción llega a ser censurada”, ofrece la mentada nota. Y recuerda cómo, cuando en el ’63 Mina viaja a UK para dar a luz, los paparazzi anuncian ¡horrorizados! que la criatura es fruto de un romance prohibido con el actor Corrado Pani. Poco importaba que el hombre estuviera separado: L’Osservatore Romano la tilda de “pecadora pública”, la RAI la veta por años… El calvario continúa para la Tigresa de Cremona, a la que no le pierden rastro. En el ’78, agotada, da su último concierto y, desde entonces, se recluye definitivamente en Lugano, Suiza, donde se ha dejado ver a cuentagotas. En 2001, por caso, cuando abrió las puertas de su estudio de grabación en una transmisión streaming a la que trataron de acceder 50 millones de personas en simultáneo. Es que de tan inmarchitable su popularidad, hace poco reclamaba el pueblo tano que la misteriosa dama fuera elegida senadora vitalicia… Indómita y sin soltar nunca la toalla, ha estado presente a través de sus canciones: saca prácticamente un disco por año experimentando con el sonido que le dé la gana, sea jazz, pop, ópera, electrónica… “Dejándose ver en esas fastuosas portadas repletas de ironía”, destaca la periodista ibérica Blanca Lacasa: “como la cabeza de un mono en la portada del álbum <b>Selfie</b>, o esa tapa en la que su cabeza aparece incrustada en el cuerpo de un culturista, o aquella en la que se convierte en Gioconda, o esa otra en la que enseña desafiante los dientes. Por no hablar de una en la que aparece obesa respondiendo con sorna a todas esas teorías que achacaban su encierro a un aumento de peso”.</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-size: medium;"><img height="225" src="https://images.pagina12.com.ar/styles/width960/public/media/articles/66073/patricia-highsmith-0.jpg?itok=uGEF6-Kj" width="400" /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b>La reina del suspense</b>. Suiza fue también el destino elegido por Patricia Highsmith, que pasó sus últimos años en Tegna, sobre el valle de Maggia, en relativa reclusión. Fastidiada por lo “descarnado y tedioso” de su Estados Unidos natal, vivió en Italia, Reino Unido y Francia previo a anclar definitivamente en este petit pueblo de apenas 200 habitantes, donde encontró refugio en una casita blanca con jardín. Celosa a ultranza de su privacidad, allí cultivó plantas, construyó sus propios muebles de madera, practicó la cría de caracoles… cuya compañía valoraba más que la humana. Siempre rodeada de gatos, como su querida Charlotte, amenizaba sus horas leyendo el Herald Tribune, pintando, escribiendo en su diario, escuchando música clásica. Y manteniendo, claro, una dieta regular… a base de whisky, cerveza y dos atados de cigarrillos sin filtro al día. “Gracias a su aislamiento, su mente no estaba contaminada por la moda, los convencionalismos o las inhibiciones”, dijo una voz amiga sobre la huraña mujer, que era más afín al intercambio epistolar que a la vida social activa, porque –según afirmaba- iba en desmedro de su creatividad. “Mi imaginación funciona mucho mejor cuando no tengo que hablar con la gente”, afirmó en cierta ocasión la sobresaliente renovadora del género negro, creadora del talentosísimo Señor Ripley (de los asesinos que acuñó, su favorito), de <b>Extraños en un tren</b>… Y de la preciosa, rompedora <b>Carol</b>, esa historia de un amor arrebatado entre dos mujeres en los 50s que fue recibida con condescendencia y pacatería por la crítica de la época, pero con hondo agradecimiento por el público.</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-size: medium;"><b><img height="225" src="https://images.pagina12.com.ar/styles/width960/public/media/articles/66073/emily-dickinson-1.png?itok=jUO0dm2o" width="400" /></b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b>Una poeta sin par</b>. Qué miopes, por favor, ciertos ojitos revisionistas al querer imponer su anacrónica mirada contemporánea sobre la excepcional poeta Emily Dickinson para tildarla de puritana ¡Justo a ella!, que se mostraba reacia a los dogmatismos religiosos, a la figura de un Dios todopoderoso, a la egomanía… Dedicarse en cuerpo y alma a la poesía requería un voto de concentración y aislamiento que, con devoción, ella tomó a voluntad; haciendo consciente corte de manga a lo que la sociedad del siglo 19 esperaba de una mujer: que fuera madre, esposa, criatura social. Social fue, en sus propios términos, favoreciendo misivas para intercambiar con sus seres queridos: cartas como rompecabezas, notas breves como tuits, poemas como obsequios que hacían las delicias de su círculo de amigos. Con los que comparte, dicho sea de paso, su profundo humanismo, aboga por un acceso equitativo a la educación… Ojo, su exilio a puertas cerradas en la casa familiar fue progresivo, no se dio de la noche a la mañana- ¿De qué otro modo sino con tiempo y dedicación, en soledad, hubiera podido terminar a la tierna edad de 15 el bellísimo herbario donde preservó meticulosamente flores y plantas de su Amherst natal, recogiendo cientos de especies con sensibilidad y mimo? El encierro no fue, para ella, privación: fue ejercicio de una autonomía y fortaleza singulares, como singulares fueron sus poesías.<b> “Podría estar más sola… sin mi soledad”</b>, uno de sus versos, por demás representativo</span><span style="font-size: large;">.</span></div><div style="text-align: justify;"><span style="font-size: large;"><br /></span></div><div style="text-align: justify;"><span style="font-size: large;"><br /></span></div><div style="text-align: center;"><span style="font-size: medium;"><img height="225" src="https://images.pagina12.com.ar/styles/width960/public/media/articles/66073/ana-frank-0.png?itok=4i3aGHqB" width="400" /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b>La adolescente resiliente</b>. “Ríete de todo y olvídate de todos. Suena egoísta, pero es la única cura para los que sufren de autocompasión”. “A largo plazo, el arma más afilada es un espíritu amable y gentil”. “No pienso en la miseria sino en la belleza que aún permanece”. Que tan esperanzadoras frases pertenezcan a una chica de 13, 14 años ya es sorprendente; que hayan sido escritas durante un aislamiento forzado de más de 2 años las vuelven extraordinarias, sin más, por su madurez, la ausencia de resentimiento, su claridad. Obvio es decir que pertenecen a Ana Frank, que escribió en “la casita de atrás” -escondite de Ámsterdam donde trató de ocultarse de los nazis junto a su familia- su celebérrimo <b>Diario</b>: una libreta con tapas de tela que bautizó Kitty y rehízo en el ’44, tras oír en la radio que testimonios en primera persona serían recopilados tras finiquitar la Segunda Guerra Mundial. En estos días en los que se cumplen 75 años de su muerte en el campo de concentración Bergen-Belsen, sí que es un amparo repasar las edificantes letras de una muchacha que, en el peor escenario posible, no eligió recluirse pero igualmente mantuvo altos los ánimos. Por cierto: en un intento por acercar su figura al público más mocete, la Casa Museo Ana Frank ha convertido a esta icónica cronista del Holocausto en… youtuber, lanzando muy recientemente en formato videoblog una serie de 15 episodios que, a partir de extractos, traduce al visual sus vivencias y puede verse online.</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-size: medium;"><img height="360" src="https://images.pagina12.com.ar/styles/width960/public/media/articles/66073/yayoi-0.png?itok=KWvP07PS" width="640" /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b>La mujer de los lunares infinitos</b>. Salvo que tenga que viajar para hacer acto de presencia en alguna retrospectiva o deba dar una interviú a cuento de alguna muestra, la rutina de Yayoi Kusama -la artista viva mejor cotizada del mundo- se mantiene prácticamente incólume desde la década del 70s: amanecer cada día en el instituto mental donde vive desde hace décadas, caminar diez minutos hasta su estudio, trabajar con su equipo unas 10 horas por día, seis días a la semana, “tejiendo” sus famosas “redes infinitas”; volver al hospital que es, por propia elección desde 1973, su casa. Como recupera la periodista Leticia García en un reciente artículo de la web Smoda, ese año tuvo Yayoi inquietante episodio alucinatorio: “Un día estaba mirando el estampado de flores rojas de un mantel. Y, de repente, lo vi también cuando miré al techo, cubría las ventanas, todo el cuarto. Hasta a mí misma. Me asusté, sentí que comenzaba autodestruirme”. No fue el primero, conforme relata la periodista: “Padecía desde niña un trastorno obsesivo compulsivo y utilizaba el arte para canalizar la neurosis provocada tanto por su entorno familiar (su madre la obligaba a espiar a su padre y a su larga lista de amantes para mantenerla al corriente), como por los horrores perpetrados por la II Guerra Mundial (tenía 16 años cuando estallaron las bombas atómicas)”. Si ese momento marcó un antes y un después que catapultó el retorno a su Japón natal fue porque -tras intentar abrirse camino en la escena arty neoyorkina sin demasiada suerte- había enfermado de depresión tras la muerte de su amigo y mentor Joseph Cornell. Ergo la decisión de ingresar poco tiempo después al hospital psiquiátrico Seiwa, en Tokio, donde planta definitivas raíces, creando obras donde ha sabido canalizar obsesión y acumulación en piezas donde la repetición casi compulsiva sigue patrones rítmicos.</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-size: medium;"><b><img height="225" src="https://images.pagina12.com.ar/styles/width960/public/media/articles/66073/sor-juana-0.png?itok=wC9ymDvw" width="400" /></b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b>La monja jerónima</b>. “Vivir sola… no tener ocupación alguna obligatoria que embarazase la libertad de mi estudio, ni rumor de comunidad que impidiese el sosegado silencio de mis libros”, anotó Sor Juana Inés de la Cruz desde su celda del convento de la Orden de San Jerónimo, donde tomó votos perpetuos a los 19 y allí permaneció el resto de su días. Liberadora opción para esta brillante muchacha del 1600s que perseguía irrenunciable vocación por el estudio: si la universidad no estaba en las cartas para las mujeres, quedaba el claustro para que la prodigiosa y precoz Juana (que según se cuenta, aprendió a leer y escribir con apenas 3 añitos y a los 8 ya se había mandado su primera loa eucarística) despuntase el vicio por el conocimiento. Teología, astronomía, pintura, lenguas, filosofía; de todo estudió esta monja jerónima que amasó una nutricia biblioteca con más de 4 mil tomos y, como escritora, abordó desde poesía hasta teatro, desde opúsculos filosóficos hasta estudios musicales; también villancicos. En ocasiones, despertando tirria de la cúpula eclesiástica, que veía con recelo que una religiosa se ocupara de temas demasiado… terrenales. Que se dedique a rezar y cocinar, le dijeron; y ella respondió sin cortarse medio pelo: “Bien se puede filosofar y aderezar la cena”. Defensora del derecho de la mujer a la educación, entre sus obras más conocidas destacan <b>Los empeños de una casa, El divino Narciso o Neptuno alegórico</b>, que creó durante el Barroco, confinada, en territorio mexicano. Entre los versos más famosos de esta poeta, una de las voces más importantes del Siglo de Oro: “Hombres necios que acusáis/ a la mujer sin razón/ sin ver que sois la ocasión/ de lo mismo que culpáis”. O bien: “En perseguirme, Mundo, ¿qué interesas? / ¿En qué te ofendo, cuando solo intento / poner bellezas en mi entendimiento / y no mi entendimiento en las bellezas?”. Ni qué decir de… “Óyeme con los ojos, / Ya que están tan distantes los oídos, / Y de ausentes enojos / En ecos de mi pluma mis gemidos; / Y ya que a ti no llega mi voz ruda, / Óyeme sordo, pues me quejo muda”.</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-size: x-small;"><i>https://www.pagina12.com.ar/260225-aisladas-por-pura-rebeldia</i></span></div><div style="text-align: center;"><span style="font-size: x-small;"><i><br /></i></span></div><div style="text-align: center;"><span style="font-size: x-small;"><i><br /></i></span></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-59989134281830319982022-03-21T22:11:00.002+01:002022-03-21T22:11:45.680+01:00Molinos de rodezno<p style="text-align: center;"> </p>
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<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/J8IaN-5gIMA?start=14" title="YouTube video player" width="560"></iframe></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-35009856454226495882022-03-20T19:59:00.031+01:002022-03-21T21:57:17.908+01:00Una iniciativa de repoblación<p><br /></p><div style="text-align: center;"><span style="font-family: verdana; font-size: medium;"><img height="225" src="https://s1.eestatic.com/2022/03/18/reportajes/658195012_222815837_1024x576.jpg" width="400" /></span></div><div style="text-align: center;"><span style="font-size: x-small;"><i style="font-family: verdana;">Eloi Renau, el único habitante de Àrreu, un pueblo al que ni llegan las carreteras. </i><i style="font-family: verdana;">Marc Solanes</i></span></div><div style="text-align: center;"><span style="font-family: verdana; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: verdana; font-size: large;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: verdana; font-size: medium;"><b>El insólito proyecto de Eloi, el único habitante de Àrreu, un pueblo al que no llegan ni las carreteras</b></span></div><div style="text-align: justify;"><span style="font-family: verdana; font-size: medium;"><b>Esta aldea del Pirineo catalán resurge gracias al barcelonés tras 40 años abandonada. La ausencia de carreteras condujo a su despoblación en 1981.</b></span></div><div style="text-align: justify;"><span style="font-family: verdana; font-size: medium;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: verdana; font-size: x-small;">20 marzo, 2022</span></div><div style="text-align: justify;"><span style="font-size: x-small;"><a href="https://draft.blogger.com/#" style="font-family: verdana;">Marc Solanes </a><span style="font-family: verdana;"> </span><a href="https://draft.blogger.com/#" style="font-family: verdana;">@marcsolanesc</a></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="color: #666666; font-family: verdana; font-size: medium;">Año 1981. La familia Golet abandona definitivamente su casa, la última que todavía quedaba habitada en el pueblo. Tras este último abandono, Àrreu queda oficialmente <a href="https://draft.blogger.com/#">deshabitado</a> tras varios centenares de años de historia. Mientras tanto, una importante actividad ganadera en los siglos XIX y XX e incluso la reconstrucción completa del pueblo tras ser engullido por un alud en 1803. Ahora, Eloi Renau ha decidido emprender él solo un <a href="https://draft.blogger.com/#">proyecto de repoblación</a> para recuperar el arte de la artesanía antigua y demostrar que una vida más sostenible, equilibrada y consciente es posible. “No pretendo ser un ejemplo para nadie. Simplemente quiero llevar a cabo el proyecto de vida que siempre he tenido en mente”, explica con rotundidad.</span></div><div style="text-align: justify;"><span style="color: #666666; font-family: verdana; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #666666; font-family: verdana; font-size: medium;">Uno de los principales motivos por los que Àrreu se quedó definitivamente sin habitantes fue la ausencia de una carretera que permitiera el acceso en vehículo. De hecho, hoy en día todavía no la hay. La única manera de llegar es a través de lo que pretende ser una especie de pista forestal que se empezó a construir en 2019 y que ni siquiera conduciendo un todoterreno resulta fácil de sortear. “El ayuntamiento hace más de dos años que debería haber construido una carretera asfaltada en condiciones. Dejaron el proyecto a medias e incluso la pista que prepararon se está viniendo abajo”, explica su único habitante.</span></div><div style="text-align: justify;"><span style="color: #666666; font-family: verdana; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #666666; font-family: verdana; font-size: medium;">El crecimiento exponencial a mediados del siglo pasado de la red de carreteras pirenaicas condenó el futuro del pueblo. Mientras el resto de municipios vecinos quedaban perfectamente conectados con las carreteras más importantes de la zona, Àrreu empezó su declive al no contar con ninguna vía de acceso en condiciones. La falta de infraestructuras sería lo que acabaría sentenciando la vida del pueblo para siempre.</span></div><blockquote style="border: none; margin: 0px 0px 0px 40px; padding: 0px;"><div class="article-body__content" data-action="toggle" data-status="on" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; display: inline-block; line-height: 29px; margin: 0px; max-width: 100%; outline: 0px; padding: 0px; position: relative; vertical-align: top; width: 650.047px;"><p id="paragraph_3" style="background: transparent; border: 0px; box-sizing: border-box; color: #191a1e; margin: 0px 0px 28px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="font-size: large;"><span class="article-media__caption-description" face=""Roboto Regular", Arial, sans-serif" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; display: inline-block; margin: 0px 0px 7px 4px; outline: 0px; padding: 0px; text-align: center; vertical-align: baseline;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhSX9LY8QuJ6qB77wgyMS3NbDSazGSJlulIwYtX8wluNaQeJabYjCQhVHc97_VwZh4bYulk0twHkVHLa-V0EyMkboOIpdZu5YUoLy1qQKKdR8E0TjmWaHMiYh4nHYPyvV-kZApAZEM36ptULNrvrd8YeoS3ueH81SrageTNxY2iTU1Ff1aV-6DXZUI2" style="margin-left: 1em; margin-right: 1em;"></a></span></div><div style="text-align: center;"><span style="font-size: large;"><img alt="" data-original-height="360" data-original-width="640" height="225" src="https://blogger.googleusercontent.com/img/a/AVvXsEhSX9LY8QuJ6qB77wgyMS3NbDSazGSJlulIwYtX8wluNaQeJabYjCQhVHc97_VwZh4bYulk0twHkVHLa-V0EyMkboOIpdZu5YUoLy1qQKKdR8E0TjmWaHMiYh4nHYPyvV-kZApAZEM36ptULNrvrd8YeoS3ueH81SrageTNxY2iTU1Ff1aV-6DXZUI2=w400-h225" width="400" /><span class="article-media__caption-description" face=""Roboto Regular", Arial, sans-serif" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; display: inline-block; font-size: 12px; margin: 0px 4px 7px 0px; outline: 0px; padding: 0px; vertical-align: baseline;">En 1981, la familia Golet, la última que habitaba Àrreu, abandonó el pueblo.</span><span face=""Roboto Regular", Arial, sans-serif" style="font-size: 12px;"> </span><span class="article-media__caption-author" face=""Roboto Regular", Arial, sans-serif" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; color: #7e848b; display: inline-block; font-size: 12px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">M. S</span></span></div></div></blockquote><br /><div style="text-align: justify;"><span style="font-family: verdana;">Pero, aunque parezca imposible, esta no es la primera vez que se intenta repoblar este recóndito enclave pirenaico. Ya a mediados de los años 90, tres jóvenes de entre 20 y 25 años iniciaron un proyecto de repoblamiento que acabaría frustrándose en poco más de tres años. Eloi estaba entre ellos. La última en abandonarlo fue Demon, allá por 1998, tras casi cuatro años viviendo completamente sola.</span></div><div style="text-align: justify;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: justify;"><span style="font-family: verdana;">“Por entonces era mucho más complicado. No había ni siquiera una pista por donde subir en todoterreno. Teníamos que subir todo a cuestas. La comida, el pienso de los animales, las bombonas de butano... fue realmente duro. Por entonces sí que estábamos verdaderamente aislados del mundo”, explica Eloi a EL ESPAÑOL. Los jóvenes acabarían dejando el pueblo por varias razones, pero la salida de Demon se vio precipitada a raíz del anuncio de Baqueira Beret de extender sus instalaciones al Valle de Àrreu. La Unión Europea, finalmente, acabaría bloqueando el proyecto.</span></div><div style="text-align: justify;"><span style="font-family: verdana;">Carpintero y artesano</span></div><div style="text-align: justify;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: justify;"><span style="font-family: verdana;">Renau se dedica ahora a la carpintería y artesanía tradicionales. Este mes de marzo se cumplen dos años desde que inició el último proceso de repoblación del pueblo. A finales de 2019 decidió comprar una casa y varios terrenos con los ahorros que tenía y, a partir del mes de marzo del año siguiente, empezó la mudanza. El traslado coincidió con el primer confinamiento, el más severo de todos, un hecho que agravó todavía más los inicios de un proyecto ya de por sí muy complicado.</span></div><div><br /></div><div><br /><div style="text-align: center;"><img height="225" src="https://s1.eestatic.com/2022/03/18/actualidad/658195025_222816272_1024x576.jpg" width="400" /></div><div style="text-align: center;"><span style="font-size: x-small;"><i>Eloi Renau se dedica ahora a la carpintería y artesanía tradicionales. M. S.</i></span></div><div><br /></div><br /><div style="text-align: justify;"><span style="font-family: verdana;">Antes vivía en un pueblo cerca de Sort, a poco más de 40 kilómetros, donde se dedicaba a trabajar la madera al modo tradicional tras haberse dedicado durante más de 20 años a los deportes de montaña. “Necesitaba un cambio de vida radical, poder implementar todo aquello en lo que creo de forma completa. Aquí lo tengo todo: bosques, montaña, animales y tiempo. ¿Qué más puedo pedir?”.</span></div><div style="text-align: justify;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: justify;"><span style="font-family: verdana;">Situado a 1.251 metros de altitud, este pequeño enclave de montaña situado al extremo norte de la provincia de Lérida desprende una calma y tranquilidad difíciles de encontrar en un Pirineo cada vez más explotado. La ubicación original de Àrreu se sitúa unos pocos metros más arriba. ¿El motivo? A principios del siglo XIX un alud arrasó con la mayoría de las casas y mató a 17 personas. Una verdadera tragedia para un pueblo que, por entonces, contaba con un total de 88 habitantes. A pesar de ello, los supervivientes decidieron levantarlo de nuevo con éxito.</span></div><div style="text-align: justify;"><br /></div><br /><div style="text-align: center;"><a href="https://draft.blogger.com/#"><img height="225" src="https://blogger.googleusercontent.com/img/a/AVvXsEi_yp0t5BjZ_pOO1kCMYJw8qwrTE0jC-8b2fCRxAB7vrayIk2QzwWQmbwaPw-Xf-aoxMWMRxvKM5oyZqAsmSqsdL4ObnovlYBVzFzH_K17Tlf16jI783HW6lETzSSL3PtL9F5YPDAi5IhptWjaADIY_PBMqLLj57Ge-X4l-wp9t-rRP8BLxBxJEZkf8=w400-h225" width="400" /></a></div><span style="font-size: x-small;"><div style="text-align: center;">Àrreu se sitúa a 1.251 metros de altitud, en las montañas del norte de la provincia de Lérida. M. S.</div></span></div><div><div style="text-align: center;"><br /></div><br /><div style="text-align: justify;"><span style="font-family: verdana;">Aunque al principio se dedicaban fundamentalmente a la cría de caballos, acabarían siendo la producción de leche el motor económico del pueblo. Los ganaderos bajaban cada día andando hasta el cruce de la carretera, donde un camión recogía la leche. Media hora de bajada y lo mismo de subida. Lloviera, nevara o hiciera un sol de justicia en pleno verano. “Algunos de los antiguos pobladores me han explicado que el camino era tan accidentado que cuando llegaban abajo la leche parecía mantequilla”, explica Eloi entre sonrisas.</span></div><div style="text-align: justify;"><span style="font-family: verdana;">Nuevos cultivos y animales</span></div><div style="text-align: justify;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: justify;"><span style="font-family: verdana;">Renau cuenta con varios huertos de frutas y hortalizas, un corral de gallinas y de patos, dos imponentes yeguas y dos perros de montaña, mezcla de mastín y pastor del pirineo. Cuando se levanta, lo primero que hace es dar de comer a los animales. “Aquí son lo más importante. Ellos son los verdaderos protagonistas de esta historia. Sin ellos sería imposible volver a las formas tradicionales de trabajo”, cuenta mientras acaricia el lomo de Aska, una de las yeguas.</span></div><div style="text-align: justify;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: justify;"><span style="font-family: verdana;">La principal función de los caballos será arar la tierra y bajar los troncos de madera hasta el taller. Pero eso no será hasta que cumplan los cinco años, cuando lleguen a la madurez de su crecimiento. Ahora, con sólo dos años, podrían acabar destrozadas. “Es como si pones a un niño de diez años a cargar decenas de kilos cada día. Cuando llegue a la edad adulta, lo hará con graves problemas físicos”.</span></div></div><div style="text-align: justify;"><br /></div><div><br /><div style="text-align: center;"><img height="225" src="https://s1.eestatic.com/2022/03/18/actualidad/658195031_222816473_1024x576.jpg" width="400" /></div><span style="font-size: x-small;"><div style="text-align: center;">Renau acaricia a Aska, una de sus dos jóvenes yeguas. También, cuenta con otros animales como perros o gallinas. M. S.</div></span><div style="text-align: center;"><br /></div><br /></div><div><div style="text-align: justify;"><span style="font-family: verdana;">El proyecto lo financia mediante sus ahorros y gracias a la venta de objetos y utensilios hechos con madera de nogal. El objetivo es acabar de construir su propia vivienda, ampliar el taller donde trabaja y alojar una pequeña tienda de intercambio delante de casa. “Me gustaría poder exponer allí todas mis creaciones para que la gente, de forma libre, las pueda comprar y depositar el dinero en una pequeña hucha sin necesidad de que yo esté presente. Un pequeño gesto de intercambio de confianza mutua”.</span></div><div style="text-align: justify;"><span style="font-family: verdana;">"Me encantaría tener vecinos"</span></div><div style="text-align: justify;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: justify;"><span style="font-family: verdana;">Eloi deja muy claro que no se ha instalado en Àrreu para aislarse del mundo. Todo lo contrario. “Me encantaría tener vecinos. Ojalá viniera gente de todos lados que ejerciera otros oficios tradicionales y poder crear un proyecto comunitario”. De hecho, ese es su principal objetivo. Justo en la casa de al lado se instalará una pareja joven a partir del próximo verano, y los propietarios de otra de las viviendas adyacentes pasan cada vez más tiempo allí.</span></div><div style="text-align: justify;"><span style="font-family: verdana;"><br /></span></div><div style="text-align: justify;"><span style="font-family: verdana;">Según cuenta, se ha sentido muy acogido por los vecinos de los pueblos cercanos, e incluso le han ayudado en algunas tareas de reconstrucción. “Siempre de forma remunerada”, específica Renau, que no cree en el trabajo voluntario. “Ya he llegado a una edad en la que valoro de verdad lo que implica el trabajo”, sentencia.</span></div><div style="text-align: justify;"><br /></div><div><br /><div style="text-align: center;"><img height="225" src="https://s1.eestatic.com/2022/03/18/actualidad/658195037_222816665_1024x576.jpg" width="400" /></div><span style="font-size: x-small;"><div style="text-align: center;">Eloi Renau confiesa que en el futuro le gustaría que se establecieran más habitantes en Àrreu. M. S.</div></span><br /><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">Aunque es originario de Barcelona, y “cuando eres de Barcelona siempre te consideran un forastero en cualquier lado”, Eloi dice que se siente parte de este lugar. “Es como si encajara, como si todo tuviera sentido. Aunque lleve poco tiempo aquí, me siento parte de todo esto”, concluye</span><br /><br /></div><div><br /></div><div><div style="text-align: center;">https://www.elespanol.com/reportajes/20220320/insolito-proyecto-eloi-habitante-arreu-no-carreteras/658184579_0.html</div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div></div></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-5683882304459686042022-03-20T18:59:00.008+01:002022-03-20T19:17:55.319+01:00Elogio de la cabaña<span style="color: #990000; font-size: x-large;"> Elogio de la cabaña</span><header class="entry-header responsive-max-width" style="box-sizing: inherit; margin: 32px auto; max-width: calc(750px); text-align: center;"><div class="entry-meta" style="box-sizing: inherit; clear: both; float: none; margin-bottom: 0px; margin-top: 16px; max-width: none;"><span class="byline" style="background-color: white; box-sizing: inherit; color: #6e6e6e; display: inline-block; font-family: "Source Serif Pro", "Baskerville Old Face", Garamond, "Times New Roman", serif; font-size: 0.83333rem; margin-right: 16px; max-width: unset;"><svg aria-hidden="true" class="svg-icon" focusable="false" height="16" role="img" version="1.1" viewbox="0 0 24 24" width="16" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns="http://www.w3.org/2000/svg"><path d="M12 12c2.21 0 4-1.79 4-4s-1.79-4-4-4-4 1.79-4 4 1.79 4 4 4zm0 2c-2.67 0-8 1.34-8 4v2h16v-2c0-2.66-5.33-4-8-4z"></path><path d="M0 0h24v24H0z" fill="none"></path></svg><span class="screen-reader-text" style="border: 0px; box-sizing: inherit; clip-path: inset(50%); clip: rect(1px, 1px, 1px, 1px); display: inline-block; height: 1px; left: -1000em; margin: -1px; max-width: unset; overflow-wrap: normal; overflow: hidden; padding: 0px; position: absolute; text-align: justify; vertical-align: middle; width: 1px;">Publicado por</span></span><div style="text-align: justify;"><span style="font-family: arial;"><span style="font-size: medium;">Hablo con H. y no sé a cuento de qué me dice que le flipan las cabañas. Y, ¡zas! Yo pico, como siempre. Me pongo a cotillear y encuentro un texto sobre cabañas y el modo en el que se piensa en ellas, el modo en el que propician el pensamiento. Eso hace que me enrede en el texto-conferencia de Heidegger —quien, parece ser, fue alguien que pensó mucho dentro de una cabaña— titulado “Construir, habitar, pensar”. Por la noche, le cuento a L. que he estado leyendo a Heidegger a raíz de la obsesión confesa de H. por las cabañas, y L. me remite al libro de Thomas Bernhard, Corrección, el cual gira hasta el infinito en torno a un flujo de pensamiento anclado a un lugar, en este caso, a la buhardilla de una casa en medio del monte. El algoritmo hace que hoy me tropiece en Facebook con un texto de Amador Fernández-Savater, titulado “Obediencia o fin del mundo: la estrategia de la disuasión”: en uno de los párrafos, se problematiza la cuestión del dichoso “síndrome de la cabaña”, ese que tanto se esgrime retóricamente durante estos días de “desescalada” para explicar el rechazo de ciertos cuerpos a salir al ahí-afuera</span>:</span></div></div></header><div class="entry-content" style="box-sizing: inherit; margin: 32px auto; max-width: none;"><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">La experiencia del confinamiento abre de repente la pregunta por las ‘actividades esenciales’, pudiendo experimentarse cierto gusto por una vivencia de retiro o retirada de las dinámicas cotidianas de ruido y estrés. Es lo que trata de estigmatizarse ahora como ‘síndrome de la cabaña’, como si no hubiese toda una lucidez en ese estado.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">Si doy tantas vueltas para introducir lo que sigue, es solo para subrayar la producción del pensamiento como un chispazo en el que yo no tengo ningún protagonismo, no he hecho ningún esfuerzo más allá del de escuchar a mis amigos, prestar atención y escribir estas líneas en este momento.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">Ahí va:</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">Una cabaña no es un edificio en el que poder recluirse. Una cabaña es una construcción.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">Siguiendo la línea de pensamiento de Heidegger, construir es consecuencia del habitar. Es decir, no se construye algo para habitarlo, sino que la construcción es ese habitar. Se habita el espacio y en ese habitarlo la construcción acaece como su prolongación. El habitar antecede al construir y el construir no difiere en gran cosa del habitar.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">La arquitectura es algo ajeno a la construcción.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">La construcción solo podría afirmar la arquitectura como arquitectura vernácula como una no-arquitectura, esa que hace que un iglú no sea más que “la continuación por otros medios del viento glaciar, pero vuelto habitable”, como dicen desde el Consejo Nocturno en Un habitar más fuerte que la metrópoli.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">Una cabaña es un uso del mundo (no una explotación del mundo).</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">La cabaña es una construcción, es decir, un habitar: una forma de vida.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">Una cabaña como construcción no es un producto (un edificio) es una acción de cuidar. No existe cabaña sin su continuo re-hacerse, un volver a ella, que es, en última instancia, un volver a sí-mismx-en-la-tarea-de-construir/habitar.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">Una cabaña está íntimamente ligada con la posibilidad de la auto-construcción, sin experticias oficialmente acreditadas, necesariamente.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">Si una construcción es la prolongación del habitar, también es una prolongación del propio espacio: una cabaña es en la misma medida bosque y acción de habitar-construir ejercida por un cuerpo. La cabaña es la capacidad del cuerpo de habitar el bosque. Y recordemos que habitar/construir es cuidar, ergo: la cabaña no es la dominación del bosque, porque la cabaña es a la vez ese bosque también.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">La cabaña es un encuentro, un continuo hacerse espacio-cuerpo. Contacto: verse-afectadx y afectar.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">En este hacerse, ¿es posible la reclusión? ¿Se puede unx confinar en una cabaña? No: unx se puede emboscar en forma de cabaña, pero emboscarse difiere mucho de aislarse.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">La cabaña es intimidad-exterioridad, espacio-cuerpo, cuidado-refugio, forma de vida, ¿cómo esconderse en una cabaña? Imposible.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">Síndrome de lo hermético sería el nombre apropiado para afirmar una negación de la coyuntura, un aislamiento y atomización. La cabaña es radicalmente otra cosa.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">La cabaña no es un síndrome, es una fisura.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">La cabaña no niega ni aísla, la cabaña ocurre como potencia.</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;">[…] él odiaba las palabras arquitecto o arquitectura, jamás decía arquitecto ni arquitectura y, si yo lo decía u otro decía arquitecto o arquitectura, replicaba enseguida que no podía escuchar las palabras arquitecto o arquitectura, esas dos palabras no eran más que deformidades, abortos verbales que un pensador no podía permitirse, y yo tampoco utilizaba jamás en su presencia, y luego tampoco ya en otras ocasiones las palabras arquitecto o arquitectura, también Holler se había acostumbrado a no utilizar las palabras arquitecto ni arquitectura, decíamos siempre, como el propio Roithamer, sólo constructor o construcción o arte de la construcción, el que la palabra construir era una de las más hermosas lo sabíamos desde que Roithamer nos habló al respecto, precisamente en la buhardilla en que me alojaba ahora […].</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">THOMAS BERNHARD, CORRECCIÓN</span></div><br /><br />*Intuyo que Christopher Alexander en su El modo atemporal de construir apunta hacia cosas que arrojan luz a este respecto también, pero ahora, llena de excitación como estoy por pensar las cabañas tan repentinamente, no me sale hilarlo. Lo menciono por si alguien quiere indagar.<br /><br /><div style="text-align: center;"><span style="font-size: x-small;">https://draft.blogger.com/blog/post/edit/228787287723518540/7746986846890791918</span></div><div style="text-align: center;"><span style="font-size: x-small;"><br /></span></div><div style="text-align: center;"><span style="font-size: x-small;"><br /></span></div><div style="text-align: center;"><span style="font-size: x-small;"><br /></span></div></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-22388458240144833352021-12-26T19:33:00.001+01:002022-03-25T19:32:54.912+01:00Un espacio para pensar<p> </p><div class="td-post-header" style="box-sizing: border-box; font-family: Georgia, Times, "Times New Roman", serif; font-size: 14px;"><header class="td-post-title" style="box-sizing: border-box;"><h1 class="entry-title" style="box-sizing: border-box; color: #111111; font-size: 41px; font-weight: 400; line-height: 50px; margin: 0px 0px 7px; overflow-wrap: break-word;">La cabaña del filósofo</h1><div class="td-module-meta-info" style="box-sizing: border-box; font-family: "Open Sans", arial, sans-serif; font-size: 11px; line-height: 1; margin-bottom: 16px; min-height: 17px;"><div class="td-post-author-name" style="box-sizing: border-box; color: #444444; display: inline-block; float: left; font-family: Georgia, Times, "Times New Roman", serif; position: relative; top: 2px;"><div class="td-author-by" style="box-sizing: border-box; display: inline; margin-right: 2px;">Por</div> <a href="https://www.fronterad.com/autor/emilio-lopez-galiacho/" style="box-sizing: border-box; color: black; font-weight: 700; margin-right: 3px; text-decoration-line: none;">Emilio López-Galiacho</a><div class="td-author-line" style="box-sizing: border-box; display: inline; margin-right: 2px;"> -</div></div><span class="td-post-date" style="box-sizing: border-box; color: #444444; display: inline-block; float: left; margin-left: 4px; position: relative; top: 2px;"><time class="entry-date updated td-module-date" datetime="2010-12-16T22:30:00+00:00" style="box-sizing: border-box; font-family: Georgia, Times, "Times New Roman", serif;">16/12/20</time></span><div class="td-post-views" style="box-sizing: border-box; float: right; margin-right: 0px;"><i class="td-icon-views" style="box-sizing: border-box; display: inline-block; font-size: 14px; line-height: 17px; margin-right: 5px; position: relative; text-align: center;"></i><br /></div></div></header></div><div class="gallery galleryid-63923 gallery-columns-4 gallery-size-medium" id="gallery-1" style="box-sizing: border-box; font-family: Georgia, Times, "Times New Roman", serif; font-size: 14px; margin-bottom: 20px;"><figure class="gallery-item" style="box-sizing: border-box; display: inline-block; margin: 0px 0px 20px; max-width: 25%; text-align: center; vertical-align: top; width: 174px;"><div class="gallery-icon landscape" style="box-sizing: border-box;"><a href="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_0_920x602.jpg" style="box-sizing: border-box; color: #ed4e4e; text-decoration-line: none;"><img alt="" class="attachment-large size-large" src="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_0_920x602.jpg" style="border: 0px; box-sizing: border-box; display: inline-block; height: auto; max-width: 100%;" /></a></div></figure> <figure class="gallery-item" style="box-sizing: border-box; display: inline-block; margin: 0px 0px 20px; max-width: 25%; text-align: center; vertical-align: top; width: 174px;"><div class="gallery-icon landscape" style="box-sizing: border-box;"><a href="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_15_920x602.jpg" style="box-sizing: border-box; color: #ed4e4e; text-decoration-line: none;"><img alt="" class="attachment-large size-large" src="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_15_920x602.jpg" style="border: 0px; box-sizing: border-box; display: inline-block; height: auto; max-width: 100%;" /></a></div></figure> <figure class="gallery-item" style="box-sizing: border-box; display: inline-block; margin: 0px 0px 20px; max-width: 25%; text-align: center; vertical-align: top; width: 174px;"><div class="gallery-icon landscape" style="box-sizing: border-box;"><a href="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_1_920x602_0.jpg" style="box-sizing: border-box; color: #ed4e4e; text-decoration-line: none;"><img alt="" class="attachment-large size-large" src="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_1_920x602_0.jpg" style="border: 0px; box-sizing: border-box; display: inline-block; height: auto; max-width: 100%;" /></a></div></figure> <figure class="gallery-item" style="box-sizing: border-box; display: inline-block; margin: 0px 0px 20px; max-width: 25%; text-align: center; vertical-align: top; width: 174px;"><div class="gallery-icon landscape" style="box-sizing: border-box;"><a href="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_6_920x602_0.jpg" style="box-sizing: border-box; color: #ed4e4e; text-decoration-line: none;"><img alt="" class="attachment-large size-large" src="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_6_920x602_0.jpg" style="border: 0px; box-sizing: border-box; display: inline-block; height: auto; max-width: 100%;" /></a></div></figure> <figure class="gallery-item" style="box-sizing: border-box; display: inline-block; margin: 0px 0px 20px; max-width: 25%; text-align: center; vertical-align: top; width: 174px;"><div class="gallery-icon landscape" style="box-sizing: border-box;"><a href="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_9_920x602_0.jpg" style="box-sizing: border-box; color: #ed4e4e; text-decoration-line: none;"><img alt="" class="attachment-large size-large" src="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_9_920x602_0.jpg" style="border: 0px; box-sizing: border-box; display: inline-block; height: auto; max-width: 100%;" /></a></div></figure> <figure class="gallery-item" style="box-sizing: border-box; display: inline-block; margin: 0px 0px 20px; max-width: 25%; text-align: center; vertical-align: top; width: 174px;"><div class="gallery-icon landscape" style="box-sizing: border-box;"><a href="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_13_920x602_0.jpg" style="box-sizing: border-box; color: #ed4e4e; text-decoration-line: none;"><img alt="" class="attachment-large size-large" src="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_13_920x602_0.jpg" style="border: 0px; box-sizing: border-box; display: inline-block; height: auto; max-width: 100%;" /></a></div></figure> <figure class="gallery-item" style="box-sizing: border-box; display: inline-block; margin: 0px 0px 20px; max-width: 25%; text-align: center; vertical-align: top; width: 174px;"><div class="gallery-icon landscape" style="box-sizing: border-box;"><a href="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_7_920x602_0.jpg" style="box-sizing: border-box; color: #ed4e4e; text-decoration-line: none;"><img alt="" class="attachment-large size-large" src="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_7_920x602_0.jpg" style="border: 0px; box-sizing: border-box; display: inline-block; height: auto; max-width: 100%;" /></a></div></figure> <figure class="gallery-item" style="box-sizing: border-box; display: inline-block; margin: 0px 0px 20px; max-width: 25%; text-align: center; vertical-align: top; width: 174px;"><div class="gallery-icon landscape" style="box-sizing: border-box;"><a href="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_12_920x602.jpg" style="box-sizing: border-box; color: #ed4e4e; text-decoration-line: none;"><img alt="" class="attachment-large size-large" src="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_12_920x602.jpg" style="border: 0px; box-sizing: border-box; display: inline-block; height: auto; max-width: 100%;" /></a></div></figure> <figure class="gallery-item" style="box-sizing: border-box; display: inline-block; margin: 0px 0px 20px; max-width: 25%; text-align: center; vertical-align: top; width: 174px;"><div class="gallery-icon landscape" style="box-sizing: border-box;"><a href="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_8_920x602.jpg" style="box-sizing: border-box; color: #ed4e4e; text-decoration-line: none;"><img alt="" class="attachment-large size-large" src="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_8_920x602.jpg" style="border: 0px; box-sizing: border-box; display: inline-block; height: auto; max-width: 100%;" /></a></div></figure> <figure class="gallery-item" style="box-sizing: border-box; display: inline-block; margin: 0px 0px 20px; max-width: 25%; text-align: center; vertical-align: top; width: 174px;"><div class="gallery-icon landscape" style="box-sizing: border-box;"><a href="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_10_920x602.jpg" style="box-sizing: border-box; color: #ed4e4e; text-decoration-line: none;"><img alt="" class="attachment-large size-large" src="https://www.fronterad.com/wp-content/uploads/2010/12/heidg_10_920x602.jpg" style="border: 0px; box-sizing: border-box; display: inline-block; height: auto; max-width: 100%;" /></a></div></figure></div><div class="td-post-content" style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-top: 21px; padding-bottom: 16px;"><div style="box-sizing: border-box;">Una cabaña en las montañas, el lugar imprescindible del pensador alemán para la estimulación intelectual</div></div><div class="td-post-content" style="box-sizing: border-box; line-height: 26px; margin-top: 21px; padding-bottom: 16px;"><p style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word;"><span class="cap" style="box-sizing: border-box;">M</span>artin Heidegger escribió buena parte de sus obras en una pequeña y austera casita de madera en Todtnauberg, a dieciocho kilómetros de Friburgo, en las montañas de la Selva Negra alemana. Durante cincuenta años mantuvo una intensa relación con el pequeño edificio, que se convirtió en mediador imprescindible para su trabajo. Más allá de la tradición de <em style="box-sizing: border-box;">pensadores con cabaña</em> -Heráclito, Lao-Tse, Thoreau, Wittgenstein-, el caso de Heidegger es especialmente significativo por toda la documentación y referencias que existen sobre él. La casa además sigue en pie y hoy es una suerte de lugar de peregrinaje que ha obligado a sus actuales propietarios -los familiares del filósofo- a pedir expresamente el respeto de su privacidad.</p><p style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word;">Heidegger nació en 1889 en una pequeña ciudad de provincias del sur de Alemania, cercana a la Selva Negra. Tras unos primeros años en el seminario, estudio filosofía en la Universidad de Friburgo y allí empezó a enseñar, tras la I Guerra Mundial, como asistente de Edmund Husserl. Por aquél entonces ya se había casado con Elfride Petri, con la que tendría dos hijos, en 1919 y 1920. En 1923 es nombrado catedrático de Filosofía en la Universidad de Marburgo. Ese mismo año comienza a usar la cabaña como lugar de vacaciones. Allí inicia los primeros apuntes de <em style="box-sizing: border-box;">Ser y tiempo</em>, que publicará en 1927 y cuya repercusión le ayudará a volver definitivamente a Friburgo, en 1928, para sustituir a su maestro Husserl, recién jubilado.</p><p style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word;">Tras su regreso, Heidegger usará con mucha más frecuencia la cabaña, donde va a pasar largos periodos trabajando. Hay poca información sobre el origen del edificio y algunos autores pensaban que era una construcción existente puesta a disposición del filósofo por el rectorado de la Universidad. Sin embargo, a raíz de las investigaciones de Adam Sharr, publicadas en su magnífico libro <em style="box-sizing: border-box;">La cabaña de Heidegger</em>. <em style="box-sizing: border-box;">Un espacio para pensar</em> (Gustavo Gili, 2006), se sabe que fue construida en el verano de 1922 para y por la propia familia. No se conoce si hubo un arquitecto detrás del proyecto, pero sí que Elfride, la prusiana esposa del pensador, organizó y supervisó la obra. El libro de Sharr -arquitecto y profesor- es el estudio más completo publicado hasta ahora sobre la cabaña. Es un texto riguroso y ágil con bastante material gráfico, incluidas muchas de las espléndidas fotografías que Digne Meller-Marcovicz realizó en 1966 y 1968 para el semanario alemán <em style="box-sizing: border-box;">Der Spiegel</em>, algunas de las cuales ilustran este artículo. </p><p style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word;">La cabaña, ubicada a 1100 metros de altitud, en una pronunciada ladera y con cubierta a cuatro aguas, mide en planta 6 x 7 metros y consta de una zona de estar con cocina, un dormitorio con cuatro camas, un cuarto de trabajo y una zona trasera con secadero y retrete. Tanto en la cocina como en el estudio existe una cama adicional. La casa está orientada prácticamente según los puntos cardinales y, a excepción de un muro central de mampostería, está construida toda ella en madera, con una austeridad absoluta que se refleja en la inexistente decoración. Por no haber no había ni libros en el estudio. Es curioso cómo Heidegger tenía su biblioteca en la casa de la ciudad, pero donde realmente trabajaba a gusto era en la montaña, sin un sólo libro. Si bien la casa de Friburgo, con su amplitud, su distribución tradicional y su mobiliario Biedermeier, respondía a las lógicas prioridades funcionales, sociales y estéticas asociables a la figura de un catedrático, es cierto que Heidegger no escribió nunca sobre ella, algo que sí hizo, y mucho, sobre la cabaña y sus experiencias allí. A esta distinta relación que el filósofo mantenía con las dos casas dedica Sharr un capítulo de su libro: “La falta de escritos de Heidegger sobre la casa de Friburgo parece indicar sus sentimientos ambivalentes hacia el edificio y hacia su vida familiar, que es notable en contraste con su manifiesto entusiasmo por la existencia solitaria en las montañas y con su percepción allí de resonancias filosóficas”.</p><p style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word;">Heidegger no escribió nunca de forma explícita sobre arquitectura. Rara vez aparece esta palabra en sus textos. Pese a ello, su obra ha influido enormemente sobre el pensamiento arquitectónico y sigue haciéndolo hoy más que nunca, aunque a muchos les cueste reconocerlo. Ese es, en mi opinión, el gran valor de su aportación: hablar de lo arquitectónico sin hablar de arquitectura, hablar de habitar sin hablar de edificios. La cabaña de Heidegger no existe como objeto particular, es genérica, no tiene forma. Es lo que Michel Onfray llamaría, citando a Deleuze y en referencia al Jardín de Epicuro, “un personaje conceptual, una figura, una oportunidad de filosofía y de filosofar, (…) una idea que se ha vuelto volumen”. La cabaña de Heidegger no es ninguna y es a la vez todas las cabañas, es un ámbito de mediación entre el paisaje y quien lo habita. No se trata de <em style="box-sizing: border-box;">esa</em> cabaña concreta, sino de las circunstancias que rodean a cualquier cabaña habitada en mitad de una naturaleza en continuo cambio y regeneración. Dice Sharr: “Por mediación de la cabaña, Heidegger convertía el paisaje en lenguaje, dentro del marco de aquella mutabilidad que él experimentaba en continua soledad. En realidad, la cabaña y sus circunstancias parecen haber sostenido la posibilidad de una presencia casi hipnótica para el filósofo”</p><p style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word;">En 1934 se le ofrece a Heidegger la cátedra de filosofía de la universidad de Berlin. A pesar del prestigio de la plaza, la rechaza y escribe a modo de justificación el texto <em style="box-sizing: border-box;">Paisaje creador: ¿por qué permanecemos en la provincia? </em>En él comienza describiendo con un par de frases cortas la cabaña y enseguida entra en lo que realmente le interesa: la íntima vinculación de su trabajo filosófico con la experimentación solitaria del paisaje –“yo nunca contemplo el paisaje, experimento sus cambios”, decía- y con el trabajo de los campesinos, con los que a menudo se identifica. Muchos le han tachado de hipócrita por esta comparación, pero el provincianismo <em style="box-sizing: border-box;">funcional</em> de Heidegger es sincero. Tras sus inevitables actividades docentes y sociales en la ciudad -a la que llamaba el engañoso<em style="box-sizing: border-box;"> mundo de abajo</em>– necesitaba subir <em style="box-sizing: border-box;">al mundo de arriba</em>, sencillo y honesto, donde obtenía la estimulación intelectual necesaria para poder trabajar de verdad. Su comportamiento no era el de un ciudadano al que le gusta <em style="box-sizing: border-box;">salir al campo</em>, sino el de un pensador que encontraba en las montañas y junto a los labriegos los contenidos esenciales de la existencia, la materia bruta sobre la que moldear su discurso filosófico, como si de un oficio manual se tratara. La cabaña le proporcionaba el cobijo necesario. </p><p style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word;">En 1951 Heidegger asiste en Darmstadt, junto a Ortega y Gasset, a un encuentro entre arquitectos y filósofos. Allí leyó su famosa ponencia titulada <em style="box-sizing: border-box;">Construir habitar pensar</em> (así, sin comas, expresando la inseparable relación entre las tres acciones), quizás uno de los textos filosóficos de todos los tiempos que más ha influido sobre el pensamiento arquitectónico posterior. Sin embargo en él sólo aparece una vez la palabra arquitectura y es precisamente para indicar que no se va a hablar de ella -algo sin duda lleno de significado en un espeleólogo del lenguaje como era Heidegger-. En lugar de eso lanzó a los arquitectos -que por entonces seguían reconstruyendo Alemania- una exhortación a reflexionar sobre el sentido profundo del <em style="box-sizing: border-box;">construir</em>, que él identificaba con el <em style="box-sizing: border-box;">habitar</em>, que es la forma que el hombre tiene de estar en el mundo y <em style="box-sizing: border-box;">cuidar</em> la tierra. Heidegger estaba hablando, no sólo de la reconstrucción material y espacial de Alemania, sino también -y sobre todo- de su reconstrucción moral y espiritual, tras un pasado ignominioso del cual él mismo estaba intentando desvincularse para lavar su imagen. Reivindicaba una vuelta a la autenticidad y dignidad de los orígenes, frente a una concepción meramente utilitarista o funcional del progreso como la que defendía el Movimiento Moderno. Iñaqui Ábalos, en el capitulo que dedica a la cabaña de Heidegger dentro de su libro <em style="box-sizing: border-box;">La buena vida </em>(Gustavo Gili, 2000), dice al respecto: “Lugar, Memoria y Naturaleza, se contraponían frontalmente a Espacio, Tiempo y Técnica, por primera vez de una forma completamente articulada, dando lugar a un giro que prácticamente podría describir todos los cambios de valores que han ido sucediéndose en el panorama arquitectónico desde finales de los sesenta hasta fechas recientes”.</p><p style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word;">Esa conversión del <em style="box-sizing: border-box;">espacio</em> en <em style="box-sizing: border-box;">lugar</em> -que es una de las claves de lo arquitectónico y que sólo puede realizarse a través de la mismidad del hombre- es esencial para entender la visión poética del habitar sobre la que Heidegger se extenderá tres años más tarde en el texto <em style="box-sizing: border-box;">Poéticamente habita el hombre</em> (1954), donde a partir del análisis de un poema de Hölderlin, acabará concluyendo que “el poetizar construye la esencia del habitar, (…) es la capacidad fundamental del habitar humano”. Esta concepción poética del habitar, que Heidegger opuso al positivismo tecnológico de la modernidad, y que tres años más tarde recogería Gastón Bachelard en su obra seminal <em style="box-sizing: border-box;">La poética del espacio</em> (1957), está detrás de la crucial revisión postmodernista de los setenta y del cambio de paradigma que han supuesto libros fundamentales como <em style="box-sizing: border-box;">La casa de Adán en el Paraíso </em>(1972), de Joseph Rykwert, <em style="box-sizing: border-box;">The Architectural Uncanny </em>(1992) de Anthony Vidler, <em style="box-sizing: border-box;">Arquitectónica</em> (1999), de José Ricardo Morales o <em style="box-sizing: border-box;">Los ojos de la piel</em> (2005), de Juhani Pallasmaa, entre muchos otros.</p><p style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word;">Lo arquitectónico es aquello que transforma el espacio en lugar. Esa transformación es la esencia del habitar. “El espaciar origina el situar que prepara a su vez el habitar”, escribe Heidegger en <em style="box-sizing: border-box;">El arte y el espacio</em>, un texto aforístico que escribió hacia 1959 y que publicaría en 1969 ilustrado por litografías de Eduardo Chillida, a raiz del encuentro que ambos tuvieron en 1968 en la galería suiza Erker. Jesús Aguirre -que hacía como que odiaba a Heidegger- llamó al texto <em style="box-sizing: border-box;">mera cháchara, muy de las suyas</em>, en un artículo de <em style="box-sizing: border-box;">El País</em> de 1989 donde, para justificar su improbable alianza creativa, insinuaba una cierta <em style="box-sizing: border-box;">química nacionalista</em> entre el filósofo y el artista vasco.</p><p style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word;">A la figura de Heidegger le perseguirán siempre sus claroscuros personales. Lo más inquietante de él no es lo que sabemos sino lo que imaginamos, lo que intuimos en su rostro o tras las extrañas fotos de Meller-Marcovicz en la cabaña, esa ambigüedad apelmazada que nos permite imaginarlo como el abuelito de Heidi y a la vez torturando a Dustin Hoffman con un torno de dentista, al mismo tiempo como un <em style="box-sizing: border-box;">pater familias</em> cursilón y un donjuan <em style="box-sizing: border-box;">comealumnas</em>. Un “filósofo estafador de novias” y un “ridículo burgués nacionalsocialista en bombachos”, como lo llamaba Thomas Bernhard. Hasta para afiliarse al partido nazi cometió la extrañeza de elegir una facción maldita.</p><p style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word;">Parece que perdonamos a los escritores sus veleidades personales y políticas pero no así a los filósofos. Pero debería ser igual. La filosofía también produce construcciones literarias, no reglamentos ni catecismos; levanta teorías, no ideologías. Heidegger no cae bien. Valoramos la marginalidad en los intelectuales, disfrutamos imaginando a Wittgenstein o Thoreau solitarios e intempestivos en sus cabañas, a Heráclito comiendo raíces y diciendo cosas incomprensibles, a Benjamin y sus derivas hasta la última noche en Portbou, como la última noche de André Gorz y D. en su casa de Vosnon. Pero Heidegger era tradicional, conservador, burgués y hasta nacionalsocialista.</p><p style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word;">Muchos de nuestros jóvenes estudiantes de arquitectura siguen rechazándole a priori. Sin embargo es el filósofo más profundamente arquitectónico que jamás ha existido. Y además, vigente. Pese a quien pese, su filosofía fundamenta muchos valores que hoy están redefiniendo la práctica arquitectónica en campos como el procomún, el diseño sostenible o la conservación medioambiental. Si no hubiera tenido ese calentón nazi, Heidegger probablemente sería hoy el ídolo de los <em style="box-sizing: border-box;">antisistema</em>. Ted Kaczynski, el <em style="box-sizing: border-box;">Unabomber</em>, también vivió en una cabaña.</p><hr size="1" style="box-sizing: content-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; height: 0px;" /><p style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word;"><strong style="box-sizing: border-box;">Autor: </strong>Emilio López-Galiacho</p><p style="box-sizing: border-box; color: #222222; font-family: Georgia, Times, "Times New Roman", serif; font-size: 18px; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word;"><br /></p><p style="box-sizing: border-box; line-height: 26px; margin-bottom: 26px; margin-top: 0px; overflow-wrap: break-word; text-align: center;"><span style="color: #222222; font-family: Georgia, Times, Times New Roman, serif; font-size: x-small;">https://draft.blogger.com/blog/post/edit/228787287723518540/2238845824014483335</span></p></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-84052145303839671002021-11-20T19:03:00.004+01:002021-11-20T19:07:52.541+01:00<p></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-G7vcPiVX_ko/YZk5PBbk2sI/AAAAAAAA9FM/Kg_2Y_TfjsYy_4PJ9RKhxPl6c55X5MDuQCPcBGAsYHg/s846/FB_IMG_1637431531014.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="846" data-original-width="564" height="320" src="https://1.bp.blogspot.com/-G7vcPiVX_ko/YZk5PBbk2sI/AAAAAAAA9FM/Kg_2Y_TfjsYy_4PJ9RKhxPl6c55X5MDuQCPcBGAsYHg/s320/FB_IMG_1637431531014.jpg" width="213" /></a></div><br /><a href="https://1.bp.blogspot.com/-3e-VbZ-FznE/YZk3BAgYyFI/AAAAAAAA9Ew/AMixdr4zKQQAyCiD5N63G-x-NUZcHCYAwCPcBGAsYHg/s3648/IMG_20210529_205818.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2736" data-original-width="3648" height="300" src="https://1.bp.blogspot.com/-3e-VbZ-FznE/YZk3BAgYyFI/AAAAAAAA9Ew/AMixdr4zKQQAyCiD5N63G-x-NUZcHCYAwCPcBGAsYHg/w400-h300/IMG_20210529_205818.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div> <p></p><blockquote class="bloc_citation" style="font-family: Georgia, Times, serif; font-size: 22.4px;"><span style="color: #e06666;"><span class="citation" itemprop="text"><i><b><span class="lquo">“</span>Les livres sont plus secourables que la psychanalyse. Ils disent tout, mieux que la vie. Dans une cabane, mêlés à la solitude, ils forment un cocktail lytique parfait.<span class="rquo">”</span></b></i></span> </span></blockquote><blockquote class="bloc_citation" style="font-family: Georgia, Times, serif; font-size: 22.4px;"><div class="auteur" itemprop=""><a href="https://citations.webescence.com/citations/Sylvain-Tesson" itemprop="Author" style="color: #336699;">Sylvain Tesson</a></div><div class="source">"Dans les forêts de Sibérie"</div></blockquote><p> </p><div class="ratingblock" style="font-family: Georgia, Times, serif; font-size: 22.4px; margin-bottom: 8px; padding-bottom: 8px;"><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-wnp6qNSjV_M/YZk3luQt2mI/AAAAAAAA9E4/bPyrlB1yIiYpJNhas5mJZfhySfsmCC9dACPcBGAsYHg/s3420/IMG_20210522_172224_248.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3420" data-original-width="2736" height="320" src="https://1.bp.blogspot.com/-wnp6qNSjV_M/YZk3luQt2mI/AAAAAAAA9E4/bPyrlB1yIiYpJNhas5mJZfhySfsmCC9dACPcBGAsYHg/s320/IMG_20210522_172224_248.jpg" width="256" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-09dQLNvPKfQ/YZk3ltCO6WI/AAAAAAAA9E4/VKt1Vi3sJgQVnAR4WZiyJIU0pYxyqPI_wCPcBGAsYHg/s1440/IMG_20210831_180538_209.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1440" height="400" src="https://1.bp.blogspot.com/-09dQLNvPKfQ/YZk3ltCO6WI/AAAAAAAA9E4/VKt1Vi3sJgQVnAR4WZiyJIU0pYxyqPI_wCPcBGAsYHg/w400-h400/IMG_20210831_180538_209.jpg" width="400" /></a></div><br /></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-66267385932635432362021-11-20T18:44:00.001+01:002021-11-20T19:26:04.646+01:00Refranero molinero<div class="separator" style="text-align: center;"><a href="https://draft.blogger.com/#" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://1.bp.blogspot.com/-4d9AagsoePU/YZkzskxjurI/AAAAAAAA9Ek/fXL_swclKf8sFPzpc9tyPL03DAO7Jb3lwCPcBGAsYHg/w400-h300/IMG_20210907_175353.jpg" width="400" /></a></div><div class="separator" style="text-align: center;"><span style="font-size: x-small;">Rueda abandonada en una cantera de ruedas de molino (Comunidad de Teruel)</span></div><div class="separator" style="text-align: center;"><br /></div><br /><div style="text-align: center;"><span style="color: red; font-size: large;"><b>EL MOLINO Y EL MOLINERO EN EL REFRANERO</b></span></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><b>DIEZ BARRIO, Germán</b></span></div><div style="text-align: center;"><br /></div><br /><div style="text-align: center;"><a href="https://draft.blogger.com/#"><img border="0" src="https://1.bp.blogspot.com/-JyrOosPqClg/YZkzsuNr5-I/AAAAAAAA9Ek/8-4aUUK-bosTmQJRDKQI5NY9yqlk1MNeQCPcBGAsYHg/s320/IMG_20210831_175341.jpg" /></a></div><div style="text-align: center;"><span style="font-size: x-small;">Molino de Damaniu</span></div><div style="font-size: large;"><span style="font-size: medium;"><br /></span></div><br /><div style="text-align: justify;"><span style="font-size: medium;">Hace bastantes años, en muchos pueblos se podía ver la actividad y el ajetreo de personas conduciendo sus carros llenos de costales de grano en dirección al molino.</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;">Estas imágenes están totalmente perdidas y sólo nos quedan edificios derruidos, otros que a duras penas se mantienen en pie y alguno aprovechado como mesón o restaurante.</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;">Sin duda el trabajo del molinero tuvo mucha importancia para los hombres del campo hasta que aparecieron las primeras fábricas de harinas.</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;">El refranero hace un repaso del molino y del que muele. Para moler, lo primero que se necesita es agua abundante:</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><span style="font-family: verdana; font-size: medium;"><div style="text-align: justify;"><i style="color: red;">-Con agua muele el molino, y el molinero, con vino.</i></div><span style="color: red;"><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Mientras tiene agua el molino, el molinero bebe vino.</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Pide su agua todo molino, y todo molinero pide su vino.</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Cuando no tiene agua el molino, el molinero no tiene vino.</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Molinico ,¿por qué no mueles? -Porque me beben el agua los bueyes.</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Agua pasada no mueve molino.</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Cada uno quiere llevar el agua a su molino y dejar en seco el del vecino. No importa el perjuicio de los demás con tal de poder moler y esto porque el molino andando gana y, además, porque molino que no muele no tiene maquila, es decir, el que no trabaja no cobra, no le dan la porción de grano o harina que le correspondería por su trabajo.</i></div></i></span><div style="text-align: justify;"><br /></div><div style="text-align: justify;">En segundo lugar, conviene madrugar para que no se adelanten otros y nos hagan esperar y perder el tiempo:</div><div style="text-align: justify;"><br /></div><span style="color: red;"><div style="text-align: justify;"><i>-Quien primero viene, primero muele.</i></div><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Quien al molino ha de andar, debe madrugar.</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Quien al molino va y no madruga, los otros muelen y él se espulga.</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Quien está en el molino muele; que no el que va y viene.</i></div></i></span><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Es tan importante llegar a tiempo que:</div><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i><span style="color: red;">-Más vale aceña parada, que amigo molinero. Si el molino está parado, el que primero llega, primero muele; Cuando la aceña está funcionando, de poco sirve que el molinero sea nuestro amigo.</span></i></div></i><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Al ser el molino un lugar en que fácilmente pueden engañar a uno, es aconsejable que vaya una persona de edad, una persona experimentada:</div><div style="text-align: justify;"><br /></div><span style="color: red;"><div style="text-align: justify;"><i>-Al molino y por carne, vaya de la casa el más grande. Molineros y carniceros siempre tuvieron fama de aprovechados.</i></div></span><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Debe ir sola:</div><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i><span style="color: red;">-Al monte y al molino no llames al vecino. Perderás la mitad de la leña al repartirla y tendrás que cederle el primer puesto en el molino, con lo cual perderás el tiempo.</span></i></div></i><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Y, además, no comunicar las ganancias a nadie:</div><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i><span style="color: red;">-Huerto y molino, lo que producen no lo digas a tu vecino.</span></i></div></i><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Ciertos oficios son muy propios para la sisa, y el de molinero es uno de ellos: <span style="color: red;"><i>Cien sastres, cien molineros y cien tejedores, hacen justos trescientos ladrones.</i></span></div><div style="text-align: justify;"><br /></div><span style="color: #783f04;"><div style="text-align: justify;">Esta fama de ladrones, no entro si merecida o no, que tienen los molineros viene de muy antiguo. Ya el anónimo autor del Lazarillo de Tormes (1554) nos lo recuerda:<i> </i><i><span style="color: red;">«Pues siendo yo niño de ocho años, achacaron a mi padre ciertas sangrías mal hechas en los costales de los que allí a moler venían, por la cual fue preso, y confesó y no negó, y padeció persecución por justicia.»</span></i></div></span><span style="background-color: white;"><div style="text-align: justify;"><br /></div><span style="color: #783f04;"><div style="text-align: justify;">El refranero se hace eco de este sambenito que les han colgado a los que ejercen la molienda:</div></span></span><div style="text-align: justify;"><br /></div><span style="color: red;"><div style="text-align: justify;"><i>-De molinero mudarás, pero de ladrón no saldrás.</i></div><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-De molinero a ladrón no hay más que un escalón; y ése es tan bajo, que lo sube un escarabajo.</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Molinero y ladrón, dos cosas suenan y una son.</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-De molinero mudarás, pero de robado no escaparás.</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Molinero y ladrón, seria caso de admiración.</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Maestro de molino, ladrón fino.</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Dios nos libre y nos defienda del que hace mala molienda. Del que se queda a escondidas con una parte de lo que muele.</i></div></i></span><div style="text-align: justify;"><br /></div><span style="color: #783f04;"><div style="text-align: justify;">La maquila es el grano o harina que le dan al molinero por moler, pero a veces se toma otra parte que no le corresponde:</div></span><div style="text-align: justify;"><br /></div><span style="color: red;"><div style="text-align: justify;"><i>-Quien dijo maquilar, quiso decir robar.</i></div><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Quien te maquila, ése te esquila.</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Molinero ladrón, no saca maquila, sino maquilón.</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>-Molinero maquilero, ladrón primero.</i></div></i></span><div style="text-align: justify;"><br /></div><span style="color: #783f04;"><div style="text-align: justify;">Pero no todos los refranes recalcan el lado negativo del oficio:</div></span><div style="text-align: justify;"><br /></div><span style="color: red;"><div style="text-align: justify;"><i>-El molinero andando gana, que no estándose en la cama.</i></div></span><div style="text-align: justify;"><br /></div><span style="color: #783f04;"><div style="text-align: justify;">Aconseja el trabajo para medrar .</div></span><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i><span style="color: red;">-Molinero moliendo y alguacil andando, los dos van ganando.</span></i></div></i><div style="text-align: justify;"><br /></div><span style="color: #783f04;"><div style="text-align: justify;">Cada uno en su trabajo.</div></span><div style="text-align: justify;"><br /></div><span style="color: red;"><div style="text-align: justify;"><i>-Espaldas de molinero y puercos de panadera, no se hallan dondequiera.</i></div></span><div style="text-align: justify;"><br /></div><span style="color: #783f04;"><div style="text-align: justify;">Los molineros tienen las espaldas anchas, acostumbrados a cargar los sacos de harina y grano, y los cerdos de la panadera están gordos y lucidos.</div></span><div style="text-align: justify;"><br /></div></span><br />http://www.cervantesvirtual.com/<br />Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-72931937605604948312021-11-19T22:52:00.008+01:002021-11-20T18:00:08.506+01:00Sobre el paisaje<p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><br /></div><a href="https://1.bp.blogspot.com/-sjAEkzq4mGA/YZgaw1e3nLI/AAAAAAAA9BQ/VXvJyhiaAvwQHulAjo6EhRLLBSGhZKeBwCPcBGAsYHg/s1920/IMG_20210927_210422_348.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1080" height="375" src="https://1.bp.blogspot.com/-sjAEkzq4mGA/YZgaw1e3nLI/AAAAAAAA9BQ/VXvJyhiaAvwQHulAjo6EhRLLBSGhZKeBwCPcBGAsYHg/w207-h375/IMG_20210927_210422_348.webp" width="207" /></a></div><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-KSGUgSk5EvQ/YZgaw5cv3VI/AAAAAAAA9BQ/NO60p0R0boclrsThlcVIrvnUo6QZFkrGQCPcBGAsYHg/s2265/PIC_20210815_175513.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="2265" height="217" src="https://1.bp.blogspot.com/-KSGUgSk5EvQ/YZgaw5cv3VI/AAAAAAAA9BQ/NO60p0R0boclrsThlcVIrvnUo6QZFkrGQCPcBGAsYHg/w632-h217/PIC_20210815_175513.jpg" width="632" /></a></div><p></p><p style="margin-bottom: 0cm;"><span style="font-size: x-large;"><span style="font-family: Arial, serif;"><span><b><u><br /></u></b></span></span></span></p><p style="margin-bottom: 0cm;"><span style="font-size: x-large;"><span style="font-family: Arial, serif;"><span><b><u>CONSIDERACIÓN
DEL PAISAJE </u>(I):</b></span></span></span><br /><br /><span style="font-size: x-large;"><b>El derecho al paisaje</b></span></p>
<p style="line-height: 100%; margin-bottom: 0cm;"><i><b>
“<span style="font-family: Arial, serif;"><span>La
patria es el paisaje: el paisaje es</span><span> nuestro ser mismo”.</span></span></b></i></p>
<p style="margin-bottom: 0cm;">
<span style="font-family: Arial, serif;"><span style="font-size: x-small;"><b>(JOSÉ
ORTEGA Y GASSET)</b></span></span></p><p style="margin-bottom: 0cm;"><span style="font-family: Arial, serif;"><span style="font-size: x-small;"><b><br /></b></span></span></p><p style="text-align: justify;"><span style="font-family: arial;"><span><span>El filós</span><span>ofo</span><span style="font-size: small;"> </span></span><span><span style="font-size: small;"><b>Eduardo
Martínez de Pisón</b></span></span><span><span style="font-size: small;">,
para el que la protección del paisaje se ha vuelto necesaria, nos
recuerda que en la cultura inglesa se produce una identificación del
término </span></span><span><span style="font-size: small;"><i>belleza</i></span></span><span><span style="font-size: small;">
con la descripción de un paisaje. Mucho tuvieron que ver los
pintores que dieron protagonismo al paisaje en los s. XVIII y XIX: R.
Wilson, T. Gainsborough, J. Constable, J. Turner… Martínez de
Pisón reivindica la vivencia del paisaje por encima de su
conocimiento formal, aunque dicho conocimiento afecta necesariamente
a la vivencia-experiencia ante o dentro de este entorno vital, este
“escenario común heredado” cuya armonía no debemos dejar
arruinarse o perderse. A este respecto, otro especialista en
paisajes, el geógrafo </span></span><span><span style="font-size: small;"><b>Joan
Nogué</b></span></span><span><span style="font-size: small;">
considera el paisaje un bien comú</span></span></span><span style="font-size: medium;">n</span><span style="font-family: arial;"><span><span style="font-size: small;"> del que se deduce el </span></span><span><span style="font-size: small;"><i>derecho
al paisaje</i></span></span></span><span><span style="font-size: small;"><span style="font-family: arial;">.
También nos recuerda que ha habido </span><span style="font-family: Arial, serif;">una integración armónica de las
acciones de las sociedades rurales tradicionales en el medio
natural. Añade que<i> </i></span></span></span><span style="font-family: arial;"><i>“cuando se eliminan los rasgos que le han dado personalidad y continuidad histórica, estamos hablando de destrucción del paisaje”</i>,</span><span style="font-family: Arial, serif;"><span style="font-size: small;"> y esto ha ocurrido con la introducción de macroinstalaciones desde
hace seis décadas. El paisaje es para Nogué, </span></span><span style="font-family: arial;"><i>“en buena medida, una construcción social y cultural, siempre anclado en un substrato material, físico”. </i></span><span style="font-family: Arial, serif;"><span style="font-size: small;">Él mismo cita a la escuela geográfica regional francesa o <i>vidaliana</i></span></span><span style="font-family: Arial, serif;"><span style="font-size: small;">
que considera al paisaje como </span></span><span style="font-family: Arial, serif;"><span style="font-size: small;"><i>el
rostro del territorio</i></span></span><span style="font-family: Arial, serif;"><span style="font-size: small;">.
A través de él se puede diagnosticar su estado de salud.</span></span></p>
<p style="text-align: justify;"><a name="_GoBack"></a><span style="font-family: Arial, serif;"><span style="font-size: small;">En
España el paisaje se revaloriza entre la intelectualidad a partir de
1898, tras la crisis de la pérdida colonial y sus paisajes exóticos
propios. </span></span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Unamuno</b></span></span><span style="font-family: Arial, serif;"><span style="font-size: small;">,
en sintonía con Ortega, dijo que </span></span><span style="font-family: arial;"><i>“la patria se revela en el paisaje”. </i></span><span style="font-family: Arial, serif;"><span style="font-size: small;">En esta época, siguiendo la estela de los ilustres viajeros
extranjeros del siglo XIX, literatos y artistas dan rienda suelta a
su sed viajera para empaparse de los paisajes ibéricos. <b>Azorín</b></span></span><span style="font-family: Arial, serif;"><span style="font-size: small;">
decía que</span></span><i><span style="font-family: arial;"> “el paisaje somos nosotros; el paisaje es nuestro espíritu, sus melancolías, sus placideces, sus anhelos, sus tártagos”.</span></i></p>
<p style="text-align: justify;"><span style="font-family: Arial, serif;"><span style="font-size: small;">La Institución Libre de
Enseñanza, dirigida por </span></span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Francisco
Giner de los Ríos</b></span></span><span style="font-family: Arial, serif;"><span style="font-size: small;">,
de una enorme relevancia educativa, marca la comprensión y la
contemplación del paisaje como objetivo prioritario. Giner relaciona
el orden natural del paisaje con las cualidades y los valores
culturales que le atribuye. Es autor de un ensayo titulado
precisamente </span></span><span style="font-family: Arial, serif;"><span style="font-size: small;"><i>Paisaje</i></span></span><span style="font-family: Arial, serif;"><span style="font-size: small;">,
que plasma la concepción científica del mismo en la Institución. </span></span>
</p>
<p style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: Arial, serif;"><span style="font-size: small;">El
psicólogo </span></span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Helio
Carpintero</b></span></span><span style="font-family: Arial, serif;"><span style="font-size: small;">
aboga por la integración de la vida de cada persona en el paisaje y
el biólogo </span></span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Joaquín
Fernández Pérez</b></span></span><span style="font-family: Arial, serif;"><span style="font-size: small;">
señala la influencia del cine de ficción y documental en la
percepción y valoración del paisaje debido a su capacidad
simbólica, y en paralelo al filósofo </span></span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Nicolás
Ortega Cantero</b></span></span><span style="font-family: Arial, serif;"><span style="font-size: small;">
incide en la determinación del carácter de los pueblos por el
paisaje. Ortega Cantero piensa que la historia de los pueblos, sus
aspiraciones y sus logros comunes</span></span> <span style="font-family: Arial, serif;"><span style="font-size: small;">están
ligados a sus paisajes. </span></span>
</p>
<p style="text-align: justify;"><span style="font-family: Arial, serif;"><span style="font-size: small;">El escritor </span></span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Rafael
Núñez Florencio</b></span></span><span style="font-family: Arial, serif;"><span style="font-size: small;">
defiende la continuidad, homogeneidad y armonía paisajística</span></span><span style="font-family: arial;">s, </span><span style="font-family: Arial, serif;"><span style="font-size: small;">y concluye que <i><b>el
paisaje es nuestro patrimonio</b></i></span></span><span style="font-family: Arial, serif;"><span style="font-size: small;">.</span></span></p>
<p style="text-align: justify;"><br /></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-VKRJKzXMTfk/YZgawzP7kwI/AAAAAAAA9BQ/IWP-kxf_OwkfINSmA45S3SNZU1NbzYEhwCPcBGAsYHg/s3648/IMG_20211015_144916.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2736" data-original-width="3648" height="240" src="https://1.bp.blogspot.com/-VKRJKzXMTfk/YZgawzP7kwI/AAAAAAAA9BQ/IWP-kxf_OwkfINSmA45S3SNZU1NbzYEhwCPcBGAsYHg/s320/IMG_20211015_144916.jpg" width="320" /></a></div><p></p><p><br /></p><p style="line-height: 100%; margin-bottom: 0cm;"><span style="font-family: Arial, serif; font-size: x-large;"><b>CONSIDERACIÓN
DEL PAISAJE (II):</b></span></p><p style="line-height: 100%; margin-bottom: 0cm;"><span style="font-family: Arial, serif; font-size: x-large;"><b><br /></b></span></p><span style="font-family: arial; font-size: large;"><b>La barbarización del paisaje</b></span><p style="margin-bottom: 0cm;"><i><span style="font-size: medium;">
“<span style="font-family: Arial, serif;"><span>El
paisaje es un estado del alma”</span></span></span></i></p><p style="margin-bottom: 0cm;"><span style="font-family: Arial, serif; font-size: 9pt;">(HENRY-F.
AMIEL)</span></p><p style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: Arial, serif; font-size: 9pt;"><br /></span></p><p style="text-align: justify;"><i><span style="font-family: arial;">“Escritores, poetas y pensadores han visto al paisaje como el espejo del alma en el territorio”,</span></i><span style="font-family: Arial, serif;"> mantiene el doctor <span style="font-size: small;"><b>Joan
Nogué</b></span></span><span style="font-family: Arial, serif;">, que
recuerda el sentimiento de las personas de pertenencia a un paisaje,
sea el de nacimiento o el de acogida. Él mismo cita la frase del
filósofo chino </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Lin
Yutang</b></span></span><span style="font-family: Arial, serif;">: </span><span style="font-family: arial;">“La mitad de la belleza depende del paisaje y la otra mitad de quien lo contempla”</span><span style="font-family: Arial, serif;">.
<span style="font-size: small;"><b>Martínez de
Pisón </b></span></span><span style="font-family: Arial, serif;">recuerda
la vieja enseñanza china que sentencia que</span><i><span style="font-family: arial;"> “algunos paisajes tienen su poeta, pero siempre todo paisaje tiene su bárbaro”.</span></i></p><p style="text-align: justify;"><span style="font-family: Arial, serif;">Sin menoscabar los enormes
méritos culturales del ilustrado </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Gaspar</b></span></span><span style="font-family: Arial, serif;">
</span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Melchor</b></span></span><span style="font-family: Arial, serif;">
</span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>de
Jovellanos</b></span></span><span style="font-family: Arial, serif;">,
su postura contra la naturaleza, ‘productora exclusivamente de
maleza’, está afortunadamente superada sobre el papel. Aunque en
la práctica la agresión al medio natural no pierde vigencia y va a
más de manera imparable. ¿Qué diría hoy al respecto el sabio
asturiano? Seguramente se alinearía con el geólogo </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Javier
Obartí Segrera</b></span></span><span style="font-family: Arial, serif;">
partidario de que “toda acción que repercuta en la calidad del
paisaje debería basarse en un mejor conocimiento científico,
histórico-cultural y técnico del mismo”. La percepción del
paisaje de las gentes de la ciencia y las del campo coincide en no
estar mediatizada por subjetividades estéticas.</span></p><p style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: Arial, serif;">En
1808, el científico viajero romántico coetáneo de Jovellanos,
</span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Alexander von</b></span></span><span style="font-family: Arial, serif;">
</span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Humboldt</b></span></span><span style="font-family: Arial, serif;">,
que además era rico y guapo, publica el libro </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><i>Cuadros
de la Naturaleza</i></span></span><span style="font-family: Arial, serif;">,
que inicia la modernidad en el tratamiento de la geografía
paisajística, referida a las cordilleras, selvas, ríos y restos de
las civilizaciones antiguas del Nuevo Mundo, con un fundamento
empírico. Humboldt, junto a sus compatriotas </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Schiller</b></span></span><span style="font-family: Arial, serif;">
y </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Goethe</b></span></span><span style="font-family: Arial, serif;">,
considera la contemplación admirativa de la Naturaleza como fuente
de placer estético y un medio para su comprensión. </span>
</p><p style="text-align: justify;"><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Manuel de Terán</b></span></span><span style="font-family: Arial, serif;">
dictaminó en1960 que la Geografía es la </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><i>Ciencia
del Paisaje</i></span></span><span style="font-family: Arial, serif;">.
El citado Obartí hace referencia al concepto de esta ciencia como un
intento de unificar dos criterios: </span><span style="font-family: arial;"><i>“el de la discontinuidad del medio físico y el de la continuidad del paisaje en el espacio”.</i></span><span style="font-family: Arial, serif;"> El ruso <span style="font-size: small;"><b>V. B.
Sochava</b></span></span><span style="font-family: Arial, serif;">
introdujo en 1963 el término </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><i>geosistema</i></span></span><span style="font-family: Arial, serif;">
para dar nombre al sistema de interacción entre los elementos del
paisaje, que ya en 1933 </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Hernández-</b></span></span><span style="font-family: Arial, serif;">
</span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Pacheco</b></span></span><span style="font-family: Arial, serif;">
enumeraba como fundamentales </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><i>el
roquedo, la vegetación y la fauna.</i></span></span></p><p style="text-align: justify;"><a name="_GoBack"></a><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Concepción
Sanz Herraiz</b></span></span><span style="font-family: Arial, serif;">,
doctora en Geografía </span><span style="font-family: arial;">Física </span><span style="font-family: Arial, serif;">nos recuerda que los primeros paisajes protegidos en España fueron
las montañas, por su belleza, que era eminentemente geológica y
geomorfológica. Así como la fecha del 1 de marzo de 2008 en que en
el Estado español entró en vigor el <span style="font-size: small;"><i>Convenio
Europeo del Paisaje.</i></span></span><span style="font-family: Arial, serif;">
Otra doctora en Geografía, </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Josefina
Gómez Mendoza</b></span></span><span style="font-family: Arial, serif;">
cita la consideración del ingeniero </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Miguel
Arenillas</b></span></span><span style="font-family: Arial, serif;"> de
las instalaciones eólicas como </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><i>bosques
metálicos</i></span></span><span style="font-family: Arial, serif;">,</span><span style="font-family: arial;"><i> “más perjudiciales para el paisaje que las centrales hidráulicas”.</i></span></p><p style="text-align: justify;"><span style="font-family: Arial, serif;"><br /></span></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-RMyq1qkmEP4/YZgawxgHeFI/AAAAAAAA9BQ/dvXsfT_SiFgbjxJCZo_JYesyr0ir3WaBwCPcBGAsYHg/s3648/IMG_20211026_111003.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2736" data-original-width="3648" height="240" src="https://1.bp.blogspot.com/-RMyq1qkmEP4/YZgawxgHeFI/AAAAAAAA9BQ/dvXsfT_SiFgbjxJCZo_JYesyr0ir3WaBwCPcBGAsYHg/s320/IMG_20211026_111003.jpg" width="320" /></a></div><p>
</p><p><br /></p>
<p style="margin-bottom: 0cm;"><a name="_GoBack"></a><span style="font-family: Arial, serif;"><span style="font-size: x-large;"><b>CONSIDERACIÓN
DEL PAISAJE (III):</b></span> </span></p><span style="font-family: arial; font-size: large;"><b><div><span style="font-family: arial; font-size: large;"><b><br /></b></span></div>El valor del paisaje</b></span><p style="line-height: 100%; margin-bottom: 0cm;">
<span style="font-family: Arial, serif;"><span><i><b>" y
bebiendo con ansia hasta tu mismo jadeo</b></i></span></span></p><p style="line-height: 100%; margin-bottom: 0cm;">
<span style="font-family: Arial, serif;"><span><i><b>sin
saciar, ¡oh paisaje!, mi gran deseo"</b></i></span></span></p><p style="margin-bottom: 0cm;">
<span style="font-family: Arial, serif;"><span style="font-size: 9pt;">(GEORGES
DUHAMEL)</span></span></p><p style="margin-bottom: 0cm;"><span style="font-family: Arial, serif;"><span style="font-size: 9pt;"><br /></span></span></p><p style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: Arial, serif;">La
palabra </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><i>Paisaje
</i></span></span><span style="font-family: Arial, serif;">es un
galicismo que surge en el siglo XVIII. Se deriva de </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><i>país</i></span></span><span><span style="font-family: Arial, serif;">
y sustituye a esta palabra.</span><i><span style="font-family: arial;"> </span></i></span><i><span style="font-family: arial;">“Un paisaje es un fragmento de Naturaleza dotado de sentido”; “no hay paisaje sin mirada”,</span></i><span><span style="font-family: Arial, serif;"> son afirmaciones del escritor </span></span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Rafael
Núñez Florencio</b></span></span><span style="font-family: Arial, serif;">.</span></p><p style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: Arial, serif;">No
puede negarse que el paisaje está de moda. Retomo más reflexiones
del filósofo </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Martínez
de Pisón</b></span></span><span style="font-family: Arial, serif;">:
El paisaje es un “entorno vital”. Su emergencia en la historia de
la cultura se produce en la primera mitad del siglo IV en la China
del Sur (Berque, 2006). En el Renacimiento comienza a fluir esta
concepción cultural en el occidente europeo. El sentimiento completo
del paisaje no se alcanza hasta el Romanticismo. Cito literalmente a
este intelectual: </span><span style="font-family: arial;"><i>“El aprecio a los paisajes puede ser en parte espontáneo –cuestión de sensibilidad-, aunque la mayoría de las veces es aprendido –cuestión de cultura-, y siempre es el resultado del ejercicio de un determinado sistema de valores. Es decir, es una cuestión moral”.</i></span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Ortega y
Gasset</b></span></span><span style="font-family: Arial, serif;"> sitúa
al paisaje en el centro de la reflexión intelectual, filosófica y
científica. La consideración de la Geografía como ciencia del
paisaje se formuló explícitamente a principios del siglo XX en
Alemania y Francia (en España en 1960). </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Unamuno
</b></span></span><span style="font-family: Arial, serif;">concede un
valor espiritual al paisaje de Castilla. En la primera mitad del
pasado siglo, influenciado por el naturalismo, el científico </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Eduardo
Hernández-Pacheco</b></span></span><span style="font-family: Arial, serif;">
desarrolla la teoría del paisaje, para aplicarla al estudio de los
paisajes españoles. Fue uno de los pioneros en plantear la
conservación del patrimonio constituido por los paisajes naturales.
En 1916 se promulgaba la ley de parques nacionales para preservar su
belleza, fauna, flora, geología e hidrología. En los años setenta,
la atención al paisaje volvió como reacción al incremento de su
deterioro, lo que reflejaba una nueva sensibilidad ambiental. </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Solé
Sabarís</b></span></span><span style="font-family: Arial, serif;">,
geógrafo y geólogo,</span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>
</b></span></span><span style="font-family: Arial, serif;">conecta la
Geografía con la Ecología y con la </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><i>Ciencia
del Paisaje</i></span></span><span style="font-family: Arial, serif;">.
Los prestigiosos ecólogos </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Pedro
Montserrat </b></span></span><span style="font-family: Arial, serif;">y
</span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Fernando
González Bernáldez</b></span></span><span style="font-family: Arial, serif;">
son dos promotores de la </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><i>Ecología
del Paisaje</i></span></span><span style="font-family: Arial, serif;">.</span></p><p style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Joan
Nogué</b></span></span><span style="font-family: Arial, serif;">,
geógrafo especialista en la reflexión paisajística, asume la
observación de </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Eugenio
Turri</b></span></span><span style="font-family: Arial, serif;">, en el
sentido en que en el pasado </span><span style="font-family: arial;"><i>“las modificaciones del paisaje solían ser lentas, pacientes, al ritmo de la intervención humana, prolongadas en el tiempo y fácilmente absorbibles por la naturaleza de los seres humanos: el elemento nuevo se insería gradualmente en el cuadro psicológico de la gente</i></span><span style="font-family: Arial, serif;">”.
En nuestros días ya no es así.</span></p><p style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Nicolás
Ortega Cantero </b></span></span><span style="font-family: Arial, serif;">considera
el paisaje como un patrimonio, un bien heredado por la colectividad y
un símbolo de su historia y su identidad compartida. </span>
</p><p style="line-height: 100%; text-align: justify;"><span style="font-family: Arial, serif;"><span style="font-size: small;"><b>Javier
Obartí</b></span></span><span style="font-family: Arial, serif;">
señala que el objetivo fundamental de la </span><span style="font-family: Arial, serif;"><span style="font-size: small;"><i>ordenación
territorial</i></span></span><span style="font-family: Arial, serif;">
es la identificación, delimitación y dotación de un régimen de
protección adecuado de los paisajes valiosos, incorporándolos así
a los bienes patrimoniales.</span></p><p style="text-align: justify;"><span style="font-family: Arial, serif;">Nuestros paisajes son
valiosos. Solo falta que sean valorados. En su gestión, errónea o
adecuada, nos jugamos el futuro.</span></p><p style="text-align: justify;"><span style="font-family: Arial, serif;"><br /></span></p><p style="text-align: justify;"><span style="font-family: courier;"><span>Autor: Gonzalo Tena Gómez,
</span><span><span style="font-size: small;"><i>Colectivo
Sollavientos </i>(</span></span><span>Noviembre 2021)</span></span></p><p style="margin-bottom: 0cm; text-align: justify;"><br /></p>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-29077722786854485622021-06-17T17:29:00.003+02:002021-06-17T17:29:28.765+02:00Horace Kephart : vida de cabaña de un pionero de las Grandes Montañas<p><br /></p><div style="text-align: center;"><img height="360" src="https://www.gannett-cdn.com/-mm-/1dc07705de9890c7efa521a0d663962b30aa82ba/c=0-255-3900-2449/local/-/media/2015/08/19/Asheville/B9318491155Z.1_20150819205421_000_GH1BLE8I4.1-0.jpg?width=2560" width="640" /></div><div style="text-align: justify;"><span style="font-size: x-small;">Horace Kephart, (1862-1931) an author and travel writer, wrote “Our Southern Highlanders” about his life in Western North Carolina. He campaigned for the establishment of the Great Smoky Mountains National Park and the Appalachian Trail through the Smokies.</span></div><div style="text-align: justify;"><span style="font-size: x-small;">SPECIAL TO THE CITIZEN-TIMES</span></div><div style="text-align: justify;"><span style="font-size: x-small;">Horace Kephart in his cabin in what became Great Smoky Mountains National Park, about 100 years ago.</span></div><div style="text-align: justify;"><span style="font-size: x-small;">COURTESY OF WCU SPECIAL COLLECTIONS</span></div><div style="text-align: justify;"><b><span style="font-size: large;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-size: large;">Portrait of the Past: Horace Kephart at Hall Cabin, 100 years ago</span></b></div><br />Rob Neufeld | Columnist<br /><br /><div style="text-align: justify;"><br /></div><div style="text-align: justify;">“I love the wilderness because there are no shams in it,” author and outdoorsman Horace Kephart said. In 1904, at age 41, he quit his job as a librarian in St. Louis, Missouri, recuperated from a nervous breakdown and went to Western North Carolina, where, he said, “I could build up strength anew and indulge my lifelong fondness for hunting, fishing and exploring new ground.”</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">He established himself along Hazel Creek in Swain County and later in Bryson City and began writing feature stories that contributed to his 1913 classic, “Our Southern Highlanders.” He spent some summers in a remote herder’s cabin called Hall Cabin on the North Carolina-Tennessee border, the “back of beyond,” as he called it.</div><div> <br /><div style="text-align: center;"><br /></div><div style="text-align: justify;">One day, a lame hiker from Cincinnati approached him there. “If I had missed your cabin I would have starved to death,” he said. “I have been out in the laurel thickets, now, three days and two nights.” Kephart made him coffee and prepared food in the fireplace pictured here.</div></div><div style="text-align: justify;"><br /></div><div>Fuente: https://eu.citizen-times.com/story/life/2018/10/02/portrait-past-horace-kephart-hall-cabin-100-years-ago/1433534002/</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div><h1 class="firstHeading" id="firstHeading" style="border-bottom: 1px solid rgb(162, 169, 177); font-family: "Linux Libertine", Georgia, Times, serif; font-size: 1.8em; font-weight: normal; line-height: 1.3; margin: 0px 0px 0.25em; overflow: visible; padding: 0px; text-align: justify;"><span style="vertical-align: inherit;">Horace Kephart</span></h1><div class="vector-body" id="bodyContent" style="line-height: 1.6; position: relative; z-index: 0;"><div class="noprint" id="siteSub" style="color: #202122; font-family: sans-serif; font-size: 12.88px; text-align: justify;"><span style="vertical-align: inherit;">De Wikipedia, la enciclopedia libre</span></div><div id="contentSub" style="color: #54595d; font-family: sans-serif; font-size: 11.76px; line-height: 1.2em; margin: 0px 0px 1.4em 1em; width: auto;"></div><div id="contentSub2" style="color: #54595d; font-family: sans-serif; font-size: 11.76px; line-height: 1.2em; margin: 0px 0px 1.4em 1em; width: auto;"></div><div id="jump-to-nav" style="color: #202122; font-family: sans-serif; font-size: calc(0.875em);"></div><a class="mw-jump-link" href="https://en.wikipedia.org/wiki/Horace_Kephart#mw-head" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; clip: rect(1px, 1px, 1px, 1px); color: #0645ad; display: block; font-family: sans-serif; font-size: calc(0.875em); height: 1px; margin: -1px; overflow: hidden; padding: 0px; position: absolute; text-align: justify; text-decoration-line: none; width: 1px;"><span style="vertical-align: inherit;">Ir a navegación</span></a><a class="mw-jump-link" href="https://en.wikipedia.org/wiki/Horace_Kephart#searchInput" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; clip: rect(1px, 1px, 1px, 1px); color: #0645ad; display: block; font-family: sans-serif; font-size: calc(0.875em); height: 1px; margin: -1px; overflow: hidden; padding: 0px; position: absolute; text-align: justify; text-decoration-line: none; width: 1px;"><span style="vertical-align: inherit;">Saltar a buscar</span></a><div class="mw-body-content mw-content-ltr" dir="ltr" id="mw-content-text" lang="en" style="direction: ltr;"><div class="mw-parser-output"><table class="infobox vcard" style="background-color: #f8f9fa; border-spacing: 3px; border: 1px solid rgb(162, 169, 177); clear: right; color: black; float: right; font-family: sans-serif; font-size: 12.32px; line-height: 1.5em; margin: 0.5em 0px 0.5em 1em; padding: 0.2em; text-align: justify; width: 22em;"><tbody><tr><th class="infobox-above" colspan="2" style="font-size: 15.4px; text-align: center; vertical-align: top;"><div class="fn" style="display: inline;">Horace Kephart</div></th></tr><tr><td class="infobox-image" colspan="2" style="text-align: center; vertical-align: top;"><a class="image" href="https://en.wikipedia.org/wiki/File:Horace-kephart-1906.jpg" style="background: none; color: #0645ad; text-decoration-line: none;" title="Kephart en 1906"><img alt="Kephart en 1906" data-file-height="690" data-file-width="374" decoding="async" height="332" src="https://upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Horace-kephart-1906.jpg/180px-Horace-kephart-1906.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Horace-kephart-1906.jpg/270px-Horace-kephart-1906.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Horace-kephart-1906.jpg/360px-Horace-kephart-1906.jpg 2x" style="border: 0px; vertical-align: middle;" width="180" /></a><div class="infobox-caption"><span style="vertical-align: inherit;">Kephart en 1906</span></div></td></tr><tr><th class="infobox-label" scope="row" style="line-height: 1.2em; padding-right: 0.65em; text-align: left; vertical-align: top;"><span style="vertical-align: inherit;">Nació</span></th><td class="infobox-data" style="line-height: 1.4em; vertical-align: top;"><span style="vertical-align: inherit;">8 de septiembre de 1862</span><br /><a href="https://en.wikipedia.org/wiki/Juniata_County,_Pennsylvania" style="background: none; color: #0645ad; text-decoration-line: none;" title="Condado de Juniata, Pensilvania">East Salem</a><span style="vertical-align: inherit;"> , </span><a href="https://en.wikipedia.org/wiki/Pennsylvania" style="background: none; color: #0645ad; text-decoration-line: none;" title="Pensilvania">Pennsylvania</a><span style="vertical-align: inherit;"> , Estados Unidos</span></td></tr><tr><th class="infobox-label" scope="row" style="line-height: 1.2em; padding-right: 0.65em; text-align: left; vertical-align: top;"><span style="vertical-align: inherit;">Fallecido</span></th><td class="infobox-data" style="line-height: 1.4em; vertical-align: top;"><span style="vertical-align: inherit;">2 de abril de 1931 </span><span style="vertical-align: inherit;">(68 años)</span><br /><a href="https://en.wikipedia.org/wiki/Bryson_City,_North_Carolina" style="background: none; color: #0645ad; text-decoration-line: none;" title="Bryson City, Carolina del Norte">Bryson City</a><span style="vertical-align: inherit;"> , </span><a href="https://en.wikipedia.org/wiki/North_Carolina" style="background: none; color: #0645ad; text-decoration-line: none;" title="Carolina del Norte">Carolina del Norte</a><span style="vertical-align: inherit;"> , Estados Unidos</span></td></tr><tr><th class="infobox-label" scope="row" style="line-height: 1.2em; padding-right: 0.65em; text-align: left; vertical-align: top;"><span style="vertical-align: inherit;">Lugar de descanso</span></th><td class="infobox-data" style="line-height: 1.4em; vertical-align: top;"><span style="vertical-align: inherit;">Cementerio de</span><br /><span style="vertical-align: inherit;">Bryson City Bryson City, Carolina del Norte </span><sup class="reference" id="cite_ref-findagrave_1-0" style="font-size: 9.856px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-findagrave-1" style="background: none; color: #0645ad; text-decoration-line: none;">[1]</a></sup></td></tr><tr><th class="infobox-label" scope="row" style="line-height: 1.2em; padding-right: 0.65em; text-align: left; vertical-align: top;"><span style="vertical-align: inherit;">Ocupación</span></th><td class="infobox-data role" style="line-height: 1.4em; vertical-align: top;"><a href="https://en.wikipedia.org/wiki/Librarian" style="background: none; color: #0645ad; text-decoration-line: none;" title="bibliotecario">bibliotecario</a></td></tr><tr><th class="infobox-label" scope="row" style="line-height: 1.2em; padding-right: 0.65em; text-align: left; vertical-align: top;"><span style="vertical-align: inherit;">Nacionalidad</span></th><td class="infobox-data category" style="line-height: 1.4em; vertical-align: top;"><span style="vertical-align: inherit;">americano</span></td></tr><tr><th class="infobox-label" scope="row" style="line-height: 1.2em; padding-right: 0.65em; text-align: left; vertical-align: top;"><span style="vertical-align: inherit;">Educación</span></th><td class="infobox-data" style="line-height: 1.4em; vertical-align: top;"><a href="https://en.wikipedia.org/wiki/Lebanon_Valley_College" style="background: none; color: #0645ad; text-decoration-line: none;" title="Líbano Valley College">Lebanon Valley College</a><span style="vertical-align: inherit;"> , </span><a href="https://en.wikipedia.org/wiki/Boston_University" style="background: none; color: #0645ad; text-decoration-line: none;" title="Universidad de Boston">Universidad de Boston</a><span style="vertical-align: inherit;"> , </span><a href="https://en.wikipedia.org/wiki/Cornell_University" style="background: none; color: #0645ad; text-decoration-line: none;" title="Universidad de Cornell">Universidad de Cornell </a><sup class="reference" id="cite_ref-2" style="font-size: 9.856px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-2" style="background: none; color: #0645ad; text-decoration-line: none;">[2]</a></sup></td></tr><tr><th class="infobox-label" scope="row" style="line-height: 1.2em; padding-right: 0.65em; text-align: left; vertical-align: top;"><span style="vertical-align: inherit;">Género</span></th><td class="infobox-data category" style="line-height: 1.4em; vertical-align: top;"><a href="https://en.wikipedia.org/wiki/Outdoor_literature" style="background: none; color: #0645ad; text-decoration-line: none;" title="Literatura al aire libre">Literatura al aire libre</a><span style="vertical-align: inherit;"> , </span><a href="https://en.wikipedia.org/wiki/Travel_literature" style="background: none; color: #0645ad; text-decoration-line: none;" title="Literatura de viajes">Literatura de viajes</a></td></tr><tr><th class="infobox-label" scope="row" style="line-height: 1.2em; padding-right: 0.65em; text-align: left; vertical-align: top;"><span style="vertical-align: inherit;">Cónyuge</span></th><td class="infobox-data" style="line-height: 1.4em; vertical-align: top;"><span style="vertical-align: inherit;">Laura (Mack) Kephart </span><sup class="reference" id="cite_ref-lowery_3-0" style="font-size: 9.856px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-lowery-3" style="background: none; color: #0645ad; text-decoration-line: none;">[3]</a></sup></td></tr></tbody></table><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px; text-align: justify;"><b>Horace Sowers Kephart</b><span style="vertical-align: inherit;"> (8 de septiembre de 1862-2 de abril de 1931) fue un </span><a class="mw-redirect" href="https://en.wikipedia.org/wiki/Travel_writer" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Escritor de viajes">escritor de viajes</a><span style="vertical-align: inherit;"> y </span><a href="https://en.wikipedia.org/wiki/Librarian" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="bibliotecario">bibliotecario estadounidense</a><span style="vertical-align: inherit;"> , mejor conocido como el autor de </span><i><a href="https://en.wikipedia.org/wiki/Our_Southern_Highlanders" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Nuestros montañeses del sur">Our Southern Highlanders</a></i><span style="vertical-align: inherit;"> (una </span><a href="https://en.wikipedia.org/wiki/Memoir" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Memoria">memoria</a><span style="vertical-align: inherit;"> sobre su vida en las </span><a href="https://en.wikipedia.org/wiki/Great_Smoky_Mountains" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Grandes Montañas Humeantes">Grandes Montañas Humeantes</a><span style="vertical-align: inherit;"> del oeste </span><a href="https://en.wikipedia.org/wiki/North_Carolina" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Carolina del Norte">de Carolina del Norte</a><span style="vertical-align: inherit;"> ) y el clásico guía al aire libre </span><i><a class="new" href="https://en.wikipedia.org/w/index.php?title=Camping_and_Woodcraft&action=edit&redlink=1" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #ba0000; text-decoration-line: none;" title="Camping y artesanía en madera (la página no existe)">Camping y artesanía en madera</a></i><span style="vertical-align: inherit;"> .</span></p><h2 style="border-bottom: 1px solid rgb(162, 169, 177); color: black; font-family: "Linux Libertine", Georgia, Times, serif; font-size: calc(0.875em); font-weight: normal; line-height: 1.3; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px; text-align: justify;"><span class="mw-headline" id="Biography">Biografía </span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 1em; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">[ </span></span></span><a href="https://en.wikipedia.org/w/index.php?title=Horace_Kephart&action=edit&section=1" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none; white-space: nowrap;" title="Sección de edición: biografía"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">editar </span></span></a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">]</span></span></span></span></h2><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px; text-align: justify;"><span style="vertical-align: inherit;">Kephart nació en </span><a href="https://en.wikipedia.org/wiki/East_Salem,_Pennsylvania" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="East Salem, Pensilvania">East Salem, Pennsylvania</a><span style="vertical-align: inherit;"> y se crió en </span><a href="https://en.wikipedia.org/wiki/Iowa" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Iowa">Iowa</a><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> . </span><span style="vertical-align: inherit;">Fue director de la </span></span><a href="https://en.wikipedia.org/wiki/St._Louis_Mercantile_Library" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Biblioteca Mercantil de St. Louis">Biblioteca Mercantil</a><span style="vertical-align: inherit;"> de </span><a class="mw-redirect" href="https://en.wikipedia.org/wiki/St._Louis,_Missouri" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="San Luis, Misuri">St. Louis</a><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> en </span><a class="mw-redirect" href="https://en.wikipedia.org/wiki/St._Louis,_Missouri" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="San Luis, Misuri"><span style="vertical-align: inherit;">St. Louis, Missouri</span></a><span style="vertical-align: inherit;"> desde 1890 hasta 1903; </span><span style="vertical-align: inherit;">Durante estos años, Kephart también escribió sobre </span><span style="vertical-align: inherit;">viajes de </span></span><a href="https://en.wikipedia.org/wiki/Camping" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Cámping">campamento</a><span style="vertical-align: inherit;"> y </span><a href="https://en.wikipedia.org/wiki/Hunting" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Caza">caza</a><span style="vertical-align: inherit;"> . </span><sup class="reference" id="cite_ref-WCU_4-0" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-WCU-4" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;">[4]</a></sup><span style="vertical-align: inherit;"> Anteriormente, Kephart también había trabajado como bibliotecario en </span><a href="https://en.wikipedia.org/wiki/Yale_University" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Universidad de Yale">la Universidad de Yale</a><span style="vertical-align: inherit;"> y pasó un tiempo significativo en Italia como empleado de un rico coleccionista de libros estadounidense.</span></p><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px; text-align: justify;"><span style="vertical-align: inherit;">En 1904, la familia de Kephart (esposa Laura y sus seis hijos) se mudó a </span><a href="https://en.wikipedia.org/wiki/Ithaca,_New_York" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Ithaca, Nueva York">Ithaca, Nueva York</a><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> , sin él, pero Laura y Horace nunca se divorciaron ni se separaron legalmente. </span><span style="vertical-align: inherit;">Horace Kephart encontró su camino hacia el oeste de Carolina del Norte, donde vivió en la </span><span style="vertical-align: inherit;">sección </span></span><a href="https://en.wikipedia.org/wiki/Hazel_Creek_(Great_Smoky_Mountains)" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Hazel Creek (Grandes Montañas Humeantes)">Hazel Creek</a><span style="vertical-align: inherit;"> de lo que más tarde se convertiría en el </span><a href="https://en.wikipedia.org/wiki/Great_Smoky_Mountains_National_Park" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Parque Nacional de las Grandes Montañas Humeantes">Parque Nacional Great Smoky Mountains</a><span style="vertical-align: inherit;"> :</span></p><blockquote style="border-left: none; color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 1em 0px; overflow: hidden; padding: 8px 32px;"><p style="margin: 0px; text-align: justify;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">Tomé un mapa topográfico y distinguí en él, por medio de las curvas de nivel y el espacio en blanco que no mostraba asentamiento, lo que parecía ser la parte más salvaje de estas regiones; </span><span style="vertical-align: inherit;">y ahí fui. </span></span><sup class="reference" id="cite_ref-isbn0-87049-806-1_5-0" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-isbn0-87049-806-1-5" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;">[5]</a></sup></p></blockquote><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px; text-align: justify;"><span style="vertical-align: inherit;">Más adelante en su vida, Kephart hizo campaña para el establecimiento de un parque nacional en las Grandes Montañas Humeantes con el fotógrafo y amigo </span><a href="https://en.wikipedia.org/wiki/George_Masa" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="George Masa">George Masa</a><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> , y vivió lo suficiente para saber que se crearía el parque. </span><span style="vertical-align: inherit;">Más tarde fue nombrado uno de los padres del parque nacional. </span><span style="vertical-align: inherit;">También ayudó a trazar la ruta del </span></span><a href="https://en.wikipedia.org/wiki/Appalachian_Trail" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Sendero de los Apalaches">sendero</a><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> de los </span><a href="https://en.wikipedia.org/wiki/Appalachian_Trail" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Sendero de los Apalaches"><span style="vertical-align: inherit;">Apalaches a</span></a><span style="vertical-align: inherit;"> través de Smokies. </span></span><sup class="reference" id="cite_ref-wolfe_6-0" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-wolfe-6" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;">[6]</a></sup><span style="vertical-align: inherit;"> Kephart murió en un </span><a class="mw-redirect" href="https://en.wikipedia.org/wiki/Car_accident" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Accidente automovilistico">accidente automovilístico</a><span style="vertical-align: inherit;"> en 1931 y fue enterrado cerca de </span><a href="https://en.wikipedia.org/wiki/Bryson_City,_North_Carolina" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Bryson City, Carolina del Norte">Bryson City, Carolina del Norte</a><span style="vertical-align: inherit;"> , una pequeña ciudad cerca del área sobre la que escribió en </span><i><a href="https://en.wikipedia.org/wiki/Our_Southern_Highlanders" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Nuestros montañeses del sur">Our Southern Highlanders</a></i><span style="vertical-align: inherit;"> . </span><sup class="reference" id="cite_ref-7" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-7" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;">[7]</a></sup><span style="vertical-align: inherit;"> Dos meses antes de su muerte, el </span><a href="https://en.wikipedia.org/wiki/Mount_Kephart" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Monte Kephart">monte Kephart</a><span style="vertical-align: inherit;"> fue nombrado en su honor. </span><sup class="reference" id="cite_ref-WCU_4-1" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-WCU-4" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;">[4]</a></sup></p><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px; text-align: justify;"><span style="vertical-align: inherit;">El Mountain Heritage Center y las colecciones especiales de </span><a href="https://en.wikipedia.org/wiki/Hunter_Library" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Biblioteca Hunter">Hunter Library</a><span style="vertical-align: inherit;"> , </span><a href="https://en.wikipedia.org/wiki/Western_Carolina_University" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Universidad de Carolina del Oeste">Western Carolina University,</a><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> han creado una exhibición en línea digitalizada llamada "Revelando un enigma" que se enfoca en la vida y obra de Horace Kephart. </span><span style="vertical-align: inherit;">Esta exhibición contiene documentos y artefactos (fotos y mapas) que se pueden explorar o buscar.</span></span></p><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px; text-align: justify;"><a href="https://en.wikipedia.org/wiki/Ken_Burns" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Ken Burns">El documental de Ken Burns</a><span style="vertical-align: inherit;"> , que consta de varias partes, </span><i><a href="https://en.wikipedia.org/wiki/The_National_Parks:_America%27s_Best_Idea" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="">The National Parks: America's Best Idea</a></i><span style="vertical-align: inherit;"> , presenta a Horace Kephart en el cuarto episodio (1920-1933), que se emitió inicialmente el 30 de septiembre de 2009.</span></p><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px; text-align: justify;"><span style="vertical-align: inherit;">Kephart es un personaje de la novela </span><i>Serena de</i><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> Ron Rash </span><span style="vertical-align: inherit;">, así como de las novelas de Walt Larimore, </span></span><i>Hazel Creek</i><span style="vertical-align: inherit;"> y </span><i>Sugar Fork</i><span style="vertical-align: inherit;"> .</span></p><h2 style="border-bottom: 1px solid rgb(162, 169, 177); color: black; font-family: "Linux Libertine", Georgia, Times, serif; font-size: calc(0.875em); font-weight: normal; line-height: 1.3; margin: 1em 0px 0.25em; overflow: hidden; padding: 0px; text-align: justify;"><span class="mw-headline" id="Writings">Escritos </span><span class="mw-editsection" face="sans-serif" style="font-size: small; line-height: 1em; margin-left: 1em; margin-right: 0px; unicode-bidi: isolate; user-select: none; vertical-align: baseline;"><span class="mw-editsection-bracket" style="color: #54595d; margin-right: 0.25em;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">[ </span></span></span><a href="https://en.wikipedia.org/w/index.php?title=Horace_Kephart&action=edit&section=2" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none; white-space: nowrap;" title="Sección de edición: Escritos"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">editar </span></span></a><span class="mw-editsection-bracket" style="color: #54595d; margin-left: 0.25em;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">]</span></span></span></span></h2><div class="thumb tright" style="clear: right; color: #202122; float: right; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px 1.3em 1.4em; width: auto;"><div class="thumbinner" style="background-color: #f8f9fa; border: 1px solid rgb(200, 204, 209); font-size: 13.16px; min-width: 100px; overflow: hidden; padding: 3px; text-align: center; width: 192px;"><div style="text-align: justify;"><a class="image" href="https://en.wikipedia.org/wiki/File:Horace_Kephart_cooking.jpg" style="background: none; color: #0645ad; font-size: 13.16px; text-decoration-line: none;"><img alt="" class="thumbimage" data-file-height="2062" data-file-width="1532" decoding="async" height="256" src="https://upload.wikimedia.org/wikipedia/commons/thumb/b/be/Horace_Kephart_cooking.jpg/190px-Horace_Kephart_cooking.jpg" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/be/Horace_Kephart_cooking.jpg/285px-Horace_Kephart_cooking.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/be/Horace_Kephart_cooking.jpg/380px-Horace_Kephart_cooking.jpg 2x" style="background-color: white; border: 1px solid rgb(200, 204, 209); vertical-align: middle;" width="190" /></a></div><div class="thumbcaption" style="border: 0px; font-size: 12.3704px; line-height: 1.4em; padding: 3px; text-align: left;"><div class="magnify" style="float: right; margin-left: 3px; margin-right: 0px;"><a class="internal" href="https://en.wikipedia.org/wiki/File:Horace_Kephart_cooking.jpg" style="background-color: initial; background: linear-gradient(transparent, transparent), url("/w/resources/src/mediawiki.skinning/images/magnify-clip-ltr.svg?8330e"); color: #0645ad; display: block; height: 11px; overflow: hidden; text-align: justify; text-decoration-line: none; text-indent: 15px; user-select: none; white-space: nowrap; width: 15px;" title="Agrandar"></a></div><span style="vertical-align: inherit;"><div style="text-align: justify;"><span style="font-size: 12.3704px;">Kephart en el campamento de Smokies</span></div></span></div></div></div><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px; text-align: justify;"><span style="vertical-align: inherit;">Escribió sobre sus experiencias en una serie de artículos en la revista </span><i>Field and Stream</i><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> . </span><span style="vertical-align: inherit;">Estos artículos se recopilaron en su primer libro, </span></span><i>Camping and Woodcraft</i><span style="vertical-align: inherit;"> , que se publicó por primera vez en 1906. </span><sup class="reference" id="cite_ref-LCCSK601.K3_8-0" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-LCCSK601.K3-8" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;">[8] </a></sup><sup class="reference" id="cite_ref-isbn0-87049-551-8_9-0" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-isbn0-87049-551-8-9" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;">[9]</a></sup><span style="vertical-align: inherit;"> Aunque en su mayoría era un manual de vida al aire libre, Kephart intercalaba su filosofía:</span></p><blockquote class="templatequote" style="border-left: none; color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 1em 0px; overflow: hidden; padding: 0px 40px;"><p style="margin: 0px; text-align: justify;"><span style="vertical-align: inherit;"><span style="vertical-align: inherit;">A su campista de pura sangre no le agradan las atenciones de un propietario, ni se dejará enraizar en el suelo por preocupaciones de propiedad o arrendamiento. </span><span style="vertical-align: inherit;">No es la posesión de la tierra, sino del paisaje, lo que disfruta; </span><span style="vertical-align: inherit;">y en cuanto a eso, todas las partes salvajes de la tierra son suyas, por un título que no conlleva ninguna obligación, pero que él no las profanará ni las asolará. </span><span style="vertical-align: inherit;">Las casas, para alguien así, en verano son poco mejores que jaulas; </span><span style="vertical-align: inherit;">las cercas y los muros son su abominación; </span><span style="vertical-align: inherit;">los campos arados son sólo algunos parches de tierra desgarrada y atormentada. </span><span style="vertical-align: inherit;">La belleza lustrosa de los pastos es demasiado primitiva y artificial, el ganado doméstico tiene un porte dócil e innoble, los campos de trigo son monótonos a sus ojos, que buscan alivio en el campo viejo abandonado, cubierto de matorrales, que aún alberga a algunos niños tímidos. de lo salvaje. </span><span style="vertical-align: inherit;">No es el claro sino el desierto sin vallas lo que es el verdadero hogar del campista. </span><span style="vertical-align: inherit;">Es hermano de ese buen amigo mío que, en una sátira gentil de nuestros jardines formales y céspedes muy cortados, solía decir: "Amo las obras no mejoradas de Dios".</span></span><sup class="reference" id="cite_ref-10" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-10" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;">[10]</a></sup></p></blockquote><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px; text-align: justify;"><span style="vertical-align: inherit;">También publicó algunos libros más sobre el mismo tema, como </span><i>Camp Cookery</i><span style="vertical-align: inherit;"> (1910) y </span><i>Sporting Firearms</i><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> (1912). </span><span style="vertical-align: inherit;">Además, escribió la </span><span style="vertical-align: inherit;">sección </span></span><i>The Hunting Rifle</i><span style="vertical-align: inherit;"> de </span><i>Guns, Ammunition and Tackle</i><span style="vertical-align: inherit;"> (Nueva York: Macmillan, 1904), un volumen de la prestigiosa </span><a href="https://en.wikipedia.org/wiki/American_Sportsman%27s_Library" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Biblioteca del deportista estadounidense">American Sportsman's Library</a><span style="vertical-align: inherit;"><span style="vertical-align: inherit;"> de Caspar Whitney </span><span style="vertical-align: inherit;">. </span></span><sup class="reference" id="cite_ref-11" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-11" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;">[11]</a></sup></p><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px; text-align: justify;"><span style="vertical-align: inherit;">Combinando su propia experiencia y observaciones con otros estudios escritos, Kephart escribió un estudio sobre los estilos de vida y la cultura de los Apalaches llamado </span><i><a href="https://en.wikipedia.org/wiki/Our_Southern_Highlanders" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Nuestros montañeses del sur">Our Southern Highlanders</a></i><span style="vertical-align: inherit;"> , publicado en 1913 y ampliado en 1922. </span><sup class="reference" id="cite_ref-WCU_4-2" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-WCU-4" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;">[4] </a></sup><sup class="reference" id="cite_ref-LCCF210.K382_12-0" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-LCCF210.K382-12" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;">[12]</a></sup></p><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px; text-align: justify;"><span style="vertical-align: inherit;">Escribió una breve historia del </span><a href="https://en.wikipedia.org/wiki/Cherokee" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;" title="Cherokee">Cherokee </a><sup class="reference" id="cite_ref-LC36019280_13-0" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-LC36019280-13" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;">[13]</a></sup><span style="vertical-align: inherit;"> y otros libros que se convirtieron en estándares en el campo. </span><sup class="reference" id="cite_ref-wolfe_6-1" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-wolfe-6" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;">[6]</a></sup></p><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px; text-align: justify;"><span style="vertical-align: inherit;">Kephart completó un texto mecanografiado para una novela en 1929. Sin embargo, el libro no fue editado y publicado hasta 2009, cuando fue publicado bajo el título </span><i>Smoky Mountain Magic</i><span style="vertical-align: inherit;"> por Great Smoky Mountains Association. </span><sup class="reference" id="cite_ref-14" style="font-size: 11.2px; line-height: 1; unicode-bidi: isolate; white-space: nowrap;"><a href="https://en.wikipedia.org/wiki/Horace_Kephart#cite_note-14" style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #0645ad; text-decoration-line: none;">[14]</a></sup></p><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px; text-align: justify;"><span style="vertical-align: inherit;">Kephart nunca abandonó las Great Smokies, ya que murió instantáneamente en un accidente automovilístico en una carretera de montaña el 2 de abril de 1931.</span></p><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px;"><span style="vertical-align: inherit;"><br /></span></p><p style="margin: 0.5em 0px; text-align: center;"><span face="sans-serif" style="color: #202122; font-size: x-small; vertical-align: inherit;">https://draft.blogger.com/blog/post/edit/228787287723518540/2907772278685448562</span></p><p style="color: #202122; font-family: sans-serif; font-size: calc(0.875em); margin: 0.5em 0px; text-align: center;"><span style="vertical-align: inherit;"><br /></span></p></div></div></div></div><div><br /></div>
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Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-52318052834761605502021-05-31T19:45:00.008+02:002021-05-31T19:56:36.928+02:00Necesidad de cabaña<div class="separator"><p style="margin-left: 1em; margin-right: 1em;"></p><div style="text-align: center;"> </div><span style="font-family: courier; font-size: x-large;"><div style="text-align: justify;"><span style="color: #990000; font-weight: bold;">Fiebre de la cabaña: </span></div><div style="text-align: justify;"><span style="color: #990000; font-weight: bold;">¿Escocia adoptará la cultura de la cabaña después del Covid?</span></div><div style="color: red; text-align: justify;"><br /></div></span><p></p></div><div class="dcr-pn0kqp" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; grid-area: media / media / media / media; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><div class="dcr-bjn8wh" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; position: relative; vertical-align: baseline;"><div class="dcr-j4wtqe" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; min-height: 1px; padding: 0px; vertical-align: baseline;"><figure id="5309e80a-0cb4-473d-ac17-b9a37be35eac" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span class="dcr-l6t30p" style="background-color: white; border: 0px; box-sizing: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><figcaption class="dcr-ble3fe" style="border: 0px; box-sizing: inherit; color: #767676; font-family: GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif; font-size: 0.75rem; font-stretch: inherit; font-style: inherit; font-variant: inherit; line-height: 1.5; margin: 0px 0px 6px; overflow-wrap: break-word; padding: 6px 0px 0px; text-align: center; vertical-align: baseline;"><img height="240" src="https://i.guim.co.uk/img/media/4e2d9309acfad84f87ab3b766554fa00b1359d37/0_192_5760_3456/master/5760.jpg?width=465&quality=45&auto=format&fit=max&dpr=2&s=3aa8f1ddbe3082c050e81a6d2a6e020b" width="400" /></figcaption><figcaption class="dcr-ble3fe" style="border: 0px; box-sizing: inherit; color: #767676; font-family: GuardianTextSans, "Guardian Text Sans Web", "Helvetica Neue", Helvetica, Arial, "Lucida Grande", sans-serif; font-size: 0.75rem; font-stretch: inherit; font-style: inherit; font-variant: inherit; line-height: 1.5; margin: 0px 0px 6px; overflow-wrap: break-word; padding: 6px 0px 0px; text-align: center; vertical-align: baseline;"><span class="dcr-12zcz0k" style="border: 0px; box-sizing: inherit; fill: rgb(199, 0, 0); font: inherit; margin: 0px; padding: 0px 3px 0px 0px; vertical-align: baseline;"><svg height="10" viewbox="0 0 11 10" width="11"><path d="M5.5 0L11 10H0z" fill-rule="evenodd"></path></svg></span><span class="dcr-19x4pdv" style="border: 0px; box-sizing: inherit; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">"Hay tal retroceso contra las segundas residencias en Escocia". </span><span style="box-sizing: inherit; vertical-align: inherit;">La locutora y activista Lesley Riddoch en su casa en Balmerino, Escocia. </span></span></span><span style="box-sizing: inherit; vertical-align: inherit;">Fotografía: Murdo MacLeod / The Guardian</span></figcaption></span></figure></div></div></div><br /><br /><div style="text-align: justify;"><i style="font-family: arial; font-size: x-large;">Las cabañas, anteriormente reservadas a una élite adinerada, están ganando popularidad entre los escoceses tras la pandemia.</i></div><br /><a href="https://draft.blogger.com/#"></a>Corresponsal de <a href="https://draft.blogger.com/#">Libby Brooks</a> Escocia<br />18 de septiembre de 2020 10.48 BST<div><br /><div class="dcr-1aul2ye" style="background-color: white; border: 0px; box-sizing: inherit; color: #121212; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-ligatures: common-ligatures; font-variant-numeric: inherit; grid-area: meta / meta / meta / meta; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><div class="dcr-krkkhw" style="border: 0px; box-sizing: inherit; font: inherit; margin: 0px; max-width: 620px; padding: 0px; vertical-align: baseline;"><div class="dcr-ss9mnu" style="border: 0px; box-sizing: inherit; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><div class="dcr-1eucl2a" style="border: 0px; box-sizing: inherit; font: inherit; margin: 0px; padding: 2px 0px 0px; vertical-align: baseline;"><div class="dcr-15yir0q" data-print-layout="hide" style="-webkit-box-pack: justify; border: 0px; box-sizing: inherit; display: flex; flex-wrap: wrap; font: inherit; justify-content: space-between; margin: 0px 0px 6px; padding: 0px; vertical-align: baseline;"><div class="dcr-woi6b2" style="-webkit-box-flex: 1; -webkit-box-pack: end; border-bottom-color: initial; border-bottom-style: initial; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: rgb(220, 220, 220); border-top-style: solid; border-width: 1px 0px 0px; box-sizing: inherit; display: flex; flex-grow: 1; font: inherit; justify-content: flex-end; margin: 0px; padding: 0px; vertical-align: baseline;"></div></div></div></div></div></div><div class="dcr-185kcx9" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; grid-area: body / body / body / body; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline; z-index: 3;"><main class="dcr-jcmghn" style="-webkit-box-flex: 1; border: 0px; box-sizing: inherit; flex-grow: 1; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline; z-index: 1;"><main class="dcr-krkkhw" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; max-width: 620px; padding: 0px; vertical-align: baseline;"><div class="dcr-zs6acm" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><div class="article-body-commercial-selector article-body-viewer-selector dcr-bjn8wh" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; position: relative; vertical-align: baseline;"><div style="text-align: justify;">“Es el lugar donde la gente entierra a sus mascotas”, dice Lesley Riddoch, mientras intenta describir la profunda conexión que los noruegos tienen por sus cabañas de madera, o hytte , que se pueden encontrar a través de cientos de miles de bosques y fiordos. "Si bien las personas cambian sus primeros hogares para adaptarse al trabajo o la familia, la cabaña es una constante y es un hogar a nivel emocional"</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">El locutor y activista de la reforma agraria se encuentra al final de una investigación de 10 años sobre lo que comenzó como una simple pregunta: ¿podría medio millón de chozas de madera esparcidas por los bosques de Escocia transformar la salud, la felicidad y la democracia de la nación? El libro resultante, <a href="https://draft.blogger.com/#">Huts: un lugar más allá</a> , es un llamado de atención para una revolución en la forma en que entendemos el hogar, el ocio y nuestra relación con el mundo natural, lo que ha agregado mordedura desde que la pandemia ha llevado a muchas personas a reevaluar sus condiciones de vida.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Los informes de una <a href="https://draft.blogger.com/#">corrida en el</a><a href="https://draft.blogger.com/#"> mercado inmobiliario de Highland</a> después del cierre han sido tratados con sospecha comprensible por una población que ha descrito la falta de propiedades asequibles para los lugareños como una <a href="https://draft.blogger.com/#">nueva forma de "autorizaciones económicas"</a> . Pero para Riddoch, parte del problema es realmente la ausencia de cabañas.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">“Hay tal retroceso contra las segundas residencias en <a href="https://draft.blogger.com/#">Escocia</a> , porque son efectivamente las primeras casas de otras personas, mientras que las cabañas, viviendas modestas y de bajo impacto, no tienen ningún impacto en el inventario de viviendas locales”.</div><div style="text-align: justify;">De nuevo hace la comparación con <a href="https://draft.blogger.com/#">Noruega</a> , donde uno de cada 10 posee una casa de vacaciones, en comparación con Escocia, donde es el coto de la élite adinerada. La razón principal de esta enorme discrepancia es el tipo de casa de vacaciones que es típica en cada país: en <a href="https://draft.blogger.com/#">Noruega</a>, el 93% de las segundas residencias son hytte de madera especialmente construidas . Hay casi 500.000 de estas cabañas en <a href="https://draft.blogger.com/#">Noruega</a> , mientras que en Escocia, Riddoch estima que hay menos de 600.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><img height="240" src="https://i.guim.co.uk/img/media/4504a55ab97bccecd13030407a9288f378b63b8b/0_200_6000_3600/master/6000.jpg?width=445&quality=45&auto=format&fit=max&dpr=2&s=2b29b59664ffbac8e670a37766b55d05" width="400" /></div><div style="text-align: center;"><span style="font-size: x-small;">Cabañas de pescadores de rorbus de madera roja en las islas Lofoten, Noruega. Fotografía: Realimage / Alamy Stock Photo</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Estos retiros de fin de semana son comunes en latitudes boscosas desde Canadá, pasando por los estados nórdicos y bálticos, hasta Rusia, basándose en una tradición que comenzó en las décadas de 1920 y 1930, cuando los trabajadores escaparon de la enfermedad y la miseria de los centros urbanos. Normalmente se construían a no más de una hora aproximadamente de la casa principal de la familia, para maximizar el tiempo de ocio, y las instalaciones eran deliberadamente básicas para ahorrar gastos y complicaciones. Las más notables en el Reino Unido fueron las “tierras de las parcelas”, comunidades de vacaciones improvisadas que atestaban de londinenses en las marismas y prados del sur de Essex.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Pero décadas de expansión urbana, legislación más estricta y desalojos han visto disminuir la tradición de las cabañas, con solo unos pocos bolsillos restantes, sostenidos por entusiastas dedicados. Hay cabañas en la península de Gower en Gales, en Lendalfoot en el sur de Ayrshire y Hopeman en la costa de Moray. La comunidad de cabañas más grande que queda se encuentra en Carbeth, cerca de Campsie Fells, donde los residentes recaudaron £ 1,75 millones en 2013 para comprar a su propietario, 90 años después de que el socialista William Ferris, nacido en Govan, estableciera el campamento allí por primera vez.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Las reformas agrarias de los últimos tres años, que han eximido a las cabañas de las regulaciones de construcción y las han reconocido en la legislación de planificación, han dado impulso a los planes para restablecer la tradición de las cabañas en Escocia. Pero el desafío sigue siendo la falta de terrenos disponibles para la construcción a pequeña escala.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Como advierte Riddoch: “Las oportunidades no satisfacen la demanda. Las cabañas se construyen en el bosque, pero la Comisión Forestal tradicionalmente ha cerrado sus puertas y no ha considerado que las cabañas tengan un valor de entretenimiento, mientras que los bosques privados son propiedad de un pequeño número de grandes actores que comparten la opinión de que los bosques no son para las personas ".</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><img height="384" src="https://i.guim.co.uk/img/media/96269c926975d7223367877960471316d6d660b0/0_167_5128_3077/master/5128.jpg?width=445&quality=45&auto=format&fit=max&dpr=2&s=77faf0442a969437040c1bf37d6976ea" width="640" /></div><div style="text-align: center;"><span style="font-size: x-small;">Hay casi 500.000 de estas cabañas en Noruega, mientras que en Escocia Riddoch estima que hay menos de 600. Fotografía: Iain Masterton / Alamy Stock Photo</span></div><div style="text-align: center;"><span style="font-size: x-small;"><br /></span></div><div style="text-align: center;"><span style="font-size: x-small;"><br /></span></div><a href="https://www.theguardian.com/uk-news/2020/sep/18/cabin-fever-will-scotland-embrace-hut-culture-after-covid"><i>https://www.theguardian.com/uk-news/2020/sep/18/cabin-fever-will-scotland-embrace-hut-culture-after-covid</i><br /></a></div><div class="article-body-commercial-selector article-body-viewer-selector dcr-bjn8wh" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; position: relative; vertical-align: baseline;"><i><br /></i></div><div class="article-body-commercial-selector article-body-viewer-selector dcr-bjn8wh" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; position: relative; vertical-align: baseline;"><i><br /></i></div></div></main></main></div></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-57837518004136751182021-05-30T12:36:00.004+02:002021-05-30T12:38:35.858+02:00Más de 100 autores y sus espacios de escritura<article class="meteredContent" style="box-sizing: inherit;"><div style="box-sizing: inherit;"><div class="ft fu fv au" style="background-color: ghostwhite; box-sizing: inherit; color: rgba(0, 0, 0, 0.8); font-family: medium-content-sans-serif-font, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Open Sans", "Helvetica Neue", sans-serif; margin-left: auto; margin-right: auto; max-width: 728px; position: relative;"><div class="s h g f e" style="box-sizing: inherit;"><aside class="aec em fa" style="box-sizing: inherit; left: 728px; position: absolute; top: 0px; width: 295.5px;"><div class="air ji em ais ah w" style="box-sizing: inherit; margin-top: 6px; max-width: 100%; position: absolute; top: 11687.6px; white-space: nowrap; width: 295.5px;"><p class="bg b le bi dy" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; line-height: 20px; margin: 0px;"><span class="cb ji ah kv kx" style="box-sizing: inherit; display: inline-block; max-width: 100%; overflow: hidden; text-overflow: ellipsis;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Destacado superior</span></span></span></p></div></aside></div></div><section class="gg gh gi dv gj" style="background-color: ghostwhite; box-sizing: inherit; color: rgba(0, 0, 0, 0.8); font-family: medium-content-sans-serif-font, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Open Sans", "Helvetica Neue", sans-serif; overflow-wrap: break-word; word-break: break-word;"><div class="n p" style="box-sizing: inherit; display: flex; justify-content: center;"><div class="av aw ax ay az gk bb w" style="box-sizing: inherit; margin: 0px 64px; max-width: 680px; min-width: 0px; width: 680px;"><div style="box-sizing: inherit;"><h1 class="gl gm gn go b gp gq gr gs gt gu gv gw gx gy gz ha hb hc hd he hf hg hh hi hj hk" id="1fbb" style="box-sizing: inherit; color: #3c3d43; font-family: fell, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 46px; font-weight: 400; letter-spacing: -0.011em; line-height: 56px; margin: 0.6em 0px -0.27em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Más de 100 autores famosos y sus espacios de escritura</span></span></h1></div><div style="box-sizing: inherit;"><h2 class="hl gm gn bg b hm hn ho hp hq hr hs ht hu hv hw hx hy hz ia ib dy" id="226d" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 22px; font-weight: 400; letter-spacing: 0px; line-height: 28px; margin: 0.92em 0px -0.42em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Inspiración para tu trabajo más importante</span></span></h2><div class="dc" style="box-sizing: inherit; margin-top: 32px;"><div class="n cq ic id ie" style="box-sizing: inherit; display: flex; justify-content: space-between;"><div class="o n" style="align-items: center; box-sizing: inherit; display: flex;"><div style="box-sizing: inherit;"><a href="https://jaredabrock.medium.com/?source=post_page-----8ee25c50c927--------------------------------" rel="noopener" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit; text-decoration-line: none;"><div class="au if ig" style="box-sizing: inherit; height: 28px; position: relative; width: 28px;"><div class="ih n bd o p em ii ij ik il im gf" style="align-items: center; box-sizing: inherit; display: flex; fill: rgb(26, 137, 23); flex-direction: row; height: calc(100% + 24px); justify-content: center; left: 14px; pointer-events: none; position: absolute; top: 14px; transform: translateX(-50%) translateY(-50%); width: calc(100% + 24px);"><svg height="36" viewbox="0 0 36 36" width="36"><path clip-rule="evenodd" d="M18 1.87c-6.63 0-12.4 4.14-15.21 10.21L2 11.71C4.94 5.37 11 1 18 1s13.06 4.37 16 10.71l-.79.37C30.4 6.01 24.63 1.88 18 1.88zM2.79 23.92c2.81 6.07 8.58 10.2 15.21 10.2 6.63 0 12.4-4.13 15.21-10.2l.79.37C31.06 30.63 25 35 18 35S4.94 30.63 2 24.29l.79-.37z" fill-rule="evenodd"></path></svg></div><img alt="Jared A. Brock" class="s in ig if" height="28" src="https://miro.medium.com/fit/c/56/56/1*CkPSU_ctxqhp8TB-kBLWVA.jpeg" style="border-radius: 50%; box-sizing: inherit; display: block; height: 28px; vertical-align: middle; width: 28px;" width="28" /></div></a></div><div class="ek w n cz" style="box-sizing: inherit; display: flex; flex-wrap: wrap; margin-left: 12px; width: 357.938px;"><div class="n" style="box-sizing: inherit; display: flex;"><div style="box-sizing: inherit; flex: 1 1 0%;"><span class="bg b bh bi hk" face="sohne, "Helvetica Neue", Helvetica, Arial, sans-serif" style="box-sizing: inherit; color: #3c3d43; font-size: 14px; line-height: 20px;"><div style="box-sizing: inherit;"><div aria-describedby="5" aria-hidden="false" aria-labelledby="5" class="cb" role="tooltip" style="box-sizing: inherit; display: inline-block;"><a href="https://jaredabrock.medium.com/?source=post_page-----8ee25c50c927--------------------------------" rel="noopener" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit; text-decoration-line: none;"><p class="bg b bh bi fg" style="box-sizing: inherit; color: #bd1e2c; line-height: 20px; margin: 0px;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Jared A. Brock</span></span></p></a></div></div></span></div></div><span class="bg b bh bi dy" face="sohne, "Helvetica Neue", Helvetica, Arial, sans-serif" style="box-sizing: inherit; color: #6d6e74; font-size: 14px; line-height: 20px;"><p class="bg b bh bi dy" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit; color: #6d6e74; line-height: 20px; margin: 0px; text-decoration-line: none;"><a href="https://writingcooperative.com/100-famous-authors-and-their-writing-spaces-8ee25c50c927?source=post_page-----8ee25c50c927--------------------------------" rel="noopener" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit; text-decoration-line: none;"><span class="ir" style="box-sizing: inherit; margin: 0px 4px;"></span><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">8 de enero de 2018 </span></span></a></p></span></div></div></div></div></div></div></div></section><section class="gg gh gi dv gj" style="background-color: ghostwhite; box-sizing: inherit; color: rgba(0, 0, 0, 0.8); font-family: medium-content-sans-serif-font, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Open Sans", "Helvetica Neue", sans-serif; overflow-wrap: break-word; word-break: break-word;"><div class="n p" style="box-sizing: inherit; display: flex; justify-content: center;"><div class="av aw ax ay az gk bb w" style="box-sizing: inherit; margin: 0px 64px; max-width: 680px; min-width: 0px; width: 680px;"><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="f94f" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Agatha Christie</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="50ff" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Empiezas a hacerlo, inflamado por una idea, lleno de esperanza, lleno de confianza. </span><span style="box-sizing: inherit; vertical-align: inherit;">Si eres realmente modesto, nunca escribirás en absoluto, por lo que tiene que haber un momento delicioso en el que hayas pensado en algo, sepas cómo lo vas a escribir, te apresures a tomar un lápiz y empieces con un cuaderno de ejercicios animado. con exaltación. </span><span style="box-sizing: inherit; vertical-align: inherit;">Luego te metes en dificultades, no ves la salida y finalmente te las arreglas para lograr más o menos lo que pretendías lograr, aunque perdiendo la confianza todo el tiempo. </span><span style="box-sizing: inherit; vertical-align: inherit;">Habiéndolo terminado, sabes que está absolutamente podrido. </span><span style="box-sizing: inherit; vertical-align: inherit;">Un par de meses después, te preguntas si no estará bien después de todo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="no np s" style="box-sizing: inherit; height: 0px; padding-bottom: 388px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 388px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="388" role="presentation" src="https://miro.medium.com/max/60/1*03EKvinrjmN3Ru2HZkyA3A.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 388px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="388" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*03EKvinrjmN3Ru2HZkyA3A.jpeg" srcset="https://miro.medium.com/max/276/1*03EKvinrjmN3Ru2HZkyA3A.jpeg 276w, https://miro.medium.com/max/500/1*03EKvinrjmN3Ru2HZkyA3A.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 388px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://oldphotoarchive.com/stories/10-photos-of-great-authors-at-work" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="7a82" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Albert Camus</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="6b18" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">En pleno invierno, finalmente aprendí que dentro de mí había un verano invencible. </span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">"</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu ns" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 333px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="nt np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 333px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/40/1*TchRh8gq09aTccUAL8zylg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 333px;" width="333" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="333px" src="https://miro.medium.com/max/333/1*TchRh8gq09aTccUAL8zylg.png" srcset="https://miro.medium.com/max/276/1*TchRh8gq09aTccUAL8zylg.png 276w, https://miro.medium.com/max/333/1*TchRh8gq09aTccUAL8zylg.png 333w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 333px;" width="333" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://boygodsplayground.tumblr.com/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="7d83" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Albert Einstein</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="b640" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Mire profundamente en la naturaleza y entonces comprenderá todo mejor</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ”.</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="nu np s" style="box-sizing: inherit; height: 0px; padding-bottom: 335px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 335px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="335" role="presentation" src="https://miro.medium.com/max/60/1*zu1D9-f2OPFY6xLECXnYUA.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 335px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="335" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*zu1D9-f2OPFY6xLECXnYUA.jpeg" srcset="https://miro.medium.com/max/276/1*zu1D9-f2OPFY6xLECXnYUA.jpeg 276w, https://miro.medium.com/max/500/1*zu1D9-f2OPFY6xLECXnYUA.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 335px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://nospensees.fr/dit-science-personnes-intelligentes/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="6fd4" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Alfred Hitchcock</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="4eaa" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">"<i>El</i> </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">drama es la vida sin las partes aburridas</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu nv" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 498px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="nw np s" style="box-sizing: inherit; height: 0px; padding-bottom: 369px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 369px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 498px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="369" role="presentation" src="https://miro.medium.com/max/60/1*kCo9Z8-lI9adg04VJN8j9w.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 369px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 498px;" width="498" /></div><img alt="" class="vc afz em fa ew nj w t" height="369" role="presentation" sizes="498px" src="https://miro.medium.com/max/498/1*kCo9Z8-lI9adg04VJN8j9w.png" srcset="https://miro.medium.com/max/276/1*kCo9Z8-lI9adg04VJN8j9w.png 276w, https://miro.medium.com/max/498/1*kCo9Z8-lI9adg04VJN8j9w.png 498w" style="background-color: ghostwhite; box-sizing: inherit; height: 369px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 498px;" width="498" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://moviefiednyc.com/2013/03/05/hitchcock-the-man-who-knew-his-lamps/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="4702" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Allen Ginsberg</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="6dbd" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Lo único que puede salvar al mundo es recuperar la conciencia del mundo. </span><span style="box-sizing: inherit; vertical-align: inherit;">Eso es lo que hace la poesía</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="nx np s" style="box-sizing: inherit; height: 0px; padding-bottom: 506px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 506px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="506" role="presentation" src="https://miro.medium.com/max/60/1*rmKaamf0w5dvIzxBT5Zflg.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 506px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="506" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*rmKaamf0w5dvIzxBT5Zflg.jpeg" srcset="https://miro.medium.com/max/276/1*rmKaamf0w5dvIzxBT5Zflg.jpeg 276w, https://miro.medium.com/max/500/1*rmKaamf0w5dvIzxBT5Zflg.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 506px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://jonathanwayne.org/photos-from-anton-corbijn/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="b466" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">André Gide</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="8d1d" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">"El </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">hombre no puede descubrir nuevos océanos a menos que tenga el coraje de perder de vista la costa</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="ny np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/60/1*6TfnQ3GP_SUMfkhmzzkaew.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*6TfnQ3GP_SUMfkhmzzkaew.jpeg" srcset="https://miro.medium.com/max/276/1*6TfnQ3GP_SUMfkhmzzkaew.jpeg 276w, https://miro.medium.com/max/500/1*6TfnQ3GP_SUMfkhmzzkaew.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://ilcenacolointellettuale.blogspot.ca/2014_02_19_archive.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="4fef" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Andrew Carnegie</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="a403" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">"Las </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">personas que no pueden motivarse a sí mismas deben contentarse con la mediocridad, sin importar cuán impresionantes sean sus otros talentos</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="nz np s" style="box-sizing: inherit; height: 0px; padding-bottom: 397px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 397px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="397" role="presentation" src="https://miro.medium.com/max/60/1*7E9MXhw4K0vGU-pmZBJ0kw.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 397px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="397" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*7E9MXhw4K0vGU-pmZBJ0kw.jpeg" srcset="https://miro.medium.com/max/276/1*7E9MXhw4K0vGU-pmZBJ0kw.jpeg 276w, https://miro.medium.com/max/500/1*7E9MXhw4K0vGU-pmZBJ0kw.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 397px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.blackfives.org/studying-carnegies-study/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="c4a2" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Ana Frank</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="a4c9" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Qué maravilloso es que nadie necesite esperar un solo momento antes de comenzar a mejorar el mundo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu oa" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 310px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="ob np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 310px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/38/1*T-eEEEBrdufDrpGayQof4A.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 310px;" width="310" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="310px" src="https://miro.medium.com/max/310/1*T-eEEEBrdufDrpGayQof4A.jpeg" srcset="https://miro.medium.com/max/276/1*T-eEEEBrdufDrpGayQof4A.jpeg 276w, https://miro.medium.com/max/310/1*T-eEEEBrdufDrpGayQof4A.jpeg 310w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 310px;" width="310" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://commons.wikimedia.org/wiki/File:AnneFrank1940.jpg" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="e9fc" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Anne Morrow Lindbergh</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="6f60" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">"La </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">buena comunicación es tan estimulante como el café solo, y es tan difícil dormir después</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="od oe au of w og" role="button" style="box-sizing: inherit; cursor: zoom-in; position: relative; transition: transform 300ms cubic-bezier(0.2, 0, 0.2, 1) 0s; width: 680px; z-index: auto;" tabindex="0"><div class="ft fu oc" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 388px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="oh np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 388px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/46/1*8qNEXbsNLSb4u9KWPanaqA.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 388px;" width="388" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="388px" src="https://miro.medium.com/max/388/1*8qNEXbsNLSb4u9KWPanaqA.jpeg" srcset="https://miro.medium.com/max/276/1*8qNEXbsNLSb4u9KWPanaqA.jpeg 276w, https://miro.medium.com/max/388/1*8qNEXbsNLSb4u9KWPanaqA.jpeg 388w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 388px;" width="388" /></div></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://images.library.yale.edu/madid/oneItem.aspx?saveID=1774529&id=1774529" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><p class="jp jq gn jr b hm js jt ju hp jv jw jx jy jz ka kb kc kd ke kf kg kh ki kj kk gg hk" data-selectable-paragraph="" id="cd6f" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 2em 0px -0.46em; word-break: break-word;"><span class="jr mb" style="box-sizing: inherit; font-weight: 700;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">¿Te sientes inspirado</span></span></span><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ? </span><span style="box-sizing: inherit; vertical-align: inherit;">Participa en </span></span><a class="ee jo" href="http://jaredabrock.com/giveaways/jumpstart-your-writing-career/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">mi sorteo gratuito</span></span></a><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> para tener la oportunidad de ganar 5 de los mejores libros sobre escritura.</span></span></p><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="9286" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Anne Sexton</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="8d70" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Pon tu oído cerca de tu alma y escucha con atención</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu oi" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 352px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="oj np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 352px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/42/1*k7MfvcgccQYxwBTzTMJkYw.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 352px;" width="352" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="352px" src="https://miro.medium.com/max/352/1*k7MfvcgccQYxwBTzTMJkYw.jpeg" srcset="https://miro.medium.com/max/276/1*k7MfvcgccQYxwBTzTMJkYw.jpeg 276w, https://miro.medium.com/max/352/1*k7MfvcgccQYxwBTzTMJkYw.jpeg 352w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 352px;" width="352" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://thisrecording.com/today/tag/maxine-kumin" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="3306" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Anthony Burgess</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="e9e3" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Los lectores son abundantes: los pensadores son raros</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="ok np s" style="box-sizing: inherit; height: 0px; padding-bottom: 300px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 300px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="300" role="presentation" src="https://miro.medium.com/max/60/1*G5KD1JWc59qylxByLCu_TA.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 300px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="300" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*G5KD1JWc59qylxByLCu_TA.jpeg" srcset="https://miro.medium.com/max/276/1*G5KD1JWc59qylxByLCu_TA.jpeg 276w, https://miro.medium.com/max/500/1*G5KD1JWc59qylxByLCu_TA.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 300px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.theguardian.com/books/2015/feb/21/anthony-burgess-book-critic" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="76fc" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Arthur C. Clarke</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="eb04" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Si el artista no conocía su objetivo, ni siquiera la herramienta más milagrosa podría encontrarlo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="ok np s" style="box-sizing: inherit; height: 0px; padding-bottom: 300px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 300px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="300" role="presentation" src="https://miro.medium.com/max/60/1*jnXxgbVj1sqyGBNu2DJd4g.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 300px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="300" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*jnXxgbVj1sqyGBNu2DJd4g.jpeg" srcset="https://miro.medium.com/max/276/1*jnXxgbVj1sqyGBNu2DJd4g.jpeg 276w, https://miro.medium.com/max/500/1*jnXxgbVj1sqyGBNu2DJd4g.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 300px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.theguardian.com/books/2017/dec/09/arthur-c-clarke-king-science-fiction" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="5c66" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Arthur Conan Doyle</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="04a4" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">No hay nada más engañoso que un hecho obvio</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu ol" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 386px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="om np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 386px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/46/1*3yJ5M2tIq84Qyae_EFcGTg.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 386px;" width="386" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="386px" src="https://miro.medium.com/max/386/1*3yJ5M2tIq84Qyae_EFcGTg.jpeg" srcset="https://miro.medium.com/max/276/1*3yJ5M2tIq84Qyae_EFcGTg.jpeg 276w, https://miro.medium.com/max/386/1*3yJ5M2tIq84Qyae_EFcGTg.jpeg 386w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 386px;" width="386" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.scotiana.com/reflections-on-the-oscar-slater-affair/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="c08a" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Arthur Miller</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="f42e" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">La estructura de una obra de teatro es siempre la historia de cómo los pájaros volvieron a dormir</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="on np s" style="box-sizing: inherit; height: 0px; padding-bottom: 330px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 330px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="330" role="presentation" src="https://miro.medium.com/max/60/1*hlVwo9y3nDThJIFMf-8jyQ.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 330px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="330" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*hlVwo9y3nDThJIFMf-8jyQ.jpeg" srcset="https://miro.medium.com/max/276/1*hlVwo9y3nDThJIFMf-8jyQ.jpeg 276w, https://miro.medium.com/max/500/1*hlVwo9y3nDThJIFMf-8jyQ.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 330px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://bvl.org.br/onde-nasceram-obras-famosas/arthur_miller_escrevendo/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="1032" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Bob Dylan</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="6a0b" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Sal a la calle. </span><span style="box-sizing: inherit; vertical-align: inherit;">¡Sal al mundo, hombre! </span><span style="box-sizing: inherit; vertical-align: inherit;">Quieres leer poesía, mira las estrellas. </span><span style="box-sizing: inherit; vertical-align: inherit;">Enciende una vela y escribe bajo la luna nueva. </span><span style="box-sizing: inherit; vertical-align: inherit;">Ahí es cuando el Operador viene a susurrarle las Palabras Secretas</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="oo np s" style="box-sizing: inherit; height: 0px; padding-bottom: 333px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 333px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="333" role="presentation" src="https://miro.medium.com/max/60/1*xuFyOvTjJKsXtQ3I1B5Pkw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 333px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="333" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*xuFyOvTjJKsXtQ3I1B5Pkw.png" srcset="https://miro.medium.com/max/276/1*xuFyOvTjJKsXtQ3I1B5Pkw.png 276w, https://miro.medium.com/max/500/1*xuFyOvTjJKsXtQ3I1B5Pkw.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 333px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://mundoinmobiliario.tv/los-ganadores-de-los-premios-nobel-2016-y-su-trabajo/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="0cac" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Carl Jung</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="d8ec" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><mark class="nn aiq er" style="background-color: #e6e6ed; box-sizing: inherit; color: currentcolor; cursor: pointer;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">"</span></span></mark><mark class="nn aiq er" style="background-color: #e6e6ed; box-sizing: inherit; color: currentcolor; cursor: pointer;"><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Todo lo que nos irrita de los demás puede llevarnos a comprendernos a nosotros mismos.</span></span></em></mark><mark class="nn aiq er" style="background-color: #e6e6ed; box-sizing: inherit; color: currentcolor; cursor: pointer;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">. "</span></span></mark></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="od oe au of w og" role="button" style="box-sizing: inherit; cursor: zoom-in; position: relative; transition: transform 300ms cubic-bezier(0.2, 0, 0.2, 1) 0s; width: 680px; z-index: auto;" tabindex="0"><div class="ft fu op" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 395px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="oq np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 395px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/48/1*CnGfr-399S7wyXH_3HNPiw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 395px;" width="395" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="395px" src="https://miro.medium.com/max/395/1*CnGfr-399S7wyXH_3HNPiw.png" srcset="https://miro.medium.com/max/276/1*CnGfr-399S7wyXH_3HNPiw.png 276w, https://miro.medium.com/max/395/1*CnGfr-399S7wyXH_3HNPiw.png 395w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 395px;" width="395" /></div></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.flickr.com/photos/68307703@N00/2257550621/in/faves-99989910@N00/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="beed" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Carl Sandburg</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="eda3" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“El </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">tiempo es la moneda de tu vida. </span><span style="box-sizing: inherit; vertical-align: inherit;">Es la única moneda que tienes y solo tú puedes determinar cómo se gastará</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="or np s" style="box-sizing: inherit; height: 0px; padding-bottom: 376px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 376px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="376" role="presentation" src="https://miro.medium.com/max/60/1*Oz-RlA6sq02XSB-Uvw9j6Q.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 376px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="376" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*Oz-RlA6sq02XSB-Uvw9j6Q.jpeg" srcset="https://miro.medium.com/max/276/1*Oz-RlA6sq02XSB-Uvw9j6Q.jpeg 276w, https://miro.medium.com/max/500/1*Oz-RlA6sq02XSB-Uvw9j6Q.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 376px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.nps.gov/museum/exhibits/carl/home/workHabits/CARL13788CSinMichStudy.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="1169" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Charles Bukowski</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="ae3a" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Lo que más importa es qué tan bien caminas a través del fuego</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="os np s" style="box-sizing: inherit; height: 0px; padding-bottom: 391px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 391px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="391" role="presentation" src="https://miro.medium.com/max/60/1*sgYR9_SNs4IVPzEMpKkjMw.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 391px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="391" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*sgYR9_SNs4IVPzEMpKkjMw.jpeg" srcset="https://miro.medium.com/max/276/1*sgYR9_SNs4IVPzEMpKkjMw.jpeg 276w, https://miro.medium.com/max/500/1*sgYR9_SNs4IVPzEMpKkjMw.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 391px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.libropatas.com/libros-literatura/fotos-de-escritores-con-sus-maquinas-de-escribir/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="7cd4" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Charles Dickens</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="a368" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Tener un corazón que nunca se endurezca, y un temperamento que nunca se cansa, y un toque que nunca duele</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="od oe au of w og" role="button" style="box-sizing: inherit; cursor: zoom-in; position: relative; transition: transform 300ms cubic-bezier(0.2, 0, 0.2, 1) 0s; width: 680px; z-index: auto;" tabindex="0"><div class="ft fu ot" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 398px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="ou np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 398px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/48/1*Hyg3CZ--U_9oFCw5H-aqIw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 398px;" width="398" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="398px" src="https://miro.medium.com/max/398/1*Hyg3CZ--U_9oFCw5H-aqIw.png" srcset="https://miro.medium.com/max/276/1*Hyg3CZ--U_9oFCw5H-aqIw.png 276w, https://miro.medium.com/max/398/1*Hyg3CZ--U_9oFCw5H-aqIw.png 398w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 398px;" width="398" /></div></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://oldphotoarchive.com/stories/10-photos-of-great-authors-at-work" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><p class="jp jq gn jr b hm js jt ju hp jv jw jx jy jz ka kb kc kd ke kf kg kh ki kj kk gg hk" data-selectable-paragraph="" id="1e39" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 2em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">¿Quieres más consejos de escritura? </span></span><a class="ee jo" href="https://writingcooperative.com/these-7-pieces-of-writing-advice-helped-create-494-new-york-times-bestsellers-95ebbad855c" rel="noopener" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Estos 7 consejos de redacción ayudaron a crear 494 bestsellers del New York Times</span></span></a></p><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="0459" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Charles M. Schulz</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="189a" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Aprende del ayer, vive el hoy, mira el mañana, descansa esta tarde</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="ov np s" style="box-sizing: inherit; height: 0px; padding-bottom: 687px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 687px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="687" role="presentation" src="https://miro.medium.com/max/44/1*AU-w9d2DNYsxLjaG1xDtAQ.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 687px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="687" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*AU-w9d2DNYsxLjaG1xDtAQ.jpeg" srcset="https://miro.medium.com/max/276/1*AU-w9d2DNYsxLjaG1xDtAQ.jpeg 276w, https://miro.medium.com/max/500/1*AU-w9d2DNYsxLjaG1xDtAQ.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 687px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.theglobeandmail.com/arts/film/the-peanuts-movie-adapts-feel-good-tone-of-brands-merchandise-empire/article27124421/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="f0e8" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">C. S. Lewis</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="1e45" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Nunca se es demasiado mayor para establecer otra meta o soñar un nuevo sueño</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="ow np s" style="box-sizing: inherit; height: 0px; padding-bottom: 412px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 412px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="412" role="presentation" src="https://miro.medium.com/max/60/1*K4iusoDnFYWnwG2MVjjKFA.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 412px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="412" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*K4iusoDnFYWnwG2MVjjKFA.jpeg" srcset="https://miro.medium.com/max/276/1*K4iusoDnFYWnwG2MVjjKFA.jpeg 276w, https://miro.medium.com/max/500/1*K4iusoDnFYWnwG2MVjjKFA.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 412px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.npg.org.uk/collections/search/portraitLarge/mw56774/CS-Lewis" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="9a35" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Dalton Trumbo</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="5edd" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Cuando muchos dicen:" No, no lo haré ", Roma comienza a temer</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="ox np s" style="box-sizing: inherit; height: 0px; padding-bottom: 364px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 364px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="364" role="presentation" src="https://miro.medium.com/max/60/1*4luSbcbmZb_u2n2-vP_AMQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 364px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="364" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*4luSbcbmZb_u2n2-vP_AMQ.png" srcset="https://miro.medium.com/max/276/1*4luSbcbmZb_u2n2-vP_AMQ.png 276w, https://miro.medium.com/max/500/1*4luSbcbmZb_u2n2-vP_AMQ.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 364px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://media.salon.com/2008/06/story1.jpg" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="f9e2" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Damon Runyon</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="44f5" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Una persona que hace preguntas puede obtener una reputación como una persona que desea averiguar cosas</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="oy np s" style="box-sizing: inherit; height: 0px; padding-bottom: 436px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 436px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="436" role="presentation" src="https://miro.medium.com/max/60/1*e1Lx5APDMf0jVr6NgJ4q8g.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 436px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="436" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*e1Lx5APDMf0jVr6NgJ4q8g.jpeg" srcset="https://miro.medium.com/max/276/1*e1Lx5APDMf0jVr6NgJ4q8g.jpeg 276w, https://miro.medium.com/max/500/1*e1Lx5APDMf0jVr6NgJ4q8g.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 436px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.allaboutweybridge.co.uk/aaw/weybridge-events/elmbridge-borough-council-royston-pike-lectures-broadway-life-adventures-damon-runyon.htm" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="fcac" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Daphne Du Maurier</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="29db" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">"Los </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">escritores deben leerse, pero no deben verse ni escucharse</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu oz" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 394px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pa np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 394px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/48/1*uGe4H2ylB4wkAqFzza6dlQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 394px;" width="394" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="394px" src="https://miro.medium.com/max/394/1*uGe4H2ylB4wkAqFzza6dlQ.png" srcset="https://miro.medium.com/max/276/1*uGe4H2ylB4wkAqFzza6dlQ.png 276w, https://miro.medium.com/max/394/1*uGe4H2ylB4wkAqFzza6dlQ.png 394w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 394px;" width="394" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.elmundo.es/cultura/2017/02/18/58a749e246163fbf128b468d.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="626a" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Dylan Thomas</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="8048" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Un buen poema es un aporte a la realidad. </span><span style="box-sizing: inherit; vertical-align: inherit;">El mundo nunca es el mismo una vez que se le ha agregado un buen poema. </span><span style="box-sizing: inherit; vertical-align: inherit;">Un buen poema ayuda a cambiar la forma del universo, ayuda a ampliar el conocimiento de todos sobre sí mismo y el mundo que lo rodea</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ”.</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="oo np s" style="box-sizing: inherit; height: 0px; padding-bottom: 333px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 333px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="333" role="presentation" src="https://miro.medium.com/max/60/1*ezegyQXBgYQ-fCxBnerRiA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 333px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="333" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*ezegyQXBgYQ-fCxBnerRiA.png" srcset="https://miro.medium.com/max/276/1*ezegyQXBgYQ-fCxBnerRiA.png 276w, https://miro.medium.com/max/500/1*ezegyQXBgYQ-fCxBnerRiA.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 333px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2014/10/17/1413547260364/e73cc0bb-4515-44d5-85ab-e71f9bb0ca32-2060x1373.jpeg?w=1920&q=55&auto=format&usm=12&fit=max&s=420cefec7b2710500b637147262cc013" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="fcfc" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">EB Blanco</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="2c81" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Consejos para los escritores jóvenes que quieren salir adelante sin retrasos molestos: no escribas sobre el hombre, escribe sobre un hombre</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu pb" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 331px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pc np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 331px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/40/1*VP6FrC-Nu3MkdQYZVt3ZAQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 331px;" width="331" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="331px" src="https://miro.medium.com/max/331/1*VP6FrC-Nu3MkdQYZVt3ZAQ.png" srcset="https://miro.medium.com/max/276/1*VP6FrC-Nu3MkdQYZVt3ZAQ.png 276w, https://miro.medium.com/max/331/1*VP6FrC-Nu3MkdQYZVt3ZAQ.png 331w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 331px;" width="331" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://oldphotoarchive.com/stories/10-photos-of-great-authors-at-work" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="87e2" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Edith Wharton</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="043c" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Hay dos formas de difundir la luz: ser la vela o el espejo que la refleja</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu pd" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 389px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pe np s" style="box-sizing: inherit; height: 0px; padding-bottom: 499.984px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 499.984px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 389px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/46/1*SVFoT5Pq3tX40rIn73BgPg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 499.984px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 389px;" width="389" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="389px" src="https://miro.medium.com/max/389/1*SVFoT5Pq3tX40rIn73BgPg.png" srcset="https://miro.medium.com/max/276/1*SVFoT5Pq3tX40rIn73BgPg.png 276w, https://miro.medium.com/max/389/1*SVFoT5Pq3tX40rIn73BgPg.png 389w" style="background-color: ghostwhite; box-sizing: inherit; height: 499.984px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 389px;" width="389" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.laescueladelosdomingos.com/2012/10/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="4e64" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Edward Albee</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="64dd" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“Los </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">buenos escritores definen la realidad; </span><span style="box-sizing: inherit; vertical-align: inherit;">los malos simplemente lo repiten. </span><span style="box-sizing: inherit; vertical-align: inherit;">Un buen escritor convierte los hechos en verdad; </span><span style="box-sizing: inherit; vertical-align: inherit;">un mal escritor, la mayoría de las veces, logrará lo contrario</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="nx np s" style="box-sizing: inherit; height: 0px; padding-bottom: 506px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 506px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="506" role="presentation" src="https://miro.medium.com/max/60/1*GXgNWW56TUcccIbjycC-Nw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 506px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="506" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*GXgNWW56TUcccIbjycC-Nw.png" srcset="https://miro.medium.com/max/276/1*GXgNWW56TUcccIbjycC-Nw.png 276w, https://miro.medium.com/max/500/1*GXgNWW56TUcccIbjycC-Nw.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 506px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://waytofamous.com/5830-edward-albee.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="2e39" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Edward Gorey</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="a0c2" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Si una historia es solo de lo que parece tratarse, entonces de alguna manera el autor ha fallado</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu pf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 341px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pg np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 341px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/40/1*nfabySdhm2s7tPCmrxchAg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 341px;" width="341" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="341px" src="https://miro.medium.com/max/341/1*nfabySdhm2s7tPCmrxchAg.png" srcset="https://miro.medium.com/max/276/1*nfabySdhm2s7tPCmrxchAg.png 276w, https://miro.medium.com/max/341/1*nfabySdhm2s7tPCmrxchAg.png 341w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 341px;" width="341" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://vsemart.com/edward-gorey-cats/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="2c40" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Elmore Leonard</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="f316" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">1. Nunca abras un libro con el clima.</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">2. Evite los prólogos.</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">3. Nunca use un verbo que no sea "dijo" para llevar el diálogo.</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">4. Nunca uses un adverbio para modificar el verbo “dijo”… amonestó gravemente.</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">5. Mantenga sus signos de exclamación bajo control. </span><span style="box-sizing: inherit; vertical-align: inherit;">No se le permite más de dos o tres por cada 100.000 palabras en prosa.</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">6. Nunca use las palabras "de repente" o "se desató el infierno".</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">7. Utilice el dialecto regional, patois, con moderación.</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">8. Evite descripciones detalladas de personajes.</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">9. No entre en detalles al describir lugares y cosas.</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">10. Trate de omitir la parte que los lectores tienden a omitir. </span><span style="box-sizing: inherit; vertical-align: inherit;">Mi regla más importante es la que resume los 10. Si suena a escritura, la reescribo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="oo np s" style="box-sizing: inherit; height: 0px; padding-bottom: 333px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 333px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="333" role="presentation" src="https://miro.medium.com/max/60/1*SOMJvgXGMuG3dgmT6Eok9g.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 333px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="333" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*SOMJvgXGMuG3dgmT6Eok9g.png" srcset="https://miro.medium.com/max/276/1*SOMJvgXGMuG3dgmT6Eok9g.png 276w, https://miro.medium.com/max/500/1*SOMJvgXGMuG3dgmT6Eok9g.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 333px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.cnn.com/2012/04/01/living/elmore-leonard-dinner/index.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="49c9" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Emil Cioran</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="d725" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Sueño con un idioma cuyas palabras, como puños, fracturarían mandíbulas</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu ph" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 378px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pi np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 378px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/46/1*x6uRBYmGE_sK6haTUuPBVg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 378px;" width="378" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="378px" src="https://miro.medium.com/max/378/1*x6uRBYmGE_sK6haTUuPBVg.png" srcset="https://miro.medium.com/max/276/1*x6uRBYmGE_sK6haTUuPBVg.png 276w, https://miro.medium.com/max/378/1*x6uRBYmGE_sK6haTUuPBVg.png 378w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 378px;" width="378" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://tuttocioran.com/2012/03/23/cioran-morte-utopia/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="747f" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Émile Zola</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="34c7" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">El artista no es nada sin el don, pero el don no es nada sin el trabajo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ”.</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu pj" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 362px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pk np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 362px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/44/1*H6qiNJrS-C9jsfsbMS1tBw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 362px;" width="362" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="362px" src="https://miro.medium.com/max/362/1*H6qiNJrS-C9jsfsbMS1tBw.png" srcset="https://miro.medium.com/max/276/1*H6qiNJrS-C9jsfsbMS1tBw.png 276w, https://miro.medium.com/max/362/1*H6qiNJrS-C9jsfsbMS1tBw.png 362w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 362px;" width="362" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://readingzola.wordpress.com/tag/19th-century/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="f251" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Eric Carle</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="21c6" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Digámoslo de esta manera: si eres un novelista, creo que comienzas con una idea de 20 palabras, la trabajas y terminas con una novela de 200,000 palabras. </span><span style="box-sizing: inherit; vertical-align: inherit;">Nosotros, la gente de los libros ilustrados, o al menos yo, empezamos con 200.000 palabras y lo reduzco a 20</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu pl" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 375px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pm np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 375px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/46/1*IfZG1Bu9LNk3wYydipNLVg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 375px;" width="375" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="375px" src="https://miro.medium.com/max/375/1*IfZG1Bu9LNk3wYydipNLVg.png" srcset="https://miro.medium.com/max/276/1*IfZG1Bu9LNk3wYydipNLVg.png 276w, https://miro.medium.com/max/375/1*IfZG1Bu9LNk3wYydipNLVg.png 375w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 375px;" width="375" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.theguardian.com/childrens-books-site/gallery/2014/mar/26/very-hungry-caterpillar-gallery-eric-carle" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><p class="jp jq gn jr b hm js jt ju hp jv jw jx jy jz ka kb kc kd ke kf kg kh ki kj kk gg hk" data-selectable-paragraph="" id="6497" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 2em 0px -0.46em; word-break: break-word;"><span class="jr mb" style="box-sizing: inherit; font-weight: 700;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">¿Listo para sumergirte</span></span></span><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ? </span></span><a class="ee jo" href="http://jaredabrock.com/giveaways/jumpstart-your-writing-career/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Participa para ganar</span></span></a><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> 5 fantásticos libros sobre escritura.</span></span></p><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="61d1" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Ernest Hemingway</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="3495" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Nunca compitas con escritores vivos. </span><span style="box-sizing: inherit; vertical-align: inherit;">No sabes si son buenos o no. </span><span style="box-sizing: inherit; vertical-align: inherit;">Compite con los muertos que sabes que son buenos. </span><span style="box-sizing: inherit; vertical-align: inherit;">Entonces, cuando pueda dejarlos pasar, sabrá que va bien. </span><span style="box-sizing: inherit; vertical-align: inherit;">Deberías haber leído todo lo bueno para saber lo que se ha hecho, porque si tienes una historia como la que ha escrito otra persona, la tuya no es buena a menos que puedas escribir una mejor. </span><span style="box-sizing: inherit; vertical-align: inherit;">En cualquier arte, puedes robar cualquier cosa si puedes mejorarla, pero la tendencia siempre debe ser hacia arriba en lugar de hacia abajo. </span><span style="box-sizing: inherit; vertical-align: inherit;">Y nunca imites a nadie</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pn np s" style="box-sizing: inherit; height: 0px; padding-bottom: 281px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 281px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="281" role="presentation" src="https://miro.medium.com/max/60/1*sjAArH_2PcEQZqrRnYPULg.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 281px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="281" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*sjAArH_2PcEQZqrRnYPULg.jpeg" srcset="https://miro.medium.com/max/276/1*sjAArH_2PcEQZqrRnYPULg.jpeg 276w, https://miro.medium.com/max/500/1*sjAArH_2PcEQZqrRnYPULg.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 281px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://abcnews.go.com/WNT/video/saving-ernest-hemingways-havana-home-41543832" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="cd87" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Libra de Esdras</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="f5e6" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">"La </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">gran literatura es simplemente un lenguaje cargado de significado en la mayor medida posible</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="no np s" style="box-sizing: inherit; height: 0px; padding-bottom: 388px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 388px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="388" role="presentation" src="https://miro.medium.com/max/60/1*hUDnl7z3rYHPk3XkoXwmYw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 388px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="388" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*hUDnl7z3rYHPk3XkoXwmYw.png" srcset="https://miro.medium.com/max/276/1*hUDnl7z3rYHPk3XkoXwmYw.png 276w, https://miro.medium.com/max/500/1*hUDnl7z3rYHPk3XkoXwmYw.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 388px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.sodalitium.biz/ezra-pound-e-la-teosofia/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="b8da" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">F. Scott Fitzgerald</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="54f6" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">La prueba de una inteligencia de primer nivel es la capacidad de mantener dos ideas opuestas en la mente al mismo tiempo y aún así conservar la capacidad de funcionar</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="po np s" style="box-sizing: inherit; height: 0px; padding-bottom: 375px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 375px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="375" role="presentation" src="https://miro.medium.com/max/60/1*UDIPudyzExJUyMGy8MVapw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 375px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="375" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*UDIPudyzExJUyMGy8MVapw.png" srcset="https://miro.medium.com/max/276/1*UDIPudyzExJUyMGy8MVapw.png 276w, https://miro.medium.com/max/500/1*UDIPudyzExJUyMGy8MVapw.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 375px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.theodysseyonline.com/top-10-american-novelists" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="1733" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Frederick Douglass</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="ba71" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">No es luz lo que necesitamos, sino fuego; </span><span style="box-sizing: inherit; vertical-align: inherit;">no es el aguacero suave, sino el trueno. </span><span style="box-sizing: inherit; vertical-align: inherit;">Necesitamos la tormenta, el torbellino y el terremoto</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pp np s" style="box-sizing: inherit; height: 0px; padding-bottom: 383px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 383px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="383" role="presentation" src="https://miro.medium.com/max/60/1*EPp7r8OMSfOd-4FevaPtig.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 383px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="383" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*EPp7r8OMSfOd-4FevaPtig.png" srcset="https://miro.medium.com/max/276/1*EPp7r8OMSfOd-4FevaPtig.png 276w, https://miro.medium.com/max/500/1*EPp7r8OMSfOd-4FevaPtig.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 383px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.umflint.edu/history/2017-18-washington-dc-nations-seat-history" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="5731" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">GK Chesterton</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="d108" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Los cuentos de hadas no les dicen a los niños que los dragones existen. </span><span style="box-sizing: inherit; vertical-align: inherit;">Los niños ya saben que los dragones existen. </span><span style="box-sizing: inherit; vertical-align: inherit;">Los cuentos de hadas les dicen a los niños que los dragones pueden morir</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu pq" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 480px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pr np s" style="box-sizing: inherit; height: 0px; padding-bottom: 358px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 358px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 480px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="358" role="presentation" src="https://miro.medium.com/max/60/1*6q9vMG_qH1-qZE_nliNdzw.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 358px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 480px;" width="480" /></div><img alt="" class="vc afz em fa ew nj w t" height="358" role="presentation" sizes="480px" src="https://miro.medium.com/max/480/1*6q9vMG_qH1-qZE_nliNdzw.jpeg" srcset="https://miro.medium.com/max/276/1*6q9vMG_qH1-qZE_nliNdzw.jpeg 276w, https://miro.medium.com/max/480/1*6q9vMG_qH1-qZE_nliNdzw.jpeg 480w" style="background-color: ghostwhite; box-sizing: inherit; height: 358px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 480px;" width="480" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://en.wikipedia.org/wiki/G._K._Chesterton#/media/File:G._K._Chesterton_at_work.jpg" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="e6c9" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Gabriel García Márquez</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="d4c8" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">En definitiva, la literatura no es más que carpintería. </span><span style="box-sizing: inherit; vertical-align: inherit;">Con ambos se trabaja con la realidad, un material tan duro como la madera</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu ps" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 365px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pt np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 365px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/44/1*vqyFtpVGk9PC3-vnbdCAHg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 365px;" width="365" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="365px" src="https://miro.medium.com/max/365/1*vqyFtpVGk9PC3-vnbdCAHg.png" srcset="https://miro.medium.com/max/276/1*vqyFtpVGk9PC3-vnbdCAHg.png 276w, https://miro.medium.com/max/365/1*vqyFtpVGk9PC3-vnbdCAHg.png 365w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 365px;" width="365" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://culturacolectiva.com/letras/mejores-libros-de-gabriel-garcia-marquez-que-debes-leer/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="8042" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">George Bernard Shaw</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="9714" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Mi método es tomarme la mayor molestia para encontrar lo correcto para decir, y luego decirlo con la mayor ligereza</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pu np s" style="box-sizing: inherit; height: 0px; padding-bottom: 378px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 378px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="378" role="presentation" src="https://miro.medium.com/max/60/1*mVRNxe72Ee2TQTJSbBOpWA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 378px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="378" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*mVRNxe72Ee2TQTJSbBOpWA.png" srcset="https://miro.medium.com/max/276/1*mVRNxe72Ee2TQTJSbBOpWA.png 276w, https://miro.medium.com/max/500/1*mVRNxe72Ee2TQTJSbBOpWA.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 378px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.telegraph.co.uk/gardening/gardeningpicturegalleries/8926077/Shed-love-a-selection-of-images-of-readers-sheds-and-sheds-of-the-famous.html?image=23" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="d149" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">George Orwell</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="996e" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Si la libertad significa algo, significa el derecho a decirle a la gente lo que no quieren escuchar</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pv np s" style="box-sizing: inherit; height: 0px; padding-bottom: 359px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 359px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="359" role="presentation" src="https://miro.medium.com/max/60/1*_M8zvJp4R26QBnqYUwQxmA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 359px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="359" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*_M8zvJp4R26QBnqYUwQxmA.png" srcset="https://miro.medium.com/max/276/1*_M8zvJp4R26QBnqYUwQxmA.png 276w, https://miro.medium.com/max/500/1*_M8zvJp4R26QBnqYUwQxmA.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 359px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://aajtak.intoday.in/education/story/21-january-in-india-and-world-history-in-hindi-1-851174.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="c5c8" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">George Plimpton</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="5b3d" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Como sabe cualquiera que escuche discursos, la brevedad es una ventaja</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pw np s" style="box-sizing: inherit; height: 0px; padding-bottom: 341px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 341px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="341" role="presentation" src="https://miro.medium.com/max/60/1*V1VkzojJo83j9w0sfCV2XQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 341px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="341" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*V1VkzojJo83j9w0sfCV2XQ.png" srcset="https://miro.medium.com/max/276/1*V1VkzojJo83j9w0sfCV2XQ.png 276w, https://miro.medium.com/max/500/1*V1VkzojJo83j9w0sfCV2XQ.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 341px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://oztypewriter.blogspot.ca/2013/07/george-plimpton-and-rhythm-of-underwood.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="0be4" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Georges Simenon</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="dc7e" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">El hecho de que seamos, no sé cuántos millones de personas, sin embargo, la comunicación, la comunicación completa, es completamente imposible entre dos de esas personas, es para mí uno de los temas trágicos más grandes del mundo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="px np s" style="box-sizing: inherit; height: 0px; padding-bottom: 450px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 450px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="450" role="presentation" src="https://miro.medium.com/max/60/1*alPz4l_qodAke1KAwx3JhA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 450px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="450" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*alPz4l_qodAke1KAwx3JhA.png" srcset="https://miro.medium.com/max/276/1*alPz4l_qodAke1KAwx3JhA.png 276w, https://miro.medium.com/max/500/1*alPz4l_qodAke1KAwx3JhA.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 450px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://mandarchiv.hu/cikk/3178/Hosenel_is_titokzatosabb_szerzo" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><p class="jp jq gn jr b hm js jt ju hp jv jw jx jy jz ka kb kc kd ke kf kg kh ki kj kk gg hk" data-selectable-paragraph="" id="667e" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 2em 0px -0.46em; word-break: break-word;"><a class="ee jo" href="https://writingcooperative.com/these-6-pieces-of-writing-advice-helped-sell-more-than-6-billion-books-2ddc1a098867" rel="noopener" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Lea más excelentes consejos de escritura de Georges Simenon</span></span></a><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> .</span></span></p><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="b821" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Gertrude Stein y Alice B. Toklas</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="245a" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Se necesita mucho tiempo para ser un genio, tienes que estar sentado tanto tiempo sin hacer nada, realmente sin hacer nada</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="py np s" style="box-sizing: inherit; height: 0px; padding-bottom: 379px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 379px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="379" role="presentation" src="https://miro.medium.com/max/60/1*3p9JwhKvrBxpqf3EmAP7mQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 379px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="379" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*3p9JwhKvrBxpqf3EmAP7mQ.png" srcset="https://miro.medium.com/max/276/1*3p9JwhKvrBxpqf3EmAP7mQ.png 276w, https://miro.medium.com/max/500/1*3p9JwhKvrBxpqf3EmAP7mQ.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 379px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://theartstack.com/artist/man-ray/portrait-alice-b-tokla" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="2004" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Gore Vidal</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="9fa2" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">"El </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">estilo es saber quién eres, lo que quieres decir y no te importa un carajo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="oo np s" style="box-sizing: inherit; height: 0px; padding-bottom: 333px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 333px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="333" role="presentation" src="https://miro.medium.com/max/60/1*qhAp_LW_ZlMkrm_yn3Vstg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 333px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="333" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*qhAp_LW_ZlMkrm_yn3Vstg.png" srcset="https://miro.medium.com/max/276/1*qhAp_LW_ZlMkrm_yn3Vstg.png 276w, https://miro.medium.com/max/500/1*qhAp_LW_ZlMkrm_yn3Vstg.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 333px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.theguardian.com/books/gallery/2012/aug/01/gore-vidal-a-life-in-pictures" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure></div></div></section><div class="n p dc ll lm ln" role="separator" style="background-color: ghostwhite; box-sizing: inherit; color: rgba(0, 0, 0, 0.8); display: flex; font-family: medium-content-sans-serif-font, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Open Sans", "Helvetica Neue", sans-serif; justify-content: center; margin-bottom: 14px; margin-top: 32px; padding-bottom: 10px; padding-top: 24px;"><span class="lo in cb lp lq lr" style="background-color: #202126; border-radius: 50%; box-sizing: inherit; display: inline-block; height: 3px; margin-right: 20px; width: 3px;"></span><span class="lo in cb lp lq lr" style="background-color: #202126; border-radius: 50%; box-sizing: inherit; display: inline-block; height: 3px; margin-right: 20px; width: 3px;"></span><span class="lo in cb lp lq" style="background-color: #202126; border-radius: 50%; box-sizing: inherit; display: inline-block; height: 3px; width: 3px;"></span></div><section class="gg gh gi dv gj" style="background-color: ghostwhite; box-sizing: inherit; color: rgba(0, 0, 0, 0.8); font-family: medium-content-sans-serif-font, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen, Ubuntu, Cantarell, "Open Sans", "Helvetica Neue", sans-serif; overflow-wrap: break-word; word-break: break-word;"><div class="n p" style="box-sizing: inherit; display: flex; justify-content: center;"><div class="av aw ax ay az gk bb w" style="box-sizing: inherit; margin: 0px 64px; max-width: 680px; min-width: 0px; width: 680px;"><h1 class="mc md gn bg me mf pz jt mh mi qa jw mk ml qb mn mo mp qc mr ms mt qd mv mw mx hk" data-selectable-paragraph="" id="e8bf" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.25em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Hans Christian Andersen</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="59d8" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Disfruta la vida. </span><span style="box-sizing: inherit; vertical-align: inherit;">Hay mucho tiempo para estar muerto</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><img alt="" class="w ji jj" height="458" role="presentation" src="https://miro.medium.com/max/1000/1*UZ-F9_mDW_wwKnnMJE51xw.png" style="box-sizing: inherit; height: auto; max-width: 100%; vertical-align: middle; width: 500px;" width="500" /></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://museum.odense.dk/en/knowledge/knowledge-hans-christian-andersen/publications-on-hca-/the-study-at-nyhavn-" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="f2f1" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Harlan Ellison</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="08f8" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Si haces que la gente crea que está pensando, te amarán; </span><span style="box-sizing: inherit; vertical-align: inherit;">pero si realmente les haces pensar, te odiarán</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu qe" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 353px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qf np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 353px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/42/1*rK_fqNcrTQdrC3c4AjpGdw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 353px;" width="353" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="353px" src="https://miro.medium.com/max/353/1*rK_fqNcrTQdrC3c4AjpGdw.png" srcset="https://miro.medium.com/max/276/1*rK_fqNcrTQdrC3c4AjpGdw.png 276w, https://miro.medium.com/max/353/1*rK_fqNcrTQdrC3c4AjpGdw.png 353w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 353px;" width="353" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://timpanogos.wordpress.com/2010/12/12/typewriter-of-the-moment-harlan-ellison-and-his-olympia-sg3/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="6b74" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Harper Lee (con Truman Capote)</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="825d" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Nunca entiendes realmente a una persona hasta que no consideras las cosas desde su punto de vista</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qg np s" style="box-sizing: inherit; height: 0px; padding-bottom: 329px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 329px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="329" role="presentation" src="https://miro.medium.com/max/60/1*hEMFhyNW5cewcY2TEmg0cA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 329px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="329" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*hEMFhyNW5cewcY2TEmg0cA.png" srcset="https://miro.medium.com/max/276/1*hEMFhyNW5cewcY2TEmg0cA.png 276w, https://miro.medium.com/max/500/1*hEMFhyNW5cewcY2TEmg0cA.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 329px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.taringa.net/posts/imagenes/14665000/Celebridades-con-otras-celebridades-Parte-4.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="e1b0" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Harriet Beecher Stowe</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="553f" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Desde que comencé esta nota me han cancelado al menos una docena de veces - una vez para el hombre-pez, para comprar un bacalao - una vez para ver a un hombre que me había traído algunas canastas de manzanas - una vez para ver a un hombre de libros ... luego para amamantar al bebé, luego a la cocina para hacer sopa para la cena y ahora estoy en eso de nuevo por nada más que una determinación mortal que me permite escribir alguna vez: es remar contra el viento y la marea</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="po np s" style="box-sizing: inherit; height: 0px; padding-bottom: 375px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 375px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="375" role="presentation" src="https://miro.medium.com/max/60/1*pnSF2TLFnTZzMOE3RqYEwQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 375px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="375" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*pnSF2TLFnTZzMOE3RqYEwQ.png" srcset="https://miro.medium.com/max/276/1*pnSF2TLFnTZzMOE3RqYEwQ.png 276w, https://miro.medium.com/max/500/1*pnSF2TLFnTZzMOE3RqYEwQ.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 375px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://2.bp.blogspot.com/-JJWsQlOlqWU/Ve-NLNGp8iI/AAAAAAAAkQc/rdIH0E2Y4GY/s1600/St.%2BJoes%2Bchurch%252C%2BHarriet%2BBeecher%2BStowe%2BHouse%2Bin%2BHartford%252C%2B046%2B%2528Large%2529.JPG" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="42e0" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Heinrich Böll</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="c63c" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Es cierto y se dice fácilmente que el lenguaje es material, y algo se materializa cuando uno escribe</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="od oe au of w og" role="button" style="box-sizing: inherit; cursor: zoom-in; position: relative; transition: transform 300ms cubic-bezier(0.2, 0, 0.2, 1) 0s; width: 680px; z-index: auto;" tabindex="0"><div class="ft fu op" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 395px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="oq np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 395px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/48/1*6oeeuCxxxd3fofyii9wlDA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 395px;" width="395" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="395px" src="https://miro.medium.com/max/395/1*6oeeuCxxxd3fofyii9wlDA.png" srcset="https://miro.medium.com/max/276/1*6oeeuCxxxd3fofyii9wlDA.png 276w, https://miro.medium.com/max/395/1*6oeeuCxxxd3fofyii9wlDA.png 395w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 395px;" width="395" /></div></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.sulromanzo.it/blog/heinrich-boell-il-suo-ricordo-a-30-anni-dalla-scomparsa" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="e2c9" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Henry Miller</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="7f41" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Todo crecimiento es un salto en la oscuridad, un acto espontáneo no premeditado sin el beneficio de la experiencia</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qh np s" style="box-sizing: inherit; height: 0px; padding-bottom: 356px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 356px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="356" role="presentation" src="https://miro.medium.com/max/60/1*J3EfcgJmncUmgOI4_e2rIg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 356px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="356" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*J3EfcgJmncUmgOI4_e2rIg.png" srcset="https://miro.medium.com/max/276/1*J3EfcgJmncUmgOI4_e2rIg.png 276w, https://miro.medium.com/max/500/1*J3EfcgJmncUmgOI4_e2rIg.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 356px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.comunidadeculturaearte.com/henry-miller-o-escritor-da-libertacao/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="320f" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">HL Mencken</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="12a1" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Para cada problema complejo hay una respuesta que es clara, simple y errónea</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu qi" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 612px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qj np s" style="box-sizing: inherit; height: 0px; padding-bottom: 429px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 429px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 612px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="429" role="presentation" src="https://miro.medium.com/max/60/1*C1zYyGa0x7IOdkvf9VqtvQ.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 429px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 612px;" width="612" /></div><img alt="" class="vc afz em fa ew nj w t" height="429" role="presentation" sizes="612px" src="https://miro.medium.com/max/612/1*C1zYyGa0x7IOdkvf9VqtvQ.jpeg" srcset="https://miro.medium.com/max/276/1*C1zYyGa0x7IOdkvf9VqtvQ.jpeg 276w, https://miro.medium.com/max/552/1*C1zYyGa0x7IOdkvf9VqtvQ.jpeg 552w, https://miro.medium.com/max/612/1*C1zYyGa0x7IOdkvf9VqtvQ.jpeg 612w" style="background-color: ghostwhite; box-sizing: inherit; height: 429px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 612px;" width="612" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.gettyimages.ca/detail/news-photo/henry-louis-mencken-philoligist-editor-and-satirist-in-his-news-photo/515360442#baltimore-md-henry-louis-mencken-philoligist-editor-and-satirist-in-picture-id515360442" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="c0ee" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Hunter S. Thompson</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="744b" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Cuando las cosas se ponen raras, los raros se vuelven profesionales</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qk np s" style="box-sizing: inherit; height: 0px; padding-bottom: 389px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 389px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="389" role="presentation" src="https://miro.medium.com/max/60/1*FITYbnRok50Ru-WEaaFmDA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 389px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="389" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*FITYbnRok50Ru-WEaaFmDA.png" srcset="https://miro.medium.com/max/276/1*FITYbnRok50Ru-WEaaFmDA.png 276w, https://miro.medium.com/max/500/1*FITYbnRok50Ru-WEaaFmDA.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 389px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.indiewire.com/2013/01/filming-hunter-s-thompsons-writing-new-animation-and-old-clips-200050/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="4cbe" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Ian Fleming</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="8d81" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Nunca digas 'no' a las aventuras. </span><span style="box-sizing: inherit; vertical-align: inherit;">Siempre di 'sí', de lo contrario llevarás una vida muy aburrida</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu ql" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 381px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qm np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 381px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/46/1*z35PIIQe45idx92tiw3L7w.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 381px;" width="381" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="381px" src="https://miro.medium.com/max/381/1*z35PIIQe45idx92tiw3L7w.png" srcset="https://miro.medium.com/max/276/1*z35PIIQe45idx92tiw3L7w.png 276w, https://miro.medium.com/max/381/1*z35PIIQe45idx92tiw3L7w.png 381w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 381px;" width="381" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.lostateminor.com/2013/11/21/15-authors-writing-in-their-rooms/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="d278" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">JD Salinger</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="d08e" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">La marca del hombre inmaduro es que quiere morir noblemente por una causa, mientras que la marca del hombre maduro es que quiere vivir humildemente por una</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ”.</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu qn" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 391px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qo np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 391px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/46/1*V_VzAA1RygGpqIlLcJU1KQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 391px;" width="391" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="391px" src="https://miro.medium.com/max/391/1*V_VzAA1RygGpqIlLcJU1KQ.png" srcset="https://miro.medium.com/max/276/1*V_VzAA1RygGpqIlLcJU1KQ.png 276w, https://miro.medium.com/max/391/1*V_VzAA1RygGpqIlLcJU1KQ.png 391w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 391px;" width="391" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://deepseastories.wordpress.com/tag/salinger-rare-shot/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="dbd5" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Jack Kerouac</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="4e5c" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">"Las </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">grandes cosas no se logran por aquellos que ceden a las tendencias y las modas y la opinión popular</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qp np s" style="box-sizing: inherit; height: 0px; padding-bottom: 334px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 334px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="334" role="presentation" src="https://miro.medium.com/max/60/1*z6qAUBedH_nEtK_VMUi9Lg.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 334px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="334" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*z6qAUBedH_nEtK_VMUi9Lg.jpeg" srcset="https://miro.medium.com/max/276/1*z6qAUBedH_nEtK_VMUi9Lg.jpeg 276w, https://miro.medium.com/max/500/1*z6qAUBedH_nEtK_VMUi9Lg.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 334px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://piaui.folha.uol.com.br/materia/fim-de-linha/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="1c72" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Jack London</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="0f2c" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">No puedes esperar a la inspiración. </span><span style="box-sizing: inherit; vertical-align: inherit;">Tienes que ir tras él con un club</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="no np s" style="box-sizing: inherit; height: 0px; padding-bottom: 388px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 388px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="388" role="presentation" src="https://miro.medium.com/max/60/1*GRVeoTvTfMOlO_lYw2Cxug.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 388px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="388" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*GRVeoTvTfMOlO_lYw2Cxug.png" srcset="https://miro.medium.com/max/276/1*GRVeoTvTfMOlO_lYw2Cxug.png 276w, https://miro.medium.com/max/500/1*GRVeoTvTfMOlO_lYw2Cxug.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 388px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.artribune.com/attualita/2012/03/tweetology-n-6-beyond/attachment/jack-london-2/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="823b" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Jackie Kennedy</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="36ed" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">El profundo deseo de inspirar a la gente, de participar activamente en la vida del país ... Todos deberíamos hacer algo para corregir los errores que vemos y no solo quejarnos de ellos</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qq np s" style="box-sizing: inherit; height: 0px; padding-bottom: 357px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 357px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="357" role="presentation" src="https://miro.medium.com/max/60/1*W9plyoRQQ4nvyyyVX847yA.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 357px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="357" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*W9plyoRQQ4nvyyyVX847yA.jpeg" srcset="https://miro.medium.com/max/276/1*W9plyoRQQ4nvyyyVX847yA.jpeg 276w, https://miro.medium.com/max/500/1*W9plyoRQQ4nvyyyVX847yA.jpeg 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 357px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.georgiapapadon.com/jacqueline-bouvier-kennedy-onassis-her-most-memorable-quotes/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="b3f5" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">James Baldwin</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="07dc" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">No todo lo que se enfrenta se puede cambiar, pero nada se puede cambiar hasta que se enfrenta</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ”.</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qr np s" style="box-sizing: inherit; height: 0px; padding-bottom: 318px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 318px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="318" role="presentation" src="https://miro.medium.com/max/60/1*zE9HirU9ZS4u0SdXDIg1kw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 318px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="318" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*zE9HirU9ZS4u0SdXDIg1kw.png" srcset="https://miro.medium.com/max/276/1*zE9HirU9ZS4u0SdXDIg1kw.png 276w, https://miro.medium.com/max/500/1*zE9HirU9ZS4u0SdXDIg1kw.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 318px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.thenation.com/article/report-occupied-territory-2/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="3b0d" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">James Patterson</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="d23b" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">En mi oficina en Florida tengo, creo, 30 pilas de manuscritos alrededor de la habitación. </span><span style="box-sizing: inherit; vertical-align: inherit;">Algunos son guiones o cómics o novelas gráficas. </span><span style="box-sizing: inherit; vertical-align: inherit;">Algunos están casi terminados. </span><span style="box-sizing: inherit; vertical-align: inherit;">Algunos los estoy reescribiendo. </span><span style="box-sizing: inherit; vertical-align: inherit;">Si estoy trabajando con un coguionista, generalmente escribirá el primer borrador. </span><span style="box-sizing: inherit; vertical-align: inherit;">Y luego escribo borradores posteriores</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu qs" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 675px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qt np s" style="box-sizing: inherit; height: 0px; padding-bottom: 485px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 485px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 675px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="485" role="presentation" src="https://miro.medium.com/max/60/1*5vQxA_3NqABlRRPx79IUSQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 485px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 675px;" width="675" /></div><img alt="" class="vc afz em fa ew nj w t" height="485" role="presentation" sizes="675px" src="https://miro.medium.com/max/675/1*5vQxA_3NqABlRRPx79IUSQ.png" srcset="https://miro.medium.com/max/276/1*5vQxA_3NqABlRRPx79IUSQ.png 276w, https://miro.medium.com/max/552/1*5vQxA_3NqABlRRPx79IUSQ.png 552w, https://miro.medium.com/max/640/1*5vQxA_3NqABlRRPx79IUSQ.png 640w, https://miro.medium.com/max/675/1*5vQxA_3NqABlRRPx79IUSQ.png 675w" style="background-color: ghostwhite; box-sizing: inherit; height: 485px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 675px;" width="675" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://static01.nyt.com/images/2016/03/22/business/22patterson/22patterson-master675.jpg" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="133d" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Joan Didion y John Gregory Dunne</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="d79a" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Escribo por completo para averiguar lo que estoy pensando, lo que estoy mirando, lo que veo y lo que significa. </span><span style="box-sizing: inherit; vertical-align: inherit;">Lo que quiero y lo que temo… Nos contamos historias para vivir</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ”.</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu ns" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 333px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="nt np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 333px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/40/1*dGg5bK0Nu5QLCjkMZfg60A.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 333px;" width="333" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="333px" src="https://miro.medium.com/max/333/1*dGg5bK0Nu5QLCjkMZfg60A.png" srcset="https://miro.medium.com/max/276/1*dGg5bK0Nu5QLCjkMZfg60A.png 276w, https://miro.medium.com/max/333/1*dGg5bK0Nu5QLCjkMZfg60A.png 333w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 333px;" width="333" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://tedsword.blogspot.ca/2015/09/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="b301" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">John Cheever</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="a1cd" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">La necesidad de escribir surge de la necesidad de dar sentido a la propia vida y descubrir su utilidad</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ”.</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qu np s" style="box-sizing: inherit; height: 0px; padding-bottom: 394px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 394px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="394" role="presentation" src="https://miro.medium.com/max/60/1*nvCbF4fqHrZBdCUNliiRIA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 394px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="394" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*nvCbF4fqHrZBdCUNliiRIA.png" srcset="https://miro.medium.com/max/276/1*nvCbF4fqHrZBdCUNliiRIA.png 276w, https://miro.medium.com/max/500/1*nvCbF4fqHrZBdCUNliiRIA.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 394px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://oztypewriter.blogspot.ca/2011/05/on-this-day-in-typewriter-history-vii.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="c105" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">John F. Kennedy</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="969e" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Al expresar nuestra gratitud, nunca debemos olvidar que el mayor agradecimiento no es pronunciar palabras, sino vivir de acuerdo con ellas</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ”.</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qv np s" style="box-sizing: inherit; height: 0px; padding-bottom: 331px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 331px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="331" role="presentation" src="https://miro.medium.com/max/60/1*6GnLQofkfKkAn95evXHC8g.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 331px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="331" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*6GnLQofkfKkAn95evXHC8g.png" srcset="https://miro.medium.com/max/276/1*6GnLQofkfKkAn95evXHC8g.png 276w, https://miro.medium.com/max/500/1*6GnLQofkfKkAn95evXHC8g.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 331px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.billboard.com/biz/articles/6228928/why-dont-todays-hits-reflect-the-times" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="620b" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">John Fante</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="b0b9" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Para tu información, una buena novela puede cambiar el mundo. </span><span style="box-sizing: inherit; vertical-align: inherit;">Tenga esto en cuenta antes de intentar sentarse a la máquina de escribir. </span><span style="box-sizing: inherit; vertical-align: inherit;">Nunca pierdas el tiempo en algo que no crees en ti mismo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qw np s" style="box-sizing: inherit; height: 0px; padding-bottom: 400px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 400px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="400" role="presentation" src="https://miro.medium.com/max/60/1*ZqfAb2T3tzHJ8YOpyLfYyA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 400px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="400" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*ZqfAb2T3tzHJ8YOpyLfYyA.png" srcset="https://miro.medium.com/max/276/1*ZqfAb2T3tzHJ8YOpyLfYyA.png 276w, https://miro.medium.com/max/500/1*ZqfAb2T3tzHJ8YOpyLfYyA.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 400px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.malibutimes.com/malibu_life/article_0a06c34c-a5a4-5fdf-9524-a9dc5adbd6f3.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="2ecc" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">John Steinbeck</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="580e" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Y el pequeño hecho de gritos que suena a lo largo de toda la historia: la represión solo funciona para fortalecer y tejer a los reprimidos</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ”.</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="od oe au of w og" role="button" style="box-sizing: inherit; cursor: zoom-in; position: relative; transition: transform 300ms cubic-bezier(0.2, 0, 0.2, 1) 0s; width: 680px; z-index: auto;" tabindex="0"><div class="ft fu op" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 395px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="oq np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 395px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/48/1*vCUOwbnhH7ESayKO-3cIWA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 395px;" width="395" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="395px" src="https://miro.medium.com/max/395/1*vCUOwbnhH7ESayKO-3cIWA.png" srcset="https://miro.medium.com/max/276/1*vCUOwbnhH7ESayKO-3cIWA.png 276w, https://miro.medium.com/max/395/1*vCUOwbnhH7ESayKO-3cIWA.png 395w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 395px;" width="395" /></div></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://piaui.folha.uol.com.br/materia/fim-de-linha/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="6674" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">John Updike</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="f845" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">No puedes evitar aprender más a medida que tomas el mundo en tus manos. </span><span style="box-sizing: inherit; vertical-align: inherit;">Tómalo con reverencia, porque es un viejo trozo de arcilla, con millones de huellas dactilares</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qx np s" style="box-sizing: inherit; height: 0px; padding-bottom: 337px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 337px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="337" role="presentation" src="https://miro.medium.com/max/60/1*K1HAG9BnxH4ZcK4sQjUx8w.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 337px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="337" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*K1HAG9BnxH4ZcK4sQjUx8w.png" srcset="https://miro.medium.com/max/276/1*K1HAG9BnxH4ZcK4sQjUx8w.png 276w, https://miro.medium.com/max/500/1*K1HAG9BnxH4ZcK4sQjUx8w.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 337px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://photogrist.com/jill-krementz/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="145c" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Joseph Brodsky</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="4e24" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Está bien leer todo de algo y algo de todo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qy np s" style="box-sizing: inherit; height: 0px; padding-bottom: 373px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 373px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="373" role="presentation" src="https://miro.medium.com/max/60/1*2QEPZ7JBBYeiLUext607Yg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 373px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="373" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*2QEPZ7JBBYeiLUext607Yg.png" srcset="https://miro.medium.com/max/276/1*2QEPZ7JBBYeiLUext607Yg.png 276w, https://miro.medium.com/max/500/1*2QEPZ7JBBYeiLUext607Yg.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 373px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://intheravine.wordpress.com/2014/10/06/brodsky-i-sit-at-my-desk/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="93b0" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">J. R. R. Tolkien</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="b6bb" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Todo lo que tenemos que decidir es qué hacer con el tiempo que se nos da</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu qz" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 349px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="ra np s" style="box-sizing: inherit; height: 0px; padding-bottom: 466px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 466px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 349px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="466" role="presentation" src="https://miro.medium.com/max/44/1*nDrbvhNp83wa4znC5Mn8JQ.jpeg?q=20" style="box-sizing: inherit; filter: blur(20px); height: 466px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 349px;" width="349" /></div><img alt="" class="vc afz em fa ew nj w t" height="466" role="presentation" sizes="349px" src="https://miro.medium.com/max/349/1*nDrbvhNp83wa4znC5Mn8JQ.jpeg" srcset="https://miro.medium.com/max/276/1*nDrbvhNp83wa4znC5Mn8JQ.jpeg 276w, https://miro.medium.com/max/349/1*nDrbvhNp83wa4znC5Mn8JQ.jpeg 349w" style="background-color: ghostwhite; box-sizing: inherit; height: 466px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 349px;" width="349" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.hollywoodreporter.com/thr-esq/jrr-tolkien-estate-settles-dispute-184053" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="3940" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Karen Blixen</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="c22d" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">"La cura para cualquier cosa es el agua salada: sudor, lágrimas o el mar".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu pb" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 331px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pc np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 331px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/40/1*SgO33oRYkLxkwUbOuYs3jQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 331px;" width="331" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="331px" src="https://miro.medium.com/max/331/1*SgO33oRYkLxkwUbOuYs3jQ.png" srcset="https://miro.medium.com/max/276/1*SgO33oRYkLxkwUbOuYs3jQ.png 276w, https://miro.medium.com/max/331/1*SgO33oRYkLxkwUbOuYs3jQ.png 331w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 331px;" width="331" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://denstoredanske.dk/Dansk_litteraturs_historie/Dansk_litteraturs_historie_4/Myter_og_masker_-_Karen_Blixen_-_Isak_Dinesen/Sidste_fort%C3%A6llinger" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><p class="jp jq gn jr b hm js jt ju hp jv jw jx jy jz ka kb kc kd ke kf kg kh ki kj kk gg hk" data-selectable-paragraph="" id="ad8c" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 2em 0px -0.46em; word-break: break-word;"><span class="jr mb" style="box-sizing: inherit; font-weight: 700;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">¿Quieres ser autor algún día</span></span></span><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ? </span></span><a class="ee jo" href="http://jaredabrock.com/giveaways/jumpstart-your-writing-career/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Haga clic para tener la oportunidad de ganar</span></span></a><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> 5 libros sobre escritura que subirán de nivel su juego.</span></span></p><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="0669" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Katherine anne porter</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="87cf" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Intentaré decir la verdad, pero el resultado será ficción</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rb np s" style="box-sizing: inherit; height: 0px; padding-bottom: 549px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 549px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="549" role="presentation" src="https://miro.medium.com/max/54/1*K772EqYJbTESoWNRT047kg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 549px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="549" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*K772EqYJbTESoWNRT047kg.png" srcset="https://miro.medium.com/max/276/1*K772EqYJbTESoWNRT047kg.png 276w, https://miro.medium.com/max/500/1*K772EqYJbTESoWNRT047kg.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 549px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.babelio.com/auteur/Katherine-Anne-Porter/180042" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="6d3f" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Kurt Vonnegut</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="efb0" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Las artes no son una forma de ganarse la vida. </span><span style="box-sizing: inherit; vertical-align: inherit;">Son una forma muy humana de hacer la vida más llevadera. </span><span style="box-sizing: inherit; vertical-align: inherit;">Practicar un arte, no importa lo bien o mal que esté, es una forma de hacer crecer tu alma, por el amor de Dios</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rc np s" style="box-sizing: inherit; height: 0px; padding-bottom: 327px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 327px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="327" role="presentation" src="https://miro.medium.com/max/60/1*m-RUZ4k1MOXWHoqq6pB4qA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 327px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="327" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*m-RUZ4k1MOXWHoqq6pB4qA.png" srcset="https://miro.medium.com/max/276/1*m-RUZ4k1MOXWHoqq6pB4qA.png 276w, https://miro.medium.com/max/500/1*m-RUZ4k1MOXWHoqq6pB4qA.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 327px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://brer-powerofbabel.blogspot.ca/2010/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><p class="jp jq gn jr b hm js jt ju hp jv jw jx jy jz ka kb kc kd ke kf kg kh ki kj kk gg hk" data-selectable-paragraph="" id="8e96" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 2em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">¿Quieren más? </span></span><a class="ee jo" href="https://writingcooperative.com/these-6-pieces-of-writing-advice-helped-sell-more-than-6-billion-books-2ddc1a098867" rel="noopener" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Estos 6 consejos de escritura ayudaron a vender más de 6 mil millones de libros</span></span></a></p><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="9a26" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Leo Tolstoy</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="e490" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Todo el mundo piensa en cambiar el mundo, pero nadie piensa en cambiarse a sí mismo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rd np s" style="box-sizing: inherit; height: 0px; padding-bottom: 440px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 440px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="440" role="presentation" src="https://miro.medium.com/max/60/1*r-3N2Rcai-1fGlmeS0Vwow.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 440px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="440" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*r-3N2Rcai-1fGlmeS0Vwow.png" srcset="https://miro.medium.com/max/276/1*r-3N2Rcai-1fGlmeS0Vwow.png 276w, https://miro.medium.com/max/500/1*r-3N2Rcai-1fGlmeS0Vwow.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 440px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.svd.se/tolstojs-motto-forblir-en-gata" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="e6a0" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Louisa May Alcott</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="f12f" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“Los </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">buenos libros, como los buenos amigos, son pocos y elegidos; </span><span style="box-sizing: inherit; vertical-align: inherit;">cuanto más selecto, más agradable</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu pb" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 331px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pc np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 331px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/40/1*WSoBDWRtMmxKeoPwxgjD3Q.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 331px;" width="331" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="331px" src="https://miro.medium.com/max/331/1*WSoBDWRtMmxKeoPwxgjD3Q.png" srcset="https://miro.medium.com/max/276/1*WSoBDWRtMmxKeoPwxgjD3Q.png 276w, https://miro.medium.com/max/331/1*WSoBDWRtMmxKeoPwxgjD3Q.png 331w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 331px;" width="331" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://oldphotoarchive.com/stories/10-photos-of-great-authors-at-work" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="3284" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Margaret Mitchell</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="21a3" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">El mundo puede perdonar prácticamente cualquier cosa, excepto a las personas que se ocupan de sus propios asuntos</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="no np s" style="box-sizing: inherit; height: 0px; padding-bottom: 388px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 388px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="388" role="presentation" src="https://miro.medium.com/max/60/1*dltyO7PDojOUNYgETIZGWg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 388px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="388" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*dltyO7PDojOUNYgETIZGWg.png" srcset="https://miro.medium.com/max/276/1*dltyO7PDojOUNYgETIZGWg.png 276w, https://miro.medium.com/max/500/1*dltyO7PDojOUNYgETIZGWg.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 388px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://jacksonville.com/news/georgia/2013-01-11/story/tara-may-not-be-real-georgias-gone-wind-trail" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="fed3" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Mark Twain</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="e9dc" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Sustituya 'maldita sea' cada vez que se sienta inclinado a escribir 'muy'. </span><span style="box-sizing: inherit; vertical-align: inherit;">Su editor lo eliminará y la escritura quedará como debería ser</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="re np s" style="box-sizing: inherit; height: 0px; padding-bottom: 618px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 618px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="618" role="presentation" src="https://miro.medium.com/max/48/1*jfgwZ1kG6lyEuC5kVnBfiw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 618px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="618" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*jfgwZ1kG6lyEuC5kVnBfiw.png" srcset="https://miro.medium.com/max/276/1*jfgwZ1kG6lyEuC5kVnBfiw.png 276w, https://miro.medium.com/max/500/1*jfgwZ1kG6lyEuC5kVnBfiw.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 618px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://commons.wikimedia.org/wiki/Mark_Twain#/media/File:Mark_Twain_at_desk.jpg" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="157f" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Marlon Brando</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="f14a" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“El </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">arrepentimiento es inútil en la vida. </span><span style="box-sizing: inherit; vertical-align: inherit;">Está en el pasado. </span><span style="box-sizing: inherit; vertical-align: inherit;">Todo lo que tenemos es ahora</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu rf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 360px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rg np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 360px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/44/1*4v-B1sBGO7QgU9JDTWxhiA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 360px;" width="360" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="360px" src="https://miro.medium.com/max/360/1*4v-B1sBGO7QgU9JDTWxhiA.png" srcset="https://miro.medium.com/max/276/1*4v-B1sBGO7QgU9JDTWxhiA.png 276w, https://miro.medium.com/max/360/1*4v-B1sBGO7QgU9JDTWxhiA.png 360w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 360px;" width="360" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://moicani.over-blog.com/article-marlon-brando-at-home-102761476.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="63fd" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Max Frisch</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="ed2e" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Son precisamente las historias decepcionantes, que no tienen un final adecuado y, por lo tanto, un significado adecuado, las que suenan verdaderas</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="po np s" style="box-sizing: inherit; height: 0px; padding-bottom: 375px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 375px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="375" role="presentation" src="https://miro.medium.com/max/60/1*2FxTTVe9yg1D9XyIL-QTmw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 375px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="375" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*2FxTTVe9yg1D9XyIL-QTmw.png" srcset="https://miro.medium.com/max/276/1*2FxTTVe9yg1D9XyIL-QTmw.png 276w, https://miro.medium.com/max/500/1*2FxTTVe9yg1D9XyIL-QTmw.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 375px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://hamlethamster.wordpress.com/2013/02/13/stefan-moses-max-frisch/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="997a" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Michel Foucault</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="9c88" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Mi trabajo es hacer ventanas donde antes había paredes</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="od oe au of w og" role="button" style="box-sizing: inherit; cursor: zoom-in; position: relative; transition: transform 300ms cubic-bezier(0.2, 0, 0.2, 1) 0s; width: 680px; z-index: auto;" tabindex="0"><div class="ft fu rh" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 415px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="ri np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 415px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/50/1*TcvSpyiphDnzQbDQCpOFbw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 415px;" width="415" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="415px" src="https://miro.medium.com/max/415/1*TcvSpyiphDnzQbDQCpOFbw.png" srcset="https://miro.medium.com/max/276/1*TcvSpyiphDnzQbDQCpOFbw.png 276w, https://miro.medium.com/max/415/1*TcvSpyiphDnzQbDQCpOFbw.png 415w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 415px;" width="415" /></div></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.hotels-paris-rive-gauche.com/blog/2010/04/20/exhibition-portraits-bruno-mones-paris/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="2e29" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Mickey Spillane</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="d527" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Si eres cantante, pierdes la voz. </span><span style="box-sizing: inherit; vertical-align: inherit;">Un jugador de béisbol pierde su brazo. </span><span style="box-sizing: inherit; vertical-align: inherit;">Un escritor adquiere más conocimientos y, si es bueno, cuanto mayor es, mejor escribe</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu rj" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 435px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rk np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 435px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/52/1*cfphZAmhfTxHBMH4Vbk80Q.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 435px;" width="435" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="435px" src="https://miro.medium.com/max/435/1*cfphZAmhfTxHBMH4Vbk80Q.png" srcset="https://miro.medium.com/max/276/1*cfphZAmhfTxHBMH4Vbk80Q.png 276w, https://miro.medium.com/max/435/1*cfphZAmhfTxHBMH4Vbk80Q.png 435w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 435px;" width="435" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://notasomargonzalez.blogspot.ca/2017/12/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="4a39" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Neil Gaiman</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="9b69" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Una vida independiente, una vida en las artes, a veces es como poner mensajes en botellas, en una isla desierta, y esperar que alguien encuentre una de tus botellas, la abra y la lea, y ponga algo en una botella que se lave su camino de regreso a ti: aprecio, o una comisión, o dinero, o amor. </span><span style="box-sizing: inherit; vertical-align: inherit;">Y tienes que aceptar que puedes sacar cien cosas por cada botella que termine regresando</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ”.</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu rl" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 450px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rm np s" style="box-sizing: inherit; height: 0px; padding-bottom: 299.984px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 299.984px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 450px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="300" role="presentation" src="https://miro.medium.com/max/60/1*Och_BAFY-6Ky38QAbDovag.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 299.984px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 450px;" width="450" /></div><img alt="" class="vc afz em fa ew nj w t" height="300" role="presentation" sizes="450px" src="https://miro.medium.com/max/450/1*Och_BAFY-6Ky38QAbDovag.png" srcset="https://miro.medium.com/max/276/1*Och_BAFY-6Ky38QAbDovag.png 276w, https://miro.medium.com/max/450/1*Och_BAFY-6Ky38QAbDovag.png 450w" style="background-color: ghostwhite; box-sizing: inherit; height: 299.984px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 450px;" width="450" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.shedworking.co.uk/2010/07/neil-gaiman-shedworker.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="d5a1" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Nigella Lawson</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="a9ac" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Es cierto que no habría escrito el primer libro si mi hermana y mi madre hubieran estado vivas. </span><span style="box-sizing: inherit; vertical-align: inherit;">Fue mi forma de continuar nuestra conversación</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu qn" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 391px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="qo np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 391px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/46/1*ZMfjxvlD11s9EqcvFplWtA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 391px;" width="391" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="391px" src="https://miro.medium.com/max/391/1*ZMfjxvlD11s9EqcvFplWtA.png" srcset="https://miro.medium.com/max/276/1*ZMfjxvlD11s9EqcvFplWtA.png 276w, https://miro.medium.com/max/391/1*ZMfjxvlD11s9EqcvFplWtA.png 391w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 391px;" width="391" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.anothermag.com/art-photography/3315/top-10-amazing-libraries" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="21ac" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Oliver Sacks</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="ff43" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Cada acto de percepción es hasta cierto punto un acto de creación, y cada acto de memoria es hasta cierto punto un acto de imaginación</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rn np s" style="box-sizing: inherit; height: 0px; padding-bottom: 317px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 317px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="317" role="presentation" src="https://miro.medium.com/max/60/1*yM-2QTG_-5limul5juLlUw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 317px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="317" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*yM-2QTG_-5limul5juLlUw.png" srcset="https://miro.medium.com/max/276/1*yM-2QTG_-5limul5juLlUw.png 276w, https://miro.medium.com/max/500/1*yM-2QTG_-5limul5juLlUw.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 317px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.nytimes.com/2015/09/01/science/oliver-sacks-diverse-elements-in-harmony.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="9ad9" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Orson Welles</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="8047" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Si es posible cortar una palabra, siempre elimínela</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="od oe au of w og" role="button" style="box-sizing: inherit; cursor: zoom-in; position: relative; transition: transform 300ms cubic-bezier(0.2, 0, 0.2, 1) 0s; width: 680px; z-index: auto;" tabindex="0"><div class="ft fu ro" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 380px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rp np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 380px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/46/1*a4RQnu1BCdbHfKitro8GyA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 380px;" width="380" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="380px" src="https://miro.medium.com/max/380/1*a4RQnu1BCdbHfKitro8GyA.png" srcset="https://miro.medium.com/max/276/1*a4RQnu1BCdbHfKitro8GyA.png 276w, https://miro.medium.com/max/380/1*a4RQnu1BCdbHfKitro8GyA.png 380w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 380px;" width="380" /></div></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://blogs.chapman.edu/wp-content/uploads/sites/16/2015/08/206-102.jpg" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="a855" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Patricia Highsmith</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="31a5" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">"Las </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">obsesiones son lo único que importa</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rq np s" style="box-sizing: inherit; height: 0px; padding-bottom: 342px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 342px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="342" role="presentation" src="https://miro.medium.com/max/60/1*lsrrBnoruQ9bGAvsf3kJWg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 342px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="342" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*lsrrBnoruQ9bGAvsf3kJWg.png" srcset="https://miro.medium.com/max/276/1*lsrrBnoruQ9bGAvsf3kJWg.png 276w, https://miro.medium.com/max/500/1*lsrrBnoruQ9bGAvsf3kJWg.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 342px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.artfulliving.com.tr/neler-oluyor/daktilolar-ve-sahipleri-unlu-yazarlar-is-ustunde-i-13276" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="3c2f" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">PG Wodehouse</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="5ded" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Invisible en el fondo, Fate estaba deslizando silenciosamente la ventaja en el guante de boxeo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rr np s" style="box-sizing: inherit; height: 0px; padding-bottom: 423px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 423px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="423" role="presentation" src="https://miro.medium.com/max/60/1*06cZKu_4SSLs0-lTPkLvMQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 423px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="423" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*06cZKu_4SSLs0-lTPkLvMQ.png" srcset="https://miro.medium.com/max/276/1*06cZKu_4SSLs0-lTPkLvMQ.png 276w, https://miro.medium.com/max/500/1*06cZKu_4SSLs0-lTPkLvMQ.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 423px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.espncricinfo.com/magazine/content/story/786981.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="f7de" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Philip Pullman</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="4b4c" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">No necesitamos una lista de aciertos y errores, tablas de lo que se debe y no se debe hacer: necesitamos libros, tiempo y silencio. </span><span style="box-sizing: inherit; vertical-align: inherit;">No serás olvidado pronto, pero Érase una vez para siempre</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rs np s" style="box-sizing: inherit; height: 0px; padding-bottom: 498px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 498px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="498" role="presentation" src="https://miro.medium.com/max/60/1*7H_vl9kt9Ez7ySAqemXhlg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 498px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="498" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*7H_vl9kt9Ez7ySAqemXhlg.png" srcset="https://miro.medium.com/max/276/1*7H_vl9kt9Ez7ySAqemXhlg.png 276w, https://miro.medium.com/max/500/1*7H_vl9kt9Ez7ySAqemXhlg.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 498px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2014/10/17/1413541856788/2aaa87a5-d44e-4eec-baae-9041353a7143-2060x2050.jpeg?w=1920&q=55&auto=format&usm=12&fit=max&s=42f28525afcce6bde2a5e8731c835f82" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="8664" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Philip Roth</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="8b3e" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">El camino al infierno está pavimentado con obras en progreso</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu rt" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 342px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="ru np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 342px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/42/1*D_GKFBru3Kyt3W-uD59Myw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 342px;" width="342" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="342px" src="https://miro.medium.com/max/342/1*D_GKFBru3Kyt3W-uD59Myw.png" srcset="https://miro.medium.com/max/276/1*D_GKFBru3Kyt3W-uD59Myw.png 276w, https://miro.medium.com/max/342/1*D_GKFBru3Kyt3W-uD59Myw.png 342w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 342px;" width="342" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.publico.pt/2016/11/14/culturaipsilon/noticia/philip-roth-volta-a-casa-de-partida-1750355" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="1818" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Pier Paolo Pasolini</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="59a1" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Un artista, si es desinteresado y apasionado, es siempre una protesta viva. </span><span style="box-sizing: inherit; vertical-align: inherit;">Solo abrir la boca es protestar: contra el conformismo, contra lo oficial, público o nacional, con lo que todos se sienten cómodos, así que en el momento en que abre la boca, un artista está comprometido, porque abrir la boca siempre es escandaloso</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> . "</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rv np s" style="box-sizing: inherit; height: 0px; padding-bottom: 309px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 309px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="309" role="presentation" src="https://miro.medium.com/max/60/1*s_b93Q0gRryjtg8Y1soiMw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 309px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="309" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*s_b93Q0gRryjtg8Y1soiMw.png" srcset="https://miro.medium.com/max/276/1*s_b93Q0gRryjtg8Y1soiMw.png 276w, https://miro.medium.com/max/500/1*s_b93Q0gRryjtg8Y1soiMw.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 309px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://24fpsverite.com/quotes/said-by/sesso-consolazione-della-miseria-di-pier-paolo-pasolini/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="f53d" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Ramón Gómez de la Serna</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="3aae" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Escribir es que te dejan llorar y reír solo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rw np s" style="box-sizing: inherit; height: 0px; padding-bottom: 470px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 470px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="470" role="presentation" src="https://miro.medium.com/max/60/1*JSFawrlIbuaU5mXU3B74Rw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 470px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="470" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*JSFawrlIbuaU5mXU3B74Rw.png" srcset="https://miro.medium.com/max/276/1*JSFawrlIbuaU5mXU3B74Rw.png 276w, https://miro.medium.com/max/500/1*JSFawrlIbuaU5mXU3B74Rw.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 470px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://cesarnavarretevazquez.wordpress.com/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="97a0" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Ray Bradbury</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="92bd" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">No pienses. </span><span style="box-sizing: inherit; vertical-align: inherit;">Pensar es enemigo de la creatividad. </span><span style="box-sizing: inherit; vertical-align: inherit;">Es cohibido, y cualquier cosa cohibida es pésima. </span><span style="box-sizing: inherit; vertical-align: inherit;">No puedes intentar hacer cosas. </span><span style="box-sizing: inherit; vertical-align: inherit;">Simplemente debes hacer cosas…. </span><span style="box-sizing: inherit; vertical-align: inherit;">Debes mantenerte borracho escribiendo para que la realidad no te destruya</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rx np s" style="box-sizing: inherit; height: 0px; padding-bottom: 349px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 349px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="349" role="presentation" src="https://miro.medium.com/max/60/1*nPgPwERTsOy8iCH2PZS1nA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 349px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="349" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*nPgPwERTsOy8iCH2PZS1nA.png" srcset="https://miro.medium.com/max/276/1*nPgPwERTsOy8iCH2PZS1nA.png 276w, https://miro.medium.com/max/500/1*nPgPwERTsOy8iCH2PZS1nA.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 349px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://regnum.ru/pictures/2193667/5.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="3e55" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Raymond Carver</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="c85f" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Tienes que trabajar con tus errores hasta que parezcan intencionados. </span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">¿ </span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Entiendes</span></em><span style="box-sizing: inherit; vertical-align: inherit;"> ?</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="ry np s" style="box-sizing: inherit; height: 0px; padding-bottom: 504px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 504px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="504" role="presentation" src="https://miro.medium.com/max/60/1*YZYQWfvaff0a3CRnZF8ogw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 504px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="504" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*YZYQWfvaff0a3CRnZF8ogw.png" srcset="https://miro.medium.com/max/276/1*YZYQWfvaff0a3CRnZF8ogw.png 276w, https://miro.medium.com/max/500/1*YZYQWfvaff0a3CRnZF8ogw.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 504px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.friki.net/fotos/87330-lugares-de-trabajo.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="0f9a" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Roald Dahl</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="1cef" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Una persona es un tonto para convertirse en escritor. </span><span style="box-sizing: inherit; vertical-align: inherit;">Su única compensación es la libertad absoluta. </span><span style="box-sizing: inherit; vertical-align: inherit;">No tiene más amo que su propia alma, y estoy seguro de que es por eso que lo hace</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="rz np s" style="box-sizing: inherit; height: 0px; padding-bottom: 486px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 486px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="486" role="presentation" src="https://miro.medium.com/max/60/1*wxyP9SlAsvr4IfuZ7Uysqg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 486px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="486" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*wxyP9SlAsvr4IfuZ7Uysqg.png" srcset="https://miro.medium.com/max/276/1*wxyP9SlAsvr4IfuZ7Uysqg.png 276w, https://miro.medium.com/max/500/1*wxyP9SlAsvr4IfuZ7Uysqg.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 486px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.pastemagazine.com/articles/2014/07/amazing-photos-of-writers-doing-what-they-do-best.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="2186" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Robert Frost</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="210f" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Sin lágrimas en el escritor, sin lágrimas en el lector. </span><span style="box-sizing: inherit; vertical-align: inherit;">Ninguna sorpresa en el escritor, ninguna sorpresa en el lector</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu pl" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 375px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="pm np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 375px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/46/1*jBbu4-PTwnjRhiJ1zIeD-A.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 375px;" width="375" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="375px" src="https://miro.medium.com/max/375/1*jBbu4-PTwnjRhiJ1zIeD-A.png" srcset="https://miro.medium.com/max/276/1*jBbu4-PTwnjRhiJ1zIeD-A.png 276w, https://miro.medium.com/max/375/1*jBbu4-PTwnjRhiJ1zIeD-A.png 375w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 375px;" width="375" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.flickr.com/photos/32357038@N08/8312130032" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="79b2" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Roberto Calasso</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="9456" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“Las </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">historias nunca viven solas; </span><span style="box-sizing: inherit; vertical-align: inherit;">Son las ramas de una familia que tenemos que rastrear hacia atrás y hacia adelante</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="on np s" style="box-sizing: inherit; height: 0px; padding-bottom: 330px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 330px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="330" role="presentation" src="https://miro.medium.com/max/60/1*LtlMDiKCMOmufQmHDaTecw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 330px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="330" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*LtlMDiKCMOmufQmHDaTecw.png" srcset="https://miro.medium.com/max/276/1*LtlMDiKCMOmufQmHDaTecw.png 276w, https://miro.medium.com/max/500/1*LtlMDiKCMOmufQmHDaTecw.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 330px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://downtobaker.com/2017/10/02/roberto-calasso-in-un-mondo-senza-il-sacro-siamo-diventati-solo-turisti/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="1d2f" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Rudyard Kipling</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="c221" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">De todos los mentirosos del mundo, a veces los peores son nuestros propios miedos</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sa np s" style="box-sizing: inherit; height: 0px; padding-bottom: 390px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 390px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="390" role="presentation" src="https://miro.medium.com/max/60/1*EeeR662AzP8wi52z7-EI8g.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 390px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="390" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*EeeR662AzP8wi52z7-EI8g.png" srcset="https://miro.medium.com/max/276/1*EeeR662AzP8wi52z7-EI8g.png 276w, https://miro.medium.com/max/500/1*EeeR662AzP8wi52z7-EI8g.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 390px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.thinkinghumanity.com/2014/06/workspaces-of-some-of-the-greatest-artists-of-the-world.html?m=1" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="b221" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Saul Bellow</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="bda7" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Un escritor es un lector que se mueve hacia la emulación</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sb np s" style="box-sizing: inherit; height: 0px; padding-bottom: 340px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 340px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="340" role="presentation" src="https://miro.medium.com/max/60/1*LE9zkqH7PdMXG921uY3Vug.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 340px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="340" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*LE9zkqH7PdMXG921uY3Vug.png" srcset="https://miro.medium.com/max/276/1*LE9zkqH7PdMXG921uY3Vug.png 276w, https://miro.medium.com/max/500/1*LE9zkqH7PdMXG921uY3Vug.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 340px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://site.xavier.edu/polt/typewriters/typers.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="9f3d" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Shuzo Takiguchi</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="78e1" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Ahora el mundo sufre de una nostalgia severa</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ..."</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu sc" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 336px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sd np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 336px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/40/1*aNarHY041GFS22Eau3Ca2w.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 336px;" width="336" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="336px" src="https://miro.medium.com/max/336/1*aNarHY041GFS22Eau3Ca2w.png" srcset="https://miro.medium.com/max/276/1*aNarHY041GFS22Eau3Ca2w.png 276w, https://miro.medium.com/max/336/1*aNarHY041GFS22Eau3Ca2w.png 336w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 336px;" width="336" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://artcontemporanigeneral.blogspot.ca/2012/03/el-escritor-japones-shuzo-takiguchi.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><p class="jp jq gn jr b hm js jt ju hp jv jw jx jy jz ka kb kc kd ke kf kg kh ki kj kk gg hk" data-selectable-paragraph="" id="f379" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 2em 0px -0.46em; word-break: break-word;"><span class="jr mb" style="box-sizing: inherit; font-weight: 700;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">¿Quiere mejorar radicalmente su escritura</span></span></span><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ? </span><span style="box-sizing: inherit; vertical-align: inherit;">Participa en </span></span><a class="ee jo" href="http://jaredabrock.com/giveaways/jumpstart-your-writing-career/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">mi sorteo gratuito</span></span></a><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> para tener la oportunidad de ganar algunos de los mejores libros sobre escritura.</span></span></p><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="e352" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Simone de Beauvoir</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="3ab7" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Cambia tu vida hoy. </span><span style="box-sizing: inherit; vertical-align: inherit;">No apueste por el futuro, actúe ahora, sin demora</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ”.</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu se" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 321px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sf np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 321px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/38/1*NzzDMcVaTiLwqOAbOY-TUA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 321px;" width="321" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="321px" src="https://miro.medium.com/max/321/1*NzzDMcVaTiLwqOAbOY-TUA.png" srcset="https://miro.medium.com/max/276/1*NzzDMcVaTiLwqOAbOY-TUA.png 276w, https://miro.medium.com/max/321/1*NzzDMcVaTiLwqOAbOY-TUA.png 321w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 321px;" width="321" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://lirecrire.hypotheses.org/redecouvrir-simone-de-beauvoir-et-son-oeuvre" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="3f82" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Somerset Maugham</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="bdc6" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Hay tres reglas para escribir una novela. </span><span style="box-sizing: inherit; vertical-align: inherit;">Desafortunadamente, nadie sabe cuáles son</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sg np s" style="box-sizing: inherit; height: 0px; padding-bottom: 566px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 566px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="566" role="presentation" src="https://miro.medium.com/max/54/1*SaQ4M5jEKWOs0BsIBVModw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 566px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="566" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*SaQ4M5jEKWOs0BsIBVModw.png" srcset="https://miro.medium.com/max/276/1*SaQ4M5jEKWOs0BsIBVModw.png 276w, https://miro.medium.com/max/500/1*SaQ4M5jEKWOs0BsIBVModw.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 566px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.williamlanday.com/2009/09/11/writers-room-w-somerset-maugham/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="6191" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Stephen King</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="4246" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Mata a tus seres queridos, mata a tus seres queridos, incluso cuando se rompa el corazón de tu pequeño y egocéntrico garabateador, mata a tus seres queridos</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="nu np s" style="box-sizing: inherit; height: 0px; padding-bottom: 335px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 335px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="335" role="presentation" src="https://miro.medium.com/max/60/1*YtZ1UzXaLJP4PgobJdbt-Q.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 335px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="335" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*YtZ1UzXaLJP4PgobJdbt-Q.png" srcset="https://miro.medium.com/max/276/1*YtZ1UzXaLJP4PgobJdbt-Q.png 276w, https://miro.medium.com/max/500/1*YtZ1UzXaLJP4PgobJdbt-Q.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 335px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://culturacolectiva.com/letras/20-libros-que-te-inspiraran-a-ser-escritor-segun-stephen-king/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><p class="jp jq gn jr b hm js jt ju hp jv jw jx jy jz ka kb kc kd ke kf kg kh ki kj kk gg hk" data-selectable-paragraph="" id="8471" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 2em 0px -0.46em; word-break: break-word;"><a class="ee jo" href="https://writingcooperative.com/these-7-pieces-of-writing-advice-helped-create-494-new-york-times-bestsellers-95ebbad855c" rel="noopener" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Lea más excelentes consejos de escritura de Stephen King</span></span></a><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> .</span></span></p><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="3eec" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Susan Sontag</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="255b" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Mi biblioteca es un archivo de anhelos</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sh np s" style="box-sizing: inherit; height: 0px; padding-bottom: 351px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 351px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="351" role="presentation" src="https://miro.medium.com/max/60/1*KDpArQUEJ2H1QcXVgniOcw.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 351px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="351" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*KDpArQUEJ2H1QcXVgniOcw.png" srcset="https://miro.medium.com/max/276/1*KDpArQUEJ2H1QcXVgniOcw.png 276w, https://miro.medium.com/max/500/1*KDpArQUEJ2H1QcXVgniOcw.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 351px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://hellogiggles.com/reviews-coverage/books/15-quotes-by-women-that-remind-us-to-stay-positive/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="3039" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Sylvia Plath</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="5c59" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Déjame vivir, amar y decirlo bien con buenas oraciones</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ”.</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu si" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 425px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sj np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 425px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/52/1*caSxwUYb7WPif7wp_U8GbQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 425px;" width="425" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="425px" src="https://miro.medium.com/max/425/1*caSxwUYb7WPif7wp_U8GbQ.png" srcset="https://miro.medium.com/max/276/1*caSxwUYb7WPif7wp_U8GbQ.png 276w, https://miro.medium.com/max/425/1*caSxwUYb7WPif7wp_U8GbQ.png 425w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 425px;" width="425" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.elfikurten.com.br/2016/07/sylvia-plath.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="df24" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Ted Kooser</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="d1aa" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Considerando las formas en que muchos de nosotros perdemos nuestro tiempo, ¿qué estaría mal en un mundo en el que todos escribieran poemas? </span><span style="box-sizing: inherit; vertical-align: inherit;">Después de todo, hay un gran servicio para la humanidad en no pasar tiempo sin hacer daño. </span><span style="box-sizing: inherit; vertical-align: inherit;">Mientras escribes tu poema, hay un sinvergüenza menos en el mundo. </span><span style="box-sizing: inherit; vertical-align: inherit;">Y me gustaría un mundo, ¿no es así, en el que la gente realmente se tome el tiempo para pensar en lo que están diciendo? </span><span style="box-sizing: inherit; vertical-align: inherit;">Estoy seguro de que sería un lugar más pacífico y más razonable. </span><span style="box-sizing: inherit; vertical-align: inherit;">No creo que nunca haya demasiados poetas. </span><span style="box-sizing: inherit; vertical-align: inherit;">Al escribir poesía, incluso aquellos poemas que fallan y fallan miserablemente, honramos y afirmamos la vida. </span><span style="box-sizing: inherit; vertical-align: inherit;">Decimos 'Amamos la tierra pero no pudimos quedarnos'</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> .</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sk np s" style="box-sizing: inherit; height: 0px; padding-bottom: 398px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 398px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="398" role="presentation" src="https://miro.medium.com/max/60/1*brxhAUzjgUkbFPWRLZm4aA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 398px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="398" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*brxhAUzjgUkbFPWRLZm4aA.png" srcset="https://miro.medium.com/max/276/1*brxhAUzjgUkbFPWRLZm4aA.png 276w, https://miro.medium.com/max/500/1*brxhAUzjgUkbFPWRLZm4aA.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 398px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://leoadambiga.com/tag/ted-kooser/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="21a2" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Tennessee Williams</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="00b3" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Cuando dejo de trabajar el resto del día es póstumo. </span><span style="box-sizing: inherit; vertical-align: inherit;">Solo estoy realmente vivo cuando escribo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu sl" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 400px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sm np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 400px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/48/1*u39gkCrQfIkJuCT4OdirIQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 400px;" width="400" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="400px" src="https://miro.medium.com/max/400/1*u39gkCrQfIkJuCT4OdirIQ.png" srcset="https://miro.medium.com/max/276/1*u39gkCrQfIkJuCT4OdirIQ.png 276w, https://miro.medium.com/max/400/1*u39gkCrQfIkJuCT4OdirIQ.png 400w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 400px;" width="400" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://oztypewriter.blogspot.ca/2015/08/tennessee-williams-and-his-typewriters.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="ecbd" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Theodore Roosevelt</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="8ef6" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">No me compadezco de ningún hombre que haga un trabajo duro que valga la pena. </span><span style="box-sizing: inherit; vertical-align: inherit;">Le admiro. </span><span style="box-sizing: inherit; vertical-align: inherit;">Compadezco a la criatura que no trabaja, sea cual sea el extremo de la escala social en que se considere a sí mismo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sn np s" style="box-sizing: inherit; height: 0px; padding-bottom: 360px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 360px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="360" role="presentation" src="https://miro.medium.com/max/60/1*P4wFcuIg6R1Pa83zdestzg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 360px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="360" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*P4wFcuIg6R1Pa83zdestzg.png" srcset="https://miro.medium.com/max/276/1*P4wFcuIg6R1Pa83zdestzg.png 276w, https://miro.medium.com/max/500/1*P4wFcuIg6R1Pa83zdestzg.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 360px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://www.artofmanliness.com/2012/06/19/famous-libraries-studies-writing-rooms/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="92e3" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Truman Capote</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="d0fe" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“El </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">fracaso es el condimento que da sabor al éxito</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ”.</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="so np s" style="box-sizing: inherit; height: 0px; padding-bottom: 503px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 503px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="503" role="presentation" src="https://miro.medium.com/max/60/1*ufSX5JpV-eX_YNvYDYxUFA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 503px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="503" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*ufSX5JpV-eX_YNvYDYxUFA.png" srcset="https://miro.medium.com/max/276/1*ufSX5JpV-eX_YNvYDYxUFA.png 276w, https://miro.medium.com/max/500/1*ufSX5JpV-eX_YNvYDYxUFA.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 503px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://flavorwire.com/410384/the-writing-tools-of-20-famous-authors/view-all" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="ea64" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">TS Eliot</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="f063" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Habrá tiempo, habrá tiempo</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Para preparar un rostro para encontrarse con los rostros que encuentres;</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Habrá tiempo para asesinar y crear,</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Y tiempo para todas las obras y días de manos,</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Que levantan y dejan caer una pregunta en tu plato;</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Tiempo para ti y tiempo para mí,</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">y tiempo todavía para cien indecisiones,</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">y cien visiones y revisiones,</span></span><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">antes de tomar un brindis y un té</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="no np s" style="box-sizing: inherit; height: 0px; padding-bottom: 388px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 388px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="388" role="presentation" src="https://miro.medium.com/max/60/1*wd7nxXziv1KOJNU3j6fONA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 388px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="388" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*wd7nxXziv1KOJNU3j6fONA.png" srcset="https://miro.medium.com/max/276/1*wd7nxXziv1KOJNU3j6fONA.png 276w, https://miro.medium.com/max/500/1*wd7nxXziv1KOJNU3j6fONA.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 388px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://commonplaces.davidson.edu/vol-2/the-limits-of-t-s-eliots-critical-theory-of-reading/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="afc4" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Vera y Vladimir Nabokov</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="dc48" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Un escritor debe tener la precisión de un poeta y la imaginación de un científico</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="od oe au of w og" role="button" style="box-sizing: inherit; cursor: zoom-in; position: relative; transition: transform 300ms cubic-bezier(0.2, 0, 0.2, 1) 0s; width: 680px; z-index: auto;" tabindex="0"><div class="ft fu sp" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 335px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sq np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 335px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/40/1*n_INeJiNOg0vo_VVjf3nfg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 335px;" width="335" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="335px" src="https://miro.medium.com/max/335/1*n_INeJiNOg0vo_VVjf3nfg.png" srcset="https://miro.medium.com/max/276/1*n_INeJiNOg0vo_VVjf3nfg.png 276w, https://miro.medium.com/max/335/1*n_INeJiNOg0vo_VVjf3nfg.png 335w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 335px;" width="335" /></div></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://albooksinthecity.blogspot.ca/2015/06/vladimir-nabokovs-letters-to-vera-at.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="7006" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Virginia Woolf</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="53f2" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Una mujer debe tener dinero y una habitación propia si va a escribir ficción</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sr np s" style="box-sizing: inherit; height: 0px; padding-bottom: 497px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 497px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="497" role="presentation" src="https://miro.medium.com/max/60/1*2yVgL8xrFCgpWl2qMm3hlg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 497px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="497" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*2yVgL8xrFCgpWl2qMm3hlg.png" srcset="https://miro.medium.com/max/276/1*2yVgL8xrFCgpWl2qMm3hlg.png 276w, https://miro.medium.com/max/500/1*2yVgL8xrFCgpWl2qMm3hlg.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 497px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2014/10/17/1413548983699/63edf6e2-1287-44a7-8292-527706aa1496-2060x2046.jpeg?w=1920&q=55&auto=format&usm=12&fit=max&s=d86e165eab6e4696fed4bf76120d919f" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="2f84" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">W. Somerset Maugham</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="cb61" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">(Sé que ya compartí una foto de WSM, ¡pero no pude resistirme al perro!)</span></span></p><p class="jp jq gn jr b hm js jt ju hp jv jw jx jy jz ka kb kc kd ke kf kg kh ki kj kk gg hk" data-selectable-paragraph="" id="d0b1" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 2em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Escribo solo cuando me llega la inspiración. </span><span style="box-sizing: inherit; vertical-align: inherit;">Afortunadamente, suena cada mañana a las nueve en punto</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu ss" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 403px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="st np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 403px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/48/1*Edhv3rTM8gt3XQX4SGa_cA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 403px;" width="403" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="403px" src="https://miro.medium.com/max/403/1*Edhv3rTM8gt3XQX4SGa_cA.png" srcset="https://miro.medium.com/max/276/1*Edhv3rTM8gt3XQX4SGa_cA.png 276w, https://miro.medium.com/max/403/1*Edhv3rTM8gt3XQX4SGa_cA.png 403w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 403px;" width="403" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://rarearchives.blogspot.ca/2014/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="7bba" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Wallace Stegner</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="c3d6" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">La escritura dura facilita la lectura</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="su np s" style="box-sizing: inherit; height: 0px; padding-bottom: 371px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 371px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="371" role="presentation" src="https://miro.medium.com/max/60/1*EyaJJwOEWjc-2uwx8BKnfQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 371px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="371" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*EyaJJwOEWjc-2uwx8BKnfQ.png" srcset="https://miro.medium.com/max/276/1*EyaJJwOEWjc-2uwx8BKnfQ.png 276w, https://miro.medium.com/max/500/1*EyaJJwOEWjc-2uwx8BKnfQ.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 371px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://flavorwire.com/439168/toni-morrison-wallace-stegner-and-10-other-fiction-writing-teachers" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="12e4" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Walt Whitman</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="5f2e" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">El secreto de todo es escribir en el chorro, el latido, la inundación del momento, dejar las cosas sin deliberación, sin preocuparse por su estilo, sin esperar el momento o el lugar adecuados. </span><span style="box-sizing: inherit; vertical-align: inherit;">Siempre trabajé de esa manera. </span><span style="box-sizing: inherit; vertical-align: inherit;">Cogí el primer trozo de papel, la primera puerta, el primer escritorio y escribí, escribí, escribí ... Escribiendo en el instante en que se capta el latido de la vida</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sv np s" style="box-sizing: inherit; height: 0px; padding-bottom: 365px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 365px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="365" role="presentation" src="https://miro.medium.com/max/60/1*EpPWa5SKzIMGqkWaGTrIVQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 365px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="365" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*EpPWa5SKzIMGqkWaGTrIVQ.png" srcset="https://miro.medium.com/max/276/1*EpPWa5SKzIMGqkWaGTrIVQ.png 276w, https://miro.medium.com/max/500/1*EpPWa5SKzIMGqkWaGTrIVQ.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 365px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://oldphotoarchive.com/stories/10-photos-of-great-authors-at-work" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="003c" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">William F. Buckley Jr.</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="8848" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Obtengo satisfacción de tres tipos. </span><span style="box-sizing: inherit; vertical-align: inherit;">Uno está creando algo, a otro se le paga por ello y el otro es la sensación de que no he estado sentado en mi trasero toda la tarde</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sw np s" style="box-sizing: inherit; height: 0px; padding-bottom: 348px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 348px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="348" role="presentation" src="https://miro.medium.com/max/60/1*fct-2YJy0XfoOx6OWbYJPA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 348px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="348" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*fct-2YJy0XfoOx6OWbYJPA.png" srcset="https://miro.medium.com/max/276/1*fct-2YJy0XfoOx6OWbYJPA.png 276w, https://miro.medium.com/max/500/1*fct-2YJy0XfoOx6OWbYJPA.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 348px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://masculineinteriors.com/book-cave-the-office-of-william-f-buckley/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="9f75" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">William Faulkner</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="3c18" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Siempre sueña y dispara más alto de lo que sabes que puedes hacer. </span><span style="box-sizing: inherit; vertical-align: inherit;">No se moleste solo en ser mejor que sus contemporáneos o predecesores. </span><span style="box-sizing: inherit; vertical-align: inherit;">Intenta ser mejor que tú mismo</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="od oe au of w og" role="button" style="box-sizing: inherit; cursor: zoom-in; position: relative; transition: transform 300ms cubic-bezier(0.2, 0, 0.2, 1) 0s; width: 680px; z-index: auto;" tabindex="0"><div class="ft fu oc" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 388px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="oh np s" style="box-sizing: inherit; height: 0px; padding-bottom: 500px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 500px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 388px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="500" role="presentation" src="https://miro.medium.com/max/46/1*aP-_dGvLUljkx67KusfWTA.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 500px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 388px;" width="388" /></div><img alt="" class="vc afz em fa ew nj w t" height="500" role="presentation" sizes="388px" src="https://miro.medium.com/max/388/1*aP-_dGvLUljkx67KusfWTA.png" srcset="https://miro.medium.com/max/276/1*aP-_dGvLUljkx67KusfWTA.png 276w, https://miro.medium.com/max/388/1*aP-_dGvLUljkx67KusfWTA.png 388w" style="background-color: ghostwhite; box-sizing: inherit; height: 500px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 388px;" width="388" /></div></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://www.ilpost.it/2012/07/06/il-cinquantenario-della-morte-di-william-faulkner/faulkner/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="79ea" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">William S. Burroughs</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="369d" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">" </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Sí, para todos los que formamos parte del Escuadrón de Shakespeare, escribir es solo eso: no un escape de la realidad, sino un intento de cambiar la realidad</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sx np s" style="box-sizing: inherit; height: 0px; padding-bottom: 386px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 386px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="386" role="presentation" src="https://miro.medium.com/max/60/1*TvgK5Ei1vFL2jYdSwd4lWg.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 386px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="386" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*TvgK5Ei1vFL2jYdSwd4lWg.png" srcset="https://miro.medium.com/max/276/1*TvgK5Ei1vFL2jYdSwd4lWg.png 276w, https://miro.medium.com/max/500/1*TvgK5Ei1vFL2jYdSwd4lWg.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 386px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="http://site.xavier.edu/polt/typewriters/typers.html" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure><h1 class="mc md gn bg me mf mg jt mh mi mj jw mk ml mm mn mo mp mq mr ms mt mu mv mw mx hk" data-selectable-paragraph="" id="a47e" style="box-sizing: inherit; color: #3c3d43; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 30px; font-weight: 500; letter-spacing: 0px; line-height: 36px; margin: 1.95em 0px -0.28em;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Winston Churchill</span></span></h1><p class="jp jq gn jr b hm my jt ju hp mz jw jx jy na ka kb kc nb ke kf kg nc ki kj kk gg hk" data-selectable-paragraph="" id="96bc" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 0.86em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">“ </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Escribir un libro es una aventura. </span><span style="box-sizing: inherit; vertical-align: inherit;">Para empezar, es un juguete y luego una diversión. </span><span style="box-sizing: inherit; vertical-align: inherit;">Luego se convierte en amante, y luego en amo, y luego en tirano y, en la última etapa, justo cuando estás a punto de reconciliarte con tu servidumbre, matas al monstruo y lo arrojas al público</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ”.</span></span></p><p class="jp jq gn jr b hm js jt ju hp jv jw jx jy jz ka kb kc kd ke kf kg kh ki kj kk gg hk" data-selectable-paragraph="" id="2b6b" style="box-sizing: inherit; color: #3c3d43; font-family: charter, Georgia, Cambria, "Times New Roman", Times, serif; font-size: 21px; letter-spacing: -0.003em; line-height: 32px; margin: 2em 0px -0.46em; word-break: break-word;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Bono de valentía: "La </span></span><em class="kl" style="box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">historia será amable conmigo porque tengo la intención de escribirla</span></span></em><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"> ".</span></span></p><figure class="nd ne nf ng nh jh ft fu paragraph-image" style="box-sizing: inherit; clear: both; margin: 56px auto 0px;"><div class="ft fu jf" style="box-sizing: inherit; margin-left: auto; margin-right: auto; max-width: 500px;"><div class="nm s au nn" style="background-color: #e6e6ed; box-sizing: inherit; margin: auto; position: relative;"><div class="sy np s" style="box-sizing: inherit; height: 0px; padding-bottom: 314px;"><div class="ex ni em fa ew nj w kv nk nl" style="box-sizing: inherit; height: 314px; left: 0px; opacity: 0; overflow: hidden; position: absolute; top: 0px; transform: translateZ(0px); transition: opacity 100ms ease 400ms; width: 500px; will-change: transform;"><img alt="" class="em fa ew nj w nq nr fb akz" height="314" role="presentation" src="https://miro.medium.com/max/60/1*hbquuP-I9BVVDMtGrTOMGQ.png?q=20" style="box-sizing: inherit; filter: blur(20px); height: 314px; left: 0px; position: absolute; top: 0px; transform: scale(1.1); transition: visibility 0ms ease 400ms; vertical-align: middle; visibility: hidden; width: 500px;" width="500" /></div><img alt="" class="vc afz em fa ew nj w t" height="314" role="presentation" sizes="500px" src="https://miro.medium.com/max/500/1*hbquuP-I9BVVDMtGrTOMGQ.png" srcset="https://miro.medium.com/max/276/1*hbquuP-I9BVVDMtGrTOMGQ.png 276w, https://miro.medium.com/max/500/1*hbquuP-I9BVVDMtGrTOMGQ.png 500w" style="background-color: ghostwhite; box-sizing: inherit; height: 314px; left: 0px; opacity: 1; position: absolute; top: 0px; transition: opacity 400ms ease 0ms; vertical-align: middle; width: 500px;" width="500" /></div></div></div><figcaption class="jk jl fv ft fu jm jn bg b bh bi dy" data-selectable-paragraph="" style="box-sizing: inherit; color: #6d6e74; font-family: sohne, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; line-height: 20px; margin-left: auto; margin-right: auto; margin-top: 10px; max-width: 728px; text-align: center;"><a class="ee jo" href="https://weirdkidsupfront.com/2014/11/14/5-lessons-in-public-speaking-from-winston-churchill/" rel="noopener nofollow" style="-webkit-tap-highlight-color: transparent; box-sizing: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;"><span style="box-sizing: inherit; vertical-align: inherit;">Fuente de imagen</span></span></a></figcaption></figure></div></div></section><div class="n p dc ll lm ln" role="separator" style="background-color: ghostwhite; box-sizing: inherit; display: flex; justify-content: center; margin-bottom: 14px; margin-top: 32px; padding-bottom: 10px; padding-top: 24px;"><span color="rgba(0, 0, 0, 0.8)" face="medium-content-sans-serif-font, -apple-system, BlinkMacSystemFont, Segoe UI, Roboto, Oxygen, Ubuntu, Cantarell, Open Sans, Helvetica Neue, sans-serif">https://draft.blogger.com/blog/post/edit/228787287723518540/5783751800413675118</span></div></div></article>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-87141786060957351742021-05-15T17:24:00.023+02:002021-11-20T18:16:20.912+01:00Sola en la cabaña y lejos del ruido Beatriz Montañez - Presentadora de TV<div class="voc-detail-header" style="box-sizing: border-box; height: auto; margin-bottom: 20px;"><div style="text-align: justify;"><span style="font-size: x-large;"><i>«Eres libre en el momento en que no tienes nada»</i></span></div><div style="text-align: justify;"><span style="font-size: x-large;"><i><br /></i></span></div><div style="text-align: justify;">Alcanzó la fama en un informativo satírico, fue guionista de un documental que ganó un Goya y un día se retiró a vivir en una casa perdida en el bosque. Allí lleva cinco años y ahora publica el diario de su soledad en medio de la naturaleza</div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><img src="https://www.lavanguardia.com/files/image_449_253/uploads/2021/03/18/605356bcead27.png" /></div><div style="text-align: center;"><span style="font-size: x-small;"><i>Beatriz Montañez abandonó el ruido y ahora es feliz. Sola. En el bosque. Errata Naturae/LVD</i></span></div><div class="voc-author-timesocial" style="-webkit-box-direction: normal; -webkit-box-orient: horizontal; -webkit-box-pack: justify; border-bottom: 1px solid rgb(216, 216, 216); border-top: 1px solid rgb(216, 216, 216); box-sizing: border-box; display: flex; flex-direction: row; justify-content: space-between; margin-top: 32px; padding: 8px 0px; position: relative; width: 628px;"><div class="voc-author-timesocial__voc-container-info-signature" style="-webkit-box-align: center; align-items: center; box-sizing: border-box; display: flex; position: relative;"><div style="box-sizing: border-box;"><div class="voc-author-info" style="box-sizing: border-box; position: relative; width: auto;"><author style="box-sizing: border-box; display: block; font-family: "Guardian TextSans Medium", sans-serif; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: 15.75px; margin-bottom: 10px; padding-right: 8px; text-align: center;"><a class="voc-author" href="https://www.elcomercio.es/autor/cesar-coca-81.html" style="background-color: transparent; box-sizing: border-box; color: black; display: inline-block; letter-spacing: 0.01em; margin-bottom: 2px; text-decoration-line: none; text-transform: uppercase; transition: opacity 0.05s ease 0s; width: auto;" title="CÉSAR COCA"><span style="font-size: xx-small;">CÉSAR COCA</span></a></author></div></div></div><div class="voc-author-social" style="-webkit-box-direction: normal; -webkit-box-orient: horizontal; background-color: white; box-sizing: border-box; color: #333333; display: flex; flex-direction: row; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; height: auto; position: relative;"><a class="voc-social-btn voc-facebook-share" data-voc-social-sharer="facebook" data-voc-type-button="fixed-btn" data-voc-vtm-id="compartirrrss" data-voc-vtm-info="fixed-facebook" style="-webkit-box-align: center; -webkit-box-pack: center; align-items: center; background-color: #f7f7f8; box-sizing: border-box; cursor: pointer; display: flex; height: 30px; justify-content: center; margin-right: 4px; transition: all 0.3s ease 0s; width: 30px;" title="facebook"><span class="voc-icons facebook" style="box-sizing: border-box; font-family: "Vocento Web Lig"; font-variant-ligatures: discretionary-ligatures;"></span></a></div></div></div><div style="text-align: justify;">La noche del 29 de mayo de 2016, Beatriz Montañez llegó a una casa perdida en un bosque, donde no vivía nadie desde hacía trece años. Una casa sin electricidad ni agua corriente, situada a 25 kilómetros del pueblo más cercano y con una mala cobertura telefónica. Se instaló en ella cuando se dio cuenta de que la celebridad que le había dado la televisión, gracias sobre todo al programa 'El Intermedio', había enturbiado su conciencia de sí misma y de su destino. Allí sigue viviendo, sola, y en este tiempo de alejamiento y búsqueda ha averiguado los nombres de los árboles y los animales de la zona, ha perdido el miedo a los insectos y se ha convertido en vegana. Ha estado enferma, ha sufrido accidentes y ha aprendido a callar su voz interior y disfrutar de un silencio absoluto. Su jornada se compone de paseos, meditación, lectura y escritura. Tiene más de 200 libretas con las preguntas que se ha hecho y las respuestas que ha alcanzado a darse. Durante el primer año de su estancia en la casa elaboró un diario ('Niadela', Ed. Errata naturae, acaba de llegar a las librerías) con claras influencias de Thoreau y Emerson. De su vida pasada y su vida presente habla esta entrevista. Y si la felicidad se puede medir en sonrisas, Beatriz Montañez es muy feliz. Durante esta larga conversación solo una vez su rostro adquiere un tono de resignación. Son apenas unos segundos, cuando habla de la dificultad de mantener una relación amorosa viviendo en un lugar perdido. Un lugar en el que quiere continuar. «Si algún día los amigos que me dejan la casa quieren recuperarla, tendré que buscar otra parecida. Pero me daría pena», asegura.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Lleva casi cinco años en esa casa. ¿Pensó al llegar que estaría tanto tiempo allí, viviendo de esa manera?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Nunca. Solo pensaba que necesitaba soledad, tiempo para dar vueltas sobre los siguientes pasos que debía dar en mi vida.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– El cambio fue brutal:estudió en EE UU, trabajó en TV, fue guionista de un documental que ganó un Goya, y de pronto buscó un aislamiento extremo.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Thoreau y Emerson, que son quienes siempre se citan en estos casos, no se aislaron tanto, es cierto. Pero no soy la primera que ha buscado un alejamiento tan radical. Las crisis vitales requieren de grandes cambios, de tiempo para escucharte, hacerte preguntas y hallar respuestas. Deberíamos estar todos atentos a nuestras necesidades, porque si no, vivimos la vida a medias.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– No sé si conocía antes los nombres de los árboles y los animales del bosque, pero ya se los sabe todos. Y ha tenido que vencer el miedo a algunos insectos.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Me he hecho especialista en los animales y las plantas que hay allí. Ymis amigos recuerdan lo alborotada que me ponía al ver algunos bichos. Era una histérica con los insectos.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– ¿Y ahora?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– He cambiado, y ha tenido que ver con la observación. Ves arañas, por ejemplo, y descubres cómo se relacionan con otros animales, y cómo no reaccionan igual las de un tipo que las de otro. O con los seres humanos.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">«Mis amigos recuerdan que era una histérica con los insectos»</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– En el libro cuenta el trauma que supuso, a los cuatro años, la muerte de su padre, tras la que estuvo sin hablar mucho tiempo. Yde adolescente instauró el 'día del silencio', una jornada semanal en la que no decía nada. Ya iba entrenada para una experiencia así.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">–Me encanta el silencio. Mis amigos saben que muchas veces no siento la necesidad de hablar. El silencio es una forma de poder escucharte. Y, para hablar tonterías, ¿por qué abrir la boca?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Ha sufrido accidentes, ha estado enferma y apenas ha recibido visitas en este tiempo. ¿Cuántas veces ha tenido miedo?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Creo que nunca. Eso tiene que ver con que crecí sola porque mis hermanos son mayores y mi madre trabajaba fuera. El miedo nos lo inoculan: un niño se enfrenta a las cosas de forma más arriesgada. Luego te van diciendo: cuidado con esto, que te vas a caer, o te puedes hacer daño. En la medida de lo posible sería bueno que un niño descubriera las cosas por su cuenta. A mí me parece más peligrosa la ciudad.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– ¿Por qué?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Desde luego es más peligroso pasear de noche por Nueva York, Los Ángeles o Tokio, por decir sitios donde he estado o vivido, que por el bosque. El ser humano tiene el poder de hacer a otro ser humano vulnerable. Me da más miedo la enfermedad.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– También las ha sufrido, como cuenta en el diario.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Sí, fui consciente de que me equivoqué con unas plantas que cogí para cocinar y enseguida me di cuenta de que tenía algo parecido a una gastroenteritis. Me daba miedo que nadie respondiera a mi petición de ayuda.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Eso no deja en buen lugar a las personas próximas a usted.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Es que todos tienen sus vidas. Siempre he querido resolver sola mis problemas. Si llamo pidiendo ayuda estoy forzando a alguien a venir aquí unos días y gastar un dinero en el viaje. Estoy lejos de la civilización, y no quería poner a nadie de mi familia en la tesitura de elegir entre cuidar de mí o atender a los suyos. El pasado verano me picó un escorpión. Sentí un dolor tremendo. Había leído que la picadura de los escorpiones que hay por aquí no es mortal, pero llamé a mi hermano, que sabe de estas cosas, y me dijo que podía aguantar un dolor intenso o ir a un centro médico a que me pusieran una inyección.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– ¿Y qué hizo?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Me quedé en casa y el dolor fue pasando.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Se llevó otro susto cuando se cortó un dedo con una máquina.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Aún recuerdo la cara que puso el médico. Cuando me corté, reaccioné recuperando el trozo de dedo y colocándolo en su sitio, y envolviendo todo en un trapo de cocina que quedó completamente ensangrentado tras media hora de coche hasta el ambulatorio. No fui consciente de por qué hice todo eso. Hace unos meses lo interpreté como una metáfora:estaba recomponiendo partes de mi personalidad que había ido tirando para adecuarme a lo que los demás esperaban de mí.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– ¿Qué le dijeron las personas más próximas cuando anunció que se retiraba al bosque?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Mi madre siempre ha dicho que soy especial, aunque ella nunca ha entendido cómo puedo estar sin hablar. Mi pareja de entonces lo entendió porque había vivido conmigo la crisis que derivó en mi alejamiento. Y mis amigos ya estaban acostumbrados a ausencias de dos o tres meses en las que cogía una mochila y me iba a viajar.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– ¿Era vegana antes de esta experiencia?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– No. Decidí serlo cuando llevaba algo más de un año. Me dije que si disfrutaba tanto con los animales que me rodeaban no podía comérmelos. Pero cuando estoy con amigos y vamos a comer, no les reprocho de ninguna manera lo que comen.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">«Lo más triste de estos cinco años ha sido el final de la relación con mi pareja»</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Porque cada medio año va a la ciudad.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Sí, y cómo aprecio ahora la diferencia. Cada experiencia –ir al teatro, a un restaurante– es mucho más intensa. Aunque a los tres o cuatro días, estoy deseando regresar a mi casa.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Ha dicho que vive con 150 euros al mes.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Eso se ha interpretado mal. Como con 150 euros al mes, pero gasto mucho más en libros, por ejemplo. Me alejé del mundo entre otras cosas por lo que se decía sobre mí que no podía controlar, cosas que no eran en absoluto reales y que te hacen dudar de quién eres de verdad.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– ¿La reconocían cuando bajaba al pueblo a hacer las compras?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– No, porque iba con un gorro y unas gafas de sol.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– ¿No llega a hartarse de su propia voz interior?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– La meditación hace que seas capaz de callar esa voz. Hace unos años estuve veinte días en un templo, haciendo 13 o 14 horas diarias de meditación, y llegué a conseguir ese silencio.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– ¿Se desdobla en dos personajes para hablar consigo misma como hace alguna gente?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– No. En mi primer año en la casa leí mucho a Jung y Freud y descubrí la mayéutica de Sócrates. Aprendí a conocerme, y rellené más de 200 libretas con preguntas que me iba haciendo y las respuestas que alcanzaba a dar. Fue muy útil.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– ¿Suele releerlas?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Sí, releo algunas y noto un cierto tono de frustración, rabia y tristeza en las primeras. Ya la vez, cierta arrogancia en las respuestas.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Cuenta que la relación con su pareja se ha terminado. ¿Es consciente de que, si sigue viviendo así, es poco probable que encuentre a alguien dispuesto a despojarse de todo y compartir su espacio y su vida?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– El momento más triste de estos cinco años fue el del final de la relación. Seguimos siendo amigos, como me sucede con otros ex. Creo que eso es importante porque han sido parte de mi vida. Soy consciente de lo que me dice, de la dificultad de encontrar a alguien viviendo como vivo. Por un lado, me entristece;pero por otro no quiero renunciar, y si llevar la vida tan maravillosa que llevo me obliga a algún sacrificio, lo haré. Porque ahora me siento más libre.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– ¿En qué sentido?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Estuve años viviendo en una gran casa, con dinero, yendo a Milán a un restaurante o a Londres a una exposición o un estreno. Para mí los viajes eran lo importante. Pero ahora es muy placentero decir que mi vida se reduce a una maleta. La clave de la libertad es no tener nada. En cuando tienes algo, empiezan las responsabilidades y todo te exige tiempo. Eres libre en el momento en que no tienes nada.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Trabajaba en un programa humorístico en TV y le prohibieron reírse. Si su carrera profesional hubiese sido distinta, ¿habría continuado con una vida más convencional?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– En 'El Intermedio' lo que sucedió fue que el director me dijo que tenía que dejar de hacer algo que salía de mí. Mi naturalidad dejó de ser una baza a favor y no entendí por qué. También me prohibieron mirar a Chechu (El Gran Wyoming). Siempre estaré muy agradecida al programa, porque era poco más que una becaria y me dieron una gran oportunidad. Pero un día me dijeron que, como tarde o temprano iba a marcharme, me buscarían una sustituta.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">«La meditación hace que seas capaz de callar tu propia voz interior»</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– ¿Y pensaba marcharse?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– No. Yo ya había rechazado algunas ofertas, pero empezaron a hacer un 'casting' con alumnas de Periodismo de la Complutense y cada tarde, al llegar, veía sentada en mi silla a alguna chica leyendo el guión que yo había hecho la noche anterior. Eso fue mermando mi autoconfianza. Así que me fui. Pero no me marché al bosque por eso. Hubo muchas más razones. 'Niadela' ha sido como mi segundo vientre materno.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– ¿Qué tiene que suceder para que vuelva a vivir en la ciudad, en un piso, rodeada de gente?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– No lo sé. Hacer planes es bastante absurdo. Siempre hay algo que aprender de cada circunstancia vivida. Quiero poder seguir escribiendo, ese es el camino. Pero voy a dejar que el destino me muestre a dónde me lleva.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">«Tratar de mostrarnos perfectos nos hace impenetrables»</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Ya al final de su libro recomienda que evitemos sentir inquietud o miedo a cuenta de personas y hechos que no nos importan. ¿Debemos desnudarnos, metafóricamente, para ser felices?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">– Sí, y no acabo de entender por qué es tan difícil. Creo que yo he hecho un ejercicio de honestidad porque muestro quién soy con todos mis defectos. Tratar de aparecer perfectos nos hace impenetrables. A alguien a quien todo le va bien le puedes envidiar, pero no te acercas. Mire lo que sucede en las redes sociales: todo el mundo se muestra perfecto y hermoso. Mientras, la realidad dice que la pobreza crece, los suicidios se disparan... Mostrando mi vulnerabilidad invito a los demás a mostrar la suya.</div><div><div><i><div style="text-align: justify;"><i><span style="font-size: x-small;">https://www.elcomercio.es/sociedad/libre-momento-20210321203649-ntrc.htm</span></i></div></i></div><div style="text-align: justify;"><i><br /></i></div><div><div style="text-align: justify;"><span style="font-style: italic;"><br /></span></div><i><div style="text-align: justify;"><img height="227" src="https://img.lasexta.com/clipping/cmsimages01/2021/03/21/67E74F7B-80D7-4F6E-BA30-6B92B1ACB5B7/default.jpg?crop=1771,1004,x128,y0&width=1000&height=567&optimize=low" width="400" /></div></i></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b>Una vida sencilla</b></div><div style="text-align: justify;">Beatriz Montañez reflexiona sobre su nueva vida: <i>"He pasado momentos duros, caí enferma grave cuatro días</i>". La periodista no sabe si algún día volverá a la ciudad después de elegir vivir en una cabaña en mitad de un bosque. <i>"Mi conexión con la naturaleza es de 24 horas al día", </i>explica.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><a href="https://www.lasexta.com/noticias/cultura/beatriz-montanez-y-su-vida-en-una-cabana-en-mitad-de-un-bosque-es-un-continuo-momento-duro-porque-aqui-no-hay-sexo_202103206056290dd319a500013ed6a1.html">Beatriz Montañez y su vida en una cabaña en mitad de un bosque: "Es un continuo momento duro porque aquí no hay sexo"</a></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><a href="https://www.lasexta.com/noticias/se-habla/nueva-vida-beatriz-montanez-lejos-television-presentar-intermedio-vivir-aislada-plena-naturaleza_2021031760524cecf992530001ad8d54.html">La nueva vida de Beatriz Montañez lejos de la televisión: de presentar 'El Intermedio' a vivir aislada en plena naturaleza</a></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">La periodista Beatriz Montañez ha sorprendido a muchos al revelar su radical cambio de vida. La que fuera presentadora de 'El Intermedio' en la Sexta lleva viviendo cinco años en plena naturaleza, en una cabaña, su <i>'Niadela'</i>, que para ella ha sido<i> "como volver al vientre materno".</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>"Tenía un trabajo que todo el mundo hubiera pensado que era maravilloso y una vida que vista desde fuera podía parecer idílica, pero dentro había algo que no estaba funcionado"</i>, explica. Ahora, vive en una casa "prestada" en la que vive "mucho más feliz que en una casa de 200 metros cuadrados".</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Montañez nos cuenta que pasó un año y medio viviendo con velas porque cuando llegó no había electricidad. Al ver el alto presupuesto que tenía que invertir en velas, alrededor de 100 euros al mes, decidió instalar un equipo fotovoltaico. Además, invierte una hora de su día en cortar leña.</div><i><div style="text-align: justify;"><br /></div></i><div style="text-align: justify;">Reconoce que no puede sentirse sola porque su conexión con la naturaleza es <i>"24 horas al día".</i> <i>"Después de comer me siento a escribir y no me levanto hasta las 23:00"</i>, afirma. También desvela haber sufrido momentos duros, de "fiebres muy altas".<i> "Cuando creía que lo sabía todo y que era tan estúpida como creer que era lo suficientemente inteligente como para poder valerme sola, empecé a coger hierbajos y caí enferma grave cuatro días"</i>, recuerda.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Sí que confiesa echar de menos <i>"el contacto con la piel de otra persona"</i>, bromeando sobre el <i>"continuo momento duro"</i> que vive: "<a href="https://www.lasexta.com/noticias/cultura/beatriz-montanez-y-su-vida-en-una-cabana-en-mitad-de-un-bosque-es-un-continuo-momento-duro-porque-aqui-no-hay-sexo_202103206056290dd319a500013ed6a1.html">Todavía soy joven y aquí no hay sexo</a>... a no ser que te gusten mucho los árboles". Por último, Montañez confiesa que no sabe si volverá a vivir a la ciudad algún día después de haber encontrado su hogar, su nuevo comienzo, su <i>'Niadela'.</i></div><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>"Empecé a oír un tic tac en la cabeza"</i></div></i><div style="text-align: justify;"><br /></div><i><div style="text-align: justify;"><i>"Había mucho ruido en mi vida"</i>, explicaba en una entrevista en la '<a href="https://cadenaser.com/programa/2021/03/17/hoy_por_hoy/1615977614_461127.html">Cadena SER</a>', donde ha señalado que, por entonces, le afectaba mucho lo que se decía de ella, y ha realizado esta confesión: <i>"Empecé a oír un tic tac en la cabeza y sentí que en cualquier momento iba a explotar".</i></div></i><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Ahora es vegana y no gasta más de 150 euros al mes en comida. <i>"La soledad es, ha sido y será para mí la mejor amiga que he tenido nunca"</i>, afirmó.</div><div><span style="font-size: x-small;"><i><div style="text-align: justify;"><i>(https://www.lasexta.com/noticias/cultura/beatriz-montanez-reflexiona-sobre-su-nueva-vida-he-pasado-momentos-duros-cai-enferma-grave-cuatro-dias_2021032160572942f992530001f6aa9a.html)</i></div></i></span><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="font-family: arial; font-size: medium;">VEGANA Y AUTOSUFICIENTE</span></b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">De su mediático pasado en Madrid solo quedan un puñado de amigos y una SL dedicada a la comunicación; en su actual vida ermitaña todo lo obtiene de la naturaleza y así lo cuenta en su libro, <i>'Niadiela'</i></div><div style="text-align: justify;"><br /></div><div><div style="text-align: justify;"><a href="https://www.lavanguardia.com/autores/andres-guerra.html"><span style="font-size: xx-small;">ANDRÉS GUERRA</span></a></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Beatriz Montañez (Almadén, Ciudad Real,1977) se fue cuando quiso y porque quiso. Solo así se puede volver a lo grande, cosa que acaba de hacer para presentar su primer libro, <i>Niadela</i> (Errata Naturae). La última vez que la vimos fue recibiendo un guiño de su entonces pareja en la gala de los Goya: “Amor, te quiero. Gracias por todo, Bea" decía Gustavo Salmerón recogiendo el galardón a <a href="https://www.lavanguardia.com/cultura/20171219/433757996698/gustavo-salmeron-goya.html">Mejor Documental por Muchos hijos, un mono y un castillo</a>, cuyo guión firmaba Beatriz. La periodista no aparecía en televisión desde 2014 y tras aquella gala volvió a esfumarse.</div></div><div style="text-align: justify;"><br /></div><div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><img src="https://www.lavanguardia.com/files/content_image_mobile_filter/uploads/2021/03/17/6051fbdb501fa.jpeg" /></div><i><div style="text-align: center;"><i><span style="font-size: x-small;">Beatriz Montáñez, de presentadora estrella de ‘El Intermedio’ a vivir con 150 euros al mes. Atresmedia</span></i></div></i><div style="text-align: center;"><br /></div><div style="text-align: justify;"><a href="https://www.lavanguardia.com/television/20210317/6507076/beatriz-montanez-presentadora-estrella-intermedio-vivir-150-euros-mes.html">Según explicaba ayer en la cadena SER</a>, Montañez decidió aislarse para escapar del ruido del mundo urbano y del barullo de su propio interior. Fue poco después de un enganchón con Bertín Osborne en el programa ‘Hable con ellas’ (Telecinco) sobre el recién nacido partido Podemos y Venezuela. “Estaba perdida. No, perdidísima. Cuando no tienes un camino concreto y ves decenas de bifurcaciones alrededor y no sabía cuál tomar. Quería picar un poco de todo, como las gallinas pero siempre hay que elegir. La vida es pura elección, cada segundo y yo tenía grandes dificultades para elegir”, le decía a Àngels Barceló.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">La periodista halló el camino que buscaba en un bosque, tras reparar y acondicionar una casa de pastores abandonada. Instaló paneles fotovoltaicos para tener energía y se provee de agua de un pozo cercano. Su alimentación se basa en lo que la naturaleza le ofrece y el ser humano más próximo está a 25 kilómetros, una distancia que debió recorrer el día que se rebanó un dedo usando la motosierra para que un médico reparase el accidente.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><i>“La soledad es, ha sido y será la mejor amiga que he tenido nunca”</i>, añadía en los micros de <i>‘Hoy por hoy’</i>. De ese primer año de retiro –lleva cinco–, de su condición de vegana, de los animales que la rodean y de cómo necesita solamente unos 150 euros al mes para vivir, trata <i>Niadela</i>. Beatriz vuelve a Madrid cada cinco o seis meses para ver a sus amigos y regresa a su anacoreta realidad.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Desde la editorial Errata Naturae nos confirman que hablar con ella no es inmediato, por razones obvias. Debe conectarse para responder los correos y mensajes, también en estos días de promoción. Así, salvo lo que ella quiera contar no sabemos más de su presente.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">De su pasado permanecen algunas amistades y una sociedad: Beatriz es administradora única de Beloved Productions SL, sociedad que fundó en octubre de 2008 en Madrid, muy cerca de la estación de Atocha, y dedicada a actividades cinematográficas, de vídeo y de programas de televisión.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Beatriz Montañez se licenció en Periodismo en la Universidad de California (UCLA) y realizó un máster presencial en Innovación en los Medios de Comunicación de la Universidad de Stanford y otro online en Derecho Civil en el Periodismo en Harvard. También estudió en la Academia Americana de Artes Escénicas de Los Ángeles. De regreso a España, estudió guion y dirección de documentales en el</div></div><div style="text-align: justify;">Instituto de RTVE</div><div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Comenzó en la profesión como redactora y reportera de Telemundo (NBC) y saltó a la fama con 'El Intermedio' (La Sexta), donde estuvo cinco años y ha colaborado en 'La Ventana de Verano' de la Cadena SER y en el magazine WIRED en Los Ángeles. Además del guión de Muchos hijos, un mono y un castillo, ha intervenido en el cine como actriz en la película 88 (2012), dirigida por Jordi Mollà, hizo un cameo en 7 Vidas y un breve papel para la comedia de temática LGTBI De chica en chica (2015).</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Su último trabajo en televisión fue como copresentadora de ‘Hable con ellas’, en 2014, junto con Sandra Barneda, Yolanda Ramos, Natalia Millán y Alyson Rae Eckmann. Poco después, congeló su cuenta de Instagram y desapareció del mapa.</div><div style="text-align: justify;"><br /></div><i><div style="text-align: center;"><i><span style="font-size: x-small;">(https://www.lavanguardia.com/gente/20210318/6601804/beatriz-montanez-stanford-pastores-bosque.html)</span></i></div></i><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="color: #990000; font-family: arial; font-size: x-large;">Beatriz Montañez, estrella ermitaña</span></div><div style="text-align: justify;"><span style="color: #990000; font-family: arial; font-size: large;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><b>Alcanzó la fama en televisión, pero acabó harta y rompió con todo. Aislada hace años en una casa de campo, publica su primer libro, ‘<i>Niadela</i>’, una catarsis en fusión con la naturaleza.</b></span></div><div style="text-align: justify;"><a href="https://elpais.com/autor/pablo-de-llano/"><span style="font-size: x-small;">Pablo de Llano</span></a></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><span style="font-size: x-small;"><img height="200" src="https://cloudfront-eu-central-1.images.arcpublishing.com/prisa/RBM57J7K2RHGHPOERG765BPMGA.jpg" width="134" /></span></div><div style="text-align: center;"><i><span style="font-size: x-small;">Beatriz Montañez con el collar de cuentas nepalí que lleva cuando medita.</span></i></div><div style="text-align: center;"><i><span style="font-size: x-small;">RAUL BELINCHON / EPS</span></i></div><div style="text-align: center;"><br /></div><div style="text-align: justify;">En la película <i>Dersu Uzala</i>, el viejo cazador nómada abronca a un soldado ruso por tirar un trozo de carne a la hoguera. “¡No hagas eso! ¡El fuego se comerá toda la carne, y si llega otra gente y la ve, podrá comer!”.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">—Quién va a venir por aquí…</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">—¡Mucha gente! —insiste Dersu.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">—¿Quién?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">—¡Viene el tejón, y el cuervo también, y los ratones! ¡Mucha gente! ¡En la taiga no estamos solos! ¡Nunca!</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Beatriz Montañez vive con mucha gente. Vive con el ciempiés y con la araña toro, con el lagarto ocelado, con el sapo de espuelas, con los grillos, el jabalí y el murciélago hortelano. También vive con la culebra de herradura, con la lagartija colirroja y con el escarabajo de cementerio. Y con decenas de aves: la abubilla, el reyezuelo sencillo, el pájaro carpintero, la oropéndola europea, la bisbita pratense, el avión roquero…, entre muchas otras a las que da las gracias en el glosario zoológico que cierra su primera novela, Niadela, publicada por el sello <a href="https://elpais.com/noticias/errata-naturae-editores/">Errata Naturae.</a></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><img height="320" src="https://imagenes.elpais.com/resizer/H2Kct5rJn9BjlcFTKWjQaKIS_CA=/414x0/cloudfront-eu-central-1.images.arcpublishing.com/prisa/MWEVK42V5VAJ3IRGNU5NVB6LNQ.jpg" width="214" /></div><div style="text-align: center;"><i><span style="font-size: x-small;">La casa de campo donde vive Montañez hace cinco años.</span></i></div><div style="text-align: center;"><i><span style="font-size: x-small;">RAUL BELINCHON / EPS</span></i></div><div style="text-align: center;"><br /></div><div style="text-align: justify;">Antes, Beatriz Montañez vivía en Madrid y cientos de miles de personas la veían en televisión con el Gran Wyoming. Tuvo éxito con ese programa, El Intermedio, pero llegó un punto en que no se sentía bien.<i> “Empecé a escuchar el tictac de una bomba que podría explotar en cualquier momento”,</i> dice. Se fue. En 2014 fichó por Telecinco e hizo un programa con otras cuatro presentadoras que le acabó de quemar los fusibles. Explica que pidió mantenerse al margen de temas del corazón y de entretenimiento banal. <i>“Ellos se comprometieron, pero después de unas semanas de emisión me di cuenta de que aquello iba derivando en algo de lo que no quería formar parte”</i>. Lo dejó y dice que fue entonces cuando la bomba de relojería estalló. <i>“Pero no fue lo único que motivó la detonación, pues una bomba está compuesta de muchos materiales conectados entre sí”.</i></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Nació en Ciudad Real (1977) y vivió en el pueblo manchego de Almadén hasta que era adolescente. Su padre murió en un accidente de tráfico cuando tenía cuatro años. Nadie se lo explicó. Su madre no le dijo que su padre había muerto y que nunca más lo vería. Dice que creció casi muda. En el instituto la llamaban rara.<i> “Me daban pescozones en la cabeza”.</i></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">El fantasma del padre, la infancia difícil, la tele, la fama, la frustración. Los elementos de la bomba.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Cuando explotó, se fue de viaje por Asia. Estuvo en templos budistas. Se acuerda del nombre de uno, Wat Ram Poeng, en Tailandia, no del de los demás. Dice que arrastra un problema de memoria y que un psicólogo le diagnosticó “amnesia retrógrada” por un trauma de su adolescencia. Al volver de Asia, trabajó de guionista de <a href="https://elpais.com/cultura/2017/12/14/actualidad/1513276376_962124.html">Muchos hijos, un mono y un castillo,</a> documental dirigido por su expareja Gustavo Salmerón. Luego se recluyó en una casita del interior valenciano a la que se llega por una pista de tierra, sola y aislada. “Había telarañas por todas partes, colchones llenos de pulgas y alfombras llenas de vida. No tenía agua caliente ni luz. La chimenea no tiraba. La primera noche dormí vestida. Pasé frío y oía ruidos extraños. Acabé durmiendo por puro cansancio, pero me quedé dormida con una sonrisa. Esa primera noche fui muy feliz. Estaba en paz. Era una sensación que nunca había experimentado, como si un líquido templado naciera en la boca del estómago y se derramase por todo el cuerpo”. Allí ha estado cinco años y ha escrito <i>Niadela,</i> un libro en la tradición anglosajona del nature writing o <a href="https://elpais.com/cultura/2016/07/19/babelia/1468948394_848278.html">escritura de la naturaleza.</a> Ahora la casa es acogedora. Sencilla, decorada con gusto y esmero, atiborrada de piezas de ganchillo y con una fila de post-it en la chimenea con ideas suyas apuntadas a boli como <i>“El medio más seguro de deshacerse de la carencia es desviarse del camino” </i>o <i>“No poseer nada es una de las facetas de la libertad”</i>. Ya de niña le gustaba la escritura —su madre la presentó al concurso de poesía de Almadén; perdió—, pero en esta casa la ha vivido con una pasión nueva. <i>“Me he dado cuenta de que puedo pasar meses en silencio, pero no puedo pasar días sin escribir”</i>. Por las mañanas medita frente a un acantilado con su collar de cuentas nepalí en la mano, luego hace la casa, pasea, cocina y la tarde la dedica a la literatura. Cuando sale a hacer la compra al pueblo más cercano, en un cascado jeep que conduce a cierta velocidad por la pista sin asfaltar, se embute en los oídos unos tapones de espuma.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">En<b> <i>Niadela</i></b> vuelca en palabras sus observaciones. Usa un vocabulario exuberante y realiza unas representaciones milimétricas. <i>“Describo el sol más de 40 veces y nunca desde el mismo punto de vista. El sol es diferente cada día, como lo son el cielo y las nubes, como lo son las ramas de los árboles y los arbustos. Solo hay que pararse a mirar con profundidad para darse cuenta”.</i> El libro describe su primer año en este lugar y se compone de fragmentos donde hay memoria, ensayo, realidad, delirio, lirismo, un ritmo corto y veloz. <i>“Quise que fuese poético, pero que estuviese confeccionado a golpe de hacha”.</i></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Beatriz Montañez parece una persona frágil y feroz. Herida pero con una voluntad animal. De adolescente se fue de casa a Ciudad Real, después a Madrid, y con 21 años trabajó un año en Tokio de modelo. Allí vivía en un edificio con otras colegas de oficio. Un día a una le apareció una rata en el retrete. Ella la mató a golpes con una espátula de hierro. Más tarde se fue a Los Ángeles y estudió Comunicación en la Universidad de California mientras curraba en varios sitios a la vez y tiraba de efedrina para poder estar activa sin descanso.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">En ocasiones, leemos en<i> Niadela</i>, le gusta salir a caminar desnuda.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Lo narra así Montañez: <i>“Cuanto más enmarañado el sotobosque, más acompañada me siento. Es una sensación antigua, gloriosa. No siento ni frío ni calor. No siento el cuerpo. Las zarzas me rayan con sus afiladas uñas buscando las cuerdas del arpa. No suena nada. Soy piel hueca sobre hueso bruñido. Por eso vagabundeo entre la maleza. Busco mis tripas, despertar la sangre que duerme, avivar el alma descuidada. Quiero perder la cabeza para sentirme extraña, quiero caminar por los límites del orbe, cambiar de color en otoño, beber néctar de escarcha, mezclarme con la tierra y renacer purificada”.</i></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-size: x-small;">https://elpais.com/eps/2021-03-19/beatriz-montanez-estrella-ermitana.html</span></div><div style="text-align: justify;"><span style="font-size: x-small;"><br /></span></div><div style="text-align: justify;"><br /></div></div></div><div style="text-align: justify;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="215" src="https://www.youtube.com/embed/HZcUui693wk?start=84" title="YouTube video player" width="660"></iframe></div><div style="text-align: justify;"><br /></div>
<div style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/mzzCrx-N8CA?start=34" title="YouTube video player" width="560"></iframe></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div></div>
<div style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/WMh9nQh-8mQ?start=9" title="YouTube video player" width="560"></iframe></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-55841088355861622272021-05-15T17:21:00.006+02:002021-05-15T17:23:56.436+02:00Lo dejo todo y búscate una choza para cambiar tu vida<div style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="439" src="https://www.youtube.com/embed/spIYRGpLFxE" title="YouTube video player" width="780"></iframe></div>
Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-81333630303158791612021-05-13T20:56:00.005+02:002021-05-13T21:05:26.779+02:00Una cabaña de eremita en los Pirineos<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://lh3.googleusercontent.com/-85CgAxpE8ho/YJ10utaOwcI/AAAAAAAA5uY/9c4L-gw-CGsrKjxUgK31CwGUVcSg2nO8wCLcBGAsYHQ/image.png" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="482" data-original-width="432" height="250" src="https://lh3.googleusercontent.com/-85CgAxpE8ho/YJ10utaOwcI/AAAAAAAA5uY/9c4L-gw-CGsrKjxUgK31CwGUVcSg2nO8wCLcBGAsYHQ/w400-h250/image.png" width="400" /></a></div><p></p><i>Doctorant en climatologie, Jacob Karhu publie un ouvrage sur son immersion en pleine montagne, d’avril à octobre 2018, dans une cabane située à 1700 m d’altitude sur le plateau de Beille (Ariège). DR</i><div><i><br /></i><p><iframe allowfullscreen="" frameborder="0" height="300" id="td_youtube_player" src="https://www.youtube.com/embed/7SK7RWYTET4?enablejsapi=1&feature=oembed&wmode=opaque&vq=hd720" style="box-sizing: border-box; display: block; height: 300.75px;" width="100%"></iframe></p><br /><b><span style="font-size: x-large;">Rencontre avec Jacob Karhu : l’ermite des Pyrénées</span></b><br /><br /><br /><div style="text-align: justify;">À 24 ans, il a vécu seul en quasi autonomie pendant 7 mois sur un plateau glaciaire, dans les Pyrénées. Cet homme, c’est Jacob Karhu, un jeune français devenu ermite l’espace d’un temps… Un projet mûrement réfléchi, en accord avec la commune : pouvoir occuper un refuge de berger en échange de le rénover intégralement. Entre fuite d’un monde toujours plus stressant et recherche de soi, retour sur un séjour pas vraiment commun, entre débrouille, minimalisme, décroissance et poésie.</div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><a href="https://i0.wp.com/mrmondialisation.org/wp-content/uploads/2019/07/Couverture.jpg"><img height="227" src="https://i0.wp.com/mrmondialisation.org/wp-content/uploads/2019/07/Couverture.jpg" width="404" /></a></div><div><div style="text-align: center;"><i>Crédit : David Pincemaille</i></div><div style="text-align: center;"><br /></div>Amateur de bushcraft depuis près de 10 ans, Jacob Karhu, breton amoureux des grands espaces et de nature n’en était pas à son coup d’essai. <a href="https://www.youtube.com/channel/UC8qYxNL3A19Hi410JNBb2sQ">Sur sa chaîne YouTube,</a> le jeune homme partage sa passion régulièrement. Qu’il s’agisse de techniques de base pour allumer un feu ou de construction de cabanes dans les bois, en passant par le tannage de peaux, un seul mot d’ordre : faire autant que possible avec ce que la nature met à sa disposition. Passer du temps en forêt et fabriquer ce dont il a besoin devient une fin en soi : un mode de vie profondément anti-productiviste. Mais surtout le plaisir d’être au grand air et de réaliser quelque-chose avec ses propres mains. Une façon de se réapproprier l’espace, le temps, et la matière dans un monde où le toujours plus et plus vite fait loi.<br /><br />Entre avril et octobre 2018, Jacob saute le pas et part s’installer dans une cabane dans les Pyrénées avec la ferme intention d’y vivre de la façon la plus autonome possible. Équipé de quelques outils, d’un panneau solaire avec un tableau électrique fait maison ainsi que quelques rations alimentaires de base, il débarque en plein hiver alors que son nouveau foyer est encore recouvert d’une épaisse couche de neige. Mal isolée et pleine de déchets laissés par des randonneurs peu scrupuleux, la cabane doit d’abord être déblayée avant de pouvoir envisager toute rénovation.</div><div><br /><div style="text-align: center;"><img height="225" src="https://i0.wp.com/mrmondialisation.org/wp-content/uploads/2019/07/Neige.jpg" width="300" /></div><div><div style="text-align: center;"><i>Une arrivée sur place dans des conditions climatiques rudes. </i></div><div style="text-align: center;"><i>Crédit : David Pincemaille</i></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div></div><div style="text-align: justify;">Pour mener à bien son projet, Jacob a exercé tous les métiers imaginables dans ce contexte. Tantôt bûcheron pour abattre et débarder des troncs d’arbres pour sa charpente, parfois même avec l’aide d’un cheval ; tantôt maçon pour casser un mur et en remonter un autre. Il lui faudra également devenir menuisier pour fabriquer du mobilier, et plâtrier pour réaliser des enduits à la chaux pour ses murs. Pour sa subsistance, il sera maraîcher et élèvera quelques poules, le tout accompagné de cueillette de plantes sauvages. Derrière cet homme multitâche se cache un vrai désir de débrouille. « J’ai tout appris sur internet, sur des fora ou dans des livres […], l’important est de se jeter à l’eau et de pratiquer encore et encore« , nous confie-t-il. Comme pour compléter son impressionnant tableau de compétences, notre artisan est également artiste. Loin de se laisser obnubiler par des préoccupations de survie, il profite de son séjour pour réaliser de superbes plans aériens filmés au drone, parfois sur fond de textes en vers. Il réalisera même une fresque dans sa cabane, et compose lui-même ses musiques de vidéos.</div><div><br /></div><div><div style="text-align: center;"><img height="225" src="https://i0.wp.com/mrmondialisation.org/wp-content/uploads/2019/07/Drone.jpg" width="400" /></div><div style="text-align: center;"><i>Vue aérienne de la cabane. </i></div><div style="text-align: center;"><i>Crédit: </i><i>David Pincemaille</i></div><br /><br /></div><div>Malgré son panneau solaire, il lui a fallu imaginer des techniques résilientes pour des choses anodines du quotidien comme la conservation des aliments. Là où nous mettons des aliments au réfrigérateur par automatisme, il opte pour une simple trappe sous le sol de sa cabane, comme il est courant de le faire en Asie, les quelques degrés en moins étant largement suffisants pour la conservation de fruits et légumes frais. « Il faudrait que les gens sortent davantage de chez eux pour qu’ils réalisent le confort qu’ils ont à leur disposition dans leur vie quotidienne. […] Cela leur permettrait d’étendre leur zone de confort et de réaliser qu’il existe des alternatives« .</div><div><br /></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://lh3.googleusercontent.com/-WQyf2wpkpBs/YJ11b7xauOI/AAAAAAAA5ug/jJP7JgIrbs05VCMTXQkvua77B0lI7ujQACLcBGAsYHQ/image.png" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="500" data-original-width="885" height="226" src="https://lh3.googleusercontent.com/-WQyf2wpkpBs/YJ11b7xauOI/AAAAAAAA5ug/jJP7JgIrbs05VCMTXQkvua77B0lI7ujQACLcBGAsYHQ/w400-h226/image.png" width="400" /></a></div></div><div><div><br /></div><div style="text-align: justify;">Étudiant en géologie, Jacob Karhu, voulait prendre le temps de vivre une telle expérience pour apprendre de lui-même, mais sans vraiment s’éloigner du milieu académique. « J’ai fait de longues études, et je voulais faire une pause, prendre du temps pour moi. C’était maintenant ou jamais » dit-il. Après cette expérience, il est d’ailleurs retourné en région parisienne pour finir sa thèse. « Mon but n’était pas de devenir ermite. Je voulais essayer, et j’ai appris que malgré la lassitude des villes, beaucoup de gens me manquent. […] Si je devais réitérer l’expérience, ce ne serait pas nécessairement seul, mais plutôt en petite communauté par exemple. »</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Cette expérience est très inspirante dans un contexte de crise écologique globale et à l’heure où l’on consomme les ressources <a href="https://mrmondialisation.org/mercredi-22-aout-jour-du-depassement-pour-les-ressources-mondiales/">plus vite qu’elles ne se renouvellent</a>. Le mode de vie un minimum autosuffisant et décroissant peut-il permettre de réfréner notre fuite en avant toujours plus effrénée ? Jacob y croit fermement. Prendre le temps d’imaginer, de fabriquer et réutiliser en privilégiant les matériaux durables (bois, métal, pierre…) semble en tous cas une bonne solution pour se préparer aux chocs sociétaux qui s’en viennent et semblent de plus en plus inévitables.</div></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><img height="266" src="https://i0.wp.com/mrmondialisation.org/wp-content/uploads/2019/07/D-2.jpg" width="400" /></div><div><div style="text-align: center;"><i>Légende : Jacob dans sa cabane. Mobilier et les enduits muraux réalisés par ses soins. </i></div><div style="text-align: center;"><i>Crédit : David Pincemaille</i></div><div><br /></div><br />Pour les gens intéressés par la démarche, Jacob prévoit de sortir un livre retraçant toute son expérience aux éditions Flammarion au printemps 2020. « J’ai envie de dire aux gens de réaliser leurs rêves, de se lancer, même si ce n’est qu’une expérience temporaire comme moi. […] Réaliser quelque chose de ses mains et être autonome est très gratifiant, et c’est une bonne occasion pour se reconnecter à des gestes premiers.« </div></div><div><br /></div><div><br /></div><div style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ryjzdqtaBHQ?start=5" title="YouTube video player" width="560"></iframe><br /></div><div><br /></div><div><br /></div><div style="text-align: center;"><i><span style="font-size: x-small;">https://mrmondialisation.org/rencontre-avec-jacob-karhu-lermite-des-pyrenees/</span></i></div><div style="text-align: center;"><i><span style="font-size: x-small;">https://www.leparisien.fr/environnement/cest-une-periode-qui-ma-permis-de-mieux-me-comprendre-jacob-karhu-26-ans-lermite-des-pyrenees-23-04-2021-G7IZD44YVBELVOSNGIJG5FIBDE.php</span></i></div><div style="text-align: center;"><i><span style="font-size: x-small;">https://www.ladepeche.fr/2021/04/09/jacob-karhu-en-vivant-en-ermite-en-ariege-je-suis-devenu-moins-ours-9478653.php</span></i></div><div style="text-align: center;"><i><span style="font-size: x-small;"><br /></span></i></div><div style="text-align: center;"><i><span style="font-size: x-small;"><br /></span></i></div><div style="text-align: center;"><i><span style="font-size: x-small;"><br /></span></i></div>
<br /></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-83382021244382060152021-02-13T23:44:00.006+01:002021-02-14T00:06:53.972+01:00Caída y redención de Denis Johnson y su cabaña Chaos<p></p> <br /><b><span style="font-size: large;">Denis Johnson</span></b><div><div style="text-align: justify;"><span style="font-family: arial;">Denis Johnson (1949-2017) nació en Munich, pero se crió en Tokio, Manila y Washington. Desde la publicación de sus primeras obras se convirtió en un autor de culto en Estados Unidos. Recibió la beca Lanna Fellowship y el Whiting Writer's Award, entre otros muchos galardones. En 2007 le fue concedido el National Book Award por su novela Árbol de Humo (Literatura Random House, 2008). También es autor de la novela negra Que nadie se mueva (Roja y Negra, 2012) y de las novelas Hijo de Jesús, Sueños de trenes, El nombre del mundo y Los monstruos que ríen, todas ellas publicadas en Literatura Random House.</span></div><div><br /><div style="text-align: center;"><img height="210" src="https://lh3.googleusercontent.com/-lgCf3QrOlEc/YChDpZa8EbI/AAAAAAAA3_U/1haEHyRSpAUyQTXZM0IgIptQ2phkHhvFQCLcBGAsYHQ/w400-h210/image.png" style="font-size: x-large;" width="400" /></div><div style="text-align: center;"><span style="font-size: x-small;">Denis Johnson is the author of Tree of Smoke, which won the National Book Award for fiction in 2007.Cindy Johnson/</span></div><div style="text-align: center;"><br /></div><br /><b><span style="font-size: x-large;">'Train Dreams' Evokes Frontier Life, Fate And Death</span></b><br /><div><span style="font-size: x-small;">ALAN CHEUSE</span></div><p></p><div class="tags" style="border: 0px; box-sizing: border-box; float: none; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px 0px 10px 139.938px; max-width: 680px; overflow: hidden; padding: 0px 15px; position: relative; vertical-align: baseline; width: auto;"><ul style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; list-style: none; margin: 0px; padding: 0px; vertical-align: baseline;"><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><div><ul style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; list-style: none; margin: 0px; padding: 0px; vertical-align: baseline;"><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; text-align: justify; vertical-align: baseline;"><span style="font-family: arial;"><br /></span></li><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; text-align: justify; vertical-align: baseline;"><span style="font-family: arial;">Think of the spare straight lines of a Grant Wood engraving. Denis Johnson's striking new short novel about life, fate and death in the early 20th-century American mountain West, leaves that impression — plain yet stark in its depiction of an ordinary man's life both particular and universal. And think of the compactness and pacing of Jim Harrison's masterly novella Legends of the Fall and you'll also gain some idea of what it's like to read Train Dreams. Johnson borrows something of his technique from Harrison, a device I would call emotive exposition, which lends declarative statements of fact a certain kind of dramatic force, and harks back to the work of Hemingway and Sherwood Anderson.</span></li><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"></li></ul><br /><div style="text-align: center;"><a href="https://lh3.googleusercontent.com/-URa6pEDZwTs/YChHdWC_uLI/AAAAAAAA3_g/3usVPpXEqz40pGdmHJv51dWiaS9rL9JaACLcBGAsYHQ/image.png"><img height="320" src="https://lh3.googleusercontent.com/-URa6pEDZwTs/YChHdWC_uLI/AAAAAAAA3_g/3usVPpXEqz40pGdmHJv51dWiaS9rL9JaACLcBGAsYHQ/w214-h320/image.png" width="214" /></a></div><div style="text-align: center;"><b>Train Dreams</b></div><div style="text-align: center;"><b>by Denis Johnson</b></div><br /></div><div style="text-align: justify;"><span style="font-family: arial;">Here's what Johnson does, as in, for example, the opening paragraphs of Train Dreams:</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">In the summer of 1917 Robert Grainier took part in an attempt on the life of a Chinese laborer caught, or anyway accused of, stealing from the company stores of the Spokane International Railway in the Idaho Panhandle. ... Three of the railroad gang put the thief under restrain and dragged him up the long bank toward the bridge under construction fifty feet above the Moyea River. A rapid singsong streamed from the Chinaman voluminously. He shipped and twisted like a weasel in a sack ...</span></div><div style="text-align: justify;"><span style="font-family: arial;">Article continues after sponsor message</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">The matter-of-factness of the first couple of sentences about the everyday cruelty of the American frontier partakes of the seeming impartiality and declarative truth of a newspaper account. The shift in the third sentence to the sounds made by the would-be victim eases us, without any difficulty at all, from the realm of the factual to the realm of the dramatic. Johnson works the story of Grainier's un-self-examined life in this same way, from his life laboring on the railroad, clearing forests for track, to his courtship, marriage, his mourning for the wife and child he loses in a huge fire, his eventual work as a hauler and, late in life, in town.</span></div><div style="text-align: justify;"><span style="font-family: arial;">Johnson deploys paragraph upon paragraph and scene upon scene in a fashion similar to the way in which, we hear, Grainier himself rebuilds in the Moyea Valley, where before the terrible fire he enjoyed a simple but pleasing domestic life:</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">He built his cabin about eighteen by eighteen, laying out lines, making a foundation of stones in a ditch knee-deep to get down below the frost line, scribing and hewing the logs to keep each one flush against the next, hacking notches, getting his back under the higher ones to lift them into place. In a month he'd raised four walls nearly eight feet in height ...</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">What seems merely descriptive here becomes emotionally evocative. We sense that Grainier is not just rebuilding a structure but attempting to reconstruct his life.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">In the same fashion, Johnson gives us passages from the natural world, as in the following excerpt in which we see the valley coming back after the devastating fire, that evoke more than just themselves:</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Animals had returned to what was left of the forest ... clusters of orange butterflies exploded off the blackish purple piles of bear sign and winked and fluttered magically like leaves without trees. More bears than people traveled the muddy road, leaving tracks straight up and down the middle of it. ... Fireweed and jack pine stood up about thigh high. A mustard-tinted fog of pine pollen drifted through the valley when the wind came up ...</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">In this way, Johnson beautifully conveys what he calls "the steadying loneliness" of most of Grainier's life, the ordinary adventures of a simple man whose people are, we hear, "the hard people of the northwestern mountains," and toward the end even convinces us of his character's inquisitive and perhaps even deeper nature than we might first have imagined. Grainier "lived more than eighty years, well into the 1960s," we learn. Most people who read this beautifully made word-engraving on the page will find him living on.</span></div><div style="text-align: center;"><br /></div><a href="https://www.npr.org/books/titles/139810274/train-dreams#excerpt">Read an excerpt of Train Dreams</a><br /><br /><u><span style="color: #3d85c6;">D</span><a href="https://www.npr.org/tags/530193516/denis-johnson">enis Johnson</a></u><br /><br /><span style="font-size: x-large;">About Dennis Mill</span></li><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><div><br /></div></li><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="font-size: x-large;"><div style="text-align: center;"><img height="300" src="http://evanhix.com/dennismill/images/mill1.JPG" width="400" /></div></span><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">One of the earliest settlements in this Northwest Georgia area sprang up around a gristmill. Dennis Mill was constructed on Rock Creek in present day Murray County around 1869 and was active for almost a hundred years. The Dennis community was named for Dennis Johnson, who was the mill operator and in later years the postmaster. The community grew to include a post office, a blacksmith shop, a cotton mill, and a sawmill.</span></div></li><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><br /><div style="text-align: center;"><img height="240" src="http://evanhix.com/dennismill/images/mill2.JPG" width="320" /></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">The mill building is two story, roughly 22′ x 60′ in size, and built with pine lumber using timber frame joinery. It has a 22′ x 50′ main floor, a 22′ x 10′ mezzanine, and a 22′ x 50′ upper floor. It currently has a 22' overshot steel wheel at the right end of the building; the original wheel was wood with a steel axel/drive shaft.</span></div></li><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></li><div style="text-align: center;"><img height="240" src="http://evanhix.com/dennismill/images/mill3.JPG" width="320" /></div><br /><div style="text-align: justify;"><span style="font-family: arial;">Two sets of grind stones are located on the mezzanine between the main and upper floors, one for corn and one for wheat. Census records indicate the mill processed 4,264 bushels of wheat along with 408,000 pounds of cornmeal one year. Dennis Mill continued to grind some meal until the early 1950’s.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">All of the gearing between the water wheel and the grind stones is intact but currently not operational. The grindstone housings and most of the related equipment is intact. The hoppers over the stones have been stolen. Hoists for lifting the grindstones are intact. A bolter reel hangs from the ceiling.</span></div><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; text-align: justify; vertical-align: baseline;"><br /></li><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><div style="text-align: center;"><img height="240" src="http://evanhix.com/dennismill/images/mill4.JPG" width="320" /></div><br /><div style="text-align: justify;"><span style="font-family: arial;">A penstock, turbine and DC generator for electricity were added in the 1940’s.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">A long narrow ridge line separates the mill from the mill pond. This necessitated a rather lengthy mill race to convey water from the mill pond to the mill. A race was dug into the hillside from the dam along the back side of the ridge, then through a 20′ deep cut through the ridge and then along the front of the ridge to the mill. The race measured 8-10 feet wide and 6-8 feet deep at beginning but reached a depth of more than 20 feet where it cut through the ridge. A 4′ wide x 1′ deep wooden trough carried the water.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">There is quite a bit of writing on the walls, beams, and doors of the mill. Most appear to be tallys and associated names. One script on the wall near the bin where the meal and flour was bagged says “Do not spit on the floor“. A wall cabinet and one of the grind stone housings has “Cohutta Mills” stenciled on it. Was that an early name for the mill or was some of the equipment moved from another mill?</span></div></li></ul><div><br /></div><span style="font-family: arial;"><br /><span style="font-size: large;"><a href="https://draft.blogger.com/#">Dennis Mill, Circa 1869, Condado de Murray</a></span><br /><br /><div style="text-align: center;"><a href="https://draft.blogger.com/#"><img height="266" src="https://vanishingnorthgeorgia.files.wordpress.com/2019/02/historic-dennis-mill-murray-county-ga-photograph-copyright-brian-brown-vanishing-north-georgia-usa-2019.jpg?w=500&h=334" width="400" /></a></div><br /><div style="text-align: justify;">La comunidad de Dennis que creció alrededor de este molino histórico fue uno de los primeros asentamientos en esta sección del noroeste de Georgia. Fue nombrado por Dennis Johnson, quien fue uno de los primeros operadores de molinos y administrador de correos. Una de las piedras de molienda indica que pudo haber sido originalmente conocida como Cohutta Mills, pero esto no está claro. Electrificado en la década de 1940, el molino operó de forma limitada hasta la década de 1950. La estructura original sobrevive y es la pieza central de una propiedad que hoy incluye dos maravillosas cabañas de alquiler a orillas de Rock Creek, conocidas como <a href="https://draft.blogger.com/#">Dennis Mill Cabins and Events</a> .</div></span><div style="text-align: justify;"><br /></div><span style="font-family: arial;"><div style="text-align: justify;"><span style="font-size: x-large;">Remembering Denis Johnson</span></div><div style="text-align: justify;"><a href="https://granta.com/contributor/j-ryan-stradal/"><span style="font-size: x-small;">J. Ryan Stradal</span></a></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">When people ask me what Denis was like, I always think about how he listened far more intently than just about any writer I’d ever met.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I first met Denis Johnson in the summer of 2009, through my friend Brian Dille. Brian was a public policy graduate student in Santa Monica, and one of the smartest, most polite people I’ve ever met. I lived half a mile from him in Venice Beach, and I was with a fellow writer, George Ducker, on the patio of a now-defunct bar on Washington Avenue when Brian texted us, inviting us to join him for a few days on Denis Johnson’s property near Bonners Ferry, Idaho.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">At this point, I’d just read Tree of Smoke and Jesus’ Son, and this was enough to make me an eternal Denis Johnson fan. I said yes before even hearing the details.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">‘It won’t be anything glamorous,’ Brian told us. ‘We’ll be camping outside in tents. We might have to do a lot of work.’</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Brian first met Denis in June 2006, at a gala in San Francisco celebrating the Intersection for the Arts’s tenth anniversary. After the performances ended, Brian went up to him right away.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">‘I’ve wanted to meet you for a long time,’ he told Denis. ‘Even drove through Bonners Ferry trying to meet you.’ They ended up speaking for nearly thirty minutes, discussing, among other things, Christianity and Sam Shepard.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I only knew Denis as a warm and kind person, but I referenced Brian’s intelligence and politeness earlier because you’d have to know how strong these traits are in him to understand how he could approach Denis as a complete stranger, basically admit to stalking him, and yet somehow end up talking to him for almost half an hour, eventually inspiring Denis to ask, ‘Brian, have you ever done any carpentry?’</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">As I understood it, as compensation for work published in McSweeney’s, Eli Horowitz and a dozen or so other men and women, mostly writers, mostly with no carpentry experience, converged on Denis’s land for a week every summer to help him build a guest cabin. It became an annual event which Denis called ‘The Week of Chaos.’ The full story of how this situation came about and its early years is someone else’s to tell, but by 2009 the cabin was nearly finished, and anyone who’d participated in its construction had established equity in someday using it as a writing retreat.</div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><img height="239" src="https://granta.com/wp-content/uploads/2017/06/Michael-Cryer-at-Writers-Cabin-768x573.jpg" width="320" /></div><div style="text-align: center;"><span style="font-size: x-small;">The Writers’ Cabin</span></div><div style="text-align: center;"><br /></div><div style="text-align: justify;">Brian forwarded me an old invite to give me a taste:</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">From: Denis Johnson</div><div style="text-align: justify;">Date: Wed, Jun 7, 2006 at 9:15 AM</div><div style="text-align: justify;">Subject: Re: cabin building in Boundary County</div><div style="text-align: justify;">To: Brian Dille</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Dear Brian,</div><div style="text-align: justify;">We’d love to have you come — here’s the info I sent out recently —</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">TO ALL FRIENDS OF CHAOS:</div><div style="text-align: justify;">(But especially to you who demonstrated the agility, courage, and navigational skills it took to get to Doce Pasos North in 05)</div><div style="text-align: justify;">COME TO CHAOS</div><div style="text-align: justify;">Last week in July</div><div style="text-align: justify;">Same deal: All who arrive will get shelter from rain and three meals a day and nothing else</div><div style="text-align: justify;">MUSICIANS WILL RECEIVE SPECIAL TREATMENT</div><div style="text-align: justify;">poets will be treated like slaves</div><div style="text-align: justify;">NEWLYWEDS WILL BE FETED (perhaps that means ‘eaten’)</div><div style="text-align: justify;">BABIES BORN HERE WILL BE AMERICAN CITIZENS AND HAVE GOOD LUCK ALL THEIR LIVES</div><div style="text-align: justify;">ALL WHO ARRIVE WILL BE WELCOME ESPECIALLY BABIES BORN HERE</div><div style="text-align: justify;">Same place as last year, same directions</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">If you fly and you’re too cheap to rent a car from the airport, come anyway. Maybe someone can pick you up.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">FORMER VISITORS RAVE:</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">‘Just like a four-star hotel, only without the four-star rating.’</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">— Dylana</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">‘Just like a four-star hotel, only without the hotel.’</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">— Caitlin</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">‘I only got two meals a day.’</div><div style="text-align: justify;">— Colonel Dog, Hot Air Balloon Forces of North Idaho</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">‘North Idaho is my Vietnam.’</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">— Lana</div><div style="text-align: justify;"><br /></div> <div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">See you last week in July —</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">DJ</div><div style="text-align: justify;"><br /></div> <div style="text-align: justify;"><br /></div><div style="text-align: justify;">It sounded amazing. The next week, George and I flew to Spokane, where Brian met us in his truck and drove us all into the remote woods of far northern Idaho, to what Brian and many of the other regulars simply called ‘Chaos.’</div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><img height="149" src="https://granta.com/wp-content/uploads/2017/06/Evolve-truck-and-George-Ducker-768x573.jpg" width="200" /></div><div style="text-align: center;"><span style="font-size: x-small;">Denis Johnson’s evolve Jeep</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Unlike Brian, I don’t remember many details of my first meeting with Denis. We arrived at his place when it was still light out, and I recall a carved wooden sign by the front door reading ‘doce pasos [twelve steps] north.’ Brian explained that Denis had been sober for a long time, but guests were allowed to bring alcohol, even if the local Mennonites who sometimes came to clean the place up wouldn’t enter the house if there was beer inside. Denis met us outside on the gravel driveway by his yellow Jeep. The Jeep was attached to a trailer that read evolve in black letters on the tailgate. I remember this particular detail only with the help of photographs, but I don’t need help remembering the immediate warmth of Denis and his wife Cindy. As someone born and raised in Minnesota, it soon came to feel something like visiting the home of some long-lost aunt and uncle, who’d bravely combined the gritty utility and off-the-grid mores of my conservative relatives with the inclusiveness and taste of my liberal ones.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">We were told the first night that the work on the cabin was basically finished, so Chaos ended up being calm and easygoing. We’d get to spend the time with Denis and his friends just hanging out on their 140-acre property, in exchange for daily chores like cooking, washing the dishes and running errands. A kind Canadian couple who’d been there for a few days was leaving, and so we got to take their spot in a cabin with bunks. A number of people there that year were young relatives of Denis’s and friends of those relatives, and these mostly college-age kids made their own diversions. To them I think Chaos Week was simply an outdoor retreat at the home of a friend’s middle-aged uncle.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Most of the usual crowd who’d initiated Chaos weren’t around that year. A few neighbors, including a man everyone called ‘Barefoot Mike’, joined us for ribs and pizza that first evening. I found out later that he’d authored an influential DIY tome called The $50 & Up Underground House Book. Other visitors from nearby included the local doula and her husband, a retired professor. There was also a couple of pets, the dog Colonel and the cat Hunter S. Thompson. Over twenty of us ate together outside on picnic tables every day as Colonel wandered among us.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Denis was divinely relaxed, sensitive and uncommonly open. A few hours after George and I met him, he started to weep as he told us the story of a theater director friend of his who’d passed away. He listened with great interest at our stories and tolerated our ignorance and awkward gratitude. That first year I never once spoke to Denis about his books other than to very briefly thank him for them. The only conversation I had in my time there about Denis’s work was with Cindy, when she told us her story of how she agitated against the New Yorker’s editorial choice to cut the last line of ‘Car Crash While Hitchhiking’. The piece ended up being published in the Paris Review, last line intact:</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">‘How did the room get so white?’ I asked.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">A beautiful nurse was touching my skin. ‘These are vitamins,’ she said, and drove the needle in.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">It was raining. Gigantic ferns leaned over us. The forest drifted down a hill. I could hear a creek rushing down among rocks. And you, you ridiculous people, you expect me to help you.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Cindy was as open as Denis and also intensely interested in us, which made us comfortable. She’s an incredibly brilliant and kind person. Some of my favorite memories of the time I spent in Idaho are doing the dishes with her after dinner.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I took only one photo of Denis (from behind, while he was driving his Jeep) and never once asked him to sign a book or discuss writing, either his or mine. Maybe other people did. I just felt that there’s a time and a place for that kind of thing and this wasn’t it. The splendor of his ease leveled many of our incipient imbalances. This man’s on vacation and thusly, so are we.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I suppose as a professional observer, Denis had some sense of how those of us aspiring writers around him were observing him and taking mental or literal note of things he said. I was self-conscious about being conspicuous about it. I had never spent much time around any celebrated author before and those I had briefly met were often guarded and aloof. To me, Denis wasn’t just the usual ‘famous author,’ this was a writer whose stories made me cry, whose books bonded me with friends and relatives. As someone who never attended an MFA program and had just a few personal writing mentors, I craved the opportunity to get to know a brilliant writer whose work I’d loved and admired for years. As far as I was concerned, though, I had no authority to meet this guy – I hadn’t earned my spot at the table. In the summer of 2009, I had exactly one published short story to my name and a few hundred rejections. I had a lot to learn, and much more work to do. Still do, on both counts.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">While I didn’t meet Denis as a student, and I rarely felt like one around him, he could still never be someone I wouldn’t try to learn from. I hope it didn’t bore or annoy him, because he just about seemed to have it all figured out. Looking back, Denis could’ve never left his office the entire time and I wouldn’t have thought less of him, and maybe some cowardly piece of my heart would’ve preferred that. Instead, The Week of Chaos became something more uncomfortable and wonderful: an exercise in learning how to hang out with an idol.</div><div style="text-align: center;"><b><span style="font-size: large;">*</span></b></div><div style="text-align: justify;">One morning, George, Brian and I were able to get a peek inside Denis’ office, which was in its own small outbuilding overlooking a pond. He was one of those writers who faced a window, and the nearest wall was clustered with clippings and notes. He had handwritten a quote of Emerson’s at just about eye-level that read, ‘God will not let his work be made manifest by cowards – Self-Reliance.’</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I was awed, but I felt like an intruder. I decided after then to not learn anything he didn’t invite me to learn, and to keep myself open to whatever might be out there in Idaho.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">At some point it came out that Denis owned an AK-47. He said it had been a while since he’d fired it and would we like a try. I grew up in a Midwest family that’s extravagant about gun ownership, but at that point, I hadn’t fired a gun since high school.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">AK-47s have the reputation of being remarkably hardy and facile but I had trouble chambering my first round.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">‘Come on, you wimp!’ Denis said.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Is it weird that I was kind of delighted when he said that? He was right, after all. Any man in my own family would’ve said the same.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I figured it out, and emptied most of my clip into a rotting log. It made me think of the John Prine song ‘Paradise.’ Empty pop bottles was all we would kill.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><img height="240" src="https://granta.com/wp-content/uploads/2017/06/J-Ryan-and-AK-47-photo-B-Dille-768x576.jpg" width="320" /></div><div style="text-align: center;"><span style="font-size: x-small;">J. Ryan Stradal firing Denis Johnson’s AK-47</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">After dinner one evening we gathered in Denis and Cindy’s living room and watched a VHS tape of a Steppenwolf Theater production of True West, starring John Malkovich and Gary Sinise. I had never seen True West before and this experience was made all the more staggering by the knowledge that Denis had repeatedly watched this particular version of this particular play.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Before that trip, I was unfamiliar with Denis’s love for the theatre and his own work in that realm. Denis told George some time later that the theatre taught him to respect everyone and mellow out. He described the actors as being so selflessly ready to work, that he decided that was really how he should be aspiring to be. ‘Before, it was just get out of my way, or find another Denis Johnson. Now I just want to be an employee.’</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Denis did not strike me as a man who had any time for irony or the idea of guilty pleasures. He loved what he loved with ferocity, and witnessing his deep emotion and enthusiasm for this decades-old theatre production was as close as I ever came to understanding what his writing students may have experienced, how someone’s informed love dilates love and its possibilities for a listener.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">In act two of True West, Lee’s manic search for a pencil incited an intense reaction in Denis; pay attention, he was saying to us, you’ve never seen anything like this. It made me think of that famous moments from Jesus’ Son when the narrator describes a woman’s reaction to her husband’s death: ‘What a pair of lungs! She shrieked as I imagined an eagle would shriek. It felt wonderful to be alive to hear it! I’ve gone looking for that feeling everywhere.’ The feeling I was looking for in life was in Denis at that moment. Anyone who witnessed his fervent, unguarded emotion would search the world for it.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><img height="238" src="https://granta.com/wp-content/uploads/2017/06/View-from-the-deck-768x573.jpg" width="320" /></div><div style="text-align: center;"><span style="font-size: x-small;">A view from the deck at Chaos</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">We spent one day driving into rural Montana in Denis’s yellow Jeep – Brian, George, myself, a nice dude from Cornell named Jim, and Denis at the wheel. He was an expert at off-roading in a vehicle he said was a ‘pavement princess’ when he purchased it. He led us to a wild huckleberry patch and drove us through the woods for hours until we eventually found a road and wandered toward the town of Moyie Springs. We stopped at a combination gas station and bar that made Denis apprehensive. ‘They don’t like me in here,’ he told us, but we all went in anyway. A sign by the door promised to 86 anyone caught fighting inside.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">George, Brian and I drank bottles of Budweiser. I think Denis ordered a Diet Coke. The bar was dark, even in the afternoon, but it was empty, and whatever menace Denis hinted at never revealed itself. Still, I love what his comment buried under an otherwise idle thirty minutes. I felt like he unspooled narratives all around us, consciously or not, and the conjectures he invited through an offhand comment entering a roadside bar or while examining the tracks around a huckleberry bush were intoxicating. I was already maturing into the kind of writer who was inspired by questions, not ideas, and witnessing the vigor in which he apprehended the world was both recalibrating and rejuvenating. It feels good to wonder, to be puzzled, to sit in dark bars waiting for something to happen, eyes and ears unnaturally alert. Even when you’re not exactly right, it feels good to have guessed.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I spent more time than I should’ve at Denis’s place idly reading. I finished the Brian Evenson and Aimee Bender books I’d brought, and read Stories, by Scott McClanahan, an author I’d spotted on Denis’s shelf whom I’d never heard of before. From where I sit today, it’s tempting to view these relaxing, edifying hours as a waste of time. I’m sure that Denis didn’t want me or anyone else hanging on his elbow every minute, but as Eli put it when we exchanged emails after Denis died, ‘Even as it was happening, I just wanted to remember every single thing he said,’ and I regret not putting myself in more situations where I could’ve just listened to him. That said, there was also a discretion surrounding our interactions that I wanted to keep secure, and I wanted to honor his privacy. I never would’ve written any public account of Chaos for any reason while he was alive. Maybe other people have. Still, there’s some things we talked about that I do remember and won’t discuss here or anywhere.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">One of the women at Chaos, Ariel, who was a friend of Denis’s niece Dylana, brought a boom box outside to the wooden porch facing the pond. Someone had a mix CD with the song ‘Mistadobalina’ by Del tha Funky Homosapien. We repeated that one song so many times, it wandered into everyone’s brains, and even Denis started idly singing it while doing chores. Sure, I can’t remember 90 per cent of what he said during his lengthy, soulful conversations with us. But I can remember watching him coil a hose, mumbling ‘Mr Dobalina, Mr Bob Dobalina,’ and it was beautiful.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The next time I made it up for Chaos was three years later. The cabin was long-finished by now, and this would turn out to be the final Chaos ever. Denis had just returned from Central Africa, where he’d been researching The Laughing Monsters. He told us that he’d written another book so he’d have the money to buy his neighbor’s property.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">He’d returned from Africa weary and ill. This time, there would be no Jeep trips into the woods, no AK-47 rounds unloaded on fallen trees, not that we minded. In the afternoons we did short hikes, lounged on Denis’s deck, played board games, ate fruit, tried to play soccer on an uneven, sloping lawn, listened to Denis’s experiences in Africa, and talked about books and religion and travel. For the first time, someone took a picture of Denis and I together. It’s not posed, it’s out of focus, and he’s exuberant, smiling at someone out of the frame. To me, that’s who he is. In the middle of nowhere but surrounded by friends, generously engaged, overjoyed just to be here.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">When people ask me what he was like, I always think about how he listened far more intently than just about any writer I’d ever met, and held so much emotion in his eyes and his throat when he spoke of people and things he loved. He was always far more patient and kind than he ever had to be to a bum from California, and his unique combination of candor and sensitivity is something I never expect to see again unless I’m uncommonly fortunate. We’ll never come close to reproducing him or his writing, but we’d all do well to imitate his kind, resolute engagement with the world, and maybe we’ll get a little closer.</div></span><ul style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; list-style: none; margin: 0px; padding: 0px; vertical-align: baseline;"><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><div style="text-align: justify;"><br /></div></li><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><div style="text-align: center;"><span style="font-size: x-small;"><br /></span></div></li><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><div style="text-align: center;"><span style="font-size: x-small;">http://evanhix.com/dennismill/</span></div><div style="text-align: center;"><span style="font-size: x-small;">https://granta.com/remembering-denis-johnson/</span></div></li><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><div style="text-align: center;"><span style="font-size: x-small;">https://www.megustaleer.com/autor/denis-johnson/0000025910</span></div></li><li style="border: 0px; box-sizing: border-box; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; text-align: center; vertical-align: baseline;"><span style="font-size: x-small;">https://www.npr.org/2011/08/25/139874940/train-dreams-evokes-frontier-life-fate-and-death?t=1613251674776</span></li></ul></div><div aria-label="Share tools" class="share-tools share-tools--secondary" style="background-color: white; 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Thompson, el periodista gonzo<div style="text-align: center;"><br /></div><div><a href="https://draft.blogger.com/#"><img src="https://lh3.googleusercontent.com/-mHYFR8F8EBk/YCR3p8rcqpI/AAAAAAAA35w/_xmU4BHF85o89inX3zEuIcuL9F4nU0smACLcBGAsYHQ/w640-h426/image.png" /></a><a href="https://draft.blogger.com/#"></a><span style="font-family: arial;"><br />HUNTER S. THOMPSON'S WRITING BOOTH<br /><br /><br /><span style="font-size: x-large;"><b>Hunter S. Thompson</b></span><br /><span style="font-size: x-small;">Por AlohaCriticón</span><br /><a href="https://www.facebook.com/sharer/sharer.php?u=https://www.alohacriticon.com/literatura/escritores/hunter-s-thompson/"> </a><br /><br /><div style="text-align: center;"><a href="https://www.alohacriticon.com/wp-content/uploads/2012/04/hunter-s-thompson.jpg"><img src="https://www.alohacriticon.com/wp-content/uploads/2012/04/hunter-s-thompson.jpg" /></a></div></span></div><div><span style="font-family: arial;">HUNTER S. THOMPSON<br />(1937-2005)<br /><br /><div style="text-align: justify;">Hunter S. (Stockton) Thompson nació el 18 de julio del año 1937 en Louisville, Kentucky (Estados Unidos), hijo del vendedor de seguros Jack Robert Thompson y de Virginia Davidson Ray.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">En su adolescencia se aficionó a la lectura y consumió abundante alcohol.</div><div style="text-align: justify;">En este período de su vida pasó algún tiempo en la cárcel por pequeños robos.</div><div style="text-align: justify;">Después de servir en los años 50 en la Fuerza Aérea de los Estados Unidos, en donde ejerció la crónica deportiva, Thompson acudió a la Universidad de Columbia para seguir un curso de escritura creativa.</div><div style="text-align: justify;"><br /></div><br /><div style="text-align: center;"><a href="https://www.alohacriticon.com/wp-content/uploads/2012/04/hunter-s-thompson-fotos.jpg"><img height="320" src="https://www.alohacriticon.com/wp-content/uploads/2012/04/hunter-s-thompson-fotos.jpg" width="228" /></a></div></span></div><div><span style="font-family: arial;"><br /></span></div><div><div style="text-align: justify;"><span style="font-family: arial;">Ejerció el periodismo en diversos medios, entre ellos “The National Observer”, “The Nation”, “Playboy”, “Rolling Stone” o “The San Francisco Examiner”, y fue uno de los puntales del denominado “Nuevo Periodismo” junto a </span><a href="https://www.alohacriticon.com/literatura/escritores/tom-wolfe" style="font-family: arial;">Tom Wolfe</a><span style="font-family: arial;"> o </span><a href="https://www.alohacriticon.com/literatura/escritores/truman-capote" style="font-family: arial;">Truman Capote</a><span style="font-family: arial;">, siendo el creador del periodismo “gonzo” al elaborar crónicas autobiográficas desde una determinante implicación subjetiva del redactor en el ambiente del objeto del reportaje.</span></div><span style="font-family: arial;"><div style="text-align: justify;">Su primer trabajo en este estilo, bautizado por el periodista Bill Cardoso, fue el artículo “El Derby De Kentucky Es Decadente y Depravado”.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">En los años 60, en plena época hippie y contracultural, además del alcohol, Hunter probó diferentes sustancias psicotrópicas, desde el LSD a cocaína, pasando por marihuana o peyote.</div><div style="text-align: justify;">Entre sus influencias literarias se encuentran miembros de la Generación Beat, como <a href="https://www.alohacriticon.com/literatura/escritores/jack-kerouac">Jack Kerouac</a> o <a href="https://www.alohacriticon.com/literatura/escritores/william-burroughs">William Burroughs</a>, además de otros escritores como <a href="https://www.alohacriticon.com/literatura/comentarios-libros/ken-kesey-alguien-volo-sobre-el-nido-del-cuco">Ken Kesey</a>, <a href="https://www.alohacriticon.com/literatura/escritores/william-faulkner">William Faulkner</a>, <a href="https://www.alohacriticon.com/literatura/escritores/henry-miller">Henry Miller</a> o <a href="https://www.alohacriticon.com/literatura/escritores/joseph-conrad">Joseph Conrad</a>.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">En “Los Ángeles Del Infierno” (1966) escribió sus experiencias con Los Ángeles Del Infierno.</div><div style="text-align: justify;">Estas experiencias terminaron con agresiones del grupo de motoristas al periodista.</div><div style="text-align: justify;"><br /></div><br /><div style="text-align: center;"><a href="https://www.alohacriticon.com/wp-content/uploads/2012/04/hunter-s-thompson-libros.jpg"><img height="320" src="https://www.alohacriticon.com/wp-content/uploads/2012/04/hunter-s-thompson-libros.jpg" width="212" /></a></div><div style="text-align: center;"><br /></div></span></div><div><span style="font-family: arial;"><br /></span></div><div><span style="font-family: arial;">En <a href="https://www.alohacriticon.com/literatura/comentarios-libros/hunter-s-thompson-miedo-y-asco-en-las-vegas">“Miedo y Asco En Las Vegas” (1971)</a>, su libro más conocido, narró cargado de drogas sus vivencias en la ciudad del juego.<br />En “La Gran Caza Del Tiburón” (1979) fue requerido por la revista “Playboy” para hacer un singular reportaje sobre un torneo de pesca en la península de Yucatán.<br /><br />“El Diario Del Ron” (1998), libro centrado en un periodista alcohólico, fue su única novela.<br />En “El Escritor Gonzo” (2000) se trataba su vida y su forma de hacer periodismo.<br /><br />Al margen de estos títulos editados en español, Thompson también ha editado los libros de relatos “Kingdom Of Fear”, “Screwjack” y “Hey Rube”, y, entre otros volúmenes, “Fear And Loathing: On The Campaign Trail’ 72” (1973), crónica política que siguió la campaña presidencial de 1972 para la revista Rolling Stone, y <a href="https://www.alohacriticon.com/literatura/novedades-libros/hunter-s-thompson-la-maldicion-de-lono/">“La Maldición De Lono” (1983)</a>, libro ambientado en Hawai.<br /><br />En el año 2013, la editorial Gallo Nero publicó “El Último Dinosaurio” (2013), una recopilación de entrevistas al autor estadounidense.<br /><br /><br />Thompson fue miembro de la Asociación Nacional del Rifle.<br />En cuanto a su vida sentimental, Thompson se casó en el año 1963 con Sandra Dawn Conklin, con quien tuvo en 1964 a su hijo Juan Fitzgerald.<br />La pareja se divorció en 1980.<br />En el año 2005 se casó con su secretaria Anita.<br />Se suicidó el 20 de febrero del año 2005, fecha en que se disparó en su cabeza en su rancho de Colorado.<br />Tenía 67 años de edad.<br />Fue incinerado.<br /><br /><a href="https://www.alohacriticon.com/literatura/adaptaciones-cinematograficas/hunter-s-thompson-cine">Guía de sus adaptaciones cinematográficas y televisivas en AlohaCriticón</a><br /><br />Comentarios de Libros<br /><br /><a href="https://www.alohacriticon.com/literatura/comentarios-libros/hunter-s-thompson-miedo-y-asco-en-las-vegas">Miedo y Asco En Las Vegas (1971)</a></span></div><br /><br /><div style="text-align: center;"><i style="font-family: "Open Sans"; font-size: x-large;"><b><span style="color: #38761d;">"Con la verdad tan aburrida y deprimente, la única alternativa de trabajo son las explosiones salvajes de locura y filigrana"</span></b></i></div><div style="text-align: center;">(Hunter S. Thompson)</div><div style="text-align: center;"><br /></div><br /><span style="font-size: x-large;"><b>A decade after Hunter S. Thompson</b></span><div><a href="http://www.carillonregina.com/author/Kyle%20Leitch/">Kyle Leitch</a><br /><br /><div style="text-align: center;"><a href="https://lh3.googleusercontent.com/-g_ly9HeG_k0/YCWjy73EejI/AAAAAAAA374/8645exkf0Lsjbp0Z0bNfoUp7W7z15LZdwCLcBGAsYHQ/image.png"><img src="https://lh3.googleusercontent.com/-g_ly9HeG_k0/YCWjy73EejI/AAAAAAAA374/8645exkf0Lsjbp0Z0bNfoUp7W7z15LZdwCLcBGAsYHQ/image.png" /></a></div><div><div style="text-align: center;"><i><span style="font-size: x-small;">Thompson wrote for Rolling Stone in its infancy/Hunter S. Thompson Estate</span></i></div><div style="text-align: center;"><br /></div><br /><div style="text-align: justify;"><span style="font-family: arial;">Too weird to live, too rare to die</span></div><span style="font-family: arial;"><div style="text-align: justify;"><br /></div><div style="text-align: justify;">They say that one should never meet their heroes. “They can never live up to the ideal person that you’ve mentally made them out to be,” someone once told me. I never got the chance to meet one of my heroes. By the time I first became familiar with his work, he was already dead. In my lifetime, he was an incoherent mess. A crippled shell that had locked away the most rebellious outlaw spirit the literary world was able to abide by.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Perhaps it was better this way. Even now, I don’t think I would be equipped to meet Dr. Hunter S. Thompson. He would probably hate someone like me, anyway. A university student playing at Gonzo journalism. Even still, this being my last year at the Carillon, and a full decade after Thompson’s passing, it seems to me to be too serendipitous to pass up at least writing something of a proper eulogy.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Hunter Stockton Thompson was born in Louisville, Kentucky on July 18, 1937. Thompson’s father died at a young age, leaving the family in poverty. At the age of 17, Hunter Thompson was incarcerated for 60 days for abetting a robbery. After serving only half of that sentence, he joined the United States Air Force. It was working for Eglin Airbase’s newspaper that Hunter Thompson got his first taste of professional journalism. After an honorable discharge in 1958, Thompson began drifting across the U.S. and Puerto Rico, working for every newspaper that would accept an article from him.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">By 1965, Hunter had returned to the United States. He was contacted by then-editor of the Nation, who wanted Thompson to write a story about the California-based Hells Angels motorcycle club. Hunter spent a year living and riding with the gang for research. The resulting article spawned Thompson’s first book, Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs. After a spat with one of the members, the Hells Angels stomped Thompson, which only led to further publicity for the book, including a <a href="https://www.youtube.com/watch?v=ccyu44rsaZo">CBC Television confrontation between Hunter and Angels member Skip Workman.</a></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The success of Hell’s Angels made it possible for Thompson to start contributing to more prolific newspapers and magazines, but it also gave him a solid relationship with publisher Random House. The royalty check from sales of Hell’s Angels gave Thompson enough money to buy Owl Farm, the fortified compound in Woody Creek, Colorado, where Hunter and his family spent the rest of their lives. A $6,000 advance from Random House saw Hunter covering the infamous 1968 Democratic Convention in Chicago. Although that book would never be completed, Hunter’s contract with Random House would be fulfilled in 1972.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">In 1970, Thompson ran (unsuccessfully) for the local sheriff’s office in Aspen, Colorado. It was a particularly memorable election, not only because Thompson’s “Freak Power” party posed a viable threat to the Democrat/Republican dichotomy, but because Thompson had set up camp in the offices of Rolling Stone magazine with beer and the promise that he was soon to be the new sheriff of Aspen. Although he was soundly defeated, Thompson had captured the attention of Rolling Stone editor Jann Wenner, who sent Thompson out to do an expose on the murder of television journalist Ruben Salazar. In typical Thompson fashion, he blew off much of that assignment, and instead, took a Sports Illustrated pitch to cover the Mint 400, a race through the deserts of Nevada. SI rejected Thompson’s 2500 word take on their 250-word pitch outright. Thompson then sent the work back to Jann Wenner. This would become part one of Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">“We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold.” I was thirteen when I read the first sentence of “The Vegas Book,” as Hunter would later call it. Like generations before me, I was about to learn a lesson that I was far too young to appreciate. Freedom of speech, the pursuit of happiness, liberty, the fundamentals of North American democracy and of the beloved American Dream—they were all dead. The book was a mainstream success, and it is perhaps, sadly, what Thompson will be best known for.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Within the next year, Thompson wrote extensively for Rolling Stone, covering the 1972 Presidential Election, which pitted incumbent Richard Nixon against Senator George McGovern. Because Nixon did very little campaigning for re-election (and because he and Hunter were bitter enemies by this point), Thompson covered the Democrats almost exclusively. As history played out, McGovern would be handed one of the most disastrous defeats in U.S. political history.</div><div style="text-align: justify;"><br /></div></span><div style="text-align: justify;"><br /></div><div style="text-align: center;"><a href="https://lh3.googleusercontent.com/-NOy9DY-IKyY/YCWjgh-5m4I/AAAAAAAA37w/TyPA1ahHMEUnNWzozsI-7uObTX1zDBtSQCLcBGAsYHQ/image.png"><img src="https://lh3.googleusercontent.com/-NOy9DY-IKyY/YCWjgh-5m4I/AAAAAAAA37w/TyPA1ahHMEUnNWzozsI-7uObTX1zDBtSQCLcBGAsYHQ/image.png" /></a></div><i><div style="text-align: center;"><i><span style="font-size: x-small;">Buy the ticket, take the ride/Hunter S. Thompson Estate</span></i></div></i><div><div class="article-content clearfix" itemprop="articleBody" style="box-sizing: border-box; line-height: 27px; padding-top: 30px; position: relative;"><div style="text-align: justify;"><span style="font-family: arial;">After 1972, however, things began to quickly slide. Thompson’s rampant substance abuse and rebel attitude were quickly catching up with him. After sleeping right through the “Rumble in the Jungle” in 1974, and several cancelled assignments later, Thompson found himself at odds with Rolling Stone, the only magazine with which he would ever find something resembling a steady platform. The 80s and 90s were marred by run-ins with the police and irregular acid-soaked gibberish. Thompson’s ruminations of the 1992 Presidential Election were assembled into Better Than Sex: Confessions of a Political Junkie, a noticeably worse rendition of his campaign coverage from twenty years prior.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">In 1998, Thompson’s work enjoyed a minor resurgence in popularity with the release of the film adaptation of Fear and Loathing in Las Vegas starring Johnny Depp. Thompson’s “long lost” first novel The Rum Diaries was published soon after the film’s release. 2003 saw the release of Thompson’s penultimate collection, Kingdom of Fear. Many saw it as a vitriolic attack on the turn of the century in America and the attacks of Sept. 11. In mid-2004, publisher Simon & Schuster released Hey Rube: Blood Sport, the Bush Doctrine, and the Downward Spiral of Dumbness, a collection of Thompson’s weekly column for ESPN. On Feb. 20, 2005, Dr. Hunter S. Thompson died from a single self-inflicted gunshot wound. No More Games. No More Bombs. No More Walking. No More Fun.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Of course, this has all just been a very loose recounting of the life and work of Dr. Hunter S. Thompson. After all, the Father of Gonzo produced fourteen books and hundreds of articles. To get into everything would require more space than the Carillon could afford. He’s been the subject of documentaries, cartoons, speaking tours, and other writers’ works.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Thompson had a very unique problem in his life. During a 1978 BBC interview, Thompson admitted that he often felt pressured to live up to the persona that he’d created in Fear and Loathing. Thompson told the BBC that, “I’m never sure which one people expect me to be. Very often, they conflict — most often, as a matter of fact. … I’m leading a normal life and right along side me there is this myth, and it is growing and mushrooming and getting more and more warped. When I get invited to, say, speak at universities, I’m not sure if they are inviting Duke or Thompson. I’m not sure who to be.” Ironic that the very thing that started Thompson’s career simultaneously ended it.</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">But what does Thompson mean today? It’s been a decade since the death of the outlaw journalist, and some have argued that he’s a relic of the counterculture that he lamented the death of in the 1970s. That’s actually sort of the point of this feature, gentle reader. Thompson often wrote about the malignant ills of society. To him, the status quo was sickly, and he was one of the vocal minorities who could not only see through the façade that was set up by our benevolent leaders, but was going to shout it down. In many ways, the Carillon and Hunter Thompson could be seen as spiritual allies. The tyrants’ foe, the peoples’ friend, illegitimi non carborundum, refuse to accept the plate of bullshit that everyone gives you, fork in hand. Hunter Thompson was more than a reckless and drug-fuelled raver. He was one of the most keen-eyed observers of society, the most dangerous individual the literary world could tolerate, and someone I’m proud to call a hero, even now.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Of course, it’s more than me that matters. I can’t be the only one who was influenced into action by the Doctor. I encourage anyone who wants to, come seek me out, and let me know just how Hunter S. Thompson has affected how you’re living your life. It’s serendipitous that the 10th anniversary of Thompson’s death—Feb. 20, 2015– falls on a Friday, no? I’ll be haunting bars all around the city. Come say “hi,” or come share your Hunter tales with me. I won’t be hard to miss. I’ll be slugging Wild Turkey, with slices of lemon in it, so as to disguise it as iced tea. I’ll be wearing an Acapulco shirt, waving an electric cattle prod around, and I’ll be shrieking about the first time I ever read, “We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold.”</span></div></div></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://lh3.googleusercontent.com/-ZALIk0bOrHk/YCR4g4LxoaI/AAAAAAAA354/FdrejpZf2okDIzTuu76XDcQLzEAKdA6_gCLcBGAsYHQ/image.png" style="margin-left: auto; margin-right: auto;"><img alt="" data-original-height="1000" data-original-width="1500" height="266" src="https://lh3.googleusercontent.com/-ZALIk0bOrHk/YCR4g4LxoaI/AAAAAAAA354/FdrejpZf2okDIzTuu76XDcQLzEAKdA6_gCLcBGAsYHQ/w400-h266/image.png" width="400" /></a></td></tr><tr><td class="tr-caption"><div style="text-align: center;"><i><span style="font-size: x-small;">Paul Harris/Getty Images</span></i></div></td></tr></tbody></table><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://lh3.googleusercontent.com/-GIkcpsPe4CA/YCR5DCEpblI/AAAAAAAA36E/r2n-8WyL5i8CKhHn-0kVhV-DtckL1GKoACLcBGAsYHQ/image.png" style="margin-left: auto; margin-right: auto;"><span style="font-size: x-small;"><img alt="" data-original-height="536" data-original-width="1024" height="336" src="https://lh3.googleusercontent.com/-GIkcpsPe4CA/YCR5DCEpblI/AAAAAAAA36E/r2n-8WyL5i8CKhHn-0kVhV-DtckL1GKoACLcBGAsYHQ/w640-h336/image.png" width="640" /></span></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">1994, Aspen, Colorado, USA — ‘ Hunter S. Thompson Outside His Home.’ |<br /> Photo by Christopher Felver.<br /><br /></span><span style="font-size: x-small; text-align: start;"></span></td></tr></tbody></table><div style="text-align: center;"><a href="https://draft.blogger.com/#"><img src="https://lh3.googleusercontent.com/-fpU-8OX7Alo/YCR5m7yKmaI/AAAAAAAA36M/A9E73HeuOuUBsf605cManQTvINXxuWhtgCLcBGAsYHQ/w400-h268/image.png" /></a></div><div style="text-align: center;"><br /></div></div><div style="text-align: center;"><br /></div><div><div><span style="font-size: x-large;"><b>My gonzo night at Hunter S Thompson's cabin</b></span></div><span style="font-size: x-small;"><a href="https://www.theguardian.com/profile/kevin-eg-perry">Kevin EG Perry</a>. <a href="https://www.twitter.com/kevinEGperry">@kevinEGperry</a></span><br /><div><br /></div></div><div><div style="text-align: center;"><img height="384" src="https://i.guim.co.uk/img/media/89899a1c9fa3ca75259af8d2402136f956aac43b/248_66_4775_2865/master/4775.jpg?width=465&quality=45&auto=format&fit=max&dpr=2&s=4fab2ff97930b507dfc7f84dc32a85c7" width="640" /></div><div style="text-align: center;"><span style="font-size: x-small;">Fear and petting … Thompson with his pet wolverine and his cherry-red Pontiac at his Colorado cabin. </span></div><div style="text-align: center;"><span style="font-size: x-small;">Photograph: National Geographic Image Collection/Alamy</span></div><div style="text-align: center;"><span style="font-size: x-small;"><br /></span></div><br /><div style="text-align: justify;"><span style="font-family: helvetica; font-size: large;"><i><span style="color: #660000;">Fuelled by hard drugs and righteous anger, his incendiary prose shook America. Could our writer channel his spirit by spending a night at the typewriter where it all happened?</span></i></span></div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both;"><div><span style="font-family: arial;">It is 4.30 on a Thursday morning and I am writing these words on the big red IBM Selectric III that once belonged to <a href="https://www.theguardian.com/books/huntersthompson">Hunter S Thompson</a>. Owl Farm, Thompson’s “fortified compound” in Woody Creek, Colorado, is dark and silent outside. Even the peacocks he raised are sleeping. The only sound anywhere is the warm hum of this electric typewriter and the mechanical rhythm of its key strikes, as clear and certain as gunfire.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">In April, Thompson’s widow, Anita, began renting out the writer’s cabin to help support the Hunter S Thompson scholarship for veterans at Columbia University, where both she and Hunter studied. It sits beside the main Thompson home on a 17-hectare estate marked with hoof prints and elk droppings that gradually rises towards a mountain range. A short walk uphill is the spot where Thompson’s ashes were fired into the sky from a 153ft tower in the shape of a “Gonzo fist”, a logo he first adopted during his unsuccessful 1970 campaign to be sheriff of nearby Aspen. Johnny Depp, who played Thompson in Fear and Loathing in Las Vegas, <a href="https://www.theguardian.com/film/2017/feb/01/johnny-depp-spent-3m-blasting-hunter-s-thompson-ashes-from-cannon-ex-managers-claim">picked up the $3m tab</a> for that elaborate sendoff, which took place shortly after Thompson killed himself in 2005.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><span style="font-family: arial;"><img height="286" src="https://i.guim.co.uk/img/media/569f4a1ebd9497eefcff04163a44baf4da1fcc94/0_143_3968_2833/master/3968.jpg?width=465&quality=45&auto=format&fit=max&dpr=2&s=7927afe50cdde516df5e921a39a82f27" width="400" /></span></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><i>The command centre … Kevin EG Perry with Anita Thompson at Owl Farm.</i></span></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><i> Photograph: Kevin EG Perry</i></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">There is still a piece of rebar buried in the ground where the tower once stood. It now marks the heart of a labyrinth, picked out in red rocks that were placed there by Anita several years ago. Walking there during the day, I found myself lulled into a state of meditation. It was reading Thompson as a teenager that made me want to write for a living. Like many, my gateway drug was Fear and Loathing in Las Vegas, his vicious satirical broadside against the American dream that begins with the line: “We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.”</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">There is, I realise now, a certain irony to the fact that a journey beginning with that debauched and hallucinatory tale has brought me to one of the most serene and peaceful places I’ve been. While sitting at the typewriter, I glance out the window and see a lone white-tailed deer standing on the ridge just above Thompson’s cherry-red Pontiac Grand Ville. In the afternoon, Anita shows me around their home, including the kitchen that was once his “command centre”. Another typewriter remains where he left it, engulfed in a snowdrift of books and papers. Indeed, the whole room is largely unchanged, part of Anita’s plans to preserve the home as a museum.</span></div><div style="text-align: justify;"><span style="font-family: arial;">He did have a way of consuming more food, more alcohol and more drugs than anybody I’ve ever seen</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">She met Thompson in 1997, when he saved her from being mauled by a pair of crazed great danes on the boardwalk of Venice Beach in LA. At least, that’s the way he tells it in his sort-of memoir <a href="https://www.theguardian.com/books/2003/may/17/biography.huntersthompson">Kingdom of Fear</a>, published in 2003. In truth, they were introduced by a mutual friend: she had a question about football and the friend thought Thompson, then primarily a sportswriter, would know the answer. She had no idea who he was.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">“I was 25 and I had an instant crush on him,” she says. “I’d never met anyone like him. I knew him as Hunter before I knew him as a writer. He was an intense and kind person. When I met him, he wasn’t a wild partier. He wasn’t a Raoul Duke character.” That’s his drug-snorting alter ego, the name he gives himself in Fear and Loathing. “When he was under stress or having a lot of fun, that character would come out, but generally he was just like you and me. Having said that, he did have a way of consuming more food, more alcohol and more drugs than anybody I’ve ever seen – and still be able to function.”</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><span style="font-family: arial;"><img height="270" src="https://i.guim.co.uk/img/media/02f7be156030b7d4545b95125a14d1a0900c75f9/0_0_5084_3438/master/5084.jpg?width=465&quality=45&auto=format&fit=max&dpr=2&s=2976811dd3e50d3baa5ed1f3985673aa" width="400" /></span></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><i>‘One of the great political voices of our time’ … Thompson and his typewriter. </i></span></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><i>Photograph: National Geographic Image Collection/Alamy</i></span></div><div style="text-align: center;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Anita helped Thompson get back to writing in the last half-decade of his life; he produced as much work in those five years as he had in the previous 15. That included a regular column for sports network ESPN that included a <a href="http://proxy.espn.com/espn/page2/story?id=1250751#inbox/_blank">startlingly prescient piece</a>, published the day after 9/11, that predicted the US military follies that would define the decade to come.</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">In 2001, he also returned to campaigning journalism with <a href="https://www.theguardian.com/film/2010/may/04/hunter-s-thompson-prisoner-of-denver">his battle to free Lisl Auman</a>, a Colorado woman convicted of murdering a police officer even though she had been handcuffed in the police car when the shot was fired by her companion. The supreme court overturned her conviction two weeks after Thompson died. “It was bittersweet for all of us,” says Anita.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">These days, Anita finds herself charged with <a href="https://www.thegonzofoundation.org/">preserving her husband’s legacy</a>. There have been rumours of TV shows, a film adaptation of his 1983 Hawaiian escapade The Curse of Lono, even a branded cannabis line, but she is understandably cautious. “I try to steer the conversation back to his writing, because there’s always a focus on his lifestyle,” she says. “That’s the clickbait, but it’s the writing that’s important. We need him now more than ever, and his work is so poignant and personal. He’s always in the present moment. In every story, he’s showing you what it felt like, all the smells and sensations. Every time you read a page, it makes you more empowered today, in 2019, whether you’re reading about the 1970s or 2003.”</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><span style="font-family: arial;"><img height="278" src="https://i.guim.co.uk/img/media/909b6d918de471e1019ad8d3ed6d53071c25ddc5/0_230_2976_2582/master/2976.jpg?width=445&quality=45&auto=format&fit=max&dpr=2&s=ed107974e4616eaec1b568b6c152ed2b" width="320" /></span></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><i>Echoes … our writer starts his piece on Thompson’s typewriter. </i></span></div><div><div style="text-align: center;"><i><span style="font-size: x-small;">Photograph: Kevin EG Perry</span></i></div><div style="color: #e69138; font-size: large; font-style: italic; text-align: center;"><br /></div><div style="color: #e69138; font-size: large; font-style: italic; text-align: center;"><br /></div></div><div><i><span style="color: #e69138; font-size: medium;">“Coming over to the cabin was like a mini-vacation for him,” Anita says. “He wrote in his notebook there because the cabin sits next to a brook that runs next to the main room during the summers. It’s very relaxing.”<br /><br /><br /></span></i><span style="font-family: arial; text-align: justify;">I have worked as a journalist for the best part of a decade now, and there are elements of Thompson’s mythology I can no longer romanticise. There’s a section of Fear and Loathing that begins with this editor’s note: “The original manuscript is so splintered that we were forced to seek out the original tape recording and transcribe it verbatim.” Any illusion I once held that this was a sort of meta-joke was shattered when I read that it had been written up by Sarah Lazin, an editorial assistant at Rolling Stone in the 70s. “I had done a lot of transcribing in several languages,” she recalled last year in a </span><a href="https://www.vanityfair.com/style/2018/08/the-women-who-transformed-rolling-stone-in-the-mid-70s#inbox/_blank" style="font-family: arial; text-align: justify;">Vanity Fair</a><a href="https://www.vanityfair.com/style/2018/08/the-women-who-transformed-rolling-stone-in-the-mid-70s#inbox/_blank" style="font-family: arial; text-align: justify;"> </a><a href="https://www.vanityfair.com/style/2018/08/the-women-who-transformed-rolling-stone-in-the-mid-70s#inbox/_blank" style="font-family: arial; text-align: justify;">piece</a><span style="font-family: arial; text-align: justify;">, “but this was pretty intense. In one of the tapes they’re in this restaurant, and they’re essentially torturing the waitress – yelling and screaming and throwing things – and I had no idea how to transcribe that.”</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">While that sort of behaviour may make Thompson seem like a relic from a different time, when one could be a nightmare to work with and be forgiven, his writing still resonates – some of it more noisily than ever. Unfortunately, there is nothing outdated about this observation from Fear and Loathing on the Campaign Trail ’72: “The main problem in any democracy is that crowdpleasers are generally brainless swine who can go out on a stage and whup their supporters into an orgiastic frenzy – then go back to the office and sell every one of the poor bastards down the tube for a nickel apiece.”</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">A new biography, Freak Kingdom by Timothy Denevi, focuses on Thompson’s incendiary writing in the decade between two seismic events in American politics: the <a href="https://www.theguardian.com/world/1963/nov/22/kennedy.usa">assassination of John F Kennedy</a> in 1963 and <a href="https://www.theguardian.com/us-news/2018/aug/09/editorial-nixon-the-man-who-stayed-too-long-archive-1974">Richard Nixon’s resignation</a> in 1974. Denevi started writing his book after rereading <a href="https://s3.amazonaws.com/eob_texts-production/texts/22/1297809321_Strange_Rumblings_in_Aztlan_small.pdf?1297809321">Strange Rumblings in Aztlan</a>, Thompson’s 1971 Rolling Stone piece about the death of Mexican-American reporter Rubén Salazar at the hands of the LAPD – a story that has obvious resonance both with President Trump’s attacks on immigrant communities and the Black Lives Matter movement.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><span style="font-family: arial;"><img height="400" src="https://i.guim.co.uk/img/media/e1ea6f4b26ee21b5ac678d2023c8a666c25f85f4/0_0_1672_2500/master/1672.jpg?width=300&quality=45&auto=format&fit=max&dpr=2&s=dc36c21b307ef932c4e7e79ad1b60f41" width="267" /></span></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><i>Out with a bang … Thompson’s ashes hit the sky accompanied by fireworks in August 2005. </i></span></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><i>Photograph: Peter Mountain/AP</i></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">“Reading that piece, I began to realise that this is one of the great literary political voices of our time,” says Denevi, down the line to the cabin. “He was indicting and attacking those with the most power for their dishonesty. Although I don’t mention Trump or his administration, of course my book was coloured by the present corruption which shines its garbage light upon us all. Thompson understood that power is inseparable from the people who abuse it. That means you have to look at the people who are abusing it to understand its nature and how it can be manipulated, in America especially, to hurt the people who already have the least.”</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">This isn’t the first time Thompson’s prescience has rung bells. Alex Gibney’s <a href="https://www.theguardian.com/film/2008/dec/21/hunter-thompson-gonzo-review">2008 documentary Gonzo</a> made it clear how easily his work in the 1960s and 70s also applied to the George W Bush era. Here we are again, a decade later. History doesn’t repeat itself, but it does rhyme. “That’s because what Thompson is really writing about is how people abuse the American system to gain more power, and that’s as old as America itself,” says Denevi. “Thompson’s insight is like Mark Twain’s insight, in that it lasts outside of its cultural moment. It’s his logic, perspective and rigour that allows his work to fit into the Bush administration, or Reagan, or now.”</span></div><div style="text-align: justify;"><span style="font-family: arial;">Advertisement</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">Having spent roughly half my life reading and rereading Thompson, it is serious fun to come to Owl Farm and hear the sound of his typewriter, moving once again under my fingers. I come away thinking that his voice too, leaping from every page with righteous anger, is still needed.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Before I leave, I tell Anita how meditative I found walking the labyrinth. “It’s a really powerful spot,” she says. “It’s almost like a tattoo. You pin something very painful to the earth and it frees your mind. All labyrinths serve the same purpose, which is to centre you and set you in the present moment. As Hunter said, we only have the present moment, and it’s so easy to get out of it. The future can bring anxiety, the past can bring depression, but right here? Right here is good.”</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">• The cabin is no longer on Airbnb. New rental details <a href="https://gonzomerchandise.com/collections/owl-farm-writers-cabin-for-rent">here</a>.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><br /></div></div><div class="article__header article__header--bordered" style="border-top: 3px solid rgb(0, 0, 0); box-sizing: border-box; max-width: 1180px; padding-top: 20px;"><span data-article-description="Have a relaxing stay next to a bunch of squawking peacocks at the good graces of Thompson's widow, who, by the way, "does own a weapons permit."" data-article-id="5d28a74fe93f6b0008b21251" data-article-locale="en_us" data-article-title="Airbnbing Hunter S. Thompson’s Cabin Sounds Miserable and Also Terrifying" data-article-url="/en/article/9kx4g8/hunter-s-thompson-airbnb-writing-cabin-colorado-owl-farm" data-direction="down" style="background-color: white; box-sizing: border-box; font-family: Lora, Georgia, serif;"><div class="smart-header smart-header--light article__header__title" style="background-color: transparent; box-sizing: border-box;"><h1 class="smart-header__hed smart-header__hed--size-2" style="-webkit-font-smoothing: antialiased; box-sizing: border-box; color: inherit; font-family: var(--font-family-hed); font-weight: var(--font-weight-hed-bold); line-height: var(--line-height-hed-normal); margin: 0px; padding: 0px;"><br /></h1></div></span></div><span style="font-size: x-small;"><i><div style="text-align: center;"><i>https://uncrate.com/es/article/cabina-de-escritura-de-hunter-s-thompson/</i></div><div style="text-align: center;"><i>https://www.facebook.com/historyaspen/posts/hunter-s-thompson-in-october-of-1970-wearing-a-sheriffs-badge-as-part-of-his-cam/1681906141845465/</i></div><div style="text-align: center;"><i>https://www.rollingstone.com/culture/culture-news/rolling-stone-at-50-how-hunter-s-thompson-became-a-legend-115371/</i></div><div style="text-align: center;"><i>https://draft.blogger.com/blog/post/edit/228787287723518540/413304932207666966</i></div><div style="text-align: center;"><i>https://www.aspendailynews.com/local/osmosis-at-hunter-s-thompsons-aspen-writing-cabin/article_257fcba0-8c95-11e9-9525-c399e1f65eab.html</i></div><div style="text-align: center;"><i>https://www.infobae.com/cultura/2020/02/20/hunter-s-thompson-la-leyenda-salvaje-del-periodismo-en-primera-persona/</i></div><div style="text-align: center;"><i>https://www.alohacriticon.com/literatura/escritores/hunter-s-thompson/</i></div><div style="text-align: center;">https://www.lofficielmexico.com/pop-culture/5-minutos-conocer-hunter-s-thompson-biografia</div></i></span></div></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-38409339376781515382021-02-06T22:24:00.010+01:002021-02-06T23:16:36.594+01:00La naturaleza escribe y se escribe<p style="text-align: justify;"></p><div id="logo-article" style="box-sizing: border-box; float: left; margin: 0px 10px 10px 0px;"><div style="text-align: center;"><br /></div><div style="text-align: center;"><img src="http://www.les-cabanes.com/wp-content/uploads/2010/08/jpg_40404hagginambarneight_001.jpg" /></div><div style="text-align: center;">Image aimablement proposé par Mark et the crew du site <a href="https://draft.blogger.com/blog/post/edit/228787287723518540/3840933937678151538#">www.montanapictures.net</a></div><div style="text-align: center;">Doug Peacok, Pete Fromm, Abbey…</div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="background-color: white; color: #cc6600; font-family: trueno, Tahoma, Verdana, Arial, Helvetica, sans-serif; font-size: 30px; letter-spacing: -1px; text-align: center;">Le « nature writing » ou les chroniques des grandes plaines</div> <div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Une bande d'écrivains écolos vit dans un coin reculé du Montana, et les états du nord. Une "appellation contrôlée".</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">Le long des Rockies et plus au nord jusqu’au Montana, vit en marge une espèce, pas encore connue chez nous, d’écrivains écolos qui se retirent dans des coins ou ils ne rencontrent aucune âme qui vive à des dizaines de miles à la ronde et peuvent ainsi passer des hivers dans des cabanes à l’instar des anciens trappeurs.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">« Tales » en Anglais signifie Chroniques, ces histoires de vies, ces moments racontés afin qu’ils ne tombent pas dans l’oubli car ils ont la fragilité de la simplicité et sont irremplaçables, irréversibles.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><span style="font-family: arial;"><img src="http://www.les-cabanes.com/wp-content/uploads/2010/08/jpg_montagnesmontana_001.jpg" /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Farouches défenseurs de ces immensités – encore – sauvages, leurs plus proches voisins sont les Grizzly, bêtes mythiques qui demeurent fidèles à leur réputation et il est surtout recommandé de ne pas les inviter à une relecture d’aventures au fond des bois…</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">Ils se nomment entre autres: Doug Peacok, Rick Bass, Pete Fromm, et se situent dans la lignée des grands écrivains comme Jack London, Richard Ford ou encore<a href="https://www.les-cabanes.com/bibliographie-bd-livres-films-presse-musiques-cabanes/les-romans/"> Jim Harrison</a>. A ceci près qu’ils sont profondément engagés pour la sauvegarde des forêts sauvages, de vallées perdues, de rivières vivaces. Qu’ils soient vétérans du Vietnam ou des figures de la contre-culture comme leur doyen Edward Abbey activiste écologique aux méthodes assez radicales, ils sont des adeptes des contrées reculées où l’on se confronte à la nature dans son immensité et toute sa force. Une capitale « littéraire » dans ce nord: Missoula.</span></div><div style="text-align: center;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">Ainsi Doug Peacok, en rupture avec la société à son retour du Vietnam où il a effectué son séjour en temps qu’infirmier, est devenu expert dans le comportement du grizzly. Cependant dans son essai « Une guerre dans la tête », il relate l’enterrement du chef de file de cet anar écolo Edward Abbey dans un canyon désertique enroulé dans une bâche et avec quelques pelletés de gravats.</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">Ce même Abbey avec lequel il dégommait les panneaux à coups de Winchester. Ces faits sont relatés dans le roman « Le gang de la clé à molette » qui deviendra dans les 70s un roman contre culture pour le pionnier de la défense écolo Nord Américaine. Mais Abbey a surtout écrit « Désert solitaire » et inspira la création de l’organisation radicale « Earth first » dont le slogan est « pas de compromis dans la défense de la mère terre ».</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">Pete Fromm beaucoup plus sage a accidentellement vécu sa première expérience dans les montagnes par la surveillance un hiver entier de millions d’oeufs de saumons. Il écrit des récits d’hommes des bois, transcende le genre pour atteindre l’oeuvre littéraire avec » Indian creek » il a écrit une dizaine de romans et recueils de nouvelles…</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">« Chaque matin, je prenais alors le chemin de la cabane, par tous les temps, et, installé à mon bureau devant la fenêtre, je regardais le marais, si près de la berge que les herbes ondoyantes venaient caresser la vitre. Ces hautes herbes formaient un océan. »</span></div><div style="text-align: justify;"><span style="font-family: arial;">Rick Bass Le journal des cinq saisons</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">« La cabane où j’écris est située au bord d’un marais ravissant. C’est une vieille cabane en bois, très petite, qui ne dispose que d’un poêle à bois. Il n’y a pas d’eau, pas d’électricité. Juste une table, une chaise et la fenêtre. » C’est ainsi que Rick Bass décrit son « bureau ». Un endroit qui imprègne l’auteur au coeur de univers et de ses combats.contre les pipelines géants que Rick lutte et çà c’est son domaine de part sa formation et ses premiers emplois dans les pétroles. Il faut se souvenir qu’il est natif du Texas;</span></div><div style="text-align: justify;"><br /></div><div><div style="text-align: justify;"><span style="font-family: arial;">Des dizaines d’écrits donc à découvrir pour s’évader dans les rocheuses, le Montana, les Dakotas à l’épicentre des américains écolos. Et oui, tous ne sont pas les actionnaires des Monsantos et consorts.</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="text-align: left;">Sujet inspiré par l’article de Didier Jacob du Nouvel Obs.</span></div><div style="text-align: justify;"><span style="text-align: left;"><br /></span></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><img src="http://www.les-cabanes.com/wp-content/uploads/2010/08/gif_lelivredeyaak.gif" /></div><div style="text-align: center;"><br /></div><div style="text-align: left;">.</div></div></div><div style="text-align: center;"><div class="subsection subsection-body" style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; text-align: start;"><div class="container container-article" style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; margin: 0px auto; max-width: 600px; padding: 0 var(--space-3);"><div class="body" style="-webkit-tap-highlight-color: transparent; box-sizing: border-box;"><p style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; line-height: var(--line-height-3); margin: var(--space-4) auto;"><br /><br /><br /><br /><br /><br /><br /></p><div style="text-align: center;"><img src="https://www.adventure-journal.com/wp-content/uploads/2019/01/benmoon_180622_DougPeacock_075.jpg" /></div><br /><br /><span style="font-size: x-large;">La historia de Doug Peacock y el oso grizzly que salva almas</span><br /><span style="font-size: xx-small;">POR JUSTIN HOUSMAN <br /></span><br /><br /><div style="text-align: justify;"><span style="font-family: arial;">Doug Peacock, ex Boina Verde, veterano de Vietnam, amigo de Ed Abbey y la inspiración para el personaje de Abbey, George Hayduke en " <a href="https://draft.blogger.com/#">The Monkeywrench Gang</a> ", se mantuvo a flote en tiempos difíciles en las selvas del sudeste asiático con un viejo mapa que trajo de Wyoming y Montana. Sabía que necesitaba esperanza para salir de Vietnam con vida y con su ingenio intacto. Así que sacaba el mapa y lo estudiaba minuciosamente, imaginándose a sí mismo caminando por pasos de montaña, refrescando sus talones en arroyos alimentados con hielo, viendo salir el sol sobre lagos esmeralda, cualquier cosa para distraer su mente del fuego de mortero que explotaba a su alrededor.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Cuando regresó a Estados Unidos, Peacock buscó refugio en esos espacios en blanco de su mapa, las zonas sin gente. Sin carreteras, sin edificios. Con árboles, ríos y lagos. Con osos grizzly.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Peacock ha pasado los últimos 50 años asombrado por los osos pardos. Pasó años filmándolos, aprendiendo su comportamiento, convirtiéndose en un aficionado experto en animales. Luego fundó una organización dedicada a proteger al oso pardo llamado <a href="https://draft.blogger.com/#">Save the Yellowstone Grizzly</a> y un grupo de investigación y educación sobre conservación llamado <a href="https://draft.blogger.com/#">Round River</a></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><br /></div></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Doug Peacock, ex-Green Beret, Vietnam vet, friend to Ed Abbey, and the inspiration for Abbey’s character George Hayduke in “<a href="https://amzn.to/2WcqeBA">The Monkeywrench Gang</a>,” buoyed himself through hard times in Southeast Asian jungles with an old map he brought with him of Wyoming and Montana. He knew that he needed hope to make it out of Vietnam alive and with his wits intact. So he’d pull out the map and pore over it, imagining himself hiking mountain passes, cooling his heels in ice-fed streams, watching the sun rise over emerald lakes—anything to take his mind off the mortar fire exploding all around him.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">When he returned to the States, Peacock sought refuge in those blank spots on his map, the zones without people. Without roads, without buildings. With trees, rivers, and lakes. With grizzly bears.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Peacock has spent the past 50 years in awe of grizzlies. He spent years filming them, learning their behavior, becoming an amateur expert on the animals. He’s gone on to found an organization devoted to protecting the grizzly called <a href="https://savetheyellowstonegrizzly.org/">Save the Yellowstone Grizzly</a> and a conservation research and education group called <a href="https://www.roundriver.org/about-us/">Round River</a>.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">En una nueva película del director Ben Moon, llamada "Grizzly Country", el amor de Peacock por los osos pardos y su hábitat se destaca. Este cortometraje de 11 minutos debutó como una selección de películas de Banff Mountain en 2019 y como una selección para el Festival de cine salvaje y escénico de 2019. La película en su totalidad se puede ver a continuación.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="300" src="https://www.youtube.com/embed/2_XPRozm4CI?start=57" width="860"></iframe></span></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><br /></div><span style="color: #999999; font-family: arial; font-size: var(--font-size-20);"><div style="text-align: justify;"><span style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; font-size: var(--font-size-20); vertical-align: inherit;"><span style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; vertical-align: inherit;">"Ármate de amistad y ama la tierra", dice el autor y naturalista Doug Peacock en Grizzly Country, un nuevo documental corto del cineasta Ben Moon. </span><span style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; vertical-align: inherit;">Y no, esto no es un corte de Grizzly Man, donde el tipo es devorado, es un corto conmovedor y bien hecho sobre la vida histórica y el trabajo de conservación en curso de Peacock, un ex boina verde y el modelo vivo del personaje de Edward Abbey. George Hayduke en su célebre novela sobre activismo medioambiental, " </span></span><a href="https://en.wikipedia.org/wiki/The_Monkey_Wrench_Gang" rel="noopener" style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; font-size: var(--font-size-20);" target="_blank"><span style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; vertical-align: inherit;">The Monkey Wrench Gang</span></a><span style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; font-size: var(--font-size-20); vertical-align: inherit;"> ".</span></div></span><p></p><p style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; font-size: var(--font-size-20); line-height: var(--line-height-3); margin: var(--space-4) auto; text-align: justify;"><span style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; color: #999999; font-family: arial; vertical-align: inherit;"><span style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; vertical-align: inherit;">Después de servir en la guerra de Vietnam, Peacock pasó años solo en el desierto de Wyoming y Montana observando osos pardos. </span><span style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; vertical-align: inherit;">Esta vez en la naturaleza cambió el curso de su vida, inspirándolo a convertirse en el bearar del estandarte humano del oso sin voz. </span><span style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; vertical-align: inherit;">Ahora que la protección de los osos pardos de Yellowstone está amenazada, Peacock reflexiona sobre la importancia del hábitat y por qué sigue luchando por causas salvajes.</span></span></p></div></div></div><div class="subsection subsection-body-insert" style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; font-family: GT-America-Light, -apple-system, BlinkMacSystemFont, "Segoe UI", Helvetica, "Apple Color Emoji", Arial, sans-serif, "Segoe UI Emoji", "Segoe UI Symbol"; margin: var(--space-5) 0; position: relative; text-align: start;"><div class="container container-main" style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; margin: 0px auto; max-width: 1500px; padding: 0px 72px;"><div class="body-quote" style="-webkit-tap-highlight-color: transparent; align-items: center; box-sizing: border-box; display: grid; font-family: var(--font-family-mono-light); font-size: var(--font-size-32); grid-template-columns: auto 1fr; line-height: var(--line-height-3);"><blockquote style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; margin: 0px;"><p style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; margin: 0px; text-align: justify;"><span style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; color: red; font-size: medium; vertical-align: inherit;"><i>"Sin nuestra arrogancia, armas de fuego y dominio, somos solo otro sabor de carne". Doug Peacock</i></span></p></blockquote><p> </p></div></div></div></div><div><div><div class="separator" style="clear: both;"><div style="text-align: center;"><span style="font-size: xx-small;"><br /></span></div><div style="text-align: center;"><span style="font-size: xx-small;"><br /></span></div><div style="text-align: center;"><span style="font-size: xx-small;">https://www.adventure-journal.com/2019/01/the-story-of-doug-peacock-and-the-soul-saving-grizzly-bear/</span></div><div style="text-align: center;"><span style="font-size: xx-small;">https://www.les-cabanes.com/robinsons-cabane-vie-alternative/le-nature-writing-ou-les-chroniques-des-grandes-pl</span></div><div style="text-align: center;"><span style="font-size: xx-small;"><br /></span></div><div style="text-align: center;"><br /></div></div></div><div><br /></div><div><div class="align-left" style="box-sizing: border-box; float: left; text-align: start; width: 802.125px;"><div class="readcls" style="box-sizing: border-box;"><div class="separator" style="clear: both;"><div style="text-align: justify;">El autor, cuyas mejores historias cortas se han recopilado en Por un rato, habla de cómo reconcilia su necesidad de tranquilidad con su ardiente activismo ambiental.</div><div style="text-align: justify;"><br /></div><span style="background-position: 50% 50%; background-repeat: no-repeat; box-sizing: border-box; opacity: 0.6;"><div style="text-align: justify;"><br /></div><div style="text-align: center;"><img height="225" src="https://www.thenationalnews.com/image/policy:1.633022:1506081206/image/jpeg.jpg?f=16x9&w=1200&$p$f$w=dfa40e8" width="400" /></div></span></div><div><i><div style="text-align: center;"><b><span style="font-family: times; font-size: x-small;">Las historias de Rick Bass tienden a centrarse en relaciones emocionalmente intensas en el contexto de la naturaleza salvaje estadounidense. Imágenes de UF Andersen / Getty</span></b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b><br /></b></div><div style="font-family: courier; text-align: justify;"><b>son dos caras muy diferentes de Rick Bass. La primera versión que encuentro es Rick Bass, el aclamado escritor que se despierta temprano y se pone a trabajar lo más rápido y silenciosamente que puede. Antes de que me ponga demasiado agitado. Solo silencio y café. Es difícil tener un sueño cuando estás demasiado agitado. Me gusta meterme discretamente en él ".</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>Este Rick Bass podría ser el poeta laureado de lo discreto. Escribe a mano, me dice, porque “es un poco más tranquilo. Realmente puedes acercarte sigilosamente a una historia. Es como cazar ". Esta búsqueda de la tranquilidad se ve reforzada por la preferencia por la soledad en lugares apartados. El hombre de 58 años me habla desde una cabaña en Bozeman junto al río Yellowstone que usa cuando trabaja como el primer escritor residente de la Universidad Estatal de Montana. “Estoy en un lugar llamado Paradise Valley. Gran nombre." Esa noche Bass regresará a su hogar permanente en el aún más remoto valle de Yaak.</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>La palabra "discreto" también podría aplicarse a la reputación literaria de Bass. A pesar de una gran cantidad de premios, becas y admiradores de alto perfil como Lorrie Moore, Carl Hiaasen, Joy Williams y el ex editor de Paris Review George Plimpton, quien calificó a Bass como uno de los "mejores escritores de su generación", no se ha ganado el reconocimiento internacional. su impresionante cuerpo de trabajo sin duda lo merece.</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>Si hay algo de justicia, esta situación podría cambiar gracias a Por un momento, que recopila lo mejor de la ficción corta de Bass de los últimos 30 años. Como ilustra cada una de las 25 historias extraordinarias, Bass se especializa en relaciones emocionalmente intensas, a menudo dúos o tríos, que pone en escena frente a un desierto estadounidense vívidamente representado. Las dificultades físicas que soportan muchos de sus protagonistas (cazar en páramos helados, nadar por los rápidos del bosque, combatir incendios en entornos más suburbanos) se duplican como pruebas existenciales. Hay pérdida, pena y dolor, pero también amor, ternura y redención. De hecho, la tristeza y la esperanza están entrelazadas conmovedoramente. En todo momento, Bass escribe frases que se alojan en la mente y atormentan la imaginación: "Las grietas y fisuras del azar, rupturas en la superficie de la tierra que reclaman a los tres,Paganos )</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>Encuentro a este Rick Bass al menos de buen humor. “He tenido un buen día”, me dice. “Estoy trabajando en una novela, que he estado probando durante 20 años. Se mueve bien. Creo que sufrió porque yo sabía demasiado sobre los personajes y el tema. Así que dejé de lado todo lo que sabía y empecé a ciegas. Ese es el camino a seguir: no saber qué traerá el día siguiente. Todo lo demás es salsa de aquí ".</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>Lejos del escritorio, emerge un segundo Rick Bass muy diferente. “Llego al final del trabajo de cada mañana. Me descomprimo. Y luego me pongo el uniforme y me voy a la guerra ".</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>Este es Rick Bass, el activista ambiental. Nacido en Fort Worth, Texas, siguió a su padre al estudiar geología, antes de trabajar para la industria del petróleo durante gran parte de la década de 1980. La ambivalencia de Bass sobre esta carrera se expresa en la historia Lease Hound , en la que un joven ambicioso convence a la gente para que venda sus tierras para que las empresas de energía puedan perforar en busca de petróleo. Habiendo comenzado a escribir en sus descansos para el almuerzo, finalmente dejó el trabajo diario en 1987. Hoy apoya su ficción con el periodismo y la enseñanza.</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>La guerra que Bass está ayudando a librar es por la supervivencia del planeta. Su ejército son organizaciones como el Yaak Valley Forest Council, Round River Conservation Studies y Blue Skies Campaign, que protegen el mundo natural del impacto cada vez más destructivo de la humanidad. Esta, argumenta en su sitio web, es la pregunta definitoria que enfrenta la humanidad hoy: "si el calentamiento global (lo que solíamos llamar hace unos pocos años" la amenaza del calentamiento global ") no es la cuestión moral de nuestro tiempo, entonces ninguno existe ".</b></div><div style="font-family: courier; text-align: justify;"><b><br /></b></div><div style="font-family: courier; text-align: justify;"><b>Justo cuando esta amenaza parecía haber llegado a un punto crítico, el nuevo clima político en la tierra natal de Bass elevó aún más las apuestas. Bass menciona que está escribiendo un artículo de opinión para un periódico de Los Ángeles. Sobre lo que pregunto, mal preparado para la vehemencia de su respuesta. “Sobre Trump y su reinado de terror, sobre su intento de quitarle tierras públicas. Es increíble. En la peor película de terror de pesadilla, no tendrías ese tipo de cosas ".</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>Esa mañana, el presidente Trump había anunciado su intención de revertir una ley que impide que las empresas de carbón arrojen desechos en los arroyos circundantes, muchos de los cuales se utilizan para agua potable. Para Bass, tan flagrante desprecio por las preocupaciones ambientales es solo el comienzo. “No hay fin. Todos los que están de luto y sin palabras buscan un centro de corriente de resistencia. ¿Cómo podemos detener esto lo más rápido posible? No está emergiendo una forma clara. Creo que tendrá que hacerse a la antigua, a través de protestas sostenidas y desaprobación cultural. El aspecto del acoso es alarmante. El filo progresivo del fascismo. El componente militarista. Por mi parte, me alegro de tener armas. Es bastante aterrador aquí ".</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>Bass, un cazador comprometido, insiste en que no aboga por la lucha armada, o todavía no. “Creo que las reglas están cambiando mientras hablamos. Luchar contra la violencia genera más violencia. Del mismo modo, no voy a decir lo que haré y lo que no haré. A lo que nos enfrentamos no tiene precedentes ”. Bass explica lo que quiere decir: “Trump está privatizando los recursos públicos. Le está quitando los derechos a las personas. Está sucediendo tan rápido que todo el mundo tiene que defender sus derechos y su propiedad. Nos vamos a quedar sin nada en esta extrapolación ".</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>Como muchos estadounidenses, Bass se sorprendió por la victoria de Trump en noviembre pasado. “Pensé que la gente le estaba prestando atención por una aburrida sensación de entretenimiento crudo. Sé que ha habido un voto de protesta de larga data contra ambos Clinton. Pasé por alto eso porque se ha convertido en una actitud cultural y profundamente arraigada. Creo que realmente entró en juego ".</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>De hecho, Bass sospecha que habría tenido problemas sustanciales con la administración de Hillary Clinton, especialmente sobre el medio ambiente. Fue un crítico vocal de las políticas de Barack Obama, aterrizando en problemas en varias ocasiones. En 2012, Bass fue arrestado durante una manifestación contra el carbón en Missoula. Un año después fue arrestado frente a la Casa Blanca junto a la actriz Daryl Hannah, el poeta laureado estadounidense Robert Hass y el gurú ambiental Bill McKibben por protestar (con éxito) contra el oleoducto Keystone XL.</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>“Habríamos tenido las manos ocupadas como ambientalistas con Hillary. No creo que hubiera sido una gran defensora del medio ambiente. Creo que habría sido muy complaciente con los grandes negocios. Pero ciertamente no habría amenazado a los jueces y no habría hecho los nombramientos que hizo Trump. Tendríamos batallas más fáciles contra Clinton que contra Trump ”.</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>Me pregunto cómo maneja Bass las aparentes divisiones y tensiones en su propia naturaleza: ¿el escritor meditativo y el activista vociferante alguna vez entran en conflicto? “Intento mantener un cortafuegos entre los dos. Lo que para mí es un buen arte, es decir frases bonitas e historias luminosas o intrigantes, no proviene del terror ni del susto ni del descontento. Proviene de una celebración del misterio y la belleza. Esas son las grandes y ricas fuentes para mí, como lector, y por lo que me esfuerzo como escritor ".</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>Admite que historias como Pagans o Titán desdibujan la línea. “Sabía que Rick el ambientalista estaba en el horizonte. Si veo que ese tipo se acerca por la colina, le dispararé. Es como tener dos trabajos. Solo tengo que recordar para quién estoy trabajando ”, dice entre risas.</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>Tanto Bass como su nación han llegado a puntos de inflexión. Por un rato marca el final de un período creativo y el comienzo de uno nuevo. Trump representa un pivote bastante diferente. Aunque Bass admite miedo y pesimismo, dice que no hay tiempo para sentarse y quejarse. Entonces, le pregunto antes de que regrese a la guerra, ¿qué pueden hacer los ciudadanos preocupados? "Hablar claro. Grandes reuniones, pequeñas reuniones. Marchas de protesta. Inundación de artículos de opinión y cartas. Las conversaciones de persona a persona que estamos viendo son un comienzo ".</b></div><div style="font-family: courier; text-align: justify;"><br /></div><div style="font-family: courier; text-align: justify;"><b>Sobre todo, Bass aboga por trabajar en la comunidad local. “Puedes tener una gran influencia”, dice antes de hablar apasionadamente sobre su asociación de 20 años con el Consejo Forestal del Valle de Yaak, que protege los recursos naturales alrededor de su propia casa. Estas áreas están recientemente amenazadas por la promesa de Trump de desregular las tierras públicas. Bass está furioso. Pero si no lo supiera mejor, podría decir que casi da la bienvenida a las próximas batallas. "Estamos cavando y luchando", dice desafiante. “Es aterrador si perdemos. Pero se siente bien estar haciendo algo ".</b></div><div style="font-family: courier; text-align: justify;"><b><br /></b></div><div style="font-family: courier; text-align: justify;"><b><br /></b></div><div style="font-family: courier; text-align: justify;"><b>(James Kidd es un periodista independiente afincado en Londres.)</b></div><div style="font-family: courier; text-align: justify;"><b><br /></b></div><div style="font-family: courier; text-align: justify;"><br /></div></i><div><span style="font-family: trebuchet; font-size: x-large;"><b>The Hermit's Story</b></span><div style="text-align: justify;"><a href="https://www.theparisreview.org/authors/5339/rick-bass"><i>Rick Bass</i></a></div><div style="text-align: justify;"><a href="https://www.theparisreview.org/back-issues/147"><i>ISSUE 147,</i></a><i><a href="https://www.theparisreview.org/back-issues/147">1998</a></i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>An ice storm, following seven days of snow; the vast fields and drifts of snow turning to sheets of glazed ice that shine and shimmer blue in the moonlight as if the color is being fabricated not by the bending and absorption of light but by some chemical reaction within the glossy ice; as if the source of all blueness lies somewhere up here in the north—the core of it beneath one of those frozen fields; as if blue is a thing that emerges, in some parts of the world, from the soil itself, after the sun goes down.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Blue creeping up fissures and cracks from depths of several hundred feet; blue working its way up through the gleaming ribs of Ann’s buried dogs; blue trailing like smoke from the dogs’s empty eye sockets and nostrils—blue rising like smoke from chimneys until it reaches the surface and spreads laterally and becomes entombed, or trapped—but still alive, and smoky—within those moonstruck fields of ice.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Blue like a scent trapped in the ice, waiting for some soft release, some thawing, so that it can continue spreading.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>It’s Thanksgiving. Susan and I are over at Ann’s and Roger’s house for dinner. The storm has knocked out all the power down in town—it’s a clear, cold, starry night, and if you were to climb one of the mountains on snowshoes and look forty miles south toward where the town lies, instead of seeing the usual small scatterings of light—like fallen stars, stars sunken to the bottom of a lake, but still glowing—you would see nothing but darkness—a bowl of silence and darkness in balance for once with the mountains up here, rather than opposing or complementing our darkness, our peace.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>As it is, we do not climb up on snowshoes to look down at the dark town—the power lines dragged down by the clutches of ice—but can tell instead just by the way there is no faint glow over the mountains to the south that the power is out: that this Thanksgiving, life for those in town is the same as it always is for us in the mountains, and it is a good feeling, a familial one, coming on the holiday as it does—though doubtless too the townspeople are feeling less snug and cozy about it than we are.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>We’ve got our lanterns and candles burning. A fire’s going in the stove, as it will all winter long and into the spring. Ann’s dogs are asleep in their straw nests, breathing in that same blue light that is being exhaled from the skeletons of their ancestors just beneath and all around them. There is the faint, good smell of cold-storage meat—slabs and slabs of it—coming from down in the basement, and we have just finished off an entire chocolate pie and three bottles of wine. Roger, who does not know how to read, is examining the empty bottles, trying to read some of the words on the labels. He recognizes the words the and in and USA. It may be that he will never learn to read—that he will be unable to—but we are in no rush and—unlike his power lifting—he has all of his life in which to accomplish this. I for one believe that he will learn it.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Ann has a story for us. It’s about one of the few clients she’s ever had, a fellow named Gray Owl, up in Canada, who owned half a dozen speckled German shorthaired pointers, and who had hired Ann to train them all at once. It was eleven years ago, she says—her last job.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>She worked the dogs all summer and into the autumn, and finally had them ready for field trials. She took them back up to Gray Owl—way up in Saskatchewan—driving all day and night in her old truck, which was old even then, with dogs piled up on top of each other, sleeping and snoring: dogs on her lap, dogs on the seat, dogs on the floorboard. How strange it is to think that most of us can count on one hand the number of people we know who are doing what they most want to do for a living. They invariably have about them a kind of wildness and calmness both, possessing somewhat the grace of animals that are fitted intricately and polished into this world. An academic such as myself might refer to it as a kind of “biological confidence.” Certainly I think another world for it could be peace.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Ann was taking the dogs up there to show Gray Owl how to work them: how to take advantage of their newly found talents. She could be a sculptor or some other kind of artist, in that she speaks of her work as if the dogs are rough blocks of stone whose internal form exists already and is waiting only to be chiseled free and then released by her beautiful into the world.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Basically, in six months, the dogs had been transformed from gangling, bouncy puppies into six raging geniuses, and she needed to show their owner how to control them, or rather, how to work with them. Which characteristics to nurture, which ones to discourage. With all dogs, Ann said, there was a tendency, upon their leaving her tutelage—unlike a work of art set in stone or paint—for a kind of chitinous encrustation to set in, a sort of oxidation, upon the dogs leaving her hands and being returned to someone less knowledgeable and passionate, less committed than she. It was as if there were a tendency in the world for the dogs’ greatness to disappear back into the stone.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>So she went up there to give both the dogs and Gray Owl a check-out session. She drove with the heater on and the window down; the cold Canadian air was invigorating, cleaner, farther north. She could smell the scent of the fir and spruce, and the damp alder and cottonwood leaves beneath the many feet of snow. We laughed at her when she said it, but she told us that up in Canada she could taste the fish in the streams as she drove alongside creeks and rivers.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>She listened to the only radio station she could pick up as she drove, but it was a good one. She got to Gray Owl’s around midnight. He had a little guest cabin but ha not heated it for her, uncertain as to the day of her arrival, so she and the six dogs slept together on a cold mattress beneath mounds of elk hides: their last night together. She had brought a box of quail with which to work the dogs, and she built a small fire in the stove and set the box of quail next to it.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>The quail muttered and cheeped all night and the stove popped and hissed and Ann and the dogs slept for twelve hours straight, as if submerged in another time, or as if everyone else in the world was submerged in time—encased in stone—and as if she and the dogs were pioneers, or survivors of some kind: upright and exploring the present, alive in the world, free of that strange chitin.</i></div><div style="text-align: center;"><i><span style="font-size: x-large;">•</span></i></div><div style="text-align: justify;"><i>She spent a week up there, showing Gray Owl how his dogs worked. She said he scarcely recognized them afield, and that it took a few days just for him to get over his amazement. They worked the dogs both individually and, as Gray Owl came to understand and appreciate what Ann had crafted, in groups. They traveled across snowy hills on snowshoes, the sky the color of snow, so that often it was like moving through a dream, and except for the rasp of the snowshoes beneath them, and the pull of gravity, they might have believed they had ascended into some sky-place where all the world was snow.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>They worked into the wind—north—whenever they could. Ann would carry birds in a pouch over her shoulder—much as a woman might carry a purse—and from time to time would fling a startled bird out into that dreary, icy snowscape— and the quail would fly off with great haste, a dark feathered buzz bomb disappearing quickly into the teeth of cold, and then Gray Owl and Ann and the dog, or dogs, would go find it, following it by scent only, as always.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Snot icicles would be hanging from the dogs’ nostrils. They would always find the bird. The dog, or dogs, would point it, at which point Gray Owl or Ann would step forward and flush it—the beleaguered bird would leap into the sky again—and then once more they would push on after it, pursuing that bird toward the horizon as if driving it with a whip. Whenever the bird wheeled and flew downwind, they’d quarter away from it, then get a mile or so downwind from it and push it back north.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>When the quail finally became too exhausted to fly, Ann would pick them up from beneath the dogs’ noses as they held point staunchly, put the tired bird in her game bag and replace it with a fresh one, and off they’d go again. They carried their lunch in Gray Owl’s daypack, as well as emergency supplies—a tent and some dry clothes—in case they should become lost, and around noon each day (they could rarely see the sun, only an eternal ice-white haze, so that they relied instead only on their rhythms within) they would stop and make a pot of tea on the sputtering little gas stove.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Sometimes one or two of the quail would die from exposure, and they would cook that on the stove and eat it out there in the tundra, tossing the feathers up into the wind as if to launch one more flight, and feeding the head, guts and feet to the dogs.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Perhaps seen from above their tracks would have seemed aimless and wandering, rather than with the purpose, the focus that was burning hot in both their and the dogs’ hearts— perhaps someone viewing the tracks could have discerned the pattern, or perhaps not—but it did not matter, for their tracks—the patterns, direction and tracing of them were obscured by the drifting snow sometimes within minutes after they were laid down.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Toward the end of the week, Ann said, they were finally running all six dogs at once—like a herd of silent wild horses through all that snow—and as she would be going home the next day, there was no need to conserve any of the birds she had brought, and she was turning them loose several at a time: birds flying in all directions; the dogs, as ever, tracking them to the ends of the earth.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>It was almost a whiteout that last day, and it was hard to keep track of all the dogs. Ann was sweating from the exertion as well as the tension of trying to keep an eye on, and evaluate, each dog—the sweat was freezing on her in places, so that it was as if she were developing an ice skin. She jokingly told Gray Owl that next time she was going to try to find a client who lived in Arizona, or even South America. Gray Owl smiled and then told her that they were lost, but no matter, the storm would clear in a day or two.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>They knew it was getting near dusk—there was a faint dulling to the sheer whiteness—a kind of increasing heaviness in the air, a new density to the faint light around them—and the dogs slipped in and out of sight, working just at the edges of their vision.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>The temperature was dropping as the north wind increased—”</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>No question about which way south is; we’ll turn around and walk south for three hours, and if we don’t find a road, we’ll make camp,” Gray Owl said—and now the dogs were coming back with frozen quail held gingerly in their mouths, for once the birds were dead, they were allowed to retrieve them, though the dogs must have been puzzled that there had been no shots. Ann said she fired a few rounds of the cap pistol into the air to make the dogs think she had hit those birds. Surely they believed she was a goddess.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>They turned and headed south—Ann with a bag of frozen birds over her shoulder, and the dogs—knowing that the hunt was over now—all around them, once again like a team of horses in harness, though wild and prancey.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>After an hour of increasing discomfort—Ann’s and Gray Owl’s hands and feet numb, and ice beginning to form on the dogs’ paws, so that the dogs were having to high-step— they came in day’s last light to the edge of a wide clearing: a terrain that was remarkable and soothing for its lack of hills.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>It was a frozen lake, which meant—said Gray Owl—they had drifted west (or perhaps east) by as much as ten miles.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Ann said that Gray Owl looked tired and old and guilty, as would any host who had caused his guest some unasked-for inconvenience. They knelt down and began massaging the dogs’ paws and then lit the little stove and held each dog’s foot, one at a time, over the tiny blue flame to help it thaw out.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Gray Owl walked out to the edge of the lake ice and kicked at it with his foot, hoping to find fresh water beneath for the dogs; if they ate too much snow, especially after working so hard, they’d get violent diarrhea and might then become too weak to continue home the next day, or the next, or whenever the storm quit.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Ann said she could barely see Gray Owl’s outline through the swirling snow, even though he was less than twenty yards away. He kicked once at the sheet of ice, the vast plate of it, with his heel, then disappeared below the ice.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Ann wanted to believe that she had blinked and lost sight of him, or that a gust of snow had swept past and hidden him, but it had been too fast, too total: she knew that the lake had swallowed him. She was sorry for Gray Owl, she said, and worried for his dogs—afraid they would try to follow his scent down into the icy lake, and be lost as well—but what she was most upset about, she said—to be perfectly honest—was that Gray Owl had been wearing the little daypack with the tent and emergency rations. She had it in her mind to try to save Gray Owl, and to try to keep the dogs from going through the ice—but if he drowned, she was going to have to figure out how to try to get that daypack off of the drowned man and set up the wet tent in the blizzard on the snowy prairie and then crawl inside and survive. She would have to go into the water naked, so that when she came back out—if she came back out—she would have dry clothes to put on.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>The dogs came galloping up, seeming as large as deer or elk in that dim landscape against which there was nothing else to give them perspective, and Ann whoaed them right at the lake’s edge, where they stopped immediately as if they had suddenly been cast with a sheet of ice.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Ann knew they would stay there forever, or until she released them, and it troubled her to think that if she drowned, they too would die—that they would stand there motionless, as she had commanded them, for as long as they could, until at some point—days later, perhaps—they would lie down, trembling with exhaustion—they might lick at some snow, for moisture—but that then the snows would cover them, and still they would remain there, chins resting on their front paws, staring straight ahead and unseeing into the storm, wondering where the scent of her had gone.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Ann eased out onto the ice. She followed the tracks until she came to the jagged hole in the ice through which Gray Owl had plunged. She was almost half again lighter than he, but she could feel the ice crackling beneath her own feet. It sounded different, too, in a way she could not place—it did not have the squeaky, percussive resonance of the lake-ice back home—and she wondered if Canadian ice froze differently or just sounded different.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>She got down on all fours and crept closer to the hole. It was right at dusk. She peered down into the hole and dimly saw Gray Owl standing down there, waving his arms at her.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>He did not appear to be swimming. Slowly, she took one glove off and eased her bare hand down into the hole. She could find no water, and tentatively, she reached deeper.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Gray Owl’s hand found hers and he pulled her down in.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Ice broke as she fell but he caught her in his arms. She could smell the wood smoke in his jacket from the alder he burned in his cabin. There was no water at all, and it was warm beneath the ice.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>“This happens a lot more than people realize,” he said.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>“It’s not really a phenomenon; it’s just what happens. A cold snap comes in October, freezes a skin of ice over the lake—it’s got to be a shallow one, almost a marsh. Then a snowfall comes, insulating the ice. The lake drains in fall and winter— percolates down through the soil”—he stamped the spongy ground beneath them—“but the ice up top remains. And nobody ever knows any differently. People look out at the surface and think, Aha, a frozen lake.” Gray Owl laughed.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>“Did you know it would be like this?” Ann asked.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>“No,” he said, “I was looking for water. I just got lucky.”</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Ann walked back to shore beneath the ice to fetch her stove and to release the dogs from their whoa command. The dry lake was only about eight feet deep, but it grew shallow quickly, closer to shore, so that Ann had to crouch to keep from bumping her head on the overhead ice, and then crawl; and then there was only space to wriggle, and to emerge she had to break the ice above her by bumping and then battering it with her head and elbows, like the struggles of some embryonic hatchling; and when stood up, waist-deep amid sparkling shards of ice—it was nighttime, now—the dogs barked ferociously at her, but remained where she had ordered them to stay—and she was surprised at how far off course she was when she climbed out; she had traveled only twenty feet but already the dogs were twice that far away from her. She knew humans had a poorly evolved, almost nonexistent sense of direction, but this error—over such a short distance—shocked her. It was as if there were in us a thing—an impulse, a catalyst—that denies our ever going straight to another thing.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Like dogs working left and right into the wind, she thought, before converging on the scent.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Except that the dogs would not get lost, while she could easily imagine herself and Gray Owl getting lost beneath the lake, walking in circles forever, unable to find even the simplest of things: the shore.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>She gathered the stove and dogs. She was tempted to try to go back in the way she had come out—it seemed so easy—but considered the consequences of getting lost in the other direction, and instead followed her original tracks out to where Gray Owl had first dropped through the ice. It was true night now and the blizzard was still blowing hard, plastering snow and ice around her face like a mask. The dogs did not want to go down into the hole, so she lowered them to Gray Owl and then climbed gratefully back down into the warmth herself.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>The air was a thing of its own—recognizable as air, and breathable, as such, but with a taste and odor, an essence, unlike any other air they’d ever breathed. It had a different density to it, so that smaller, shallower breaths were required; there was very much the feeling that if they breathed in too much of the strange, dense air, they would drown.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>They wanted to explore the lake, and were thirsty, but it felt like a victory simply to be warm—or rather, not cold—and they were so exhausted that instead they made pallets out of the dead marsh grass that rustled around their ankles, and they slept curled up on the tiniest of hammocks, to keep from getting damp in the pockets and puddles of dampness that still lingered here and there.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>All eight of them slept as if in a nest, heads and arms draped across other ribs and hips, and it was, said Ann, the best and deepest sleep she’d ever had—the sleep of hounds, the sleep of childhood—and how long they slept, she never knew, for she wasn’t sure, later, how much of their subsequent time they spent wandering beneath the lake, and then up on the prairie, homeward again—but when they awoke, it was still night, or night once more, and clearing, with bright stars visible through the porthole, their point of embarkation; and even from beneath the ice, in certain places where for whatever reasons—temperature, oxygen content, wind scour— the ice was clear rather than glazed they could see the spangling of stars, though more dimly; and strangely, rather than seeming to distance them from the stars, this phenomenon seemed to pull them closer as if they were up in the stars, traveling the Milky Way—or as if the stars were embedded in the ice.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>It was very cold outside—up above—and there was a steady stream, a current like a river of the night’s colder, heavier air plunging down through their porthole, as if trying to fill the empty lake with that frozen air—but there was also the hot muck of the earth’s massive respirations breathing out warmth and being trapped and protected beneath that ice, so that there were warm currents doing battle with the lone cold current.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>The result was that it was breezy down there, and the dogs’ noses twitched in their sleep as the images brought by these scents painted themselves across their sleeping brains in the language we call dreams but which, for the dogs, and perhaps for us, were reality: the scent of an owl real, not a dream; the scent of bear, cattail, willow, loon, real, even though they were sleeping, and even though those things were not visible: only over the next horizon.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>The ice was contracting, groaning and cracking and squeaking up tighter, shrinking beneath the great cold—a concussive, grinding sound, as if giants were walking across the ice above—and it was this sound that had awakened them. They snuggled in warmer among the rattly dried yellowing grasses and listened to the tremendous clashings, as if they were safe beneath the sea and were watching waves of starlight sweeping across their hiding place; or as if they were in some place, some position, where they could watch mountains being born.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>After a while the moon came up and washed out the stars.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>The light was blue and silver and seemed, Ann said, to be like a living thing. It filled the sheet of ice just above their heads with a shimmering cobalt light, which again rippled as if the ice were moving, rather than the earth itself, with the moon tracking it—and like deer drawn by gravity getting up in the night to feed for an hour or so before settling back in. Gray Owl and Ann and the dogs rose from their nests of straw and began to travel.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>“You didn’t—you know—engage?’’ Susan asks: a little mischievously, and a little proprietary, perhaps.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Ann shakes her head. “It was too cold,” she says. I sneak a glance at Roger, but cannot read his expression. Is he in love with her? Does she own his heart?</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>“But you would have, if it hadn’t been so cold, right?”</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Susan asks, and Ann shrugs. “He was an old man—in his fifties—and the dogs were around. But yeah, there was something about it that made me think of . . . those things,” she says, careful and precise as ever.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>“I would have done it anyway,” Susan says, “Even if it was cold, and even if he was a hundred.”</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>“We walked a long way,” Ann says, eager to change the subject. “The air was damp down there and whenever we’d get chilled, we’d stop and make a little fire out of a bundle of dry cattails.” There were little pockets and puddles of swamp gas pooled here and there, she said, and sometimes a spark from the cattails would ignite one of those, and all around these little pockets of gas would light up like when you toss gas on a fire—these little explosions of brilliance, like flashbulbs—marsh pockets igniting like falling dominoes, or like children playing hopscotch—until a large-enough flash-pocket was reached—sometimes thirty or forty yards away from them, by this point—that the puff of flame would blow a chimney-hole through the ice, venting the other pockets, and the flames would crackle out—the scent of grass smoke sweet in their lungs—and they could feel gusts of warmth from the little flickering fixes, and currents of the colder, heavier air—sliding down through the new vent holes and pooling around their ankles. The moonlight would strafe down through those rents in the ice, and shards of moon-ice would be glittering and spinning like diamond-motes in those newly vented columns of moonlight; and they pushed on, still lost, but so alive.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>The mini-explosions were fun, but they frightened the dogs, and so Ann and Gray Owl lit twisted bundles of cattails and used them for torches to light their way, rather than building warming fires: though occasionally they would still pass through a pocket of methane and a stray ember would fall from their torches, and the whole chain of fire and light would begin again, culminating once more with a vent-hole being blown open and shards of glittering ice tumbling down into their lair . . .</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>What would it have looked like, seen from above—the orange blurrings of their wandering trail beneath the ice; and what would the sheet of lake-ice itself have looked like that night—throbbing with the ice-bound, subterranean blue and orange light of moon and fire? But again, there was no one to view the spectacle: only the travelers themselves, and they had no perspective, no vantage or loft from which to view or judge themselves. They were simply pushing on from one fire to the next, carrying their tiny torches. The beauty in front of them was enough.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>They knew they were getting near a shore—the southern shore, they hoped, as they followed the glazed moon’s lure above—when the dogs began to encounter shore birds that had somehow found their way beneath the ice through small fissures and rifts and were taking refuge in the cattails. Small winter birds—juncos, nuthatches, chickadees—skittered away from the smoky approach of their torches; only a few late-migrating (or winter-trapped) snipe held tight and steadfast, and the dogs began to race ahead of Gray Owl and Ann, working these familiar scents—blue and silver ghost-shadows of dog-muscle weaving ahead through slants of moonlight.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>The dogs emitted the odor of adrenaline when they worked, Ann said—a scent like damp fresh-cut green hay—and with nowhere to vent, the odor was dense and thick around them, so that Ann wondered if it too might be flammable, like the methane: if in the dogs’ passions they might literally immolate themselves.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>They followed the dogs closely with their torches. The ceiling was low—about eight feet, as if in a regular room—so that the tips of their torches’ flames seared the ice above them, leaving a drip behind them and transforming the milky, almost opaque cobalt and orange ice behind them— wherever they passed—into wandering ribbons of clear ice, translucent to the sky—a script of flame, or buried flame, ice-bound flame—and they hurried to keep up with the dogs.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Now the dogs had the snipe surrounded, as Ann told it, and one by one the dogs went on point—each dog freezing as it pointed to the birds’ hiding places—and it was the strangest scene yet, Ann said, seeming surely underwater; and Gray Owl moved in to flush the birds, which launched themselves with vigor against the roof of the ice above, fluttering like bats; but the snipe were too small, not powerful enough to break through those frozen four inches of water (though they could fly four thousand miles to South America each year, and then back to Canada six months later—is freedom a lateral component, or a vertical one?) and as Gray Owl kicked at the clumps of frost-bent cattails where the snipe were hiding and they burst into flight only to hit their heads on the ice above them, the snipe came tumbling back down, raining limp and unconscious back to their soft grassy nests.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>The dogs began retrieving them, carrying them gingerly, delicately—not preferring the taste of snipe, which ate only eartwhohworms—and Ann and Gray Owl gathered the tiny birds from the dogs, placed them in their pockets, and continued on to the shore, chasing that moon—the ceiling lowering to six feet, then four, then to a crawl space—and after they had bashed their way out (with elbows, fists and forearms) and stepped back out into the frigid air, they tucked the still-unconscious snipe into little crooks in branches, up against the trunks of trees and off the ground, out of harm’s way, and passed on, south—as if late in their own migration—while the snipe rested, warm and terrified and heart-fluttering, but saved, for now, against the trunks of those trees.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Long after Ann and Gray Owl and the pack of dogs had passed through, the birds would awaken—their bright dark eyes luminous in the moonlight—and the first sight they would see would be the frozen marsh before them with its chain of still-steaming vent-holes stretching back across all the way to the other shore. Perhaps these were birds that had been unable to migrate due to injuries, or some genetic absence. Perhaps they had tried to migrate in the past but had found either their winter habitat destroyed, or the path down there so fragmented and fraught with danger that it made more sense—to these few birds—to ignore the tuggings of the stars and seasons and instead to try to carve out new lives, new ways-of-being, even in such a stark and severe landscape: or rather, in a stark and severe period—knowing that lushness and bounty was still retained within that landscape. That it was only a phase; that better days would come. That in fact (the snipe knowing these things with their blood, ten-million-years-in-the-world), the austere times were the very thing, the very imbalance, which would summon the resurrection of that frozen richness within the soil—if indeed that richness, that magic, that hope, did still exist beneath the ice and snow. Spring would come like its own green fire, if only the injured ones could hold on.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>And what would the snipe think or remember, upon reawakening and finding themselves still in that desolate position, desolate place and time, but still alive, and with hope? Would it seem to them that a thing like grace had passed through, as they slept—that a slender winding river of it had passed through and rewarded them for their faith and endurance? Believing, stubbornly, that that green land beneath them would blossom once more. Maybe not soon; but again.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>If the snipe survived, they would be among the first to see it. Perhaps they believed that the pack of dogs, and Gray Owl’s and Ann’s advancing torches, had only been one of winter’s dreams. Even with the proof—the scribings—of grace’s passage before them—the vent-holes still steaming— perhaps they believed it was only one of winter’s dreams.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>It would be curious to tally how many times any or all of us reject, or fail to observe, moments of grace. Another way in which I think Susan and I differ from most of the anarchists and militia members up here is that we believe there is still green fire in the hearts of our citizens, beneath this long snowy winter—beneath the chitin of the insipid. That there is still something beneath the surface: that our souls and spirits are still of more worth, more value, than the glassine, latticed ice-structures visible only now at the surface of things.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>We still believe there’s something down there beneath us, as a country. Not that we’re better than other countries, by any means—but that we’re luckier. That ribbons of grace are still passing through and around us—even now, and for whatever reasons, certainly unbeknownst to us, and certainly undeserved, unearned.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Gray Owl, Ann and the dogs headed south for half a day until they reached the snow-scoured road on which they’d parked. The road looked different, Ann said, buried beneath snowdrifts, and they didn’t know whether to turn east or west. The dogs chose west, and so Gray Owl and Ann followed them. Two hours later they were back at their truck, and that night they were back at Gray Owl’s cabin; by the next night Ann was home again. She says that even now she still sometimes has dreams about being beneath the ice—about living beneath the ice—and that it seems to her as if she was down there for much longer than a day and a night; that instead she might have been gone for years.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>It was twenty years ago, when it happened. Gray Owl has since died, and all of those dogs are dead now, too. She is the only one who still carries—in the flesh, at any rate—the memory of that passage.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Ann would never discuss such a thing, but I suspect that it, that one day-and-night, helped give her a model for what things were like for her dogs when they were hunting and when they went on point: how the world must have appeared to them when they were in that trance, that blue zone, where the odors of things wrote their images across the dogs’ hot brainpans. A zone where sight, and the appearance of things—surfaces—disappeared, and where instead their essence— the heat molecules of scent—was revealed, illuminated, circumscribed, possessed.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>I suspect that she holds that knowledge—the memory of that one day-and-night—especially since she is now the sole possessor—as tightly, and securely, as one might clench some bright small gem in one’s fist: not a gem given to one by some favored or beloved individual but, even more valuable, some gem found while out on a walk—perhaps by happenstance, or perhaps by some unavoidable rhythm of fate—and hence containing great magic, great strength.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Such is the nature of the kinds of people living, scattered here and there, in this valley</i></div></div><i><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-size: xx-small;"><span style="color: #38761d; font-family: courier;">Fuente:</span><span style="text-align: start;"><span style="color: #38761d; font-family: courier;">https://www.theparisreview.org/fiction/1120/the-hermits-story-rick-bass</span></span></span></div><div style="text-align: justify;"><span style="font-size: xx-small;"><span style="text-align: start;"><span style="color: #38761d; font-family: courier;"><br /></span></span></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-size: xx-small;"><span style="text-align: start;"><span style="color: #38761d; font-family: courier;"><div class="et_post_meta_wrapper" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; font-size: 14px; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;"><h1 class="entry-title" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; color: #333333; font-size: 30px; line-height: 1em; margin: 0px; outline: 0px; padding: 0px 0px 10px; text-size-adjust: 100%; vertical-align: baseline;">Cambiar de vida en invierno, la naturaleza según Rick Bass</h1><p class="post-meta" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px 0px 6px; outline: 0px; padding: 0px 0px 15px; text-size-adjust: 100%; vertical-align: baseline;">por <span class="author vcard" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;"><a href="http://www.culturalresuena.es/author/polf/" rel="author" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; color: #666666; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; text-size-adjust: 100%; vertical-align: baseline;" title="Mensajes de Pol Frau">Pol Frau</a></span> | <span class="published" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">Feb 21, 2019</span> | <a href="http://www.culturalresuena.es/category/criticas/" rel="category tag" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; color: #666666; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; text-size-adjust: 100%; vertical-align: baseline;">Críticas</a>, <a href="http://www.culturalresuena.es/category/libros/" rel="category tag" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; color: #666666; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; text-size-adjust: 100%; vertical-align: baseline;">Libros</a>, <a href="http://www.culturalresuena.es/category/literatura/" rel="category tag" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; color: #666666; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; text-size-adjust: 100%; vertical-align: baseline;">Literatura</a> | <span class="comments-number" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;"><a data-et-has-event-already="true" href="http://www.culturalresuena.es/2019/02/cambiar-de-vida-en-invierno-la-naturaleza-segun-rick-bass/#respond" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; color: #666666; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; text-size-adjust: 100%; vertical-align: baseline;">0 Comentarios</a></span></p><div style="text-align: center;"><img alt="" height="400" src="https://i2.wp.com/www.culturalresuena.es/wp-content/uploads/2019/02/Portada_Invierno_web_alta-1.jpg?resize=1080%2C675" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; height: auto; margin: 0px; max-width: 100%; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;" width="640" /></div></div><div class="entry-content" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; font-size: 14px; margin: 0px; outline: 0px; padding: 30px 0px 0px; text-size-adjust: 100%; vertical-align: baseline;"><p style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px 0px 1em; text-align: justify; text-size-adjust: 100%; vertical-align: baseline;"><span face="Arial, sans-serif" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">Tenia ganas de hablar de un libro de Errata Naturae, una de mis editoriales favoritas por la concreción de su catalogo y por la importancia de que exista un sello que se dedique a este tipo de literatura. Me refiero a lo que a menudo se conoce como <i style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">nature writing, </i>es decir la producción textual que tiene como centro el estudio o la reflexión entorno a la naturaleza y la experiencia que tiene el individuo de esta. Una temática que más allá de tendencias mayores o menores al ruralismo marca la vida y la historia de la humanidad ya sea por proximidad o por oposición al medio y es des de este punto de vista que tiene para mi un lugar primordial para el pensamiento. El libro en cuestión es Invierno (Errata Naturae) donde <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">Rick Bass</span> relata un diario que se construye como una suerte de biografía de su propia vida y en concreto de su primer invierno viviendo en el valle del Yaak, Montana, en un pequeño poblado al norte de Estados Unidos rodeado de naturaleza salvaje donde viven cerca de una treintena de personas habitualmente sin ni siquiera electricidad o teléfono. Se trata de un libro de todavía 2018, la ultima lectura navideña que tenia pendiente.</span></p><p style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px 0px 1em; text-align: justify; text-size-adjust: 100%; vertical-align: baseline;"><span face="Arial, sans-serif" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">En la época de internet y las redes sociales, uno va a la montaña y tiene la sensación de estarse perdiendo algo. Vivimos a menudo en esa sobre excitación permanente en la que no nos damos un momento de descanso, como si tuviéramos que verlo todo y estar en todos lados, como si se nos fuera la vida y necesitáramos retenerla. De eso habla <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">Rick Bass</span> cuando piensa en la mujer de ochenta años que lleva toda la vida en ese pequeño poblado de Yaak, cuantas cosas se habrá perdido. Aún así, Bass y su mujer, naturales de Texas, él escritor y ella artista plástica, deciden con tan solo veintinueve años irse a vivir a Yaak. Cuantas cosas habrá visto esa mujer que nadie más habrá visto, piensa mas tarde el escritor, no se puede estar en todos lados.</span></p><p lang="es-ES" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px 0px 1em; text-align: justify; text-size-adjust: 100%; vertical-align: baseline;"><span face="Arial, sans-serif" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">Rick Bass no duda en reconocer que su migración a Yaak es una huida de una sociedad en la que ya no se siente a gusto. Una sociedad en decadencia dominada por el engaño, el absurdo y la falta de conversaciones realmente interesantes y cita a <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">Thoreau</span> cuando dice que el ermitaño se aleja de unas cosas para acercarse a otras. La referencia a Thoreau no es por supuesto casual. <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">Thoreau</span> es el referente indiscutible de diferentes generaciones de americanos interesados por la naturaleza. Una sociedad, la americana, plagada de contrastes entre los grandes núcleos urbanos que están entre los más contaminantes y activos del planeta, donde la actividad industrial y empresarial nunca se para y los inmensos bosques salvajes, y por lo tanto aún no domesticados, donde pueden pasar meses sin tener presencia humana alguna y puede volverse incluso imposible transitarlo en cualquier tipo de vehículo. El contacto con la naturaleza puede ser mucho mas potente que en Europa, por poner un ejemplo, donde todo territorio está más regulado y es propiedad de alguien y uno no puede siquiera acampar una noche en un bosque sin pedir permiso para hacerlo.</span></p><p lang="es-ES" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px 0px 1em; text-align: justify; text-size-adjust: 100%; vertical-align: baseline;"><span face="Arial, sans-serif" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">Es en este contexto en el que siguiendo el ejemplo del pensador Thoreau o del protagonista del conocido libro (y después película) Hacia Rutas Salvajes (Into the wild, recogedor de un caso real), un cierto numero de estadounidenses dejan su vida acomodada de ciudad para empezar una nueva vida en algún bosque del extenso territorio americano, cuanto más remoto y salvaje, mejor. Los motivos pueden ser mas o menos dispares pero en el caso estadounidense suelen tener mucho que ver con la búsqueda de la propia individualidad a través de un modo de vida más pausado y conectado con las necesidades básicas y primitivas del ser humano que permita un trabajo de autoconciencia de uno mismo, de sus necesidades, sus pensamientos y singularidades y también como acto de libertad de si. De un ejercicio de liberación de las coacciones sociales que limitan el desarrollo y la libertad del individuo, valores todos ellos muy americanos.</span></p><p lang="es-ES" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px 0px 1em; text-align: justify; text-size-adjust: 100%; vertical-align: baseline;"><span face="Arial, sans-serif" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">Rick Bass</span> bebe de esta tradición y escribe de forma muy tranquila y aparentemente vacía pero que muestra entre las descripciones de sus rutinas diarias como su vida se va transformando en Yaak y las razones que lo van convenciendo de haber escogido correctamente su lugar de residencia. Argumentos que cogen fuerza si somos conscientes de que <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">Rick Bass</span> es hoy un hombre de sesenta años que sigue viviendo en Yaak, cuarenta años después. En su dietario habla frecuentemente de la leña, la caza y la agricultura, en un lugar extremo, con temperaturas de hasta cincuenta grados bajo cero. La propia subsistencia ocupa gran parte del tiempo de sus habitantes y les da una lección de humildad. Viven mas pendientes del clima ya que el frío, la noche, la nieve marcan de una forma mucho mas evidente cuando empieza y acaba el día que se puede hacer y que no.</span></p><p lang="es-ES" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px 0px 1em; text-align: justify; text-size-adjust: 100%; vertical-align: baseline;"><span face="Arial, sans-serif" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">Los animales también forman parte del paisaje que dibuja Bass, animales salvajes como los coyotes, los osos o los ciervos con los que conviven de una forma silenciosa, se ven de lejos, se siguen unos a otros. Los animales subsisten de una forma más salvaje, los humanos necesitan en cambio de las herramientas de la cultura para sobrevivir en esas condiciones.</span></p><p lang="es-ES" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px 0px 1em; text-align: justify; text-size-adjust: 100%; vertical-align: baseline;"><span face="Arial, sans-serif" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">En definitiva Bass nos muestra como se impone un ritmo de vida diferente en la alta montaña. Uno tiene que hacer un mayor trabajo de aceptación de las duras condiciones climáticas y darle la vuelta transformándolo en un sentimiento de agradecimiento de estar en el mundo, de recibir nieve o lluvia, de contemplar la naturaleza mas salvaje y pura. En definitiva el placer estético que supone para el humano conectarse con sus raíces mas primitivas y autenticas. Aquellas que posibilitan mas directamente su vida.</span></p><p style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-align: justify; text-size-adjust: 100%; vertical-align: baseline;"><span face="Arial, sans-serif" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;"><span lang="es-ES" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">En lugares así uno acaba encontrando gentes semejantes a uno mismo ya que todos en Yaak huyen de la sociedad por unos motivos o otros y se impone un ritmo de vida y de comunicación mas pausado y libre (incluso entre Bass y su pareja se ve reflejada esta independencia.) Al no disponer de teléfono o televisión la gente espera (también la gente de la ciudad) y se impone un cierto aislamiento y un tempo mas lento favorecido por el silencio. Uno piensa mas las cosas que hace y porque las hace y a través de la atención plena, del constante aprendizaje, vivir cada día como algo nuevo, parece incluso que el tiempo pase mucho mas despacio. Para no alargarme mas de la cuenta quiero contestar a todos aquellos lectores que quizás se están preguntando a cerca de la dificultad de cambiar su modo de vida en una sociedad tan exigente como la contemporánea citando al propio <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;">Rick Bass</span> en una de sus frases que más me resuenan: “claro que tenemos nostalgia. Si salieran baratas nuestra felicidad y nuestra libertad no merecerían la pena”. Lectura diferente, muy bien escrita y que da mucho para reflexionar.</span></span></p><p style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-align: justify; text-size-adjust: 100%; vertical-align: baseline;"><br /></p><p style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-align: justify; text-size-adjust: 100%; vertical-align: baseline;"><span face="Arial, sans-serif" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;"><span lang="es-ES" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-size-adjust: 100%; vertical-align: baseline;"><br /></span></span></p></div></span></span></span></div></i></div></div></div></div></div><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><div><br /></div><div><br /></div><div><div style="text-align: center;"><span style="font-family: times; font-size: x-small;"><br /></span></div><div style="text-align: center;"><span style="font-family: times; font-size: x-small;"><br /></span></div><div style="text-align: center;"><span style="font-family: times; font-size: x-small;"><br /></span></div><div style="text-align: center;"><span style="font-family: times; font-size: x-small;"><br /></span></div><div style="text-align: center;"><span style="font-family: times; font-size: x-small;"><br /></span></div><div style="text-align: center;"><span style="font-family: times; font-size: x-small;">http://blog.jessicalowry.com/published_rick_bass_magazine/</span></div><span style="font-family: times; font-size: xx-small;"><div style="text-align: center;">https://www.theparisreview.org/fiction/1120/the-hermits-story-rick-bass</div><div style="text-align: center;">https://www.theparisreview.org/blog/2020/04/21/redux-suspension-of-disparate-particles/</div><div style="text-align: center;">http://www.culturalresuena.es/2019/02/cambiar-de-vida-en-invierno-la-naturaleza-segun-rick-bass/</div><div style="text-align: center;">https://www.thenationalnews.com/arts-culture/meet-rick-bass-the-us-author-prepared-to-do-battle-over-trump-s-environmental-policies-1.633025</div></span><br /><br />
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<br />Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-44900277480826545022021-02-03T23:03:00.005+01:002021-02-03T23:21:01.163+01:00La Caloge de Maupassant<div><div style="text-align: center;"><br /></div><div style="text-align: center;"><a href="https://draft.blogger.com/#"><img height="200" src="https://lh3.googleusercontent.com/-7c_v_7xw09E/YBsX6LFg9JI/AAAAAAAA3vE/d84d0NE4Lb8gQEdHCHb1BpFy6o9i5xhHQCLcBGAsYHQ/w142-h200/image.png" width="142" /></a></div><div style="text-align: center;"><span style="font-size: x-small;">Portrait photographique par <a href="https://draft.blogger.com/#">Nadar</a>, vers 1888.</span></div><span style="font-family: verdana;"><div style="text-align: center;"><span style="font-style: italic;"><br /></span></div><span style="font-size: large;"><div style="text-align: justify;"><span style="color: #999999;"><i>«J’aime ce pays, et j’aime y vivre parce que j’y ai mes racines, qui attachent un homme à la terre où sont nés et morts ses aïeux, qui l’attachent à ce qu’on pense et à ce qu’on mange, aux usages comme aux nourritures, aux locutions locales, aux intonations des paysans, aux odeurs des sols, des villages et de l’air lui-même.» Maupassant, Le Horla.</i></span></div></span></span><span style="font-family: arial;"><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Né en Normandie, Maupassant passe tous ses étés à Etretat avant que sa mère n'achète le terrain et qu'il fasse construire en 1883 une maison surnommée bientôt par une amie "La Guillette"....</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">L’enfant du pays approche la trentaine et il a enfin les moyens de s’offrir la maison de ses rêves grâce à son premier livre qui a rencontré un joli succès, « Boule de Suif ». Une longue allée ombragée de frênes conduit à une grande maison de style méditerranéen en plein cœur d’Étretat, la célèbre station balnéaire normande. Maupassant passe de deux à six mois dans l'année ici et il y a écrit "Le Horla" et surtout "Une vie".</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Alors que les constructions typiquement cauchoises sont plutôt en brique et silex avec des toits en ardoise, la bâtisse en crépi présente plusieurs variations de briques, avec deux ailes et un toit en tuile. Une volonté « exotique » assumée par celui qui la fit bâtir. De nombreuses personnalités sont venues à la Guillette rendre visite à leur "Bel-Ami". La Guillette réunit tout ce qui nourrit l’âme de Maupassant : l’ancrage du terroir et de la mer...</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div></span><span style="font-family: arial;"><div style="text-align: justify;"><b><span style="font-size: large;">La Guillette, maison de Maupassant à Etretat</span></b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">La maison par François Tassart, valet de chambre de Maupassant:</div><div style="text-align: justify;">Mon maître me touche le bras: <i>«Voyez là-bas, tout au fond du val, c’est la Guillette, ma maison,</i><i>que j’aime beaucoup.»</i></div><div style="text-align: justify;"><i>Nous sommes des premiers arrivés à Étretat; mon maître en profite pour se reposer et travaille à </i><i>une nouvelle, dans l’intervalle de ses chroniques…</i></div><div style="text-align: justify;"><i>Son jardin l’occupe; il passe des heures avec Cramoyson, discutant les emplacements pour les </i><i>parterres d’été. Il fait plusieurs fois le tour de son jardin, visite ses poissons rouges, rentre se </i><i>baigner les yeux ; souvent il écrit jusqu’à 11 heures, puis il prend son tub à l’eau froide, fait sa </i><i>toilette et déjeune. Après quoi, il tire tous les jours ses quarante à cinquante balles au pistolet…</i></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://lh3.googleusercontent.com/-pPoWxvCar1Y/YBsdehZUiDI/AAAAAAAA3vQ/WS3lcXWDy68em_Gm4ojCEy_gesD1bwaCgCLcBGAsYHQ/image.png" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="478" data-original-width="768" height="249" src="https://lh3.googleusercontent.com/-pPoWxvCar1Y/YBsdehZUiDI/AAAAAAAA3vQ/WS3lcXWDy68em_Gm4ojCEy_gesD1bwaCgCLcBGAsYHQ/w400-h249/image.png" width="400" /></a></div><br /></div></span><div style="text-align: justify;"><span style="font-family: arial; font-size: medium;"><b>Historique</b></span></div><span style="font-family: arial;"><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b style="font-weight: bold;">Laure de Maupassant</b>, la mère de Guy, s’installe à Étretat, rue Notre-Dame dans la villa Les Verguies en 1860 avec ses deux fils Guy et Hervé. Quelques années après, elle décide d’aménager un potager dans le Grand Val sur un terrain acquis en 1872. Ce potager était une simple bande de terre avec une cabane pour le régisseur. A partir de 1875, Maupassant donnait des fêtes avec ses amis dans cette cabane et en 1882 Laure décidé de lui vendre le terrain où il voulait se faire construire une maison.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">En avril 1881, Guy de Maupassant a publié la nouvelle «La maison Tellier», qu’il proposerait</div><div style="text-align: justify;">d’abord pour le nom de la maison qu’il fera construire. Mais ces amis (notamment Hermine et</div><div style="text-align: justify;">Clem) ainsi que sa mère lui déconseilla, c’est suite à cette histoire que la Guillette fut choisie</div><div style="text-align: justify;">comme nom pour la maison.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Guy habite sa nouvelle maison tout l’été et l’automne de 1882 pour préparer son premier roman</div><div style="text-align: justify;">En octobre 1882 il fit installer une caloge: un bateau qui ne naviguait plus.</div><div style="text-align: justify;">Au printemps de 1883 il agrandit sa suite à l’incendie, Puis en 1887 il créa la façade actuelle.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Pendant 14 ans Guy de Maupassant reçu ses amis, organisa de nombreuses fêtes et écrira de nombreux oeuvres comme Pierre et Jean rédigé en Aout 1887, Bel Ami en 1884 ou le Horla.</div><div style="text-align: justify;"><br /></div></span></div><div><div style="text-align: justify;"><span style="font-family: arial;">A la fin de sa vie Maupassant voulu donner sa maison à son valet de chambre François afin qu’il puisse en faire un mémorial à la gloire de Maupassant. C’est 120 ans plus tard que la maison devint un lieu de mémoire dans le respect des derniers volontés de Guy de Maupassant.</span></div><span style="font-family: arial;"><div style="text-align: justify;"><br /></div><div style="text-align: justify;">À la mort de Guy de Maupassant en 1893, ses parents décident de vendre la Guillette afin d’aider la fille d’Hervé. Le 4 aout 1894, la maison fut vendue à Victor Desfossés, éditeur.</div><div style="text-align: justify;">Jusqu’en 1900, la maison fut louée tout les étés par des estivants.</div><div style="text-align: justify;">En 1900, la maison fut vendue à monsieur Coutant. Cette personne était décrite comme un</div><div style="text-align: justify;">admirateur de Maupassant, à tel point qu’il se prenait pour Maupassant, ce qui l’a rendu un peu fou.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">En 1920 La maison fut achetée par monsieur et madame Mitchell qui ont eu une maison avec</div><div style="text-align: justify;">encore plein de souvenir de Maupassant (notamment des tableaux de ces amis et certains meubles).</div><div style="text-align: justify;">Ils ont commencés à faire vivre cette maison en lui donnant son aspect actuel.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">Pendant la 2ème guerre mondiale, la maison fut habitée par un général allemand et sa famille qui </span><span style="font-family: arial;">aimaient Maupassant. A la débâcle la maison fut pillée et à l’arrivée des Américains il n’y avait pas </span><span style="font-family: arial;">grand chose à l’intérieur. De 1943 à 1946 la maison fut un hôpital pour les haut gradés Américains </span><span style="font-family: arial;">et Anglais.</span></div></span></div><div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><span style="font-family: arial;"><div style="text-align: justify;">1950 : Centenaire de la naissance de Maupassant. A cette occasion monsieur Mitchell organisa des visites de la maison au même moment que l’exposition sur Maupassant qui était à la mairie. C’est monsieur Dupuis qui organisa cette exposition. C’est probablement au même moment que cet artiste décida de peindre une de ces œuvre à la Guillette. Ensuite la maison passa à la fille des Mitchell, mademoiselle Mitchell qui continua à vivre dans la maison.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">La maison fut transmise en 1995 à madame Vieuxtemps, la filleule de mademoiselle Mitchell.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">Entre 2007 et 2010, la maison fut mise en vente et un long débat commença pour savoir si la mairie </span><span style="font-family: arial;">pouvait créer un musée Maupassant.</span></div></span></div><div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div><span style="font-family: arial;">Depuis 2010, la maison est une propriété privée, ouverte aux visites en 2014 par l’association Les Amis de La Guillette qui a pour but de faire découvrir ce lieu.</span><br /><br /><span style="font-family: arial;"><b style="font-size: xx-large;">Caloge</b></span></div></div><div style="text-align: center;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">Une caloge est une cabane aménagée à partir d'un ancien bateau de pêcheur, devenu impropre à la navigation, caractéristique de la <a href="https://fr.wikipedia.org/wiki/Normandie">Normandie</a>.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">La coque peut être retournée, dans ce cas elle sert généralement de toit, ou simplement échouée et étayée, à ce moment là on réalise une toiture qui peut être recouverte de chaume. Des portes et fenêtres sont percées.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">La maison de <a href="https://fr.wikipedia.org/wiki/Maupassant">Maupassant</a> à <a href="https://fr.wikipedia.org/wiki/%C3%89tretat">Étretat</a> dispose d'une caloge.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Les caloges ...</span></div><div style="text-align: justify;"><span style="font-family: arial; font-size: x-small;">(Par <a href="https://www.eklablog.com/profile/27650859">Joie Des Mots</a>)</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">Une caloge est, en Normandie, une cabane aménagée à partir d'un ancien bateau de pêcheur, devenu impropre à la navigation. La coque, souvent retournée, sert généralement de toit, pour un hangar ou un logement simple. Des portes et fenêtres sont percées.</span></div><div style="text-align: justify;"><span style="font-family: arial;">Un exemple célèbre est présent dans certains albums d'Astérix, où les pirates, dégoutés d'être fréquemment coulés par les Gaulois, décident de mettre pied à terre en échouant leur vaisseau et en le transformant en restaurant… qui sera tout aussi irrémédiablement dévasté par nos amis Gaulois.</span></div><div style="text-align: justify;"><span style="font-family: arial;">La maison de Maupassant à Étretat dispose d'une caloge.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><img src="http://ekladata.com/9p9CQbsJ9yFpNhhIdtS2-8keAd0.jpg" /><img height="320" src="http://ekladata.com/eNJHu6Y4_IB1zQcFX4BbOndy1AA.jpg" width="240" /></div><br /><img src="http://ekladata.com/fvOlcBzwzqPMvQWTQ7zwGTMEglA.jpg" /><img src="http://ekladata.com/JSAm7Fs6Lnv-W_EzmJAIrESz8dw.jpg" style="text-align: right;" /><div><div><div style="text-align: center;"><a href="https://lh3.googleusercontent.com/-82-pYgb7J74/YBr9HC33fXI/AAAAAAAA3u4/iK4tl_3yd2kri9qiYuNYm5en0YuvYDIiQCLcBGAsYHQ/image.png"><img src="https://lh3.googleusercontent.com/-82-pYgb7J74/YBr9HC33fXI/AAAAAAAA3u4/iK4tl_3yd2kri9qiYuNYm5en0YuvYDIiQCLcBGAsYHQ/image.png" /></a></div><div style="text-align: center;">La caloge de la Guillette, bateau aménagé par Maupassant pour son valet. </div><div style="text-align: center;">(Photo Bertrand Rieger. Hemis.fr)</div></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><div style="text-align: justify;"><span style="font-family: arial;">(...)La passion pour le jardin est-elle transmissible ? Laure de Maupassant adorait s'occuper de son potager et des parterres de fleurs dans les demeures où elle a vécu avec ses fils, Guy et Hervé. En 1882, avec l'argent de la Maison Tellier, l'aîné bâtit une villa, la Guillette, dans un verger de sa mère à Etretat. (...)</span></div><div><br /></div><div><br style="text-align: left;" /></div></div><div><div style="text-align: left;"><span style="color: #073763; font-size: large;"><b>Un ejemplo de Caloge:</b></span></div><div style="text-align: left;"><a href="http://breizhblog.canalblog.com/archives/2013/02/22/26472109.html"><span style="font-size: large;">La Caloge et la Quille en l'air, Crozon</span></a></div><div style="text-align: center;"><br /><br /><div><img border="0" height="400" src="https://p0.storage.canalblog.com/04/80/102164/83999282.jpg" width="400" /></div><br /><br /><div style="text-align: justify;">La pointe bretonne et ses tempêtes, ça vous retourne un bateau en un rien de temps. A Kerlouantec sur la presqu'île de Crozon, on en retrouve même les quatre fers en l'air. Transformés en chambre d'hôtes. Une coque retournée comme une crêpe est venue s'échouer sur quatre murs de pierre dans le jardin de Pierre Carn et Patricia Menesguen. A moins qu'il ne s'agisse d'un joli tour de passe-passe, d'un don pour la lévitation ?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Mais revenons plus terre-à-terre. Dans certaines régions du littoral de la Manche, les quilles en l'air sont des bateaux voués à la casse qui étaient transformés en habitation pour les familles de pêcheurs les plus démunies. On en retrouvait sur la côte d'Opale dans le Pas de Calais, en Normandie et, dans une moindre mesure, en Finistère nord. A ne pas confondre avec les caloges : des bateaux de pêche posés à même le sol, souvent recouverts de chaume et eux aussi transformés en logement ou en abri de fortune, notamment sur l'île de Molène.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="font-size: medium;">Le toit d'abord, les murs ensuite</span></b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Ancien plongeur professionnel, Pierre Carn s'est lancé en 2004 dans la construction d'une quille en l'air puis d'une caloge. " Avec mon épouse, nous venions d'aménager une longère en gîte dans la presqu'île de Crozon, près du cap de la Chèvre. J'ai eu l'opportunité d'acheter un bateau qui partait à la casse. Je trouvais dommage de laisser disparaître cet élément du patrimoine. De là est née l'idée de la quille en l'air. " La caisse à outil a repris du service, en commençant cette fois par le toit. " La construction est inversée ! On fait les murs après la coque, car les courbes du bateau compliquent sérieusement la donne. " Pour une parfaite étanchéité, la coque des quilles en l'air est généralement passée au goudron. A Crozon, Pierre a opté pour une composition à base d'huile.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">A l'intérieur non plus, rien n'est d'équerre. Le lambris suit les courbes. Un travail de patience qui donne, à Kerlouantec, dans un cadre soigné et verdoyant, un résultat des plus ravissants. C'est très cosy, idéal pour un couple d'amoureux. La quille en l'air fait 7,20 m par 2,20 m sur la partie la plus large et accueille une chambre avec salle d'eau en teck et sanitaires. Pierre Carn et Patricia Menesguen se sont livrés à un joli travail de menuisier en ciselant une rose des vents en marqueterie sur un plancher ponté.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Tout aussi typée marine, la caloge, elle, s'avère plus spacieuse avec ses 8,80 m par 3,60 m. Une belle chambre à vivre et une table à carte ornent le bateau-gîte, accessible depuis quelques marches en bois. L'ensemble donne une touche irréelle dans un environnement paysager à deux pas du GR 34. Les gîtes insolites du couple de Finistériens ont reçu en 2008 le premier prix du Challenge du tourisme durable.</div><div style="text-align: justify;"><br /></div></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="215" src="https://www.youtube.com/embed/qlmAk2Llc18?start=2773" width="460"></iframe></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><span style="font-size: x-small;">https://fr.wikipedia.org/wiki/Caloge</span></div><div style="text-align: center;"><span style="font-size: x-small;">http://www.joiedesmots.com/les-caloges-a125035728</span></div><div style="text-align: center;"><span style="font-size: x-small;">http://breizhblog.canalblog.com/archives/2013/02/22/26472109.html</span></div><div style="text-align: center;"><span style="font-size: x-small;">https://www.liberation.fr/livres/2020/08/13/maupassant-l-appel-du-bois-normand_1796771/</span></div><div style="text-align: center;"><span style="font-size: x-small;">https://actus.booknode.com/2016/10/26/maisons-decrivains-maison-de-guy-de-maupassant-a-etretat/</span></div><div style="text-align: center;"><span style="font-size: x-small;">http://www.laguillette.com/</span></div></div></div><div style="text-align: center;"><br /></div>
Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-90724475540673845662021-02-02T21:23:00.011+01:002021-02-02T21:38:15.450+01:00El Refugio de Tristan Tzara<div style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="250" src="https://www.youtube.com/embed/Upc5_f9r5Dk?start=66" width="600"></iframe></div><div style="text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://lh3.googleusercontent.com/-rf9CYvCtMew/YBmoAHq5WNI/AAAAAAAA3t4/X9idcfW0yAAflN6Q_Tkpzp7Lzf-kIdzYQCLcBGAsYHQ/image.png" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1133" data-original-width="900" height="640" src="https://lh3.googleusercontent.com/-rf9CYvCtMew/YBmoAHq5WNI/AAAAAAAA3t4/X9idcfW0yAAflN6Q_Tkpzp7Lzf-kIdzYQCLcBGAsYHQ/w508-h640/image.png" width="508" /></a></div><div style="text-align: center;"><a href="https://lh3.googleusercontent.com/-40qGu76NTZE/YBmpGJq1DdI/AAAAAAAA3uA/QpjR7WD5w5oXlDMJXhawiiYHMAQ-21QugCLcBGAsYHQ/image.png" style="font-family: "Open Sans", sans-serif; font-size: 15px; margin-left: 1em; margin-right: 1em; text-align: justify;"><img alt="" data-original-height="185" data-original-width="272" height="136" src="https://lh3.googleusercontent.com/-40qGu76NTZE/YBmpGJq1DdI/AAAAAAAA3uA/QpjR7WD5w5oXlDMJXhawiiYHMAQ-21QugCLcBGAsYHQ/w200-h136/image.png" width="200" /></a></div><div style="text-align: center;"><br /></div><p></p><h2 style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 30px; letter-spacing: -0.05em; line-height: 1em; margin-top: 0px; text-align: justify;">Introducción</h2><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">El movimiento dadaísta fue fundado por Tristan Tzara, escritor francés de origen rumano cuyo verdadero nombre era Samy Rosenstock, conjuntamente con Hugo Ball, Hans Arp y André Breton. Estaba a la cabeza del vanguardismo parisino y fue figura destacada en el mundo del arte europeo. Tristan Tzara fue quien encargó a <a href="https://es.wikiarquitectura.com/arquitecto/loos-adolf/" style="color: #338dd2; opacity: 0.85; text-decoration-line: none;">Adolf Loos</a> el proyecto para construir una casa en Paris.</p><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">En 1923 Loos fue invitado a participar en el Salón de Otoño de Paris, lo que acrecentó su popularidad dentro del mundo vanguardista parisino. En agosto de 1925 recibió el encargo de proyectar la casa Tzara anulando inmediatamente su empadronamiento en Viena y fijando residencia en la capital francesa. A través de la casa Tzara, Loos entró en el círculo vanguardista del escritor, pero no recibió los encargos que esperaba, se le pedía consejo y que hiciese proyectos, pero en el momento de realizar las obras se contrataba a sus colegas franceses, de hecho la Casa Tristan Tzara es la única realización de Loos en Francia.</p><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both;"><div style="text-align: center;"><a href="https://lh3.googleusercontent.com/--ZdWDLuNkxw/YBmrIFVfMYI/AAAAAAAA3uY/vT2jlvAoTxQSH6StqvUGBJVAAdhdvwcqgCLcBGAsYHQ/image.png"><img height="320" src="https://lh3.googleusercontent.com/--ZdWDLuNkxw/YBmrIFVfMYI/AAAAAAAA3uY/vT2jlvAoTxQSH6StqvUGBJVAAdhdvwcqgCLcBGAsYHQ/w242-h320/image.png" width="242" /></a></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><i><b><span face=""Open Sans", sans-serif" style="color: #cc0000; font-size: xx-large;">"</span><span face=""Open Sans", sans-serif" style="color: #cc0000; font-size: xx-large;">Dadá no significa nada."</span></b></i></div></div><p></p><p style="line-height: 1.55em; text-align: center;"><span style="font-family: arial;">— Tristan Tzara </span></p><p style="line-height: 1.55em;"></p><div style="text-align: center;">Fuente: Siete manifiestos dadá, Manifiesto dadá, 1918.</div><p></p><h2 style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 30px; letter-spacing: -0.05em; line-height: 1em; margin-top: 45px; text-align: justify;">Situación</h2><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">La vivienda se encuentra en Avenue Junot 15, distrito 18 de <a href="https://es.wikiarquitectura.com/ubicacion/francia/paris/" style="color: #338dd2; opacity: 0.85; text-decoration-line: none;">Paris</a>, Montmartre, <a href="https://es.wikiarquitectura.com/ubicacion/francia/" style="color: #338dd2; opacity: 0.85; text-decoration-line: none;">Francia</a>, y destaca en medio de los edificios que la rodean por su diseño depurado y sus sencillas líneas. La parcela en la que fue levantada con 10,6 metros de ancho, fachada que da a la calle y 17,6 metros de largo, tiene una ligera pendiente.</p><h2 style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 30px; letter-spacing: -0.05em; line-height: 1em; margin-top: 45px; text-align: justify;">Concepto</h2><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">Loos recreó una arquitectura minimalista para un autor dadaísta, movimiento que se caracteriza por revelarse o burlarse del artista burgués y su arte. El arquitecto aplica su concepto de arquitectua espacial, el “Concepto Raumplan”, cada sala de la vivienda debe ser adaptada y decorada según la función para la que vaya a ser utilizada, cada ambiente arquitectónico es un fondo sensible y franco, decorado para sus habitantes, permitiendo a los mismos tomar posesión de ellos, sin límites, “cada espacio interior posee unas dimensiones propias.”</p><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">En esta obra Loos se adapta en su mayor parte a los deseos y necesidades de su cliente, sobre todo en el desarrollo de los ambientes interiores. La fachada principal queda ajena a dicha adaptación, ya que en ésta predomina una lógica radical del lenguaje y una imagen pública de sencillez de volúmenes, simetría, orden y proporción.</p><h3 style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 21px; letter-spacing: -0.05em; line-height: 1em; text-align: justify;">Concepto Raumplan</h3><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">Según este concepto desarrollado por <a href="https://es.wikiarquitectura.com/arquitecto/loos-adolf/" style="color: #338dd2; opacity: 0.85; text-decoration-line: none;">Adolf Loos</a>, cada espacio interior posee unas dimensiones propias relacionadas con el carácter y el uso que se le dará, de forma que se crean células con alturas diferentes, pero conectadas entre sí, logrando cierta autonomía entre éstas, pero manteniendo relaciones visuales y funcionales. De ese modo, no hay una altura de techo constante y las pequeñas diferencias de nivel se salvan con escalones que comunican las zonas funcionalmente complementarias. Esta articulación espacial es lo que se conoce como Raumplan, y se da casi exclusivamente en la planta noble de la casa.</p><h2 style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 30px; letter-spacing: -0.05em; line-height: 1em; margin-top: 45px; text-align: justify;">Descripción</h2><div class="thumb left" style="background-color: whitesmoke; float: left; font-family: "Open Sans", sans-serif; margin-right: 30px; padding: 7px;"><p style="color: #4a4a4a; font-size: 15px; line-height: 1em; margin: 0px; text-align: justify;"><img class="lazy-loaded" data-lazy-type="image" data-src="https://wikiarquitectura.com/wp-content/uploads/2017/01/Casa_tzara_dib_fachada.jpg" src="https://wikiarquitectura.com/wp-content/uploads/2017/01/Casa_tzara_dib_fachada.jpg" style="padding: 7px;" width="200px" /></p><div class="thumbcaption" style="color: #5b5b5b; font-size: 11px; letter-spacing: 0.05em; min-width: 100%; padding-top: 3px; text-align: justify; text-transform: uppercase; width: 0px;">BOCETO FACHADA</div></div><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">Su fachada de 5 plantas está dividida en dos partes, la inferior acabada en piedra se extiende a dos niveles y la superior revocada en blanco. Estos grandes muros que se curvan levemente hacia el interior, tienen ventanas relativamente pequeñas que le dan una presencia escultural. En las dos partes se alinean dos enormes entrantes, como excavados en la piedra, que ayudan a otorgar al proyecto un efecto casi monumental. La continuidad del muro de piedra que se convierte en la fachada del jardín consigue crear el efecto de continuidad.</p><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">En el más bajo de estos entrantes, a nivel de calle, se aprecian dos puertas, protegidas por el balcón superior, la de la izquierda conduce al garaje y la de la derecha es la entrada principal a la vivienda tras la cual hay un pequeño hall donde nace una escalera que discurre como en una fosa para conducir final¬mente al atelier del propietario.</p><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">El balcón está remarcado por una viga arquitrabe en cemento visto que evoca técnicas más arcaicas, entre el diseño y los materiales existe según Loos una estrecha relación dual: “el revoque es una piel y la piedra una estructura”.</p><h3 style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 21px; letter-spacing: -0.05em; line-height: 1em; text-align: justify;">Sintaxis constructiva</h3><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">Esta obra destaca por la presencia simultánea de tres sintaxis compositivas diferentes en un mismo “texto” ( “Adolf Loos: teorías y obras”. p.188-189). Una escritura arquitectónica exterior, la fachada, una escritura arquitectónica interior, articulación espacial interna, y una escritura arquitectónica lateral, las otras caras externas de la casa.</p><ul style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em;"><li style="line-height: 1.55em; text-align: justify;">La fachada</li></ul><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">La composición geométrica de la fachada principal es sumamente elemental. Está dividida por los materiales, un cuadrado de piedra en la base y otro de revoque blanco en la parte superior. Seguramente influyeron en esta composición las particularidades del lugar, la Avenue Junot que lleva a la colina de Montmartre cruza terrenos muy abruptos que obligaban a una importante contención del terreno y sólidos cimientos.</p><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">La separación mediante los materiales de las distintas funciones del edificio, vivienda de alquiler en la primera planta y la casa del escritor en las dos últimas, también sirven a Loos como recurso táctico que le permite recortar dos cuadrados casi perfectos.</p><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">En el frente “blanco” de la fachada las aberturas están ubicadas siguiendo un riguroso orden. El elemento que domina la composición es el gran “vacío” central del balcón que da a la calle Junot, a el se ciñen las tres aberturas menores del nivel inferior, colocadas en absoluta simetría bilateral con respecto al eje geométrico vertical.</p><ul style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em;"><li style="line-height: 1.55em; text-align: justify;">Restantes caras de la vivienda</li></ul><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">A la radical lógica del lenguaje de la fachada se contrapone el “non sense” de las restantes caras del edificio que exponen una “escritura funcional”, cada elemento vale por la función que desempeña, dando como resultado una disonancia y un deliverado grado de provisionalidad aparente tan diferente del lenguaje arquitectónico interior. La fachada asimétrica del jardín consigue crear el efecto de que solo hay tres pisos.</p><ul style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em;"><li style="line-height: 1.55em; text-align: justify;">Interior</li></ul><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">En el interior de la casa Tzara, Loos continúa con su fascinante juego de espacios, es el lugar donde realmente se concreta la fuerza de su pensamiento arquitectónico. Excava y ensambla ambientes de distintas alturas dentro de un volumen unitario.</p><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">Observando la decoración original es fácil adivinar donde termina la obra arquitectónica y comienza la decoración del “dueño de casa”, lo cual cumple con los límites impuestos por el arquitecto, al arquitecto corresponde “el muro y el muble”. Queda un vacío en la casa que quien la habita tiene el derecho-deber de llenar con su privado “mal gusto”, Loos hace referencia a los gustos esotéricos de Tzara, quien colgó una máscara africana en el salón juntamente con diversos elementos exóticos y cuadros surrealistas de Hans Arp y Max Ernst.</p><div style="text-align: center;"><img src="https://lh3.googleusercontent.com/-FXgWwazzPD8/YBmpwevn3jI/AAAAAAAA3uI/3VztGoh2wxwPHJtm2A_ixl8r6ZSgTS77wCLcBGAsYHQ/w400-h291/image.png" /></div><h2 style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 30px; letter-spacing: -0.05em; line-height: 1em; margin-top: 45px; text-align: justify;">Espacios</h2><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em;"></p><div style="text-align: justify;"><span style="color: #666666; font-family: Open Sans;">La casa sorprende por su puesta en escena, un collage de materiales y secuencia de espacios, de balcones y terrazas, de habitaciones simétricas y de anexos asimétricos.</span></div><div style="text-align: justify;"><span style="color: #666666; font-family: Open Sans;">La zona de vivienda de Tristan Tzara empieza en el tercer piso y se extiende a lo largo de todo el edificio.</span></div><p></p><ul style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em;"><li style="line-height: 1.55em; text-align: justify;">Planta baja</li></ul><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">Las dos puertas simétricamente ubicadas en la planta baja de la fachada llevan una al garaje y la otra a un hall de entrada. En este hall solo se ubican dos puertas, una hacia el sótano y sala de máquinas, otra hacia el garaje y en el nacen las escaleras que ascienden a los pisos superiores.</p><ul style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em;"><li style="line-height: 1.55em; text-align: justify;">Primer piso</li></ul><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">En esta planta se encuentra el departamento que se dedica a alquiler, con un amplio balcón sobre la avenida. El acceso se realiza a través de un patio techado que está ubicado en la fachada lateral del jardín, donde unas escaleras llevan hasta el departamento.</p><div class="thumb left" style="background-color: whitesmoke; float: left; font-family: "Open Sans", sans-serif; margin-right: 30px; padding: 7px;"><p style="color: #4a4a4a; font-size: 15px; line-height: 1em; margin: 0px; text-align: justify;"><img class="lazy-loaded" data-lazy-type="image" data-src="https://wikiarquitectura.com/wp-content/uploads/2017/01/Casa_tzara_planta_3_b.jpg" src="https://wikiarquitectura.com/wp-content/uploads/2017/01/Casa_tzara_planta_3_b.jpg" style="padding: 7px;" width="250px" /></p><div class="thumbcaption" style="color: #5b5b5b; font-size: 11px; letter-spacing: 0.05em; min-width: 100%; padding-top: 3px; text-align: justify; text-transform: uppercase; width: 0px;">PLANTA NOBLE</div></div><ul style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em;"><li style="line-height: 1.55em; text-align: justify;">Segundo piso</li></ul><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">La escalera principal no desemboca en el primer piso sino que accede directamente a esta segunda planta, a un vestíbulo en el que nace la escalera que comunica con el resto de la vivienda, un vestidor y la bodega. Sobre un lateral de este segundo nivel se encuentran las cocinas de las dos viviendas.</p><ul style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em;"><li style="line-height: 1.55em; text-align: justify;">Tercer piso</li></ul><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">La tercera planta corresponde en realidad la primera de la vivienda del dueño. Esta planta pricipal, la planta noble de la casa, acoge un salón-comedor en un nivel ligeramente superior al resto de la planta, con balcón a la Avenida Junot y chimenea, biblioteca, salón para las señoras y una antecocina, estos últimos ambientes en un nivel ligeramente inferior al del salón. En esta planta el juego de alturas hacen que las paredes adquieran un carácter tectónico especialmente marcado a través de los pilares, las pilastras y los entrantes murales.</p><ul style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em;"><li style="line-height: 1.55em; text-align: justify;">Cuarto piso</li></ul><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">En el cuarto nivel se encuentran los dormitorios con una terraza</p><ul style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em;"><li style="line-height: 1.55em; text-align: justify;">Quinto piso</li></ul><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">En este nivel se proyectó otra gran planta habitable aunque nunca llegó a terminarse completamente.</p><h2 style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 30px; letter-spacing: -0.05em; line-height: 1em; margin-top: 45px; text-align: justify;">Materiales</h2><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">Al igual que el zócalo inferior de la fachada que da a la calle, los muros de contención del terreno en pendiente son de piedra al descubierto. Las dos puertas principales son de madera con pequeños vidrios opacos enmarcados que también coronan la parte superior.</p><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">Mientras que en las viviendas vienesas Loos solía revestir las paredes con roble y dejar las vigas vistas, en su vivienda parisina se limita solo al revestimiento de los <a href="https://es.wikiarquitectura.com/index.php/pilar" style="color: #338dd2; opacity: 0.85; text-decoration-line: none;">pilares</a> con planchas atornilladas de madera contrachapada. Las paredes y los techos fueron revocados y pintados con color.</p><p style="color: #4a4a4a; font-family: "Open Sans", sans-serif; font-size: 15px; line-height: 1.55em; text-align: justify;">La chimenea del salón tiene un frente de mármol, y en los suelos se combinaron madera y cerámicos.</p><div style="text-align: center;"><i><span style="font-size: xx-small;"><br /></span></i></div><div style="text-align: center;"><i><span style="font-size: xx-small;">https://www.urbipedia.org/hoja/Casa_Tristan_Tzara</span></i></div><div style="text-align: center;"><i><span style="font-size: xx-small;">https://structurae.net/en/media/35964-tristan-tzara-house-paris</span></i></div><div style="text-align: center;"><i><span style="font-size: xx-small;">https://citas.in/frases/60367-tristan-tzara-dada-no-significa-nada/</span></i></div><div style="text-align: center;"><i><span style="font-size: xx-small;">http://socks-studio.com/2013/11/13/adolf-loos-tristan-tzara-house-paris-1925-1926/</span></i></div><div style="text-align: center;"><i><span style="font-size: xx-small;">https://es.wikiarquitectura.cohttps://draft.blogger.com/blog/post/edit/228787287723518540/9072447554067384566m/edificio/casa-tristan-tzara/</span></i></div><div style="text-align: center;"><i><span style="font-size: xx-small;"><br /></span></i></div><div style="text-align: center;"><br /></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-39616584358809385622021-02-01T20:03:00.020+01:002021-02-02T21:37:12.787+01:00Mitos y relatos de cabañas y refugios<h1 class="t-content__title a-page-title" style="border: none; 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font-family: arial; font-size: x-large;"><u>Audio 48:30</u></span></div></span><span class="m-feed-sub__rss" data-root-podcast="" style="-webkit-box-align: center; align-items: center; display: flex; margin: 0px 15px 0px 0px;"><button aria-haspopup="true" class="m-feed-sub__rss" style="-webkit-box-align: center; align-items: center; background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border-color: initial; border-style: none; border-width: initial; cursor: pointer; display: flex; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-weight: inherit; margin: 0px 15px 0px 0px; outline: none; overflow: visible; padding: 0px;"><span class="svg" style="display: inline-flex;"><svg viewbox="8680.5 -2986 25 35" xmlns="http://www.w3.org/2000/svg"><span style="font-size: x-large;"><a href="https://aod-rfi.akamaized.net/rfi/francais/audio/magazines/r251/si_loin_si_proche_1_20201220.mp3"><g transform="translate(8560 -3486)"></g></a></span></svg><span style="font-family: arial;"><span style="font-size: x-large;"><a href="https://aod-rfi.akamaized.net/rfi/francais/audio/magazines/r251/si_loin_si_proche_1_20201220.mp3"><circle cx="4" cy="4" r="4" transform="translate(129 509)"></circle><path d="M129 519h8v16h-8z"></path><path d="M127.394 518.107a7.9 7.9 0 0 1-2.322-5.606 7.9 7.9 0 0 1 2.322-5.608 7.9 7.9 0 0 1 5.606-2.322 7.9 7.9 0 0 1 5.607 2.322 7.9 7.9 0 0 1 2.322 5.607 7.9 7.9 0 0 1-2.322 5.607" fill="none" stroke="currentColor"></path><path d="M124.515 520.985a12.031 12.031 0 0 1-2.572-3.814A11.97 11.97 0 0 1 121 512.5a11.966 11.966 0 0 1 .943-4.671 12.01 12.01 0 0 1 2.572-3.814 12.006 12.006 0 0 1 3.814-2.572A11.966 11.966 0 0 1 133 500.5a11.966 11.966 0 0 1 4.671.943 11.991 11.991 0 0 1 3.814 2.572 12 12 0 0 1 2.573 3.814 11.966 11.966 0 0 1 .943 4.671 11.97 11.97 0 0 1-.943 4.671 12.019 12.019 0 0 1-2.573 3.814" fill="none" stroke="currentColor"></path></a></span></span></span><div style="text-align: justify;"><span style="background-color: transparent; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit; text-align: left;"><span style="font-family: arial; font-size: x-large;"><a href="https://aod-rfi.akamaized.net/rfi/francais/audio/magazines/r251/si_loin_si_proche_1_20201220.mp3">Podcast</a></span></span></div><div style="text-align: justify;"><span style="background-color: transparent; font-size: x-large; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit; text-align: left;"><a href="https://aod-rfi.akamaized.net/rfi/francais/audio/magazines/r251/si_loin_si_proche_1_20201220.mp3"><br /></a></span></div><div style="text-align: justify;"><span style="background-color: transparent; font-size: x-large; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit; text-align: left;"><a href="https://aod-rfi.akamaized.net/rfi/francais/audio/magazines/r251/si_loin_si_proche_1_20201220.mp3"><br /></a></span></div><div style="text-align: justify;"><span style="background-color: transparent; font-size: x-large; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit; text-align: left;"><a href="https://aod-rfi.akamaized.net/rfi/francais/audio/magazines/r251/si_loin_si_proche_1_20201220.mp3"><br /></a></span></div><div style="text-align: justify;"><span style="background-color: transparent; font-size: x-large; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit; text-align: left;"><a href="https://aod-rfi.akamaized.net/rfi/francais/audio/magazines/r251/si_loin_si_proche_1_20201220.mp3"><br /></a></span></div><div style="text-align: justify;"><span style="background-color: transparent; font-style: inherit; font-variant-caps: inherit; font-variant-ligatures: inherit; font-weight: inherit; text-align: left;"><br /></span></div></button></span></div><div class="t-content__main-media" style="border: none; box-sizing: border-box; margin: 0px 22px 20px; padding: 0px;"><figure class="m-figure m-figure--16x9" style="border: none; box-sizing: border-box; margin: 0px; padding: 0px;"><div class="m-figure__img-wrapper" style="background-color: #c4c4c4; border: none; box-sizing: border-box; display: flex; margin: 0px; padding: 0px 0px 551.25px; position: relative; width: 980px;"><img alt="La cabane au fond des bois est un solide mythe américain qui a inspiré les plus beaux récits mais aussi les voyageurs du monde entier." class="m-figure__img" data-image-dataset="{"url":"https:\/\/s.rfi.fr\/media\/display\/3646c5be-914a-11ea-b671-005056bf87d6\/","filename":"la_cabane_au_fond_du_bois_ok_slsp_0.jpg","ratio":"p:16x9","displayFormat":"16x9"}" src="https://s.rfi.fr/media/display/3646c5be-914a-11ea-b671-005056bf87d6/w:980/p:16x9/la_cabane_au_fond_du_bois_ok_slsp_0.webp" style="height: 551.25px; position: absolute; text-align: justify; transition: opacity 0.3s ease 0s; width: 980px;" /></div><figcaption class="m-figure__caption" style="color: #9a9a9a; padding: 8px 0px; text-align: justify;"><span style="font-family: arial;"><span class="m-figure__caption__legend">La cabane au fond des bois est un solide mythe américain qui a inspiré les plus beaux récits mais aussi les voyageurs du monde entier.</span> <span class="m-figure__caption__credits" style="margin: 0px 2px;">Wikimedia commons/Flickr/Emmanuel Huybrechts</span></span></figcaption></figure></div><div class="m-author-n-reading-time" style="-webkit-box-align: center; -webkit-box-pack: start; align-items: center; border: none; box-sizing: border-box; display: flex; flex-wrap: wrap; justify-content: flex-start; margin: 0px 22px 22px; padding: 0px;"><div class="m-author-n-reading-time__authors" style="-webkit-box-pack: start; border: none; box-sizing: border-box; display: flex; flex-wrap: wrap; justify-content: flex-start; margin: 0px; padding: 0px;"><div class="m-from-author" style="-webkit-box-align: center; align-items: center; border: none; box-sizing: border-box; color: #9a9a9a; display: flex; flex-wrap: wrap; line-height: 1.4; margin: 0px 0px 3px; padding: 0px;"><span class="m-from-author__by-label" style="margin: 0px 5px 0px 0px; text-align: justify;"><span style="font-family: arial;">Par :</span></span><a class="m-from-author__name" href="https://www.rfi.fr/fr/c%C3%A9line-develay-mazurelle" style="border: none; box-sizing: border-box; color: #e2001a; margin: 0px 5px 0px 0px; outline: none; padding: 0px; text-align: justify; text-decoration-line: none;" title="Céline Develay Mazurelle"><span style="font-family: arial;">Céline Develay Mazurelle</span></a></div></div></div><p class="t-content__chapo" style="border: none; box-sizing: border-box; font-weight: 700; line-height: 1.5; margin: 0px auto 28px; max-width: 850px; padding: 0px; text-align: justify;"><span style="font-family: arial;">Plus que tout autre, cette année nous a prouvé que le voyage peut aussi être immobile et intérieur. De nombreux écrivains voyageurs qui, en leur temps, ont fait le choix de se retirer du monde, pour mieux l'observer, le raconter, le réinventer et lui résister, nous l’ont prouvé…</span></p><div class="t-content__body u-clearfix" style="border: none; box-sizing: border-box; margin: 0px auto 20px; max-width: 850px; padding: 0px;"><p style="border: none; box-sizing: border-box; line-height: 1.4; margin: 0px 0px 28px; padding: 0px; text-align: justify;"><span style="font-family: arial;">Pour ce premier épisode, on voyage au fil de récits de cabanes et de refuges, en compagnie de la grande voyageuse Alexandra David-Néel partie près de trois ans en ermitage au Sikkim, d'Henry David Thoreau retiré dans sa cabane de Concord près du lac Walden dont l'ouvrage <em>Walden ou la vie dans les bois</em> continue d'inspirer les libres penseurs amoureux de nature, de Sylvain Tesson, l'écrivain voyageur français isolé dans sa cabane dans les forêts de Sibérie à Paolo Rumiz, perché sur un phare en pleine mer Méditerranée, ou encore de l'ermite japonais du XIIIe siècle Kamo No Chomei ou de l'Indien blanc Grey Owl, ancien trappeur canadien devenu grand défenseur de la nature et des autochtones au début du XXe siècle.</span></p><p style="border: none; box-sizing: border-box; line-height: 1.4; margin: 0px 0px 28px; padding: 0px; text-align: justify;"><span style="font-family: arial;">Dans ce voyage littéraire, entre nature et solitude, la cabane se fait tour à tour sanctuaire, arche ou temple. C'est là qu'enfant, on se réfugie loin de la colère des parents, que l'on goûte aussi à la liberté et aux premières aventures. Plus tard, à l'âge adulte, elle permet de renouer avec le vivant et la pleine nature qui nous entourent, et autorise des explorations intérieures, méditatives, parfois spirituelles ou mystiques. S'isoler et se poser donc, pour mieux renaître et résister.</span></p><p style="border: none; box-sizing: border-box; line-height: 1.4; margin: 0px 0px 28px; padding: 0px; text-align: justify;"><span style="font-family: arial;">« <em>Tant qu'il y aura des cabanes au fond des bois, rien ne sera tout à fait perdu</em> », Sylvain Tesson.</span></p><div class="tms-ad" data-tms-ad-provider="teads" data-tms-ad-status="loaded" data-tms-ad-type="inread" id="tms-ad-inread-896839033419988" style="border: none; box-sizing: border-box; line-height: 0; margin: 0px auto; max-width: 530px; overflow: hidden; padding: 0px;"><div class="teads" style="border: none; box-sizing: border-box; margin: 0px; padding: 0px;"><br /></div></div><p style="border: none; box-sizing: border-box; line-height: 1.4; margin: 0px 0px 28px; padding: 0px; text-align: justify;"><span style="font-weight: 700;"><span style="font-family: arial;">Une série littéraire en deux épisodes de Céline Develay-Mazurelle et Laure Allary, initialement diffusée en mai 2020.</span></span></p><p class="empty" style="border: none; box-sizing: border-box; line-height: 1.4; margin: 0px 0px 28px; padding: 0px; text-align: justify;"><span style="font-family: arial;"> </span><u style="font-family: arial; font-weight: 700;">Bibliographie</u><span style="font-family: arial; font-weight: 700;"> :</span></p><span style="font-family: arial;">- Walden ou la vie dans les bois de Henry David Thoreau (<a href="http://www.gallmeister.fr/livres/fiche/209/thoreau-henry-david-walden">Éditions Gallmeister</a>)<br />- Un an de cabane d'Olaf Condau (<a href="http://www.editionspaulsen.com/un-an-de-cabane-1932.html">Éditions Paulsen</a>)<br />- Le Phare: voyage immobile de Paolo Rumiz (<a href="http://www.hoebeke.fr/auteurs/278/">Éditions Hoëbeke</a>)<br />- Récits de la cabane abandonnée de Grey Owl (<a href="http://www.fabert.com/editions-fabert-etranger/Editions-Souffles.576.html">Éditions Souffles</a>)<br />- Traité de la cabane solitaire & Ma vie dans les monts d'Antoine Marcel (<a href="http://www.arlea.fr/Antoine-Marcel">Éditions Arléa</a>)<br />- Notes de ma cabane de moine de Kamo No Chomei (<a href="http://www.lebruitdutemps.fr/auteur/chomei-13">Éditions Le Bruit du temps</a>)<br />- Journal de voyage. 11 août 1904 - 27 décembre 1917 d'Alexandra David-Néel (Éditions Plon)<br />-Dans les forêts de Sibérie de Sylvain Tesson (<a href="http://www.gallimard.fr/Contributeurs/Sylvain-Tesson">Éditions Gallimard</a>)<br />- Ma vie dans les Appalaches de Thomas Rain Crowe (<a href="http://www.editionslibretto.fr/ma-vie-dans-les-appalaches-thomas-rain-crowe-9782369141815">Éditions Libretto</a>)<br />- La Vie en cabane, Petit discours sur la frugalité et le retour à l'essentiel de David Lefèvre (<a href="http://www.transboreal.fr/librairie.php?code=TRAPPCAB">Éditions Transboréal</a>)</span></div><div class="t-content__body u-clearfix" style="border: none; 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position: absolute; text-align: center; transition: opacity 0.3s ease 0s; width: 980px;" /></div><figcaption class="m-figure__caption" style="color: #9a9a9a; padding: 8px 0px; text-align: center;"><span style="font-family: arial;"><span class="m-figure__caption__legend">Partir seul pour mesurer l'immensité du monde.</span> <span class="m-figure__caption__credits" style="margin: 0px 2px;">Creative commons/www.piqsels.com</span></span></figcaption></figure></div><div class="m-author-n-reading-time" style="-webkit-box-align: center; -webkit-box-pack: start; align-items: center; border: none; box-sizing: border-box; display: flex; flex-wrap: wrap; justify-content: flex-start; margin: 0px 22px 22px; padding: 0px;"><div class="m-author-n-reading-time__authors" style="-webkit-box-pack: start; border: none; box-sizing: border-box; display: flex; flex-wrap: wrap; justify-content: flex-start; margin: 0px; padding: 0px;"><div class="m-from-author" style="-webkit-box-align: center; align-items: center; border: none; box-sizing: border-box; color: #9a9a9a; display: flex; flex-wrap: wrap; line-height: 1.4; margin: 0px 0px 3px; padding: 0px;"><span class="m-from-author__by-label" style="margin: 0px 5px 0px 0px; text-align: justify;"><span style="font-family: arial;">Par :</span></span><a class="m-from-author__name" href="https://www.rfi.fr/fr/c%C3%A9line-develay-mazurelle" style="border: none; box-sizing: border-box; color: #e2001a; margin: 0px 5px 0px 0px; outline: none; padding: 0px; text-align: justify; text-decoration-line: none;" title="Céline Develay Mazurelle"><span style="font-family: arial;">Céline Develay Mazurelle</span></a></div></div><div class="m-author-n-reading-time__reading-time" style="-webkit-box-align: center; align-items: center; border: none; box-sizing: border-box; display: flex; margin: 0px 0px 5px 15px; padding: 0px;"><span class="svg" style="display: inline-flex;" title="Temps de lecture"><svg viewbox="2179 -3523 24 24" xmlns="http://www.w3.org/2000/svg"></svg><span style="font-family: arial;"><path d="M2190.99-3521a10 10 0 1 0 10.01 10 10 10 0 0 0-10.01-10zm.01 18a8 8 0 1 1 8-8 8 8 0 0 1-8 8z"></path><path d="M2191.5-3516h-1.5v6l5.25 3.15.75-1.23-4.5-2.67z"></path></span></span><div style="text-align: justify;"><br /></div></div></div><p class="t-content__chapo" style="border: none; box-sizing: border-box; font-weight: 700; line-height: 1.5; margin: 0px auto 28px; max-width: 850px; padding: 0px; text-align: justify;"><span style="font-family: arial;">On continue cette semaine, de suivre les pas d’âmes pures et solitaires, en quête d’horizon et d’absolu, qui ont décidé, un jour, de se retirer volontairement du monde, loin du désordre des villes et de l’embarras des autres.</span></p><div class="t-content__body u-clearfix" style="border: none; box-sizing: border-box; margin: 0px auto 20px; max-width: 850px; padding: 0px;"><p style="border: none; box-sizing: border-box; line-height: 1.4; margin: 0px 0px 28px; padding: 0px; text-align: justify;"><span style="font-family: arial;">Dans le premier épisode, on a fait l’éloge de la cabane, de la lenteur et du repli sédentaire. Aujourd’hui, on va quitter la cabane et se mesurer au grand dehors qui, bien souvent, frappe et souffle aux portes des cabanes. En puisant dans les récits d’écrivains-voyageurs, qui sont allés chercher dans les grands espaces, une feuille de route et une ligne de fuite, dont nous manquons tellement en ces temps troublés...</span></p><p style="border: none; box-sizing: border-box; line-height: 1.4; margin: 0px 0px 28px; padding: 0px; text-align: justify;"><span style="font-family: arial;">Un voyage, des voyages, du désert australien à celui du Sahara, des sommets de l'Himalaya au Grand Nord, de l'Ouest Américain à l'Arctique, au pays de la solitude et de la grande nature. Au fil de récits à ciel ouvert, de ranger écolo un brin misanthrope, de navigateur vagabond à l'âme de poète, d'aventurière des sables ou d'explorateur polaire qui, tous, sont partis un jour mesurer l'immensité du monde.</span><span style="font-family: arial;">Entreprise solitaire, donc égoïste ? Pas forcément, car tous en sont revenus pour nous livrer de puissants témoignages sur la puissance et la beauté des éléments, la nécessité d'entrer en relation avec eux et de préserver les derniers endroits sauvages de la planète.</span></p><p style="border: none; box-sizing: border-box; line-height: 1.4; margin: 0px 0px 28px; padding: 0px; text-align: justify;"><span style="font-family: arial;">« <em>La solitude épure la vue, elle nous dit que nos jours passent plus vite que le vent sur les eaux, que notre âme est plus pauvre que l'ombre sur la terre</em> ». Christian Bobin. <em>Lettres d'or</em>.</span></p><div class="tms-ad" data-tms-ad-provider="teads" data-tms-ad-status="loaded" data-tms-ad-type="inread" id="tms-ad-inread-12292070591991888" style="border: none; box-sizing: border-box; line-height: 0; margin: 0px auto; max-width: 530px; overflow: hidden; padding: 0px;"><div class="teads" style="border: none; box-sizing: border-box; margin: 0px; padding: 0px;"><br /></div></div><p style="border: none; box-sizing: border-box; line-height: 1.4; margin: 0px 0px 28px; padding: 0px; text-align: justify;"><span style="font-weight: 700;"><span style="font-family: arial;">Une série littéraire en deux épisodes de Céline Develay-Mazurelle et Laure Allary, initialement diffusée en mai 2020.</span></span></p><p style="border: none; box-sizing: border-box; line-height: 1.4; margin: 0px 0px 28px; padding: 0px; text-align: justify;"><span style="font-weight: 700;"><span style="font-family: arial;"> </span></span><u style="font-family: arial; font-weight: 700;">Bibliographie Épisode 2</u></p><span style="font-family: arial;">- Désert solitaire. Edward Abbey. <a href="http://www.gallmeister.fr/livres/fiche/35/abbey-edward-desert-solitaire">Éditions Gallmeister</a><br />- La longue route. Bernard Moitessier. <a href="http://www.arthaud.fr/Catalogue/classiques/la-longue-route">Éditions Arthaud</a><br />- Les conquérants de l'inutile. Lionel Terray. <a href="http://www.editionspaulsen.com/les-conquerants-de-l-inutile-1929.html">Éditions Guérin</a><br />- Tracks. Robyn Davidson. Éditions 10-18<br />- Indian Creek. Peter Fromm. <a href="http://www.gallmeister.fr/livres/fiche/72/fromm-pete-indian-creek">Éditions Gallmeister</a><br />- Persévérer. Jean-Louis Étienne. <a href="http://www.editionspaulsen.com/perseverer-1981.html">Éditions Paulsen</a><br />- Into the wild. John Krakaeur. Éditions 10-18<br />- Au pays des sables. Isabelle Eberhardt. <a href="http://www.joellelosfeld.fr/ouvrage-949333-au_pays_des_sables.html">Éditions Joëlle Losfeld</a><br />- 25 ans de solitude: mémoires du Grand Nord. John Haines. <a href="http://www.gallmeister.fr/livres/fiche/1/haines-john-vingt-cinq-ans-de-solitude">Éditions Gallmeister</a>.</span></div><div class="t-content__body u-clearfix" style="border: none; box-sizing: border-box; margin: 0px auto 20px; max-width: 850px; padding: 0px;"><span style="font-family: arial;"><a href="goog_1624712728"><br /></a></span><span style="font-size: xx-small;"><div style="text-align: center;"><a href="https://draft.blogger.com/blog/post/edit/228787287723518540/3961658435880938562">https://draft.blogger.com/blog/post/edit/228787287723518540/3961658435880938562</a></div><div style="text-align: center;"><a href="https://www.rfi.fr/fr/podcasts/si-loin-si-proche/20201225-en-retrait-du-monde-2-2-immensit%C3%A9s-solitaires">https://www.rfi.fr/fr/podcasts/si-loin-si-proche/20201225-en-retrait-du-monde-2-2-immensit%C3%A9s-solitaires</a></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div></span></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-5198294845045168152021-01-31T15:19:00.008+01:002021-01-31T15:32:21.721+01:00La cabaña de Rosa Parks<p><br /></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://lh3.googleusercontent.com/-ePXPbaQAL1M/YBa5EeVA5_I/AAAAAAAA3so/N2Y_zuZDNFQHK_lbeP6_uZmPEimARTf8QCLcBGAsYHQ/image.png" style="margin-left: auto; margin-right: auto;"><img alt="" data-original-height="440" data-original-width="880" height="320" src="https://lh3.googleusercontent.com/-ePXPbaQAL1M/YBa5EeVA5_I/AAAAAAAA3so/N2Y_zuZDNFQHK_lbeP6_uZmPEimARTf8QCLcBGAsYHQ/w640-h320/image.png" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Esta foto fue tomada el 21 de diciembre de 1956. La prohibición ya había sido abolida y Rosa Parks se sienta en las primeras filas. Su actitud serena y no violenta se convirtió en su seña de identidad. -- (© UP/Corbis/Bettman)</span></td></tr></tbody></table><br /><p></p><div style="text-align: justify;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://lh3.googleusercontent.com/-oNdcNKgc2z8/YBa5qobArQI/AAAAAAAA3s0/jSsq7vItTGgZuE7sMAqx7PG40VPRn_UtACLcBGAsYHQ/image.png" style="margin-left: auto; margin-right: auto;"><span style="font-size: x-small;"><img alt="" data-original-height="681" data-original-width="880" height="309" src="https://lh3.googleusercontent.com/-oNdcNKgc2z8/YBa5qobArQI/AAAAAAAA3s0/jSsq7vItTGgZuE7sMAqx7PG40VPRn_UtACLcBGAsYHQ/w400-h309/image.png" width="400" /></span></a></td></tr><tr><td class="tr-caption"><span style="font-size: x-small;">Esta es la foto policial que tomaron de Rosa Parks en la oficina del sheriff de Montgomery el día de su arresto -- (Foto: Condado de Montgomery)</span></td></tr></tbody></table><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div></div><div style="text-align: center;"><b><span style="font-size: x-large;">La historia de la casa de Rosa Parks</span></b></div><div style="text-align: center;"><br /></div><div style="text-align: justify;"><span style="font-size: medium;"><b>Hoy te contamos la historia de la casa de Rosa Parks, una vivienda estadounidense que viajó hasta el centro de Europa, en la que residió la conocida como madre de los derechos civiles.</b></span></div><div style="text-align: justify;"><b>Por <a href="https://www.descubrir.com/author/silvia/">Silvia Pato</a></b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Rosa Parks constituye todo un icono en Estados Unidos y en el mundo por un hecho que determinaría un antes y un después en su vida. Y es que, muchas veces, un pequeño gesto marca la diferencia. Fue el primer día de diciembre de 1955 cuando esta mujer negra se negó a levantarse de su asiento en el autobús, después de que el conductor le ordenara que lo hiciera, para que se sentara en su lugar un blanco. Aquella defensa de sus derechos provocó toda una revolución.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Hoy aprendemos más sobre este hecho de nuestro pasado reciente y te contamos la historia de la casa de Rosa Parks, una vivienda estadounidense que viajó hasta el centro de Europa, tal y como sucedió con la casa de <a href="https://www.descubrir.com/el-viaje-de-la-casa-del-capitan-cook/">James Cook</a> que fue construida en Inglaterra y puedes visitar en Australia.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><span style="font-family: arial;">El viaje en autobús de Rosa Parks</span></div><div style="text-align: center;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><span style="font-family: arial;"><img height="266" src="https://www.descubrir.com/wp-content/uploads/2020/04/obama-1024x682.jpg" width="400" /></span></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;">Barak Obama en el autobús de Rosa Parks. </span></div><div style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: arial;">Fuente: Wikimedia/The White House Photographer: </span><span style="font-family: arial;">Pete Sousa CC0 1.0</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Sucedió en Montgomery, en el estado de Alabama (Estados Unidos). Rosa Parks y otras mujeres negras iban en el autobús de vuelta a casa tras una jornada de trabajo, cuando el vehículo se llenó y, como consecuencia, algunos blancos tuvieron que ir de pie. Cuando el conductor se dio cuenta de este hecho se levantó para ordenar a aquellas que les cedieran su asiento a estos.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">La activista por los derechos civiles de los afroamericanos Rosa Parks se negó en rotundo, por más que la amenazaran con denunciarla. Y así fue. De modo que, tras ser arrestada, se celebró el juicio y se la condenó. La ley no estaba de su parte, ya que el conductor había actuado según el ordenamiento municipal.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Aunque ahora nos pueda extrañar y escandalizar, así eran las cosas en aquel tiempo. Las personas con cualquier otro tono de piel que no fuera blanco eran consideradas ciudadanos de segunda y la norma establecía la segregación racial. De hecho, las primeras filas del autobús estaban reservadas para personas de raza blanca y había una sección específica para el resto de los viajeros, ya fueran asiáticos, afroamericanos, indios, etc. Como consecuencia, los blancos tenían preferencia, no solo para ir en determinada zona de este transporte público, sino también para sentarse o para viajar, ya que si no había espacio suficiente en el autobús los demás debían apearse del vehículo y cedérselo.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">En la actualidad, el <a href="https://www.thehenryford.org/collections-and-research/digital-collections/artifact/316872#slide=gs-183327">autobús en el que viajaba Rosa Parks </a>está expuesto en el Henry Ford Museum en Dearborn, en el estado de Michigan. Esta institución lo adquirió para su restauración y posterior exposición en el año 2001.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Tras aquel suceso, los compañeros de Parks comenzaron a manifestarse después de su condena y organizaron protestas, lo que se concretó en que los negros no subieran a los autobuses el lunes siguiente. Quien encabezó aquel movimiento de protesta fue el pastor Martin Luther King. Pero lo que iba a ser un acto de protesta de una jornada se transformó en un año, y durante 381 días ninguno subió a los autobuses de la ciudad.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Se movían a pie, en bicicletas, en taxis o en sus propios vehículos y la presión que ejercieron fue mucha más de lo que, en un principio, alguno hubiera podido suponer. En 1956, aquella lucha dio sus frutos. El Tribunal Supremo de los Estados Unidos declaró inconstitucional la segregación racial en los autobuses.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><span style="font-family: arial;"><img height="480" src="https://www.descubrir.com/wp-content/uploads/2020/04/rosaparks-1024x768.jpg" width="640" /></span></div><div style="text-align: center;"><span style="font-family: arial;">La <span style="font-size: x-small;">Casa de Rosa Parks. </span></span><span style="font-family: arial;"><span style="font-size: x-small;">Fuente: Wikimedia/Fridolin freudenfett CC BY-SA 4.0</span></span></div><div style="text-align: center;"><span style="font-family: arial;"><span style="font-size: x-small;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Rosa Parks no se imaginó que aquel gesto fuera a desembocar en una protesta que consiguiera semejante logro y que provocaría que se la recordara como «la madre del movimiento de los derechos civiles». Pero su recorrido personal no fue nada fácil. Tras ser amenazada de muerte, en 1957, abandonó Alabama para instalarse en Detroit, ciudad en la que residió hasta su fallecimiento en el año 2005. Cuando murió, se convirtió en la primera afroamericana que tuvo el honor de ser velada en el Capitolio, en Washington.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Precisamente la casa en la que habitó los dos primeros años en que vivió en Detroit se encontraba en el 2672 de South Deacon Street. Se trataba de una pequeña vivienda de madera, con un par de plantas y tres habitaciones, construida en el año 1936, en la que residió junto su hermano, su cuñada y sus numerosos hijos. No obstante, este singular edificio pasaba casi desapercibido, salvo para algún viajero que conocía aquel hecho y en su visita a Detroit se dejaba caer por esta calle. Así que, en el año 2014, el ayuntamiento decidió emitir una orden de demolición de la misma, así como de otros edificios de su entorno, para levantar nuevas construcciones.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">En ese momento, Rhea McCauley, sobrina de Rosa Parks, adquirió la casa por 500 dólares y, aunque su intención era reformarla, tuvo problemas y no pudo. Cuando el artista de Nueva York Ryan Mendoza se enteró de la historia, llegó a un acuerdo con aquella y decidió llevar a cabo una acción que haría viajar a Europa la casa de Rosa Parks, al tiempo que esperaba dar visibilidad a la importancia de conservar nuestra historia y patrimonio.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Mendoza fue desmantelando la casa pieza a pieza, la empaquetó y la envió en cajas hasta Alemania por transporte marítimo. El artista tenía una vivienda con una pequeña parcela ajardinada en Berlín, y estaba decidido a reconstruirla en este lugar. Su idea fue un éxito. La casa de Rosa Parks podía visitarse en el jardín de Mendoza, en el barrio berlinés de Wedding, por parte de aquellos curiosos y viajeros que quisieran conocerla, al igual que las exposiciones fotográficas que albergaba y un documental con la historia de su origen y el modo de transportarla.</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">La idea de Mendoza era temporal y esperaba encontrar un comprador para que la casa regresara a Estados Unidos y fuera expuesta con todos los cuidados y honores, teniendo en cuenta que formaba parte de la historia del país. Por ese motivo, la casa volvió a su tierra de origen en el año 2018, cuando fue trasladada y expuesta en el <a href="https://www.youtube.com/watch?v=117JMmINHJ4&feature=emb_logo">WaterFire Arts Center en Providence</a> (Rhode Island), para ser posteriormente subastada en la casa de subastas Guernsey’s, en Nueva York. Para ello se estimaba un precio de venta que rondaría entre uno y tres millones de dólares. No obstante, no se llegó a vender y, en la actualidad, sigue esperando una institución o comprador que se haga cargo de ella.</span></div><div style="text-align: justify;"><br /></div><span style="font-family: arial;"><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="font-size: x-large;">Subastan en EU la casa de Rosa Parks</span></div><div style="text-align: center;"><span style="font-size: xx-small;"><a href="https://vanguardia.com.mx/seccion/buena-vida">BUENA VIDA</a></span><span style="font-size: x-small;">16 Jul 2018</span></div><div style="text-align: center;"><span style="font-size: x-small;"><br /></span></div><div style="text-align: center;"><img src="" /></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://lh3.googleusercontent.com/-5Jciw53hgLM/YBa4bNMcqXI/AAAAAAAA3sg/jExXH5yeBy0-Y20ww4ap0gn7J-7_PrmrACLcBGAsYHQ/image.png" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="700" data-original-width="1000" height="280" src="https://lh3.googleusercontent.com/-5Jciw53hgLM/YBa4bNMcqXI/AAAAAAAA3sg/jExXH5yeBy0-Y20ww4ap0gn7J-7_PrmrACLcBGAsYHQ/w400-h280/image.png" width="400" /></a></div></div><div style="text-align: center;"><span style="font-size: x-small;">La casa de la defensora de los derechos civiles estadounidense Rosa Parks (1913-2005) será subastada y podría venderse por hasta tres millones de dólares. Fotos: Guernsey's/Mashable/WVUA23</span></div><div style="text-align: center;"><img src="" /></div> <div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: justify;">Rosa Parks es un ícono en Estados Unidos de la lucha por la igualdad por su negativa a levantarse y dejar el asiento en un autobús en 1955 a un hombre blanco.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">La casa de la defensora de los derechos civiles estadounidense Rosa Parks (1913-2005) será subastada y podría venderse por hasta tres millones de dólares (unos 2.6 millones de euros), informó la empresa de subastas <a href="https://www.liveauctioneers.com/item/63471866_the-rosa-parks-family-home#&gid=1&pid=2">Guernsey's </a>de Nueva York.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">La activista negra es un ícono en Estados Unidos de la lucha por la igualdad por su negativa a levantarse y dejar el asiento en un autobús en 1955 a un hombre blanco.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">La casa quedó en manos originalmente del hermano de Rosa Parks, Sylvester McCauley. Después fue abandonada e iba a ser demolida, hasta que la sobrina de la activista Rhea McCauley la compró por 500 dólares. Ella Intentó salvarla, conoció al artista estadounidense Ryan Mendoza, que vive en Berlín, y se la donó.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Mendoza trasladó la pequeña casa de madera de dos pisos desde Detroit al jardín de su casa en un barrio de la capital alemana, donde la reconstruyó en 2017. Miles de personas pudieron visitarla allí durante varios meses.</div><div style="text-align: justify;">TE PUEDE INTERESAR</div><div style="text-align: justify;"><a href="http://editores.vanguardia.com.mx/100anosderosaparksmadredelmovimientodelosderechosciviles-1475029.html">100 años de Rosa Parks, madre del movimiento de los derechos civiles</a></div><div style="text-align: justify;">TE PUEDE INTERESAR</div><div style="text-align: justify;"><a href="http://editores.vanguardia.com.mx/obamaalabacorajederosaparkstrasdesvelarsuestatuaenelcapitolio-1491825.html">Obama alaba "coraje" de Rosa Parks tras desvelar su estatua en el Capitolio</a></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">A principios de este año la casa volvió a cruzar el Atlántico en barco y fue exhibida en la Universidad de Brown en Providence, en el estado de Rhode Island.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">La subasta será el 26 de julio y el 50 por ciento de las ganancias se destinarán a la fundación de Rhea McCauley.</div></span><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;">https://www.descubrir.com/la-historia-de-la-casa-de-rosa-parks/</span></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;">https://vanguardia.com.mx/articulo/subastan-en-eu-la-casa-de-rosa-parkshttps://draft.blogger.com/blog/post/edit/228787287723518540/519829484504516815</span></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;">https://www.unicef.es/educa/blog/rosa-parks-asiento-reservado-derechos-humanos</span></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;"><br /></span></div><div style="text-align: center;"><br /></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-40296840485419242232021-01-30T20:42:00.005+01:002021-01-30T21:08:24.019+01:00La cabaña del tío Tom<p style="text-align: center;"> <a href="https://lh3.googleusercontent.com/-4D2y3tpOp-8/YBWs0Pz1VyI/AAAAAAAA3rU/TPcbkhxaO4oz1jaVI8JTu2BcA4hq6ZGxQCLcBGAsYHQ/image.png" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="506" data-original-width="700" src="https://lh3.googleusercontent.com/-4D2y3tpOp-8/YBWs0Pz1VyI/AAAAAAAA3rU/TPcbkhxaO4oz1jaVI8JTu2BcA4hq6ZGxQCLcBGAsYHQ/s16000/image.png" /></a><span style="font-family: times; font-size: x-small;">Uncle Tom's Cabin not only exists in real life, but you can find it right here in Ontario, where the Rev. Josiah Henson- from whose experiences Harriet Beecher Stowe created in her novel- lived out his life</span><a href="https://draft.blogger.com/#" style="font-family: times; font-size: small;">Weaver, Alf</a><span style="font-family: times; font-size: small;">. Picture, 1977</span></p><p style="text-align: center;"><span style="font-family: times;"> <span style="font-size: x-small;">La cabaña del tío Tom no solo existe en la vida real, sino que puede encontrarla aquí mismo en Ontario, donde el reverendo Josiah Henson, de cuyas experiencias Harriet Beecher Stowe creó en su novela, vivió su vida.</span></span></p><div style="text-align: center;"><div style="text-align: center;"><br /></div></div><div style="text-align: justify;"><span style="font-family: arial;">Uncle Tom's Cabin not only exists in real life, but you can find it right here in Ontario, where the Rev. Josiah Henson- from whose experiences Harriet Beecher Stowe created in her novel- lived out his life. The cabin and other buildings can be seen near Dresden, where a settlement for escaped slaves was established under his leadership. Among the displays at the museum are Stowe's book and a first edition of his own story.</span></div><div style="text-align: justify;"><span style="font-size: x-small;"><span style="font-family: arial;"><br /></span></span></div><div style="text-align: justify;"><span style="font-size: x-small;"><span style="font-family: arial;">Publisher: </span><span style="font-family: arial;">Toronto Star</span></span></div><div style="text-align: justify;"><span style="font-size: x-small;"><span style="font-family: arial;">Rights and Licenses: </span><a href="https://draft.blogger.com/#"><span style="font-family: arial;">Toronto Star License</span></a></span></div><div style="text-align: justify;"><span style="font-size: x-small;"><span style="font-family: arial;">Provenance: </span><span style="font-family: arial;">From the Toronto Star Photo Archives</span></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: arial;">La cabaña del tío Tom no solo existe en la vida real, sino que puede encontrarla aquí mismo en Ontario, donde el reverendo Josiah Henson, de cuyas experiencias Harriet Beecher Stowe creó en su novela, vivió su vida. La cabaña y otros edificios se pueden ver cerca de Dresde, donde se estableció un asentamiento para esclavos fugitivos bajo su liderazgo. Entre las exhibiciones en el museo se encuentran el libro de Stowe y una primera edición de su propia</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><div><br /></div></div><div style="text-align: center;"><span style="font-family: arial;"><a href="https://lh3.googleusercontent.com/-ByXdK24BSeA/YBWxkB86h1I/AAAAAAAA3r8/oXwOrmUAjgIR2sHIxnN7yeSVIXe36egEgCLcBGAsYHQ/image.png"><img height="320" src="https://lh3.googleusercontent.com/-ByXdK24BSeA/YBWxkB86h1I/AAAAAAAA3r8/oXwOrmUAjgIR2sHIxnN7yeSVIXe36egEgCLcBGAsYHQ/w224-h320/image.png" width="224" /></a></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><span style="font-family: arial;"><a href="https://lh3.googleusercontent.com/-cDi3-AUzydI/YBWvvlqOCdI/AAAAAAAA3ro/9TSxz1IDMAQWIgTLg8Nw8zUgjBnlcT-2QCLcBGAsYHQ/image.png"><img src="https://lh3.googleusercontent.com/-cDi3-AUzydI/YBWvvlqOCdI/AAAAAAAA3ro/9TSxz1IDMAQWIgTLg8Nw8zUgjBnlcT-2QCLcBGAsYHQ/image.png" /></a></span><span style="font-family: arial;"><a href="https://lh3.googleusercontent.com/-cdo_kIWh5pU/YBWv8ZJmEHI/AAAAAAAA3rs/efGhCR4nsTEVMTZ6Q2H445tl0fCnc2F6ACLcBGAsYHQ/image.png"><img src="https://lh3.googleusercontent.com/-cdo_kIWh5pU/YBWv8ZJmEHI/AAAAAAAA3rs/efGhCR4nsTEVMTZ6Q2H445tl0fCnc2F6ACLcBGAsYHQ/image.png" /></a></span></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><a href="https://lh3.googleusercontent.com/-jX1v9m55YEI/YBWvMkTT5gI/AAAAAAAA3rg/Xtn7uFFKfSMguDZFtrydV94FroZs5eRcQCLcBGAsYHQ/image.png"><span style="font-family: arial;"><img src="https://lh3.googleusercontent.com/-jX1v9m55YEI/YBWvMkTT5gI/AAAAAAAA3rg/Xtn7uFFKfSMguDZFtrydV94FroZs5eRcQCLcBGAsYHQ/image.png" /></span></a></div><div style="text-align: justify;"><br /></div><span style="font-size: medium;"><div style="text-align: center;"><span style="color: #660000;"> </span></div><div style="text-align: center;"><span><b><span style="color: #660000;">Ilustraciones:</span><span style="color: #ffa400;"> </span><a href="https://www.pinterest.es/ehinton84021/uncle-toms-cabin/" style="color: #ffa400;">https://www.pinterest.es/ehinton84021/uncle-toms-cabin/</a></b></span></div><div style="text-align: center;"><br /></div></span><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="color: #990000; font-family: arial; font-size: x-large;"><b>La cabaña del tío Tom y la guerra civil </b></span></div><div style="text-align: justify;"><span style="color: #990000; font-family: arial;"><br /></span></div><div style="text-align: center;"><a href="https://en.wikipedia.org/wiki/File:Alanson_Fisher_-_Harriet_Beecher_Stowe_-_Google_Art_Project.jpg"><span style="font-family: arial;"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/1/17/Alanson_Fisher_-_Harriet_Beecher_Stowe_-_Google_Art_Project.jpg/220px-Alanson_Fisher_-_Harriet_Beecher_Stowe_-_Google_Art_Project.jpg" /></span></a></div><div style="text-align: center;"><span style="font-family: times; font-size: x-small;">Retrato de Stowe por Alanson Fisher, 1853 ( <a href="https://en.wikipedia.org/wiki/National_Portrait_Gallery_(United_States)">Galería Nacional de Retratos</a> )</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">En 1850, el Congreso aprobó la <a href="https://en.wikipedia.org/wiki/Fugitive_Slave_Law">Ley de esclavos fugitivos</a> , que prohíbe la asistencia a los fugitivos y fortalece las sanciones incluso en los estados libres. En ese momento, Stowe se había mudado con su familia a <a href="https://en.wikipedia.org/wiki/Brunswick,_Maine">Brunswick, Maine</a> , donde su esposo ahora enseñaba en <a href="https://en.wikipedia.org/wiki/Bowdoin_College">Bowdoin College</a> . Su <a href="https://en.wikipedia.org/wiki/Harriet_Beecher_Stowe_House_(Brunswick,_Maine)">hogar</a> cerca del campus está protegido como Monumento Histórico Nacional. Los Stowes eran fervientes críticos de la esclavitud y apoyaban al <a href="https://en.wikipedia.org/wiki/Underground_Railroad">Ferrocarril Subterráneo</a> , que alojaba temporalmente a varios esclavos fugitivos en su hogar. Un fugitivo de la esclavitud, <a href="https://en.wikipedia.org/wiki/John_Andrew_Jackson">John Andrew Jackson</a>, escribió sobre esconderse con Stowe en su casa en Brunswick, Maine, mientras huía a Canadá en su narrativa titulada "La experiencia de un esclavo en Carolina del Sur" (Londres: Passmore & Albaster, 1862). </span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Stowe afirmó tener una visión de un esclavo moribundo durante un servicio de comunión en la Primera Iglesia Parroquial de Brunswick, lo que la inspiró a escribir su historia. Sin embargo, lo que probablemente le permitió sentir empatía por los esclavos fue la pérdida de su hijo de dieciocho meses, Samuel Charles Stowe. Incluso dijo lo siguiente: "Habiendo experimentado la pérdida de alguien tan cercano a mí, puedo simpatizar con todos los esclavos pobres e impotentes en las subastas injustas. Siempre estarás en mi corazón, Samuel Charles Stowe". El 9 de marzo de 1850, Stowe escribió a <a href="https://en.wikipedia.org/wiki/Gamaliel_Bailey">Gamaliel Bailey</a> , editor de la revista semanal contra la esclavitud <a href="https://en.wikipedia.org/wiki/The_National_Era">The National Era.</a>, que planeaba escribir una historia sobre el problema de la esclavitud: "Siento ahora que ha llegado el momento en que incluso una mujer o un niño que pueda decir una palabra por la libertad y la humanidad está obligado a hablar ... Espero que todas las mujeres quien sepa escribir no se callará ". </span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Poco después, en junio de 1851, cuando tenía 40 años, se publicó la primera entrega de La <a href="https://en.wikipedia.org/wiki/Uncle_Tom%27s_Cabin">cabaña</a> del <a href="https://en.wikipedia.org/wiki/Uncle_Tom%27s_Cabin">tío Tom</a> en forma de serie en el periódico The National Era . Originalmente usó el subtítulo "El hombre que era una cosa", pero pronto se cambió a "La vida entre los humildes".<a href="https://en.wikipedia.org/wiki/Harriet_Beecher_Stowe#cite_note-ReferenceA-1"> Las</a> entregas se publicaron semanalmente desde el 5 de junio de 1851 hasta el 1 de abril de 1852. Por la publicación periódica de su novela, Stowe recibió $ 400. La cabaña del tío Tom fue publicada en forma de libro el 20 de marzo de 1852 por John P. Jewett con una tirada inicial de 5.000 copias. Cada uno de sus dos volúmenes incluía tres ilustraciones y una portada diseñada por <a href="https://en.wikipedia.org/wiki/Hammatt_Billings">Hammatt Billings</a>. En menos de un año, el libro vendió 300.000 copias sin precedentes. En diciembre, cuando las ventas comenzaron a disminuir, Jewett emitió una edición económica a 37½ centavos cada una para estimular las ventas. Las ventas en el extranjero, como en Gran Bretaña, donde el libro fue un gran éxito, no le valieron nada a Stowe, ya que no existía un acuerdo internacional de derechos de autor durante esa época. A finales de 1853 Stowe emprendió una gira de conferencias por Gran Bretaña y, para compensar los derechos que no podía recibir allí, la Nueva Asociación de Glasgow para la Abolición de la Esclavitud creó la Ofrenda del Tío Tom. </span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Según Daniel R. Lincoln, el objetivo del libro era educar a los norteños sobre los horrores realistas de las cosas que estaban sucediendo en el sur. El otro propósito era tratar de hacer que la gente del Sur se sintiera más empática con la gente a la que estaban obligando a ser esclavos. </span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><a href="https://en.wikipedia.org/wiki/File:Harriet_Beecher_Stowe_by_Francis_Holl.JPG"><span style="font-family: arial;"><img src="https://upload.wikimedia.org/wikipedia/commons/thumb/8/8f/Harriet_Beecher_Stowe_by_Francis_Holl.JPG/220px-Harriet_Beecher_Stowe_by_Francis_Holl.JPG" /></span></a></div><div style="text-align: center;"><span style="font-family: arial; font-size: x-small;">Retrato de Harriet Beecher Stowe por Francis Holl, 1853</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">La emotiva descripción del libro de los efectos de la esclavitud en las personas captó la atención de la nación. Stowe demostró que la esclavitud afecta a toda la sociedad, más allá de las personas directamente involucradas como amos, comerciantes y esclavos. Su novela se sumó al debate sobre la abolición y la esclavitud y despertó la oposición en el sur. En el sur, Stowe fue descrito como fuera de contacto, arrogante y culpable de difamación. En un año, 300 bebés solo en Boston fueron nombrados <a href="https://en.wikipedia.org/wiki/Uncle_Tom%27s_Cabin#Eva">Eva (uno de los personajes del libro)</a> , y una obra de teatro basada en el libro se inauguró en Nueva York en noviembre.<a href="https://en.wikipedia.org/wiki/Harriet_Beecher_Stowe#cite_note-22"> Los</a> sureños respondieron rápidamente con numerosas obras de lo que ahora se llaman <a href="https://en.wikipedia.org/wiki/Anti-Tom_novels">novelas anti-Tom.</a>, buscando retratar la sociedad sureña y la esclavitud en términos más positivos. Muchos de estos fueron bestsellers, aunque ninguno alcanzó la popularidad del trabajo de Stowe, que estableció récords editoriales. [ <a href="https://en.wikipedia.org/wiki/Wikipedia:Citation_needed">cita requerida</a> ]</span></div><div style="text-align: justify;"><span style="font-family: arial;"><br /></span></div><div style="text-align: justify;"><span style="font-family: arial;">Después del inicio de la <a href="https://en.wikipedia.org/wiki/American_Civil_War">Guerra Civil</a> , Stowe viajó a la capital, Washington, DC, donde conoció al presidente <a href="https://en.wikipedia.org/wiki/Abraham_Lincoln">Abraham Lincoln</a> el 25 de noviembre de 1862. La hija de Stowe, Hattie, informó: "Fue un momento muy divertido que tuvimos en la Casa Blanca les aseguro ... sólo diré ahora que todo fue muy divertido, y estábamos listos para estallar en carcajadas todo el tiempo ". Lo que dijo Lincoln es un misterio menor. Más tarde, su hijo informó que Lincoln la saludó diciendo: "entonces tú eres la mujercita que escribió el libro que inició esta gran guerra". Sus propios relatos son vagos, incluida la carta que informa de la reunión a su esposo: "Tuve una entrevista realmente divertida con el presidente". </span></div><div style="text-align: justify;"><div style="text-align: center;"><br /></div><div><br /></div></div>
<div style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="215" src="https://www.youtube.com/embed/-CoO7KGXlCE?start=10" width="560"></iframe></div><div style="text-align: center;"><br /></div><div style="text-align: center;">
<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="215" src="https://www.youtube.com/embed/Ul09jwM9F98?start=493" width="560"></iframe></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><div><span style="font-family: times; font-size: x-small;">https://www.torontopubliclibrary.ca/detail.jsp?Entt=RDMDC-TS-2-125-GO-023&R=DC-TS-2-125-GO-023</span></div><div><span style="font-family: times; font-size: x-small;">https://www.cardcow.com/455138/dresden-ontario-canada-uncle-toms-cabin/</span></div><div><span style="font-family: times; font-size: x-small;">https://www.rottentomatoes.com/m/uncle_toms_cabin-1987#&gid=1&pid=1</span></div><div><span style="font-family: times; font-size: x-small;">https://en.wikipedia.org/wiki/Harriet_Beecher_Stowe</span></div><div><span style="font-family: times; font-size: x-small;"><a href="https://www.pinterest.es/ehinton84021/uncle-toms-cabin/">https://www.pinterest.es/ehinton84021/uncle-toms-cabin/</a></span></div><div><span style="font-family: times; font-size: x-small;">https://en.wikipedia.org/wiki/Harriet_Beecher_Stowe</span></div><div><span style="font-family: times; font-size: x-small;"><br /></span></div><div><br /></div></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0tag:blogger.com,1999:blog-228787287723518540.post-34710081644215709332021-01-29T18:09:00.007+01:002021-01-29T18:18:35.815+01:00Cabaña post Covid-19<p><span style="color: #274e13;"><span style="font-size: x-large;">Fiebre de la cabaña: ¿Escocia adoptará la cultura de la cabaña después de Covid?<br /></span><br /></span></p><div class="css-pn0kqp" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; grid-area: media / media / media / media; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><div class="css-79elbk" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; position: relative; vertical-align: baseline;"><div class="css-nzznp8" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; min-height: 1px; padding: 0px; vertical-align: baseline;"><div style="text-align: center;"><img height="240" src="https://i.guim.co.uk/img/media/4e2d9309acfad84f87ab3b766554fa00b1359d37/0_192_5760_3456/master/5760.jpg?width=465&quality=45&auto=format&fit=max&dpr=2&s=3aa8f1ddbe3082c050e81a6d2a6e020b" width="400" /></div><span style="font-size: x-small;">"Hay tal retroceso contra las segundas residencias en Escocia". La locutora y activista Lesley Riddoch en su casa en Balmerino, Escocia. Fotografía: Murdo MacLeod / The Guardian</span><span style="border-color: initial; border-image: initial; border-style: initial; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit;"><b><div class="css-nzznp8" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; min-height: 1px; padding: 0px; vertical-align: baseline;"><span style="border-color: initial; border-image: initial; border-style: initial; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit;"><span style="font-size: medium;"><br /></span></span></div><span style="font-family: helvetica; font-size: medium;">Las cabañas, que anteriormente eran el coto de una élite adinerada, están ganando popularidad entre los escoceses a raíz de la pandemia.</span></b></span><span style="font-family: helvetica;"><b><span style="font-size: medium;"><br /></span></b><br /><span style="font-size: x-small;"><span style="border-color: initial; border-image: initial; border-style: initial; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit;">Corresponsal de </span><a href="https://draft.blogger.com/#" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Libby Brooks</a><span style="border-color: initial; border-image: initial; border-style: initial; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit;"> Escocia</span></span></span></div></div></div><div class="css-15ibrj7" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; grid-area: body / body / body / body; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline; z-index: 3;"><main class="css-1ikqjzp" style="-webkit-box-flex: 1; border: 0px; box-sizing: inherit; flex-grow: 1; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline; z-index: 1;"><main class="css-krkkhw" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; max-width: 620px; padding: 0px; vertical-align: baseline;"><div class="css-avj6db" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><span style="font-family: arial;"><div style="text-align: justify;"><br /></div><div style="text-align: justify;">“Es el lugar donde la gente entierra a sus mascotas”, dice Lesley Riddoch, mientras intenta describir la profunda conexión que los noruegos tienen por sus cabañas de madera, o hytte , que se pueden encontrar a través de cientos de miles de bosques y fiordos. "Si bien las personas cambian sus primeros hogares para adaptarse al trabajo o la familia, la cabaña es una constante y es un hogar a nivel emocional".</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">El locutor y activista de la reforma agraria se encuentra al final de una investigación de 10 años sobre lo que comenzó como una simple pregunta: ¿podría medio millón de chozas de madera esparcidas por los bosques de Escocia transformar la salud, la felicidad y la democracia de la nación? El libro resultante, <a href="https://draft.blogger.com/#">Huts: un lugar más allá</a> , es un llamado de atención para una revolución en la forma en que entendemos el hogar, el ocio y nuestra relación con el mundo natural, lo que ha agregado mordedura desde que la pandemia ha llevado a muchas personas a reevaluar sus condiciones de vida.</div><div style="text-align: justify;">Los informes de una <a href="https://draft.blogger.com/#">corrida en el mercado inmobiliario de Highland</a> después del cierre han sido tratados con sospecha comprensible por una población que ha descrito la falta de propiedad asequible para los lugareños como una <a href="https://draft.blogger.com/#">nueva forma de "autorizaciones económicas"</a> . Pero para Riddoch, parte del problema es realmente la ausencia de cabañas.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">"Hay tal retroceso contra las segundas viviendas en <a href="https://draft.blogger.com/#">Escocia</a> , porque son efectivamente las primeras casas de otras personas, mientras que las cabañas, viviendas modestas y de bajo impacto, no tienen ningún impacto en el inventario de viviendas locales".</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">De nuevo hace la comparación con <a href="https://draft.blogger.com/#">Noruega</a> , donde uno de cada 10 posee una casa de vacaciones, en comparación con Escocia, donde es el coto de la élite adinerada. La razón principal de esta enorme discrepancia es el tipo de casa de vacaciones que es típica en cada país: en <a href="https://draft.blogger.com/#">Noruega</a> , el 93% de las segundas residencias son hytte de madera especialmente construidas . Hay casi 500.000 de estas cabañas en <a href="https://draft.blogger.com/#">Noruega</a> , mientras que en Escocia, Riddoch estima que hay menos de 600.</div></span><div class="article-body-commercial-selector css-79elbk article-body-viewer-selector" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; position: relative; vertical-align: baseline;"><figure class="css-10khgmf" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 12px 0px; padding: 0px; vertical-align: baseline;"><div class="css-1nfcn93" style="background-color: white; border: 0px; box-sizing: inherit; color: #121212; font: inherit; margin: 0px; padding: 0px; position: relative; text-align: center; vertical-align: baseline;"><picture itemprop="contentUrl" style="box-sizing: inherit;"><source media="(-webkit-min-device-pixel-ratio: 1.25), (min-resolution: 120dpi)" sizes="(min-width: 660px) 620px, 100vw" srcset="https://i.guim.co.uk/img/media/4504a55ab97bccecd13030407a9288f378b63b8b/0_200_6000_3600/master/6000.jpg?width=620&quality=45&auto=format&fit=max&dpr=2&s=f498ea4dc9386223eb040b3d73355549 1240w,https://i.guim.co.uk/img/media/4504a55ab97bccecd13030407a9288f378b63b8b/0_200_6000_3600/master/6000.jpg?width=605&quality=45&auto=format&fit=max&dpr=2&s=a2762b5e72f031ace16397f9d31d9aa6 1210w,https://i.guim.co.uk/img/media/4504a55ab97bccecd13030407a9288f378b63b8b/0_200_6000_3600/master/6000.jpg?width=445&quality=45&auto=format&fit=max&dpr=2&s=2b29b59664ffbac8e670a37766b55d05 890w" style="box-sizing: inherit;"></source><source sizes="(min-width: 660px) 620px, 100vw" srcset="https://i.guim.co.uk/img/media/4504a55ab97bccecd13030407a9288f378b63b8b/0_200_6000_3600/master/6000.jpg?width=620&quality=85&auto=format&fit=max&s=05e7929a7605489bacf13a524fec1ada 620w,https://i.guim.co.uk/img/media/4504a55ab97bccecd13030407a9288f378b63b8b/0_200_6000_3600/master/6000.jpg?width=605&quality=85&auto=format&fit=max&s=20907e8c702f192d4211a6391e87e540 605w,https://i.guim.co.uk/img/media/4504a55ab97bccecd13030407a9288f378b63b8b/0_200_6000_3600/master/6000.jpg?width=445&quality=85&auto=format&fit=max&s=c04ca51ac7b596d04e944dc539f7011b 445w" style="box-sizing: inherit;"></source><img alt="Rorbus de madera roja cabañas de pescadores en la isla Moskenesoya, Islas Lofoten, Noruega" class="css-uk6cul" height="3600" loading="lazy" src="https://i.guim.co.uk/img/media/4504a55ab97bccecd13030407a9288f378b63b8b/0_200_6000_3600/master/6000.jpg?width=445&quality=45&auto=format&fit=max&dpr=2&s=2b29b59664ffbac8e670a37766b55d05" style="border: 0px; box-sizing: inherit; font: inherit; height: auto; margin: 0px; object-fit: cover; padding: 0px; vertical-align: middle; width: 620px;" width="6000" /></picture></div><span style="font-size: x-small;">Cabañas de pescadores de rorbus de madera roja en las islas Lofoten, Noruega. Fotografía: Realimage / Alamy Stock Photo</span></figure><span style="font-family: arial;"><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Estos retiros de fin de semana son comunes en latitudes boscosas desde Canadá, pasando por los estados nórdicos y bálticos, hasta Rusia, basándose en una tradición que comenzó en las décadas de 1920 y 1930, cuando los trabajadores escaparon de la enfermedad y la miseria de los centros urbanos. Normalmente se construían a no más de una hora de la casa principal de la familia, para maximizar el tiempo libre, y las instalaciones eran deliberadamente básicas para ahorrar gastos y complicaciones. Las más notables en el Reino Unido fueron las “tierras de parcelas”, comunidades de vacaciones improvisadas que atestaban de londinenses en las marismas y prados del sur de Essex.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Pero décadas de expansión urbana, leyes más estrictas y desalojos han visto disminuir la tradición de las chozas, con solo unos pocos bolsillos restantes, sostenidos por entusiastas dedicados. Hay cabañas en la península de Gower en Gales, en Lendalfoot en el sur de Ayrshire y Hopeman en la costa de Moray. La comunidad de cabañas más grande que queda se encuentra en Carbeth, cerca de Campsie Fells, donde los residentes recaudaron £ 1,75 millones en 2013 para comprar a su propietario, 90 años después de que el socialista William Ferris, nacido en Govan, estableciera su campamento allí por primera vez.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Las reformas agrarias de los últimos tres años, que han eximido a las cabañas de las regulaciones de construcción y las han reconocido en la legislación de planificación, han dado impulso a los planes para restablecer la tradición de las cabañas en Escocia. Pero el desafío sigue siendo la falta de terrenos disponibles para la construcción a pequeña escala.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Como advierte Riddoch: “Las oportunidades no satisfacen la demanda. Las cabañas se construyen en el bosque, pero la Comisión Forestal tradicionalmente ha cerrado sus puertas y no ha considerado que las cabañas tengan un valor de esparcimiento, mientras que los bosques privados son propiedad de una pequeña cantidad de grandes actores que comparten la opinión de que los bosques no son para las personas ".</div><div style="text-align: justify;"><br /></div></span><span style="color: #121212; font-family: inherit;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img alt="Las islas Lofoten; Cabaña de madera roja tradicional del pescador de Rorbu en el pueblo de Reine en Noruega BK4750 Islas Lofoten; Cabaña de pescador Rorbu de madera roja tradicional en la aldea de Reine en Noruega" class="css-uk6cul" height="3077" loading="lazy" src="https://i.guim.co.uk/img/media/96269c926975d7223367877960471316d6d660b0/0_167_5128_3077/master/5128.jpg?width=445&quality=45&auto=format&fit=max&dpr=2&s=77faf0442a969437040c1bf37d6976ea" style="border: 0px; box-sizing: inherit; font: inherit; height: auto; margin: 0px auto; object-fit: cover; padding: 0px; vertical-align: middle; width: 620px;" width="5128" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><div class="article-body-commercial-selector css-79elbk article-body-viewer-selector" style="border: 0px; box-sizing: inherit; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; position: relative; text-align: left; vertical-align: baseline;"><span style="font-size: x-small;">Hay casi 500.000 de estas cabañas en Noruega, mientras que en Escocia Riddoch estima que hay menos de 600. Fotografía: Iain Masterton / Alamy Stock Photo</span></div><div><span style="font-size: x-small;"><br /></span></div></td></tr></tbody></table><br /></span></div><span style="font-family: arial;"><div style="text-align: justify;">A pesar de esto, hay hasta 300 nuevas cabañas en desarrollo, según Donald McPhillimy de Reforesting Scotland, cuya <a href="https://draft.blogger.com/#">campaña Thousand Huts</a> ofrece consejos prácticos detallados sobre la construcción de cabañas seguras y sostenibles.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Para Ninian Stuart, quien construyó su primera cabaña hace una década en la finca Falkland en Fife, donde se está estableciendo una nueva comunidad de cabañas, la construcción de madera de 9 metros cuadrados, con un amplio porche cubierto, que costó alrededor de £ 10,000, es “Mi lugar favorito del mundo”.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Con un asiento acolchado o un banco para dormir, y una mesa junto a la ventana con vista al bosque, “es bastante básico. Estoy tratando de alejarme de las "cosas". Es donde voy una vez a la semana y siempre que voy creo que estoy en casa. Realmente es el lugar más especial para mí ".</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><i><span style="font-size: x-small;">https://draft.blogger.com/blog/post/edit/preview/228787287723518540/3471008164421570933</span></i></div></span><div style="text-align: center;"><br /></div></div></main></main></div>Gus Cierzohttp://www.blogger.com/profile/15397834810528576520noreply@blogger.com0